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CR Feb Issue


CR’s February cover, illustrated by Letman

The February issue of Creative Review is out on Wednesday 21 January, with features on Luke Hayman, Letman, Indian advertising, The Guardian’s new home, The Elms Lesters Painting Rooms and more…

Our Work section features first sight of the logo for Condé Nast’s forthcoming Love magazine, Dougal Wilson’s puppet-tastic video for Coldplay and Spin’s identity for Argentina’s PROA gallery

Features include an interview with Pentagram’s Luke Hayman in which he reveals the secret of his success – CR, of course (ahem)

A profile of Job Wouters, aka Letman, hand-lettering artist extraordinaire and brother of our former Creative Future, Roel. Job also designed our cover this month, which carries on our theme of basing the design around a listing of that month’s content. Also, our guest typeface this issue (as seen here) is Dessau Pro Stenzil Variant by Gábor Kóthay, distributed by Fountain

How The Guardian’s editorial design has grown, almost accidentally, into an all-encompassing visual language for the paper, which now includes signage at its new home (by Cartlidge Levene)

A look at why The Elms Lesters Painting Rooms, shunned by the mainstream gallery world, has given street art a home

And an examination of the role that advertising can play in ensuring that India doesn’t repeat the mistakes of the west in the face of growing consumerism

Plus, in Crit, we have all the usual discussion and comment including a look at advertising’s love of pain

And the all-important findings of our research into studio snacking and listening habits

Plus, subscribers will notice a change to Monograph this month. We are now using this rather beautiful Stephen Sultry Grey cover stock

Inside this month we feature Paul Belford’s collection of vintage Bollywood posters

And here’s the back cover with a key to the various pens that Letman used to design the front

It’s out on Wednesday 21 January. Enjoy.

Yes We Can…Sell You Stuff

The Presidential inauguration of Barack Obama: historic moment in world history… and sales opportunity

As The Independent reports, “Starting this weekend, more than 10,000 buses as well as countless cars, trains and planes will ferry upwards of 4 million people into Washington, DC” to be there when it finally happens – the inauguration of Barack Obama as President of the USA.

Waiting for them, according to the New York Times, will be a small army of merchandise hawkers flogging everything from T-shirts to tote bags to Barack Obama Inauguration Hot Sauce.

But it’s not just small time opportunists who are hoping to cash in on the Obama effect – big brands and media organisations are horning in on the moment too.

As AdAge says “No major media company will miss out on President-elect Barack Obama’s inauguration as they swarm Washington in hopes of cashing in on an otherwise bleak first quarter.”

As well as the usual newspapers and networks, MTV is planning to cover the ceremony on four channels while QBC will be making a range of characteristically fine merchandise available to viewers during a special show from Washington.

Ben and Jerry’s ice cream has a new flavour

And Pepsi is trying to link it’s new logo to the President’s campaign identity

But it’s Ikea that really seems to have gone the extra mile. Its Embrace Change 09 campaign, from Deutsch, has covered Washington with billboard ads, posters and bus-wraps carrying election campaign-style calls to arms including The Time For Domestic Reform Is Now and Change Begins At Home.

At Washington’s Union Station, Deutsch has installed a mock-up of the Oval Office as if decked out in Ikea furniture (let’s hope Obama is handy with an Allen key)


Photo: C Payne

And a website which goes live as soon as Obama is sworn in will encourage users to create their own layout for the seat of power.

Although it’s also been slammed for driving a mock presidential motorcade around the city composed of two SUVs and a limo (not exactly doing wonders for its green claims) with IKEA boxes strapped to the roof and furniture protruding from the boot.

As Adrants notes, this stampede to exploit a great moment in history is all a little wince-inducing but we have to admit Ikea’s chutzpah raises a smile

Loads of loaders


Preloading screen for Nvidia: Speak Visual site by Odopod, 2008

Ah the humble preloading screen, you kept us entertained (or tried to) as our crappy connection struggled to cope with the latest Flash-tastic websites. Now, at last, you have your chance to shine…

Brooklyn’s Big Spaceship has set up Pretty Loaded, an archive of website preloading screens – the visuals that come up while you are waiting for a website to load. The agency’s Michael Lebowitz describes it as “a history/gallery/short-attention-span-theater of preloaders”.


For The Detective, 2009, AgencyNet

Most of the work on the site so far is from Big Spaceship themselves, with a few contributions from Firstborn, Agencynet and Odopod, but Lebowitz wants to encourage contributions from the entire industry “to make it a living, growing little piece of internet history. It’s also a nice way of agencies showing fraternity instead of the usual acrimony.”

As connection speeds increase, Lebowitz says that the site will act as “a tribute to a vanishing art form amid a constantly changing digital landscape”. Although, judging from most of the sites we visit, the preloader will be around for a while yet.


For Sony Pictures’ Stranger Than Fiction site, 2006, Big Spaceship


For Office Max Arcade Print Jogger, 2007, Big Spaceship

Details of how to contribute are on the site

New Comment Policy On CR Blog

Or, Death To Trolls…

So far, on CR Blog, we have limited the moderation to anything that is openly offensive or potentially libellous. However, of late the quality of the debate here has been suffering from a rash of comments that really contribute nothing.

We don’t mind swearing, but to post a comment along the lines of “shit. the lot of them” or “that’s crap” does nothing to generate the type of informed debate that we hope the site can foster. We are all for criticism but, if you don’t like something, we want to know WHY.

So, as from now, we are instigating a more active moderation policy. Anything that, in the opinion of the moderators, is pointlessly abusive or adds nothing to the debate will be deleted.

And, as a reminder, here are the other criteria that we would ask you to observe:

“CR encourages comments to be short and to the point. As a general rule, they should not run longer than the original post. Comments should show a courteous regard for the presence of other voices in the discussion. We reserve the right to edit or delete comments that do not adhere to this standard.”

Thanks