Office building by Takeshi Hosaka

Office Building by Takeshi Hosaka

Japanese architects Takeshi Hosaka have completed this office building in the Tokyo suburb of Yoyogi.

Office building by Takeshi Hosaka Architects

Located in a low rise, high density area, the Yoyogi Office Building is clad in white glass-fibre reinforced concrete panels.

Office building by Takeshi Hosaka Architects

Earthquake-resistant structures are hidden within a staircase and service core on the north side of the building, leaving each floor with an open plan to be divided up by tenants as necessary.

Office building by Takeshi Hosaka Architects

Strips of hand sand-blasted glazing round the top of each storey allow walls to be used for storage space, while eight full-height opening windows provide views over the surrounding garden and neighbourhood.

Office building by Takeshi Hosaka Architects

An apartment for the owner of the building is located on the top floor.

Office building by Takeshi Hosaka Architects

More about Takeshi Hosaka on Dezeen »

Office building by Takeshi Hosaka Architects

More Japanese architecture on Dezeen »

Office building by Takeshi Hosaka Architects

Photographs are by Koji Fujii/Nacasa & Partners

The following is from the architect:


Office Building in Yoyogi

This office building faces Minami-Shinjuku Station. In this district, a dense cluster of low-rise residences and mid-size buildings constitutes a traditional neighborhood, with skyscrapers standing a little distance away. To me, this site conjured up an image of a valley consisting of swarms of building masses.

Office building by Takeshi Hosaka Architects

I wanted to make the rental office building, which would be constructed on this site, blend in naturally with the surrounding environment. On its premises, the building has a square-shaped garden measuring 15 m on each side.

Office building by Takeshi Hosaka Architects

As for the floor planning, I realized an expansive construction with no visible earthquake-proof elements around the circumference by placing quake-resistant structures including a staircase, plumbing and other piping spaces to the north end. With one or two companies scheduled to occupy each floor, I prepared five different positions for partitions in order to accommodate tenants with varying sizes.

Office building by Takeshi Hosaka Architects

Taking into consideration the fact that many objects would be placed on the wall sides of small rental offices, I constructed the basic façade structure so that the walls would measure 180 mm above the floors, with the high-side structure being double-skin glass.

Office building by Takeshi Hosaka Architects

Furthermore, in consideration of the positional relationship with its perimeter and ventilation paths, the building provides eight vertical glass windows extending between the first and third floors.

Office building by Takeshi Hosaka Architects

The high-side glass was unevenly sandblasted through manual labor, thereby creating irregular texture with a cloudy/hazy touch. This generates a perspective that makes the neighboring buildings look a little more distant than they really are on the crowded premises, in addition to letting in the offices soft diffused light converted from direct sunlight. Moreover, through the uneven sandblasted glass, the weather and views outside appear slightly different from their usual selves.

Office building by Takeshi Hosaka Architects

This offers curious enjoyment indoors, loosely connecting the indoors and outdoors. Having the vertical glass windows extending from the first floor to third floor means that they stretch from the floor to the ceiling, thus enabling sufficient natural ventilation and an air-conditioner-free office environment in the middle period.

Office building by Takeshi Hosaka Architects

The white surface on the façade is a GRC panel. Overshadowed by a valley of buildings, the premises and their vicinity are dark. Therefore, I attempted to lighten up the surrounding by adding a white surface. In addition to trees passed down from the generation before last, the garden is planted with as many plants as possible to provide much greenery. Also, the ground outside is left unpaved as much as possible, with earthy surfaces reintroduced, in an attempt to pursue pleasant coexistence with soil and plants even in the urban area.

Office building by Takeshi Hosaka Architects

For small office buildings in metropolitan areas, it is a common practice to construct homogeneous and functional buildings that place priority on efficiency based on the economic principle. However, I believe that it is high time for us to think about building novel office structures as places where people can harmonize with environment based on a mixture of themes such as a new relationship between the outdoors and indoors, while still maintaining efficiency and functionality.

Office building by Takeshi Hosaka Architects

Through attempts that could be made on the premises such as setting aside a little space for plantation, securing earthy grounds, and applying uneven sandblast on glass surfaces, I tried to give birth to an office building with a varying degree of environmental latitude as a place where people stay instead of an artificially-controlled homogeneous construction.

Office building by Takeshi Hosaka Architects

Building Details

Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno
Photographer: Koji Fujii / Nacasa&Pertners Inc.

Office building by Takeshi Hosaka Architects

Client: Masanori Yoshida
Name: Yoyogi Office Building
Location: Yoyogi, Tokyo, Japan

Office building by Takeshi Hosaka Architects

Structure: Steel
Site: 398.88 m2
Building area: 209.13 m2
Floor area ratio: 635.69 m2
Building height: 9991mm
No. of floors: 3F
Building function: Office Building + Owner’s House

Office building by Takeshi Hosaka Architects

Architect Details

(Name) Takeshi Hosaka
Takeshi Hosaka Architects

Office building by Takeshi Hosaka Architects

Planning data
Design: March 2008 – Feb. 2009
Planning start: March  /  2008
Beginning of construction: April   /  2010
Completion: December / 2010

Office building by Takeshi Hosaka Architects


See also:

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Hoto Fudo by
Takeshi Hosaka Architects
Inside Out by Takeshi Hosaka ArchitectsMore Offices
on Dezeen

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Rain falls inside parts of this house in Tokyo by Japanse studio Takeshi Hosaka Architects.

Inside Out by Takeshi Hosaka Architects

Called Inside Out, the home for a couple and two cats has an enclosed core of bedrooms and living rooms, surrounded by an outer shell with a quadrilateral plan.

Inside Out by Takeshi Hosaka Architects

Apertures in the outside allow rain, wind and light into the space between the two structures.

Inside Out by Takeshi Hosaka Architects

The inner building can be opened up further by sliding back glass panels.

Inside Out by Takeshi Hosaka Architects

More Japanese houses on Dezeen »

The details that follow are from the architects:


INSIDE OUT

This is a project of a house for a married couple and two cats, located in Tokyo.

Inside Out by Takeshi Hosaka Architects

The project had started based on the idea that humans and cats live in a same house, rather than cats living in a house designed for humans — and finally this idea brought out a concept: “a house inside which you feel being outside.”

Inside Out by Takeshi Hosaka Architects

The shape of the building was decided as an irregular quadrangle in accordance with the irregularly-shaped quadrangular site. The roof and wall sides of the volume have carefully designed openings, through which light, wind or rain could enter into the building.

Inside Out by Takeshi Hosaka Architects

Plants are planted in the ground under the roof opening which allows rain to enter in. The boxes for bedroom and for bathroom are put in the outer volume; and a living room is located above the bedroom box and a deck above the bathroom box.

Inside Out by Takeshi Hosaka Architects

Inside the volume, there is a space in which you would feel yourself being outside: Light, wind or rain could enter in, so that your way of living depends on the weather; but in this house, you would always positively seek to find another images of life.

Inside Out by Takeshi Hosaka Architects

Areas on the floor on which rain falls vary according to the wind direction, so you would seek to find the area where you don’t get wet. As you live longer, you would find out, from your experiences, various things about the relation between the extent to which rain enters in on the one hand, and the location of objects, furniture and yourself on the other. And, there is no air-conditioner in this house.

Inside Out by Takeshi Hosaka Architects

During intermediate seasons or summer, both humans and cats live in natural draft, or, in the other words, they live in the air environment which is almost same as the outside. On windy or chilly days, you could stay in the indoor boxes or the living room with glass sliding doors closed.

Inside Out by Takeshi Hosaka Architects

Figures and other many items which had been collected are located not only indoors, but many of which are also put on the outdoor shelves to the extent that it is possible. Cats walk on the thin line on which rain doesn’t fall and find places in the sun to take a nap.

Inside Out by Takeshi Hosaka Architects

The couple stay in the living room upstairs with glass doors open, sometimes even on rainy days; they often live a life in which they feel themselves being outside even while being inside.

Inside Out by Takeshi Hosaka Architects

People living in the modern era attempt in the modern way to reduce energy consumption and to coexist with nature — this is also a positive attempt to find what ways of life are possible beyond energy problems and this, in turn, beyond way of life, leading to the important themes about human mental activities.

Inside Out by Takeshi Hosaka Architects

The couple and cats who had lived in an apartment are now pioneering the new images of life every day in the weather-dependent house inside which they feel being outside.

Inside Out by Takeshi Hosaka Architects

INSIDE OUT
Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno

Inside Out by Takeshi Hosaka Architects

Photographer: Koji Fujii / Nacasa&Pertners Inc.
Client: Masayoshi & Yoko Matumoto

Inside Out by Takeshi Hosaka Architects

Name of the project: INSIDE OUT
Exact definition of the building: a couple and two cats
Location of the project: Kastushika-ku , Tokyo , Japan

Inside Out by Takeshi Hosaka Architects

Construction: wooden-structure
Site: 149.59 m2
Building area: 59.23 m2
Floor area ratio: 91.15 m2
Building height: 5859 mm
No. of floors: 2
Building function: House
Planning data
Design: August 2009 – April 2010
Planning start (M/Y): August / 2009
Beginning of construction: May / 2010
Completion: September / 2010

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects


See also:

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House I by
Yoshichika Takagi
Duplex House in Tokito by
Hidehiro Fukuda Architects
House in Hieidaira
by Tato Architects

Pen and Ink Drawings

Des illustrations très impressionnantes par l’artiste Sagaki Keita basé et vivant à Tokyo. Ces oeuvres sont composés de milliers de personnages et de dessins en tout genre, formant alors une image principale. L’ensemble de ses travaux sont à découvrir dans la suite.



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Previously on Fubiz

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House with Slide

Un excellent concept de maison à Tokyo pensé par le studio japonais Level Architects avec “House with Slide”. Une résidence de 3 étages accessibles soit par un escalier, soit par un tobbogan pour chaque étage de la maison. Explications en images dans la suite de l’article.



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Previously on Fubiz

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House in Nakameguro by Level Architects

House in Nakameguro by Level Architects

Japanese studio Level Architecs have completed a house in Tokyo, Japan, with a slide connecting all three floors.

House in Nakameguro by Level Architects

A staircase wraps around one side of the rectangular house and the slide encircles the other.

House in Nakameguro by Level Architects

Above photograph is courtesy of the architects

Occupants can decide at each level whether to descend by the stairs or by slide.

House in Nakameguro by Level Architects

The living areas are located on the first floor and lead out to a double-height terrace, which also doubles up as a ball pen for children to play in.

House in Nakameguro by Level Architects

A bedroom and bathroom are located on the top floor and a Japanese-style room and home office can be found at ground level.

House in Nakameguro by Level Architects

Photographs are by Shinichi Tanaka unless otherwise stated.

House in Nakameguro by Level Architects

More Japanese houses on Dezeen »
More residential architecture on Dezeen »

House in Nakameguro by Level Architects

Here’s some information from the architects:


House in Nakameguro – “House with SLIDE”

It was the client’s desire. “I want to create the house to which three children remain in memories forever.” he said too.

House in Nakameguro by Level Architects

For this family, “SLIDE” will be a symbol felt deeply.

House in Nakameguro by Level Architects

We considered the possibility building its play space into the space of daily life naturally at the same time as thinking about “SLIDE”.

House in Nakameguro by Level Architects

Above photograph is courtesy of the architects

We decided to be thought that it became no “House with SLIDE” it and “House of SLIDE” by it did not catch as mere “Play equipment” that along the stairs sideward of “SLIDE” like the slope, and set up in a part of the open ceiling and used it but building it in the entire construction.

House in Nakameguro by Level Architects

They goes up from the 1st floor to the 3rd floor by “Stairs” according to outer in the house, and they descends from the 3rd floor to the 1st floor by “SLIDE”.

House in Nakameguro by Level Architects

In all circumference in the house become big “SLIDE”, and the plan became the entire design as it is.

House in Nakameguro by Level Architects

The rounded wall makes feel to enclose with “Stairs” and “SLIDE” in living room and dinning room and kitchen of the 2nd floor more.

House in Nakameguro by Level Architects

Fixtures sofa with height of 6-meters gives the unity of sense to living room and dinning room and kitchen, and the subdued light from the courtyard at the center of the room pours into the room through the grating deck.

House in Nakameguro by Level Architects

In the bedroom of the 3rd floor, daring to partition it doesn’t do, and be entire family’s bedroom now.

House in Nakameguro by Level Architects

A soft shadow is cast on the inside and outside part because the entire house are roundness all, and externals that wear roundness are lovely houses where people happens to pass stops their foot.

House in Nakameguro by Level Architects

Click for larger image

When this house was visited one month after the completion, “SLIDE” was relieved in daily life.

House in Nakameguro by Level Architects

Click for larger image

In addition we saw children reverse-running.

House in Nakameguro by Level Architects

Click for larger image

It was “House of SLIDE” that had already exceeded our imagination.

House in Nakameguro by Level Architects

Click for larger image

DATA:

Location / Tokyo, Japan
Site area / 109.82m2

House in Nakameguro by Level Architects

Click for larger image

Total floor area / 163.69m2
Structure / wood

House in Nakameguro by Level Architects

Click for larger image

Floor number / 3 stories
Completion / 2009

House in Nakameguro by Level Architects

Click for larger image


See also:

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Playhouse by
Aboday
MR Design Office by
Schemata Architecture Office
House in Fukawa by
Suppose Design Office

Yoshimasa Tsuchiya

Coup de coeur pour les élégantes sculptures en bois de l’artiste japonais Yoshimasa Tsuchiya. Actuellement exposé à la Megumi Ogita Gallery dans Tokyo, autour de la série “Private Myth”. Plus d’images de ces créations sur son portfolio et dans la sélection de l’article.



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Previously on Fubiz

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MR Design Office by Schemata Architecture Office

MR Design Office by Schemata

A slide is hidden behind the mirrored wall in this Tokyo office by Japanese studio Schemata Architecture Office.

MR Design Office by Schemata

The shoot can be accessed by climbing a ladder up to the top of the bathroom and storage area.

MR Design Office by Schemata

The office is intended for just five people and features a reflective dome, 3.4metres in diameter, which hangs from the ceiling over a meeting area to project light and contain sound.

MR Design Office by Schemata

A mirrored wall at one end of the rectangular office makes the space appear larger.

MR Design Office by Schemata

Photographs are by Takumi Ota.

MR Design Office by Schemata

More office interiors on Dezeen »
All our stories on Schemata Architectue Office »

MR Design Office by Schemata

Here’s a bit of text from the architects:


MR_DESIGN OFFICE

I planned about 190 square meters office only for 5 people. I designed only 2 kind of parts, furniture and infrastructure not to separate a large room into some small room.

MR Design Office by Schemata

So you can feel 190 square meters in any places in this office.

MR Design Office by Schemata

And it’s notable that the lighting with 3.4m parabolic reflector can reflect not only the light but also sound. So this meeting space doesn’t need any partition.

MR Design Office by Schemata

The Lighting for The Meeting Room

I duplicate bright natural light from metal halide lighting system. And the lighting system can make no shadow.

MR Design Office by Schemata

Because parabolic reflector can make diffuse reflection. And parabolic reflector can increase the voice between each separate seats only under the reflector.

MR Design Office by Schemata

Bench

We convert from 4 chairs into 1 bench. The each leg of a bench is transparent because of made of epoxy resin.

MR Design Office by Schemata

Base Lighting System

We made the base lighting system by spliting a spiral tube in two. Because we want to match the reflectors to other ductworks ceiling.

MR Design Office by Schemata

Site: Shibuya ward Tokyo
Principal use: Office
Structure: RC
Floor area: 188.20m²

MR Design Office by Schemata

Construction: Eiger
Furniture: E&Y Epoxy Syuhei Nakamura
Technical cooperation: Izumi Okayasu
Completion: Jun.2010


See also:

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Playhouse by
Aboday
Cheap Monday Office by UglycuteLiving Lab by Ab Rogers
for Pizza Express

Knot by Apollo Architects & Associates

KNOT by APOLLO Architects and Associates

This rectangular concrete block with a volume protruding from its side is a family home in Tokyo by Japanese studio Apollo Architects & Associates.

KNOT by APOLLO Architects and Associates

Called Knot, the house features a room with a slanted ceiling, which cantilevers out from the main building and is glazed at the front.

KNOT by APOLLO Architects and Associates

Rooms inside are on split levels and the open-plan living space provides step-down access to a dining area and kitchen.

KNOT by APOLLO Architects and Associates

Above this is a bedroom, visible from the living room.

KNOT by APOLLO Architects and Associates

A further two bedrooms and a bathroom are located beneath the living spaces.

KNOT by APOLLO Architects and Associates

Photographs are by Masao Nishikawa.

More residential architecture on Dezeen »

KNOT by APOLLO Architects and Associates

The following information is from the architects:


KNOT

The site is situated in a corner on a hill within a residential area in Tokyo. The building was commissioned by a married couple with a husband who loves interior design, photography and mountaineering. It is a compact house that makes use of the half-floor difference in height between the front and back of the site.

KNOT by APOLLO Architects and Associates

The simple exterior reminiscent of a drawer pulled out from a box is composed of concrete and glass. Taking advantage of the difference in height, the spaces in the front and back are connected using the skip floor system.

KNOT by APOLLO Architects and Associates

Positioned adjacent to those spaces are a courtyard and a void space which, together with the skip floor structure that induces a vertical continuity, create a gentle horizontal connection. The alternating courtyard and void afford a sense of depth and expansion to the spaces, allowing for all the floors from the basement to the first to be experienced as one space connected vertically and horizontally.

KNOT by APOLLO Architects and Associates

The spaces into which the client’s Italian and Scandinavian modern furniture collection blends in exquisitely is incredibly rich for a house with a total floor area of 100 square meters and it gives rise to a sensuous and sophisticated world.

KNOT by APOLLO Architects and Associates

Credit Information

Architecture : Satoshi Kurosaki/APOLLO Architects & Associates

Project Outline

Location : Tokyo Japan
Date of Completion : August 2010
Principal Use : Private House

KNOT by APOLLO Architects and Associates

Structure : RC
Site Area: 100.18m2
Total Floor Area : 99.27m2 (50.04m2/1F, 49.23m2/2F)
Design Period : July 2009 – November 2009
Construction Period : March 2010 – August 2010
Structural Engineer : Taro Yokoyama
Mechanical Engineer :-

KNOT by APOLLO Architects and Associates

Material Information
Exterior Finish : Exposed concrete
Floor : Ash Flooring (white painting)
Wall : cloth
Ceiling : Exposed concrete

KNOT by APOLLO Architects and Associates

Click for larger image


See also:

.

Damier by Apollo
Architects & Associates
Flow by Apollo
Architects & Associates
Shift by Apollo
Architects & Associates

Shift by Apollo Architects & Associates

Shift by Apollo Architects and Associates

Japanese studio Apollo Architects & Associates have completed a house in Tokyo, Japan, featuring a white rendered volume sitting on top of a concrete base and no exterior windows.

Shift by Apollo Architects and Associates

Called Shift, the house has been built around a central courtyard where glazed walls provide views into all of the interior spaces on both floors.

Shift by Apollo Architects and Associates

On the ground floor, the living room and kitchen are located on either side of the courtyard.

Shift by Apollo Architects and Associates

There are three bedrooms on the first floor, each with their own balcony and little garden.

Shift by Apollo Architects and Associates

Also on this floor is a yoga room, bathroom and workroom, all of which have views of the internal courtyard.

Shift by Apollo Architects and Associates

Photographs are by Masao Nishikawa.

Shift by Apollo Architects and Associates

More residential architecture on Dezeen »

Shift by Apollo Architects and Associates

The information that follows is from the architects:


SHIFT

Surrounding the site in the outskirts of Tokyo is lush green and a slow-paced environment. The building was commissioned by a family composed of the husband who manages an insurance company, the wife who works as a patternmaker and their two children. It was planned as a SOHO, with a space for the yoga classes run by the wife added to the house.

Shift by Apollo Architects and Associates

The distinguishing exterior consists of a wooden volume covered with a luminescent wall sitting on top of a base made of exposed concrete engrained with the texture of Japanese cedar. In sharp contrast to the exterior that is closed to the outside world, an inner courtyard pierces the center of the structure.

Shift by Apollo Architects and Associates

With a hollow center, the house is easy walk around and allows for the presence of family members to be felt from anywhere. The symbolic tree in the courtyard plays a central role in sustaining the equilibrium of the architecture.

Shift by Apollo Architects and Associates

On the ground floor, the living room and dining kitchen face each other across the courtyard while a sculptural staircase is positioned across the courtyard from the entrance. The staircase is symbolic in its presence and gives expansiveness to the spaces together with the courtyard.

Shift by Apollo Architects and Associates

On the first floor, the multi-purpose room is used for yoga classes and for other activities, while small gardens are positioned around bedrooms providing light and openings.

Shift by Apollo Architects and Associates

Incorporating an open-air garden within it, the house makes it possible to fully enjoy the Japanese four seasons. The contrast between the external and the internal will help to keep a fresh mind in everyday life.

Shift by Apollo Architects and Associates

Credit Information
Architecture : Satoshi Kurosaki/APOLLO Architects & Associates

Project Outline
Location : Tokyo
Date of Completion : April 2010
Principal Use : Private House
Structure : RC/1F,Wooden/2F
Site Area: 257.54m2

Shift by Apollo Architects and Associates

Click for larger image

Total Floor Area : 180.20m2 (99.37m2/1F, 80.83m2/2F)
Design Period : March 2009 – July 2009
Construction Period : October 2009 – April 2010
Structural Engineer : Kenta Masaki
Mechanical Engineer :-

Material Information
Exterior Finish : Exposed concrete/1F, photocatalytic paint/2F
Floor : Flooring
Wall : photocatalytic paint
Ceiling : cloth


See also:

.

Damier by Apollo
Architects & Associates
Flow by Apollo
Architects & Associates
More architecture
on Dezeen

Aesop Aoyama by Schemata Architecture Office

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Japanese architect Jo Nagasaka of Schemata Architecture Office used materials reclaimed from a demolished house for the interior of this Tokyo shop for Australian skincare brand Aesop.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Located in a former vegetable shop, the project involved reusing timber, handles and furniture found in the demolished house.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Features of the empty shop such as pipes and drain covers were highlighted by coating in resin.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

“We find a demolished house anywhere in the world,” says Nagasaka. “We use a place in different purposes anywhere in the world. We get a space in skeleton condition anywhere in the world.”

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

More about Schemata Architecture Office on Dezeen »

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Photographs are by Alessio Guarino.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Here’s some more information from Aesop:


Aesop is proud to open in Tokyo, on the Ground Floor of the Asada building in Minami-Aoyama. Behind the humble facade sits a small store with a remarkable story.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Architect Jo Nagasaka, when considering how to create a functional yet poetic retail space for Aesop’s range of skin and hair products, came upon an abandoned house, the Murazawa residence in Nakano- ku.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Recognising the possibilities for reusing the wooden boards and beams, Nagasaka collaborated with Aesop Director Dennis Paphitis on a design that incorporates old and new materials, and pays homage to Japan’s well-established tradition of fusing modern and traditional.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

The project was challenging, but the result is a space that is simple, practical and warm.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Aesop was founded in 1987. We offer a range of exceptional skin, hair and body products through our thirty international concept stores, and department and specialty store counters.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

The brand has attracted a loyal following from the beginning for our unwavering commitment to product ingredients, minimalist packaging, and intelligent communication with our customers.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

While our beginnings were in hair care, Aesop now boasts a line of over seventy products, more than half of which are skin care.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Aesop stands apart from other companies in our refusal to be anything other than transparent, humble and sincere.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

We make every product with the same attention to detail that we believe should be applied to life at large.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Our company advocates the use of our range as part of a life that includes good food, plentiful travel and a healthy dose of books.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Aesop Aoyama
Site: Shibuya ward Tokyo

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Principal use: Shop
Structure RC

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Total floor area 74.89m²
Office area 28.66m²
Shop area 46.23m²

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Construction: Sekiguchi Corporation
Epoxy: Syuhei Nakamura

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Completion: Dec.2010

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office


See also:

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Aesop store by
March Studio
Aesop store by
Studio Ilse
More stories about
retail