Slapping the Cowboy

Yellafelldotcom

We just launched a new site celebrating the yellow-clad hero of pressure treated pine: YellaFella, Yellawood’s ambassador of quality building products. Be sure to check out the "Fight the Bad Guy" part if you’re having a tough week and need someone to take it out on. YellaFella launched his first series of commercials about his Adventures in Rotwood. We produced the website over a few short months, working with actors, musicians, cowboys, animators and the 3d effects gurus- The Westside Collective. I helped with art direction and the flash. Aaron did the front-end design work. Check out YellaFella.com

Interaction 09: All posts in one place!

From opening parties to closing remarks, Core is all over IxDA’s latest gathering in Vancouver. Links to our posts here, links to other coverage below:

Interaction 09: Vancouver is the right town.

Interaction 09: Some nice touches.

Interaction 09: Day One Recap

Interaction 09: Behavior as the medium, and the search for IxD rockstars

Interaction 09: LiveScribe Paper Computing System is cooler than it sounds

Interaction 09: Lightning Rounds

Interaction 09: Coroflot job board, snapshots from day 3

Elsewhere on the web:

Johnny Holland, an English language site based in the Netherlands, has been described as “the Core77 of Interaction Design” (!) — exhaustive coverage of nearly every session is here.

Doug Lemoine of Cooper gives a succinct run-down of the keynotes here.

Jon Kolko of Frog Design gives a more critical analysis, and a link to the slides from his own talk, on Design Mind.

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The Pixel Hirschgasse by Thomas Feichtner

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Austrian designer Thomas Feichtner has completed an interior called The Pixel Hirschgasse for the Pixelhotel project in Linz, Austria. (more…)

Sony’s Live Mannequins Descend On New York Fashion Week, Tiny VAIO Laptops In Hand…

After Vivienne Tam’s models carried mini special edition HP laptops as clutches during her Spring/Summer show at New York Fashion Week in September, we had a feeling we hadn’t seen the last of the fashionably marketed tech toys- and we were right! As the countdown to the Fall/Winter shows begins, Sony is sending models to various New York City settings, toting the new VAIO Lifestyle PCs while showing off the latest from Elise Overland, Threeasfour, Libertine, and Katy Rodriguez. So if you happen to be window shopping in Midtown today and spot a group of impeccably dressed women acting strangely robotic with laptops in hand, go ahead and stare- it’s like one of those artsy television commercials, except live and kind of awkward. You can even track the models on Sony’s web site and watch video footage of them at each location. Strange? Yes, but this is NYC, and Fashion Week no less, and strange is to be expected.

Fringe Fashion: FIT Symposium to Explore Subculture and Style

FIT symposium.jpgOne of the best conferences of the year occurs without much fanfare (but with plenty of sartorially astute attendees) at the Museum at the Fashion Institute of Technology, helmed by the extraordinary Valerie Steele. This year’s two-day fashion symposium takes place on Friday and Saturday—a bit earlier in the year than usual but perfect timing for those in New York City for Fashion Week. In conjunction with the museum’s current “Gothic: Dark Glamour” exhibition, the symposium will feature designers, musicians, photographers, authors, and curators who will discuss fashion and subcultural style.

Among the featured speakers are Steele, Goth historian Mick Mercer, artist and writer Jane Wildgoose (who designed the costumes for for Clive Barker‘s horror film, Hellraiser), and Tokyo street style authority Tiffany Godoy. We can’t wait to begin our Valentine’s Day with historian Peter McNeil, who will give a talk entitled, “The Prince of Wales: Last of the Dandies or the First Sub-Culturalist?” (Stop, you’re both right!). Rounding out the agenda is a Saturday afternoon discussion between designer and rock/goth design pioneer Anna Sui and Andrew Bolton. Thanks to support from the Coby Foundation, the event is free to all students. Non-students can register at the door on Friday morning: get there about 15 minutes early, Goth getups optional.

New Career Opportunities Daily: The best jobs in media

Calendar Tin

pimg src=http://www.productdose.com/images/products/draft_5160.gif
alt= //ppI rather like this a href=http://www.monkey-bus.co.il/Product.aspx?CategoryID=2amp;SubCategoryID=29amp;ProductID=130tin/a that combines three storage compartments with an adjustable calendar. Anything to fight the inevitability of desk clutter./p

Reel Romantics

When it comes to capturing real love on and off the silver screen I think creative collaborators & happily-marrieds John Cassavetes & Gena Rowlands take the prize. (Image credit.)

Cassavetes’ films are renowned for their trademark innovative, improvisational acting style as well as the wildly intimate stories they tell about real people facing real problems.

As far as cinematic themes and interests go, Cassavetes himself proclaimed: “the rest of the stuff doesn’t interest me. I have a one-track mind for love.”

If you haven’t experienced a Cassavetes’ film before or it’s been a while, why not go for a shot of hearty realism this Valentine’s weekend? *Warning: these films are not for the faint of heart or the hallmark-inclined.

There are so many amazing pictures to choose from: Shadows (1959), Faces (1968), A Woman Under the Influence (1974), Gloria (1980) – and Gena Rowlands is show-stoppingly grand in all of them.

For a serious emotional education, try ‘Love Streams’ (1984). One of the last films Cassavetes made before his death in 1989, it is a complex, tragic, zany love story full of hope, compassion and farm animals.

To get a glimpse of crazy Cassavete’s-style love, click here.

Modern day romantics who loved ‘The Notebook’  (2004) – see the image below featuring lovestruck Canadians Rachel McAdams and Ryan Gosling – might be interested to know that this more traditional love story was directed by Nick Cassavetes (John & Gena’s son). Guess that apple didn’t fall too far from the tree.. To see a clip of the love letters kissing scene (get guilty hallmark fix), click here.

 

Aciiied!!


Raindance logo 1989-present by Pezman

Artcore, an exhibition and auction opening at Selfridges’ Ultralounge gallery space this Friday, celebrates the 1980s/90s rave movement in all its garish glory. Warning: the images that follow may be painful for some design sensibilities…


The Jester ‘Penny-wise’ flyer for Helter Skelter event, 1996

Artcore celebrates an era of design that many of us may prefer to forget: the Acid House and rave movement of the late 1980s-early 90s. Characterised by garish colours and badly Photoshopped images of iconic symbols such as marijuana leaves and smiley faces, it has to be one of the least subtle eras in graphic design history. And yet, looking at the Super Super-influenced graphics that assault our senses today, it may seem to some as if rave has never been away, making it the perfect time to explore the style’s heritage.


Wonderland (Pete Tong) by Goldie, 2008

The exhibition will be a mixture of original artworks and ephemera from dance music history (including flyers, posters, and even the floorboards of one club). All the works on show will then be auctioned off at exhibition’s end. “It’s a visual representation of dance and free party culture,” says Mary McCarthy of Dreweatts Auction House, who has curated the exhibition alongside Ernesto Leal from Our Cultural History. “We’ve worked alongside a lot of the artists who did the work that originally appeared on the flyers. Much of the artwork has been lost so they have redone canvases and prints for the exhibition.”


Beyond Therapy flyer, 1989

The exhibition will include artworks by prolific dance music artists and designers including Dave Little, Pez and Pierre Anstis. Artcore opens this Friday (13th), with the auction taking place on February 26.


Puzzled flyer, 1995

Amsterdam International Fashion Week: Bibi Van der Velden

Dutch jewellery designer Bibi Van der Velden opened Amsterdam International Fashion Week with her show titled “Afrozonian Affluences.” Van der Velden created with her show an exotic and Utopian world where ancient natural materials where taken out of their context to create futuristic new designs. Ostrich eggs, taxidermy tropical birds, tiny shells, mammoth teeth and an abundance of colourful feathers- mostly treasures discovered on the designer’s extensive journeys to Africa, were transformed into pieces of wearable art. With this collection, Van der Velden used nature’s own beauty to return to her core being, looking for a respectful balance between nature and design. With her show, Bibi van der Velden gave the audience a combination of theatre, music, art, fashion and sculpture that blended in perfectly with one inspirational experience-challenging the audience to rethink their definition of what jewellery really is.

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Paul Rowland: Transformations

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Discovered while waiting tables in NYC, painter Paul Rowland switched gears and began modeling. Shortly thereafter he created Women Management, a modeling agency with a mission to do more than just employ beautiful people, but to explore visual perception by finding talented models that could transform into a character that would engage and stimulate the viewer, and create a real meaning behind the image.

Transformations is a look at the last half-decade of Rowland’s photography and the underlying current running throughout his work, which is his fascination with what is not actually in front of the camera but what one could imagine being there. While the main focus is mostly on models morphing into various characters, he does explore the idea of cross-gendering. Evident in all of the large scale, mostly black and white photos is Rowland’s opinion that a great subject is one who has the courage to expose themselves to the camera.

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Transformations
Opening Reception: 12 February 2009, 6-9pm

13-20 February 2009

Women & Supreme Management

136 10th Avenue, Ground Floor

New York City, NY 10011 map
tel. +1 212 226 2196