Hasta La Ideas

Dezeenwire: the City of Helsinki has commissioned the Solomon R. Guggenheim Foundation to conduct a study exploring the possibility of creating a new Guggenheim Museum in Finland, to be completed by the end of this year. See press release below.

See also: Olli-Pekka Kallasvuo to lead World Design Capital Helsinki 2012 committee

Helsinki commissions the Solomon R. Guggenheim Foundation to explore the possibility of a Guggenheim Museum in Finland

The Guggenheim Brings Its Global Expertise to Finland’s Capital to Study How the Nation Might Enhance Its Place in Today’s Cultural World

At a news conference at Helsinki City Hall, Mayor Jussi Pajunen and Deputy Mayor Tuula Haatainen announced that the City of Helsinki has commissioned the Solomon R. Guggenheim Foundation to conduct a concept and development study, exploring the possibility of creating a new Guggenheim Museum in Finland.

Richard Armstrong, Director of the Solomon R. Guggenheim Foundation and Museum, joined in making the announcement with the Mayor.

The study, which is scheduled to be completed by the end of 2011, will explore topics including the possible mission and structure of an innovative, multidisciplinary art museum in Finland, the form that its exhibition and education programs might take, its prospective relationship with Helsinki’s existing visual arts institutions, the museum’s potential economic impact and the scope of the Guggenheim Foundation’s involvement in its operation. Beginning from a deep consideration of program and purpose, the study will seek to imagine what a museum of the 21st century might be.

Mayor Pajunen stated, “As the capital of our country and home to its greatest concentration of art museums, Helsinki has a special responsibility to keep improving and developing Finland’s cultural infrastructure. It is widely recognized that cultural destinations can help drive economic growth for a country, provided they are created within an intelligent overall plan for development. We have such a plan—and the Guggenheim, as a truly global institution, is the ideal institution to collaborate with us in studying how to realize our goals. This is a collaboration that can help Helsinki and Finland prosper in an increasingly interconnected and competitive world.”

Richard Armstrong stated, “Finnish people are reluctant to boast. So let me be the one to say that Finland is unquestionably poised for a greater role within the world’s cultural scene. Finland’s identity has always been defined to a remarkable degree by education, architecture and design, and its vigorous, sophisticated culture has made a mark internationally. But civic leaders, cultural observers and artists in Finland believe much more has become possible—and we wholeheartedly agree. For the Guggenheim, this study with Finland is a very compelling opportunity to continue our investigations into the possibilities of global interchange, to offer the expertise our network has acquired and to work with respected fellow museum professionals such as Helsinki’s representative to the initiative, Janne Gallen-Kallela-Sirén.”

Known internationally for its important tradition of architecture and design and outstanding musical culture, Finland also has an active visual art scene. The Helsinki metropolitan area has approximately 70 art galleries and a strong group of museums, which include the Helsinki Art Museum; the institutions of the Finnish National Gallery (including the Ateneum Art Museum, Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum); and the Espoo Museum of Modern Art.

The Finnish capital is also currently carrying out the largest urban redevelopment project in its history. Approximately 250 hectares (620 acres) of waterfront districts in and near the city center have been opened for residential and commercial mixed-use projects, thanks to the 2008 relocation of cargo port operations to a new harbor to the east. Among the compact new city sections being developed will be specialized districts concentrating in fields in which Finland has established itself internationally: the arts, education and sciences.

According to Deputy Mayor Haatainen, “As a cultural network spread across the U.S., Europe and the Middle East, the Guggenheim has unparalleled managerial and curatorial expertise to help us determine how the visual arts can contribute to Helsinki’s and Finland’s position on the global map, educationally, culturally and economically. It is uniquely qualified to understand Finland’s promise on the international stage and help us envision the greater role that the art of our time can play in our future—a role that can open unforeseen possibilities for visual creativity and learning, both locally and internationally.”

Representing the City of Helsinki in conducting the study will be Janne Gallen-Kallela-Sirén, Director of the Helsinki Art Museum. “We stand at the doorstep of the most visual of centuries, and visual communication and multimedia practices are now fundamental to advanced societies around the world,” he stated. “The way in which visual art is integrated into society is therefore equally fundamental, and needs to be better understood by governments and museums alike. This study will give Finland the best possible road map to achieve this goal, and to create the conditions in which Finnish artists can better advance themselves.”

The commencement of this concept and development study marks the first step in a multi-level process that will advance and evolve only with the appropriate consent and endorsement at each stage. Once the results of the study are submitted and reviewed, initial recommendations that might result regarding a new Guggenheim Museum would be implemented upon subsequent approval by the City Council of Helsinki and the Board of Trustees of the Guggenheim Foundation. Under its current agreement with the Solomon R. Guggenheim Foundation, the Guggenheim Museum Bilbao must also approve any agreement under which the Guggenheim would manage or operate the new museum.

The principal managers of the study team will be Juan Ignacio Vidarte, Deputy Director and Chief Officer for Global Strategies of the Solomon R. Guggenheim Foundation, and Ari Wiseman, Deputy Director of the Solomon R. Guggenheim Foundation. Mr. Vidarte, who is also the Director General of the Guggenheim Museum Bilbao, was intimately involved in the development of that institution and brings extensive experience to the project.

Significant support for the study is provided by the Finnish Cultural Foundation and the Swedish Cultural Foundation in Finland.

Professor Pirjo Ståhle, Chairwoman of the Finnish Cultural Foundation’s Board of Trustees, stated, “The Finnish Cultural Foundation is dedicated to promoting the arts, sciences and other fields of intellectual and cultural endeavor in Finland. This study provides the Foundation with an unique opportunity to advance our mission, locally and internationally. The study, executed by international experts, will provide valuable information about how best to develop Finland’s art museum field and how new types of institutional innovations may contribute to the field’s future prosperity.”

Berndt Arell, Director of the Swedish Cultural Foundation in Finland, commented, “The essence of our Foundation is to enhance the value and quality of living in a country with two national languages. We strongly endorse the purpose of this study, which sees value for Finland in a diverse culture of visual communication. The prospect of exploring what a museum of the 21st century might be is also very exciting, a unique opportunity that can benefit all and especially the visual cultural world of Finland.”

Both Professor Ståhle and Mr. Arell will participate in the steering committee that has been organized to follow the progress of the study.

The decision to conduct the study developed after several months of preliminary discussions. The agreement between the City of Helsinki and the Guggenheim to conduct the study was approved by the Helsinki City Board on January 17. Work on the study will begin immediately.

About the Solomon R. Guggenheim Foundation

Founded in 1937, the Solomon R. Guggenheim Foundation is dedicated to promoting the understanding and appreciation of art, primarily of the modern and contemporary periods, through exhibitions, education programs, research initiatives and publications. Currently the Solomon R. Guggenheim Foundation owns and operates the Guggenheim Museum on Fifth Avenue in New York and the Peggy Guggenheim Collection on the Grand Canal in Venice and provides programming and management for the Guggenheim Museum Bilbao. The Deutsche Guggenheim in Berlin is the result of a collaboration, begun in 1997, between the Guggenheim Foundation and Deutsche Bank. In 2013 the Guggenheim Abu Dhabi, a 452,000-square-foot museum of modern and contemporary art designed by Frank Gehry, will open on Saadiyat Island, adjacent to the main island of Abu Dhabi city, the capital of the United Arab Emirates. More information about the Foundation can be found at www.guggenheim.org.

About the City of Helsinki

Helsinki is the largest city in Finland and the nation’s administrative, economic, scientific and cultural center. It is home to several universities, including the University of Helsinki (35,000 students) and Aalto University (20,000 students), and it ranks second among European cities in The Economist Intelligence Unit’s Global Liveability Report (2010). The Helsinki Region is home to 1.3 million people and 700,000 jobs.

The capital of Finland is located at the heart of the fast-growing Baltic Sea region, 315 miles due east of Stockholm, where it serves as a gateway between East and West. Several daily flights and new high-speed trains link Helsinki to St. Petersburg, and extensive intercontinental flight connections make Helsinki a major hub for the megacities of East Asia, serving 13 million travelers in 2010. Annually, some 9 million ferry passengers travel through the port of Helsinki. After the completion of a new cargo harbor in 2008, vast waterfront areas in downtown Helsinki have been freed for redevelopment, further enhancing Helsinki’s strong maritime character and making the urban structure more sustainable.

Widely known for its distinguished architecture, which ranges from neoclassical to postmodern, Helsinki (along with its partner cities in the unified metropolitan area) was named World Design Capital for 2012 by the International Council of Societies of Industrial Design. The designation will serve as an opportunity to seek new solutions to urban redevelopment challenges and new ways to use design to drive economic growth and user-friendly public services. More information about the City of Helsinki can be found at www.hel.fi.

About the Finnish Cultural Foundation and the Swedish Cultural Foundation in Finland

The Finnish Cultural Foundation is an independent private trust. It was founded in 1939 with collections donated by almost 200,000 Finnish citizens from all cross-sections of society. The Foundation is presently one of Europe’s largest. Its assets amount to circa 1000 million euros, of which almost 40 million euros are expended on grants and cultural support annually. The Foundation continues to receive significant new donations yearly.

The Foundation is dedicated to supporting and assisting the development of Finnish sciences and arts and cultural life. It achieves its goals by distributing grants from the Foundation’s central and 17 regional cultural funds to individuals, working groups and communities. In recent years the Foundation has also initiated several large-scale projects that aim to improve the well-being of cultural life in Finnish society. These have been increasingly implemented in cooperation with the Finnish state and regional governments. More information in English: www.skr.fi.

Svenska kulturfonden (Swedish Cultural Foundation in Finland) was established in 1908 and today consists of more than 450 individual funds created by private donors. The Svenska kulturfonden is owned and administered by the Litteratursällskapet (The Society of Swedish Literature in Finland). Yearly budgets are circa 33 million euros.

The purpose of the Foundation is to support the cultural and educational activities of the Swedish-speaking population in Finland. Each year the Foundation awards and distributes grants by means of support grant systems and investments. In addition, the Foundation organizes conferences on varying themes for key groups and experts from the arts, education and third-party sectors and issues reports concerning language and cultural policy. International activities include support of work placements and residencies. The most significant grants awarded in recent years have included support for the new Helsinki Music Centre, theatres and fundraising for universities and other educational organizations. More information in English: www.kulturfonden.fi/eng/ .

In oltre due anni di chiusura ho ricevuto centinaia di mail e commenti con richieste di riapertura del blog. Vi ringrazio della passione e dell’interesse dimostrato, perché senza di voi questo giorno non sarebbe mai arrivato!
Un grosso grazie va anche all’agenzia Mentine, perché sono stati prima appassionati lettori di ELMANCO e ora partner in una nuova avventura professionale, che si inaugura proprio con il redesign di questo blog. Il nuovo layout (mai vicino ai miei desideri come questa volta) è opera loro, a cui rinnovo i complimenti per l’ottimo lavoro
Perché il blog riapre? Cosa è successo in questi anni?!
Come ricorderete la chiusura fu causata dalla difficoltà a rendere il blog e le attività di consulenze un mestiere a tempo pieno. La scelta fu sofferta perché accompagnata da un netto allontanamento dal mondo del design e della comunicazione per tornare ad occuparmi di architettura ed edilizia più tradizionale. Durante la chiusura, per quanto riguarda il web, ho svolto un paio di consulenze per Lea Ceramiche e VetroVentilato, e ho continuato monitorare i principali blog di settore.
Tuttavia, negli ultimi mesi ho trovato una maggiore stabilità e ho deciso, pur continuando a svolgere la professione di architetto, di trovare un’importante finestra di tempo per dedicarmi di nuovo a ELMANCO e al design perché la mia vera passione è questa.
La lunga assenza mi ha fatto perdere delle opportunità, ma d’altro canto è stata salutare perché mi ha permesso di apprezzare meglio le evoluzioni della blogosfera e di inaugurare una linea editoriale diversa, più adatta ai tempi che corrono.
Cambieranno perciò alcune cose, e certuni potranno storcere il naso, ma per le ragioni che ho spiegato finora non mi è più possibile dedicarmi ad ELMANCO a tempo pieno come prima; inoltre sono convinto che i blog come li abbiamo conosciuti finora stiano facendo il loro tempo.
Cinque anni fa era più semplice scoprire chi era stato il primo a “scoprire” un certo prodotto: ora avere la pretesa di essere il primo a scrivere di questo o di quello è ridicolo. Il rumore creato dai tanti autori (il “buzz” per gli esperti di marketing) è assordante e amplificato da commenti che trovano spazio anche su social network difficilmente monitorabili.
Quando cominciai a progettare ELMANCO (quasi 6 anni fa!) l’obiettivo era creare uno dei primi blog italiani dedicati al cool hunting e quindi coprire un po’ tutti gli argomenti tra il design, la grafica, le nuove tecnologie e l’abbigliamento. Adesso una linea editoriale del genere non ha più senso: è impossibile competere con gli innumerevoli blog simili nati nel frattempo in Italia e all’estero. Tanti altri blog saranno sempre più aggiornati, puntuali e completi di ELMANCO. Quello che però ho realizzato negli ultimi mesi è come questo possa diventare anche un’opportunità.

Ho quindi stabilito di specializzarmi, dedicando il blog ai soli argomenti che conosco e mi appassionano di più: il disegno industriale e la grafica commerciale. Gli articoli saranno più radi, forse non più di un paio a settimana, ma più corposi. Non troverete le solite considerazioni sul prodotto del momento, e non ci sarà nessuna rincorsa a parlare il prima possibile di una novità perché credo che questa condotta pagherà sempre meno in futuro. Nei prossimi mesi saranno pubblicati molti articoli su argomenti che i lettori esperti riterranno “vecchi” ma la cosa mi preoccupa poco: l’unica vera discriminante sarà la qualità del progetto. L’obiettivo è creare articoli più ricchi e personali, dando spazio a provocazioni e riflessioni su temi progettuali non banali.
Creare contenuti originali non è facile perché richiede conoscenza di cose e persone sempre nuove, e questo necessita tempo e spostamenti. Per questo motivo auspico che il blog diventi multi autore; nei prossimi mesi spero di trovare validi collaboratori che condividano la linea editoriale di ELMANCO e desiderino contribuire al blog.

Per chiarire la linea editoriale ho stabilito un semplice e personalissimo criterio di eccellenza nella scelta degli articoli da pubblicare: il design che preferisco è quello che ha raggiunto il più alto e delicato equilibrio tra funzionalità e bellezza. Quando non so dire se un oggetto sia più utile, o più bello, allora so di trovarmi di fronte ad un prodotto ben progettato da cima a fondo.
Se invece il giudizio è sbilanciato verso una direzione si ricade in ambiti diversi che conosco, e mi interessano, meno. Un oggetto perfettamente in grado di risolvere la funzione per cui è stato progettato può essere un capolavoro di ingegneria, ed un’opera capace di emozionare ha rilevanza artistica, ma in nessuno di questi casi ritengo giusto parlare di buon design.
Inoltre ho scelto quattro moral guidance, autentici maestri del disegno industriale e della grafica che hanno acceso la mia passione per la disciplina e mi hanno portato fino a questo punto. I fantastici quattro sono Achille Castiglioni e Dieter Rams per il design, Bob Noorda e Stefan Sagmeister per la grafica; quando sono nel dubbio preferisco appoggiarmi alla loro esperienza. Avrei potuto sceglierne tante altri ma, di sottrazione in sottrazione, sono giunto a definire loro come quelli fondamentali per la mia formazione.

Come si può intuire, mi sarebbe piaciuto tanto laurearmi alla Bauhaus, ma in fondo ho imparato qualcosa anche nella cara vecchia FAF. A questo proposito devo ringraziare un altro Architetto laureato all’Università di Ferrara: Gianluca Gimini.
Gianluca è un lettore di vecchia data di ELMANCO e mi ha aiutato a tradurre in inglese parte dei testi presenti nel blog, un aspetto importante perché alcuni articoli ricevono molto visite anche al di fuori dei confini italiani. Dopo la laurea Gianluca ha viaggiato parecchio ed ha già in portfolio alcuni interessanti di progetti di graphic e industrial design; ti consiglio di dare un’occhiata alla seduta Pigalle.

Per ora è tutto, altre novità saranno presentate in un diverso articolo la settimana prossima. Se hai letto tutte queste righe significa che eri davvero curioso di sapere che fine avesse fatto ELMANCO: ti ringrazio per l’interesse e ti invito a lasciare un saluto qua sotto!

Stefano

Pentagram Marks è il titolo del libro che ho ricevuto pochi mesi fa, si tratta di una raccolta dei magnifici loghi disegnati dallo studio Pentagram in una quarantina di anni d’attività.
L’edizione contiene 400 disegni in un rigoroso bianco e nero che enfatizzare la geometria dei loghi, ed è una galleria impressionante per qualità e quantità. Volutamente minimal è anche tutta l’edizione: copertina e rilegatura leggera, introduzione semplicissima, ed una sola pagina per ognuno dei loghi, accompagnati da una lapidaria didascalia. Qualche lusso in più nell’edizione non mi sarebbe dispiaciuto ma, come si dice in questi casi, il disegno parla da solo.
Spero che la maggior parte dei lettori conosca già Pentagram; per quanto mi riguarda ammetto invece che prima d’ora non sapevo che alcuni di questi celeberrimi loghi fossero stati disegnati dal multidisciplinare studio anglo-americano. Tanto per citarne alcuni: Arup, Pantone, Sole 24Ore, Getty Images, Nissan, Ideo e aziende del genere.
I miei preferiti sono però i loghi meno istituzionali, che puoi vedere nel seguito di questo articolo; quello che più apprezzo è quando forma e messaggio si sintetizzano in segno originale e di sicuro effetto.
Un consiglio: prima di pensare “ah … ma ne ho già visto uno simile!” guarda la data di creazione.
Se il libro ti interessa puoi procurarti una copia su Amazon per una quindicina di Euro.

Art and Architecture 1991

California Academy of Sciences 2007

The Center for Architecture 2001

Chambers Hotel 2001

D&AD 1962

Design Within Reach 2000

Faber Music 1981

Green Canteen 2008

Mr & Mrs Aubrey Hair 1976

Victoria and Albert Museum 1989

Retour sur ces belles bibliothèques autour du thème de la nature et sous la forme d’une branche d’arbre. Un concept du designer français Olivier Dollé, lauréat du concours national jeunes créateurs des Ateliers d’Art de France. Un style et une idée simple, déclinée en deux modèles.

Previously on Fubiz

• Book Of Art
• Hyperlinks Book
• Joshua Radin – I’d Rather be with you

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Recession? What recession? Despite having some stumbles along the way last year, from being denied the option to build their own food kiosk to having their finances pried into by the newspaper, things are apparently going pretty well for the Guggenheim Foundation. Yesterday in Helsinki, the city’s mayor announced that they would be working with the Guggenheim in the hopes of installing a new Foundation museum (pdf). The commissioned study will reportedly take most of 2011 to complete, looking into “topics including the possible mission and structure of an innovative, multidisciplinary art museum in Finland” and “the form that its exhibition and education programs might take,” as well as other factors (including, of course, what sort of “economic impact” it will have for the Guggenheim). This new development, coming on the heels of the Foundation’s on-going construction in Abu Dhabi of another new museum (though that also hit a recent hurdle with the sudden departure of former director Thomas Krens), certainly makes it appear that the organization has weathered this economic storm of the last few years fairly well. Here’s a statement about the Helsinki proposition from the Guggenheim’s director, Richard Armstrong:

“Finnish people are reluctant to boast. So let me be the one to say that Finland is unquestionably poised for a greater role within the world’s cultural scene. Finland’s identity has always been defined to a remarkable degree by education, architecture and design, and its vigorous, sophisticated culture has made a mark internationally. But civic leaders, cultural observers and artists in Finland believe much more has become possible — and we wholeheartedly agree. For the Guggenheim, this study with Finland is a very compelling opportunity to continue our investigations into the possibilities of global interchange, to offer the expertise our network has acquired and to work with respected fellow museum professionals such as Helsinki’s representative to the initiative, Janne Gallen-Kallela-Siren.”

Certainly not a bad thing to have going on in advance of 2012, when Helsinki steps in and gets some more artist press when it serves as the World Design Capital for the year.

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