Magnus Anesund
Posted in: UncategorizedI can’t get this nice desk out of my mind that I saw on Emma’s blog the other day … photographed by Magnus Anesund…wish you a very nice weekend! ..irene..
I can’t get this nice desk out of my mind that I saw on Emma’s blog the other day … photographed by Magnus Anesund…wish you a very nice weekend! ..irene..
Forget that whole moon hitting your eye like a big pizza pie thing. Our idea of amore is a stage full of design legends whose surnames end in vowels chatting the night away with Museum of Modern Art curator Paola Antonelli, all under a glowing marquee designed by Milton Glaser. Our amici at the Type Directors Club (TDC) are making it happen on Thursday, October 15, when the newly Glaser-ified SVA Theatre will be the backdrop for “The Night of the Italians,” a panel discussion featuring Louise Fili (Louise Fili Inc.), Francesco Cavalli (LeftLoft), Massimo Vignelli (Vignelli Associates), and Matteo Bologna (Mucca Design). Antonelli will moderate. We hear tickets are going fast, so register rapidamente (details here). We suggest gearing up for the big night by watching the below video of Antonelli’s 2007 talk at the TED conference. Buon divertimento!
New Career Opportunities Daily: The best jobs in media.
Jason Iftakhar presented his folding scooter Geetobee at 100 Percent Design. Designed for adults as a commuter vehicle, it offers a seriously fun alternative to brompton bikes, kick boards and tube rides with your nose trapped in other passengers’ smelly armpits – perfect for zooming round town.
It was recently revealed that the recently deceased Michael Jackson thought he might have “cured” Adolf Hitler of his evil ways if he’d had an hour or so alone with the Number One Nazi. That would have had to be one hell of a moonwalk. For although Jacko believed that even the Führer possessed enough goodness in his heart to be saved from his own Dark Side, most people prefer to think of him as incurably and inexorably nefarious. They would presumably use their Hour with Hitler not to dissuade him, but to dispatch him to the nether regions of the hereafter. In popular culture, Hitler is not just an example of evil, he is its epitome – as close to the devil incarnate as ever a mortal man is likely to get.
As he now almost completely overlaps with the concept of evil in the public’s eye, so Hitler once also symbolised the country he led, iron-fistedly, from hubris through hatè to nemesis (the Greek version of the warning that who lives by the sword shall die by it). The Germans, who excel at describing complex phenomena with single words, also have one for this particular period of their own history, when Shepherd and Flock were as one: Hitlerdeutschland.
But to have political leadership personalised to the extent dictators are wont to do (or unable to avoid), also means exposing the entire regime to the ridicule directed at its leader. Hitler’s temperamental rhetorical style opened his whole ideology up to parody (e.g. Charlie Chaplin’s The Great Dictator). His personification of the Nazi regime also facilitated Allied propaganda during World War Two, as exemplified by this map.
A hand reaching out from the west is seen strangling a Germany in its pre-war borders – a shape cleverly concomitant with Hitler’s silhouette. The Weser estuary doubles as Hitler’s contorted mouth, the Schleswig region near the Danish border is his nose. His cap is captured by the winged layout of German territory in the east, with Pomerania in the north and Silesia in the south. Berlin is Hitler’s eye. Hitler’s throat, being strangled by the Allied hand, is the industrial area of the Ruhr, no doubt a reference to Allied air raids meant to cripple Nazi Germany’s capacity to wage war.
Many thanks to Ilya Vinarsky for sending in this map (found here), which unfortunately is rather low-res, rendering the writing rather illegible. Any higher-resolution images are welcome.
Mexican architecture firm Tatiana Bilbao have designed a university building for Sinaloa, Mexico, inspired by a tree. (more…)
It’s a hunk of tree. Look closer. It’s still a hunk of tree, but that’s the point. The Wood Drop 14 stool by North Carolina-based Skram basks in all its imperfect glory, its naturally occurring cracks and flaws turned into valuable assets simply through their presentation.
Skram’s lead designer and owner Jacob Marks looked for these beauty marks, or “checks,” in found, reclaimed or harvested wood, seeing the pieces through milling and drying before turning them into stools. Attracted to the checks because he felt they broke up the visual heft of the wood, he played on their organic design for an even more powerful piece than had been irregularities-free.
“The general idea is to have no wasted wood,” says Willard Ford of Ford&Ching, the store where Skram chose to debut the Wood Drop 14. It couldn’t have been said any better. One person’s trash is another’s treasure.
The stool measures 12″ in diameter and 14″ in height. Three varieties—American beech, in a bone lacquer (pictured) or clear finish; torched oak in a clear finish (pictured); and cherry with a clear finish—are available and can be ordered from Ford&Ching for $590.