What does a ton of CO2 look like?

A planned new waste-to-energy plant in Copenhagen will feature an art installation that will blow 30-metre smoke rings out of its chimney as a reminder of the pollution it is emitting

BIG VORTEX is the idea of Berlin-based artists realities:united. Waste gases will leave the chimney of the plant (which will turn waste into energy) as revolving gas clouds in the shape of smoke rings. The rings become visible due to the condensation of water in the flue gases as they slowly rise and cool, before resolving into the air. The rings produced in this way will, the artists estimate, be 30 metres in diameter and three metres thick and “constitute exactly one ton of fossil carbon dioxide, which is added to the atmosphere”. “[In] this way the rather abstract pollution aspect gets somewhat more graspable and understandable, something you can see and relate to,” the artists say.

Each should be visible for around 45 seconds. At night they will be lit by lasers and there are even plans to project pie charts of pollution data onto them.

The installation is part of the Amagerforbraending Denmark state of the art waste-to-energy processing plant to be created by BIG architects following an international competition. Its roof will be double as a ski slope, thereby “mobilizing the architecture and redefining the relationship between the waste plant and the city,” according to the press blurb.

The smoke rings are seemingly meant as a reminder that, although the plant’s work in turning waste into energy is generally seen as a good thing, it too produces pollution, so it would be better to produce less waste in the first place. “We admit, that we are an industrial plant. But with smoke rings we signal, that we are also something else. Many believe, that if you throw something away, it is gone, but it is actually not. And by sending smoke rings we’d like to make it noticeable, that we are here, and that we’re solving a problem that the city has when it’s getting rid of its waste,” says Ulla Röttger, Director of Amagerforbraending.

Perhaps if all pollution-emitting buildings and vehicles were required to make the fact visible in this way, it would prompt more urgent action but the whole thing does sound somewhat ominous.

Österlen by Inga Sempé for Gärsnäs

Osterlen by Inga Sempe for Garsnas

French designer Inga Sempé will present this ash chair and table for Swedish brand Gärsnäs at the Stockholm Furniture Fair in Sweden next week.

Osterlen by Inga Sempe for Garsnas

Called Österlen, the chair has slices cut out of the bent back and round legs to make a comfortable backrest, create neat joints with the square plywood seat and sharpen the line of the legs.

Osterlen by Inga Sempe for Garsnas

Corresponding cuts in the table legs soften its corners.

Osterlen by Inga Sempe for Garsnas

Stockholm Furniture Fair takes place 8-12 February 2011.

Osterlen by Inga Sempe for Garsnas

More about Inga Sempé on Dezeen »

Osterlen by Inga Sempe for Garsnas

Photographs are by Lennart Durehed.

Osterlen by Inga Sempe for Garsnas

The text below is from Inga Sempé:


The name of the chair and table is Österlen, to support the fact that this collection is built in this historically strong part of south Sweden called Österlen and designed by an even more southern person. Working with Gärsnäs was a great opportunity for me to design wooden furniture, – a thing that is not possible to do in France where no wood factory would ask contemporary designer to work for them. I knew that it would be nicely built with the high knowledge of this historical company.

Osterlen by Inga Sempe for Garsnas

I wanted to mix the typical bent technics and high skills for fine assemblies of Gärsnäs. My aim was to create a simple, light and quiet – but not minimalist- chair and table, that would be nice in contemporay homes or in older ones, good for domestic purposes as well as for contracts.

Osterlen by Inga Sempe for Garsnas

The main characteristic of the chair is the U cuts made into the legs and bent parts. These cuts flatten the curves of the round legs so the light hits the pieces in a different way, which gives a soft rythm to the chair with shadowed or enlightened reliefs.

Osterlen by Inga Sempe for Garsnas

The bent back’s cuts are made to bring confort by increasing the angle with the seat. In the back support, those cuts allow it to be assembled with the the bent back part.

The front legs are cut and flattened to join the seat in a nice diagonal assembly. On their lower parts, the cuts sharpen the shape of the legs and give lightness to the Österlen chair and table and a kind of an elan.

Chair, h83 × w43 × d49, seat : h49 cm. Natural ash, veneer seat.
Table, h73 × 70 × 70. Natural ash.


See also:

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Michelle Obama: Fashion Icon

Remember those heady days of the late ’08s and early ’09s when there was lots of talk about Michelle Obama‘s wardrobe, from how it was going to revolutionize the fashion world to all the speculation over what she would wear at the next big event? Granted, over the past couple of years there’s been gallons of ink used to talk about the First Lady’s fashion sense, but it seems like as the politics went negative, so did some of the press, from the Curse of Michelle which struck both Maria Pinto and Kai Millas‘ now-shuttered lines, and some talk here and there when Mrs. Obama hadn’t selected a piece of clothing by cultural one group over another. This might all change next week, however, with the release of author Kate Betts‘ book Everyday Icon: Michelle Obama and the Power of Style. The book, penned by current contributing editor at Time and former editor-in-chief of Harper’s Bazaar, reportedly spends its 256 pages digging in to the First Lady-as-fashionista, not just talking about her wardrobe choices, but what implications those decisions have had across the fashion industry and the culture and politics as a whole. While Booklist‘s early review is a mixed bag as to its overall quality as a read, they’re likely correct when saying that it’s “bound to be asked for by many readers.” Will be interesting to see what sort of boosting effect it has on First Lady fashion reporting.

A promo video of Kate Betts talking about her book after the jump.

continued…

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Cinematic Tales of Femme Fatales From Miu Miu!

imageSet in London’s chichi Claridges hotel, ‘The Powder Room’ is the first in a series of short films by female filmmakers with different intellectual backgrounds and a distinct love of Miu Miu. Directed by Zoe Cassavetes (Broken English), the premiere piece takes place in an ultra-feminine environment where gestures between women are traded in a ritual of opulent beauty and romantic ‘codes’ – which mirror everything we all already adore about the luxury of the Miu Miu universe.


‘I love the idea of a powder room, the ritual which takes place within them is very important for women,’ explains Cassavetes about her somewhat mysterious narrative mosaic. ‘The story is about women and their private moments, so it’s allowed to be free and dream … the dreamy part was the most fun. And the glamour.’



Read more about Miu Miu’s short film series by clicking over to our friends at FashionTribes!

The Launch of an Official Campaign for Banksy to Win the Oscar or Something Else Entirely?

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Now that 2010 made Banksy a household name, between the artist guest directing the intro to The Simpsons and his film, Exit Through the Gift Shop, recently landing itself in Academy Award contention in the documentary category, items surrounding the notoriously secretive artist will undoubtedly both receive more attention and more scrutiny. Related to the Academy nod, a massive piece of street art has just recently shown up on the side of a building in Los Angeles, depicting a hooded Banksy as the Oscar award, surrounded by Star Wars Storm Troopers. While Exit certainly seems the front-runner for the win, is the piece a publicity push to help the movie along toward the finish line (let’s not forget that the artist made some publicity-friendly pieces at the Sundance premiere of the film last year)? Is it Banksy himself poking fun at his newly-found Hollywood fortunes? Or the work of the copycat villain of the film, Mr. Brainwash/Thierry Guetta (who might also be fake)? According to Movieline, it seems that most who have seen the mural believe that it’s the latter, who’s really ever to know when it comes to Banksy? The guy is the British James Franco.

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Conçue par 2 designers belges Jérôme Spriet et Wolfgang Bregentzer, voici cette idée de table basse Acoustable contenant un système audio avec ports USB raccordable au laptop ou à l’iPod. En plastique moulé avec ampli stéréo complet, 2 enceintes 50W et sur un diamètre de 120 cm.



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Google Collaborates with International Museums, Launches ‘Art Project’

Thoughts of Walter Benjamin‘s famous essay The Work of Art in the Age of Mechanical Reproduction aside, yesterday Google launched Art Project, an online gallery holding a collection of art compiled across seventeen high-profile museums, ranging from London’s National Gallery to New York’s MoMA, the Met, and the Frick, to the Palace of Versailles. The site allows users to wander around the galleries, Google Street View-style, bouncing around from room to room and spinning in 360-degree circles. More impressive is the ability to zoom into a large assortment of pieces from each museums’ collection, some all the way to what feels like near microscopic levels. We were particularly happy to see the Van Gogh Museum included in the mix, having the ability to zoom very far into the artist’s The Bedroom, the restoration of which we’d enjoyed following throughout last year. If you’re trapped at home today due to any assortment of blizzards that are likely hitting your town, it’s the perfect way to while away the hours. Here’s some behind-the-scenes on how Google created the project:

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