Target Partners with Hamilton Wood Type and Printing Museum on Graphic Gear

In a collaboration that is just our type, Target has teamed with Wisconsin’s Hamilton Wood Type and Printing Museum—dedicated to the preservation, study, production, and printing of wood type—on a collection of graphic gear. The t-shirts, hoodies, leggings, sweatshirts, sweatpants, and totes feature images from the museum’s Globe Printing Plate collection. Part of Target’s Vintage Varsity line, the items arrived in select Target stores yesterday and will be available for purchase online beginning July 17.

The idea for a partnership was sparked when a Target designer caught a screening of Typeface, Justine Nagan‘s 2009 documentary about the Hamilton Wood Type and Printing Museum. Members of the megaretailer’s design team later visited the institution to select antique woodblocks (Hamilton is home to 1.5 million pieces of wood type) ripe for Americana-infused apparel. They worked closely with museum staff to create more than 100 different hand-pressed prints before toying with scale, layering, and color. Look for the collection and the museum to be spotlighted in Target’s “Cool Never Fades” campaign, which will celebrate “timeless locations” such as Nashville’s Fry Recording Studio and Gruene Dance Hall in New Braunfels, Texas. Meanwhile, type nuts can wear their Target togs to Two Rivers, Wisconsin, this November, when Hamilton holds its annual “Wayzgoose” type conference. Confirmed speakers include Tracy Honn of Silver Buckle Press, Stan Nelson, and Matthew Carter, who designed Carter Latin—his first wood typeface—especially for the museum.

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Bogota’s Planetarium

En explorant la relation entre la 3D et la typographie, Frederico Gonzalez et Andrea Stinga ont repris le concept du planetarium de Bogota en trois dimensions afin de montrer la structure de ce dernier. Une vidéo réussie à découvrir dans la suite de l’article.



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TypeCon2011 Recap #1

Hi everyone! My name is Carolyn Sewell and I am super thrilled to be UPPERCASE magazine’s TypeCon2011 correspondent and guest blogger this week! I want to thank Janine for not only sponsoring this amazing conference, but also offering me the chance to attend my own version of Disneyworld (grits AND typography!) on behalf of my favorite magazine. I’m honored, geeking out, and extremely hungry.


From the first paragraph you can probably tell that I’m not Canadian. Although my in-laws live in Toronto and Windsor, Ontario, I was raised in the Deep South in a small Mississippi town and moved to Washington, DC almost 10 years ago. I am a graphic designer and illustrator (designistrator?) and July 11th will be the 3rd anniversary of me owning my own business!

Several years ago I started a blog called Pedestrian Typography, where I posted photos of typography spotted on the streets…similar to the photos featured in UPPERCASE Issue #6 (specifically Typography for the People and Steve Powers’ Love Letters). After a few years of doing that I became interested (read: obsessed) in hand-lettering and decided to start the project Postcards To My Parents, where I hand-drew and mailed a postcard to my parents every day for a year. And after that I couldn’t stop, so I started Postcards To My Peeps. Although I don’t send one every day, I’m slowly getting a card out to everyone I care about or admire. It’s gonna take a while.


And when I’m not designing for clients or sending postcards to my peeps, I’m taking sketchnotes at various design lectures and events. What started out as my anti-Twitter proclamation at the AIGA Design Conference in Memphis has now grown into a full-blown hobby (and now I tweet as well, @carolynsewell). So this week I plan to post my photos, sketchnotes and food ramblings from TypeCon2011. I hope you enjoy.

Now please pass the hot sauce.

Dana Tanamachi Typography

Découverte du travail de Dana Tanamachi, une artiste basée à New York, qui armée de craies parvient à créer des compositions typographiques splendides. Une série de ses créations sont à découvrir en images ainsi qu’en vidéo dans la suite de l’article.



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Type Tuesday: Hamilton Wood Type

The obscure (Hamilton Woodtype Museum) meets mainstream (Target).

Type Tuesday: LetterMpress

Experience the art and craft of letterpress on an iPad! LetterMpress is in the app store today!

This first version will include 13 typefaces, 5 art collections, and several paper colors and textures. There is also extensive in-app help that describes each feature along with step-by-step guides.

Morning Glory

L’artiste Luis Armesilla a pensé et conçu cette typographie réussie, appelée “Morning Glory” et téléchargeable gratuitement. Des utilisations diverses et colorées de cette typo sont à découvrir dans une série de visuels ainsi qu’une vidéo. Le tout dans la suite de l’article.



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Quote of Note | Proenza Schouler’s Jack McCollough


P.S. We Love You Looks from the fall 2011 Proenza Schouler collection.

“One of our biggest regrets is the name of our company. It’s like alphabet soup. There are so many letters. Even coming up with a font was a mission. We had to do these fine, little letters. We couldn’t do strong, bold letters because it would be, like, out to here….We like ‘P.S.,’ but Paul Smith has taken it. It’s trademarked.”

-Fashion designer Jack McCollough, who in 2002 co-founded Proenza Schouler with fellow Parsons grad Lazaro Hernandez. The womenswear and accessories label incorporates their mothers’ maiden names.

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Write on the water

En posant des lettres sur l’eau à Trévise composant un message, l’artiste Guildor a voulu montrer qu’il faut toujours garder en tête les sentiments les plus importants comme la joie quelque soient les évènements du cours d’eau de la vie. Une vidéo à découvrir dans la suite de l’article.



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Type Tuesday: TypeCon 2011

UPPERCASE is pleased to be a 12pt sponsor of the upcoming Society of Typographic Aficionados’ TypeCon to be held July 5-10 in New Orleans.

“Presentations and workshops will explore topics such as: Japanese typography; the champions of readability; typography for the web; the graphic history behind QSL cards; book design and bookbinding; Fontographer basics; letterpress techniques; connections between lettering and lingerie; historic New Orleans print engraving; the lack of Latin typographic heritage in Turkey; glass gliding; and so much more.”

Unfortunately, my schedule is too full to attend this year, but I am looking for an UPPERCASE correspondent to send us news, photos and reviews from the conference! Your contributions will be posted on the blog.

Please leave your credentials in the comments (links to your portfolio, blog and relevant urls) with a couple of sentences about why you’d like to attend. The chosen correspondent will receive a complimentary conference pass (please note that all other expenses such as transportation, accommodation, food, etc are the responsibility of the correspondent.) Comments close on May 15.