Teikyo University Elementary School by Kengo Kuma and Associates

Japanese architect Kengo Kuma conceived this primary school in north-west Tokyo as the modern equivalent of a traditional Japanese schoolhouse with timber-clad walls (+ slideshow).

Teikyo University Elementary School by Kengo Kuma and Associates

The Teikyo University Elementary School comprises a row of twelve connected classroom buildings that Kengo Kuma and Associates also compares to a row of terraced houses.

Teikyo University Elementary School by Kengo Kuma and Associates

Like many of Kuma’s buildings, the three-storey school is clad with cedar on every elevation. “We used cedar for the material of the exterior, as an attempt to recover a wooden schoolhouse in the midst of the big city,” says the studio.

Teikyo University Elementary School by Kengo Kuma and Associates

Conventional timber siding was chosen for some surfaces, then combined with “yamato-bari” wooden panelling and vertical “renji” louvres to give variation to each of the facades.

Teikyo University Elementary School by Kengo Kuma and Associates

The asymmetric pitched roof is made from steel, which breaks down to a skeletal framework in the courtyard between two of the blocks. The slope of the roof is visible on every floor inside the school, due to a tiered flooring arrangement and several double-height spaces.

Teikyo University Elementary School by Kengo Kuma and Associates

Most classrooms are arranged along the southern side of the building, which is lined with glazing on all three floors. A first-floor balcony also stretches across this elevation, allowing a double-height recess below the eaves.

Teikyo University Elementary School by Kengo Kuma and Associates

A central axis runs longways through the school to connect each set of classrooms. Group study zones are accommodated within this area, while communal activity rooms such as the library, canteen and media centre are lined up along the northern side.

Teikyo University Elementary School by Kengo Kuma and Associates

The school is one of several projects completed by Kengo Kuma and Associates in recent months. Others include an experimental house in Hokkaidō and a timber-clad visitor centre in Tokyo. See more architecture by Kengo Kuma on Dezeen.

Teikyo University Elementary School by Kengo Kuma and Associates

Photography is by Edmund Sumner.

Teikyo University Elementary School by Kengo Kuma and Associates

Here’s a project description from Kengo Kuma and Associates:


Teikyo University Elementary School

We aimed at a wooden schoolhouse of our age. The building consists of a big roofing and materiality of wood for interior and exterior.

Teikyo University Elementary School by Kengo Kuma and Associates

By changing its length and height of eave, roof can create multiformity to respond to its environment and different programs. In this building, we designed a big roof to run through the entire building, differentiating expressions on each side – a relaxed face toward south where abundant green of Tama hill expands – and subtle appearance to the north facing public housing standing in lines.

Teikyo University Elementary School by Kengo Kuma and Associates

We also changed its form accordingly to the volume of each classroom. As the result, it has grown to a building that looks like 12 different-sectioned terraced houses being arranged in a row.

Teikyo University Elementary School by Kengo Kuma and Associates

Composition of the space emphasises the atmosphere of the terraced (1-storey) house created by the roof. While the structure is 3-storey, the atrium connects the sections of the special room and the open space on 2nd and 3rd floors, so that you can feel the slope of the roof on every floor. Further, in the center of the building situates the Media Center that skips three stories as a measure to avoid segregation within the building.

Teikyo University Elementary School by Kengo Kuma and Associates

We used cedar for the material of the exterior, as an attempt to recover a wooden schoolhouse in the midst of the big city. We also applied three different lining method for the wall, according to the location and function of the parts in the building – siding work, louvers and Yamato-bari (wood panels arranged with its side slightly layered onto the next one – forming as a whole regular unevenness) so that the building can hold various expressions. Cedar is treated in heat to secure durability.

Teikyo University Elementary School by Kengo Kuma and Associates

We also utilised the plasticity of trees. We set up a huge wall of a recycled material made from chips of straw, rush and poplar, which can work as a notice board. As there is more freedom in the design of interior for schools, we managed to achieve this environmentally-friendly plan that can enhance the warmth of natural materials.

Teikyo University Elementary School by Kengo Kuma and Associates

Big roofing is also good for environment for efficient building facilities. Using the wide roof toward the south, we installed there a device to gather heat. In this solar system, the air warmed under the roof circulates and vents from under the floor during winter. The roof also gathers rainwater. The water flows through the vertical drainpipe to the water conduit in the south, and it nurtures a biotope in front of the science room.

Teikyo University Elementary School by Kengo Kuma and Associates
Ground floor plan – click for larger image
Teikyo University Elementary School by Kengo Kuma and Associates
First floor plan – click for larger image
Teikyo University Elementary School by Kengo Kuma and Associates
Second floor plan – click for larger image
Teikyo University Elementary School by Kengo Kuma and Associates
Cross section – click for larger image

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Haus am Moor by Bernardo Bader Architects

Bernardo Bader Architects used locally sourced spruce, fir and elm to clad the interior and exterior of this rural cabin in Lower Austria (+ slideshow).

Haus am Moor by Bernardo Bader Architects

Based on the traditional houses of the Bregenz district, the two-storey residence has a simple rectangular plan with a steep gabled profile and a wooden deck driven through its middle.

Haus am Moor by Bernardo Bader Architects

Austrian studio Bernardo Bader Architects used 60 trees to produce all the wood needed for the house with minimal waste. As well as the walls, the timber provided material for doors, flooring and also some of the furniture.

Haus am Moor by Bernardo Bader Architects

The structure of the building is concrete, which reveals itself on a selection of walls and ceilings to contrast with the light tones of the wooden surfaces.

Haus am Moor by Bernardo Bader Architects

Living and dining areas occupy the largest side of the ground floor. A wood-burning stove creates a central hearth.

Haus am Moor by Bernardo Bader Architects

Additional heating is generated from a ground-sourced heat pump.

Haus am Moor by Bernardo Bader Architects

A home office sits on the other side of the deck, alongside a garage with room for two cars. Bedrooms and a children’s playroom are located on the floor above.

Haus am Moor by Bernardo Bader Architects

Entitled Haus am Moor, which translates as “House on the Moor”, the cabin is situated near the market town of Krumbach.

Haus am Moor by Bernardo Bader Architects

Other recently completed residences in Austria include a boxy concrete house in the mountains and a wooden house that appears to climb down a hill. See more Austrian houses on Dezeen.

Haus am Moor by Bernardo Bader Architects

Photography is by Adolf Bereuter.

Haus am Moor by Bernardo Bader Architects
Site plan
Haus am Moor by Bernardo Bader Architects
Ground floor plan – click for larger image
Haus am Moor by Bernardo Bader Architects
First floor plan – click for larger image
Haus am Moor by Bernardo Bader Architects
Cross section – click for larger image

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Profile House by BLOXAS

A wooden wall with the silhouette of three little buildings lines the edge of this house extension in Melbourne by Australian architecture studio BLOXAS (+ slideshow).

Profile House by BLOXAS

Profile House is located within the industrial district of Brunswick East, so BLOXAS designed a new facade that would reference the surrounding brick and corrugated iron warehouses, as well as the timber-clad exterior of the original building.

Profile House by BLOXAS

The front entrance to the house remains in its previous location on the northern elevation, while the new rough-sawn ash facade grows out of a boundary fence on the western perimeter and stretches out along the length of the site.

Profile House by BLOXAS

The extension doubles the size of the single-storey house. The architects retained three front rooms and one small bathroom, then increased the size of the kitchen and dining room and added a new children’s playroom, living room and en suite bedroom beyond.

Profile House by BLOXAS

The zigzagging profile of the building gives angled ceilings to each of the new spaces and brings daylight in through high-level windows and rooflights.

Profile House by BLOXAS

“The defining character of each internal space is the high undulating ceilings,” says BLOXAS director Anthony Clarke. “These, assisted by a central wharf-decking courtyard and smaller lightwell to the west, allow natural light to penetrate throughout the entire plan.”

Profile House by BLOXAS

The long narrow lightwell sits behind the western elevation, while the split-level courtyard is tucked into a recess on the east side of the building so that both the dining room and living room can open out to it.

Profile House by BLOXAS

Most of the new rooms feature bamboo flooring, apart from the living room that has a polished concrete ground surface.

Profile House by BLOXAS

Clarke established BLOXAS, short for Black Line One X Architecture Studio, in 2009 and the studio is based in Fitzroy North, Victoria. See more Australian architecture on Dezeen.

Profile House by BLOXAS

Photography is by Peter Bennetts.

Profile House by BLOXAS

Here’s a project description from BLOXAS:


Profile House

The Profile House offers an evocative tribute to the defined industrial typology of Brunswick East, in Melbourne’s inner north. Simple planning creates clean, elegant and sculptural internal living spaces.

Profile House by BLOXAS

Seeking an addition to their typically dark Californian Bungalow, the clients emphasised the sustainable performance of their future home. Accordingly, they described a space with a feeling of openness, lightness, and visual continuity, connecting their home and landscape.

Profile House by BLOXAS

These values were reinforced by their professions, one specialising in environmental site characterisation and remediation, and the other practicing alternative medicine.

Profile House by BLOXAS

Located in a semi-industrial zone, the site offers visual proximity to the area’s brick and corrugated iron warehouses. Some warehouses and factories are still operational, whilst many lie dormant and in disrepair, ripe for either their imminent demise or redevelopment into multi-storey apartment blocks.

Profile House by BLOXAS

A strong internal vertical profile extrudes to form the western elevation. Clad with rough-sawn overlapping Victorian Ash timber, this distinct contour continues along the western boundary as the defining architectural expression of the Profile House, whilst delivering on the brief of a secure building.

Profile House by BLOXAS

The defining character of each internal space is the high undulating ceilings, these, assisted by a central wharf-decking courtyard and smaller light-well to the west, allow natural light to penetrate throughout the entire plan.

Profile House by BLOXAS

In addition to the retention of three front rooms and central bathroom, the plan now features a re-worked kitchen and dining area, an informal children’s area, and new living space. A new main bedroom, ensuite and private garden are also incorporated. The overall design strengthens family engagement and visual communication, reinforcing the relationships between space and activity.

Profile House by BLOXAS
Floor plan – click for larger image

In addition to dependable design strategies such as careful plan orientation and cross ventilation, solar hot water and water harvesting systems were also included, as well as the use of north facing thermal mass in the main living space. Natural material choices and finishes of low embodied energy including: un-seasoned, un-milled Victorian ash timber, and bamboo flooring through-out the addition adhered to the client’s environmental stipulations.

 

Profile House by BLOXAS
Cross section one – click for larger image

A refreshing change from housing that simply maximises developer returns, neighbours have responded appreciatively to the low scale design, whilst maintaining the area’s built integrity. In a subtle move the project further softens the corner, with the use of the timber in the boundary wall, juxtaposing against the materials of the factories.

Profile House by BLOXAS
Cross section two – click for larger image

This compact, economical and highly livable outcome was a result of inclusive dialogue between all consultants, the builder, architect and in particular the client.

Profile House by BLOXAS
Cross section three – click for larger image

Architect: Black Line One X Architecture Studio.
Location: Brunswick East, Melbourne, Australia.
Builder: Genjusho
Project year: 2012
Areas: Site = 371sq.m, Existing house area = 87sq.m, Additional area = 83sq.m
Furniture: ‘Earl Pinto’ and Ross Gardam

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Lugi Furniture: Upstart Czech furniture brand collaborates with high profile design talent

Lugi Furniture


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Five Hanging Lights: Slip cast, blown glass, corroded bronze and hand-turned wood lighting up Milan Design Week 2013

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Ecology of Colour by Studio Weave

This cabin covered in hand-painted patterns by Hackney architects Studio Weave provides a colourful art studio, bird-watching hide and rain shelter in a woodland park in Kent, England (+ slideshow).

Ecology Of Colour by Studio Weave

Above: photograph is by Bryony Henderson

Named Ecology of Colour, the two-storey building has a gabled timber structure with walls and windows that hinge open on three different sides.

Ecology Of Colour by Studio Weave

An indoor space is contained within the cantilevered first floor, designed to accommodate different activities. Birdwatchers hide behind the shutters during quiet periods to spy on the wildlife, while at other times dying workshops will take place to promote the use of natural dyes found in native planting.

Ecology Of Colour by Studio Weave

A sheltered outdoor area is positioned directly beneath at ground floor level, providing additional workshop space for messy activities or protecting visitors to the park in wet weather.

Ecology Of Colour by Studio Weave

Studio Weave collaborated with graphic designers Nous Vous to design the cabin’s colourful facade. The gridded pattern, entitled Joy, covers 144 timber cladding panels and was painted by local residents using organic paints.

Ecology Of Colour by Studio Weave

“The pattern was a very intuitive response to a grid and it was this spontaneity with regard to form and colour that I hoped would bring across a sense of joy,” says Will Edmonds from Nous Vous.

Ecology Of Colour by Studio Weave

Esme Fieldhouse from Studio Weave added: “The wood will be left to weather. The colours will stay bright for two to four years and then gradually fade as the timber silvers, allowing the building to age gracefully as it nestles into its surroundings.”

Ecology Of Colour by Studio Weave

The architects have also teamed up with a horticulturist, who is installing a garden around the building that will yield natural dyes.

Ecology Of Colour by Studio Weave

Studio Weave was founded by architects Je Ahn and Maria Smith. The studio’s past projects include Paleys upon Pilers, a timber-framed structure that marked a route to the Olympic Park, and the Lullaby Factory, a network of listening pipes at a children’s hospital.

Ecology Of Colour by Studio Weave

Dezeen interviewed Ahn and Smith at our Designed in Hackney Day last summer. Watch the movie or see all our stories about Studio Weave.

Benedict Johnson and Bryony Henderson

Above: photograph by Benedict Johnson

Photography is by Jim Stephenson, apart from where otherwise stated.

Here’s some more information by the architects:


Multi-award winning, art and architecture practice Studio Weave celebrate the possibilities offered by natural dyes through the creation of The Ecology of Colour – a beautiful timber, hand-painted building located on the Ecology Island in Dartford’s Central Park.

Ecology Of Colour by Studio Weave

The Ecology of Colour is the third Artlands public realm commission for North Kent and responds to the charming site known as Ecology Island, a magical, wild, wooded peninsula hidden at the very heart of Dartford’s Central Park and is dedicated to the study of the natural environment within an urban context.

In response to this unique context, Studio Weave have designed a small versatile building with a semi-outdoor space at ground level and an enclosed area on the first floor with shutters of various sizes to allow for hidden bird watching. As well as a bird hide and art studio the building will be used as an outdoor classroom, a dyeing workshop and simply as a rain shelter within the Ecology Island.

Ecology Of Colour by Studio Weave

The building unashamedly celebrates colour and Studio Weave have collaborated with designers Nous Vous who have created a bold, cohesive graphic visual language for the exterior of the structure. Prior to its installation, a team of local residents and artists worked together in a painting workshop to produce each of the 144 panels, which form the external cladding.

In tandem with the design of The Ecology of Colour, Studio Weave have worked in collaboration with a horticulturalist to design a garden that will yield natural dyes. The planting scheme, which will be installed next spring, predominantly includes traditional plants native to the south of England such as Golden Rod which produces a magnificent yellow, Alder known for its vibrant red and Bugloss whose roots produce a mesmerizing blue.

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by Studio Weave
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Russia at Art Paris Art Fair 2013: Charming robotic installations and other funny machineries from this year’s guest of honor

Russia at Art Paris Art Fair 2013


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Tree o’clock

Raphaël Charles vuol farci riflettere sul concetto di tempo rappresentato da questa crepa che lentamente si modifica all’interno del ceppo di legno. Pezzo unico. Solido.

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Eames Collection Update by Vitra: Ray and Charles’ most iconic designs re-imagined in all black for the first time

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