Daily Sales Round-Up! – October 7

imageThe Girls Club

Even though 95% of the fashion consumers out there are women and 83% of statistics are made up on the spot, the apparel industry is full of men designers. While some of my all time favorite brands come from the creatively genius minds of these male designers, I have to show love to my ladies. Who knows what a woman wants in both style and comfort than another woman, and one with design chops, too! So the feminist in me is loving all the desirable female designers that Rue La La and others are featuring!



Rue La La – Betsey Johnson, Judith Ripka, Paige Novick



Beyond the Rack – Debbie Shuchat, Lola & Paige, Jayn Simpson, Margaret O’Leary, Amrita Singh



HauteLook – Jessica Simpson, Stella & Jamie, Carolina Herrera, Donna Karan, Versace, Elizabeth & James



Gilt Groupe – Vera Wang Collection, Vivienne Tam, Stephanie Johnson, Jil Sander, Kimberly Ovitz

Vienna Design Week 2010: Mark Braun and J&L Lobmeyr

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Mark Braun, a designer based in Berlin, collaborated with J&L Lobmeyr as part of the Vienna Design Week’s Passionswege – an initiative to bring emerging designers to work directly with local Viennese manufactures or retailers and create on-the-spot experimental projects and interventions.

Braun spent a few months working with the glassmakers and engravers of Lobmeyr to explore the possibilities of creating a functional product that would also comment on its value. As he explains in the video he worked with the copper wheel engraving technique – a long traditional technique used to personalise glass object at Lobmeyr – to realise a series of water carafes that each have been decorated with the outlines of 21 Austrian lakes, rivers, and glaciers. The sum total of these substances together represent the ultimate symbol of the essential wealth of everyday life.

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Re-set glasses

Cave Canem studio in the project mobile gallery “Mobile Cube”at Designblok’10 Prague introduced new glasses called “Re-set”.Glass “Re-set” we have pre..

Lille Métropole Musée extension by Manuelle Gautrand

Lille Metropole Musee extension by Manuelle Gautrand

French architect Manuelle Gautrand has completed an extension to the Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut at Villeneuve d’Ascq in France.

Lille Metropole Musee extension by Manuelle Gautrand

The project comprises five snaking volumes wrapped around the north and east sides of the existing building, which was originally designed in 1983.

Lille Metropole Musee extension by Manuelle Gautrand

Above photo by Vincent Fillon

On the north side these “ribs” house a restaurant opening onto a central patio, before fanning out on the east side to accommodate five galleries showing European art brut.

Lille Metropole Musee extension by Manuelle Gautrand

The new structure is punctured with an irregular pattern to restrict light levels within the galleries while affording views of the surrounding park at the end of each corridor.

Lille Metropole Musee extension by Manuelle Gautrand

This perforated design is repeated on display stands inside.

Lille Metropole Musee extension by Manuelle Gautrand

Photographs are by Max Lerouge except where stated otherwise.

Lille Metropole Musee extension by Manuelle Gautrand

The following information is from Manuelle Gautrand:


The project concerns the refurbishment and the extension of the Lille Modern Art Museum in a magnificent park at Villeneuve d’Ascq. The existing building, designed by Roland Simounet in 1983, is already on the Historic monuments list.

Lille Metropole Musee extension by Manuelle Gautrand

Above photo by Philippe Ruault

The project aims at building up the museum as a continuous and fluid entity, this by adding new galleries dedicated to a collection of Art Brut works, from a travelling movement that extrapolates existing spaces. A complete refurbishment of the existing building was next required, some parts were very worn.

Lille Metropole Musee extension by Manuelle Gautrand

In spite of the heritage monument status of Simounet’s construction, rather than set up at a distance, we immediately opted to seek contact by which the extension would embrace the existing buildings in a supporting movement.

Lille Metropole Musee extension by Manuelle Gautrand

I tried to take my cue from Roland Simounet’s architecture, ‘to learn to understand’, so as to be able to develop a project that does not mark aloofness, an attitude that might have been seen as indifference.

Lille Metropole Musee extension by Manuelle Gautrand

The architecture of the extension wraps around the north and east sides of the existing arrangement in a fan-splay of long, fluid and organic volumes. On one side, the fan ribs stretch in close folds to shelter a café-restaurant that opens to the central patio; on the other, the ribs are more widely spaced to form the five galleries for the Art brut collection.

Lille Metropole Musee extension by Manuelle Gautrand

The Art brut galleries maintain a strong link with the surrounding scenery, but they are also purpose-designed to suit the works that they house: atypical pieces, powerful works that you can’t just glance at in passing. The folds in these galleries make the space less rigid and more organic, so that visitors discover art works in a gradual movement.

Lille Metropole Musee extension by Manuelle Gautrand

The architecture is partly introverted, to protect art works that are often fragile and that demand toned down half-light.

Lille Metropole Musee extension by Manuelle Gautrand

At the extremity of the folds – meaning the galleries – a large bay opens magnificent views onto the surrounding parkland, adding breathing space to the visit itinerary. These views make up for the half-light in the galleries: the openwork screens in front of the bays mediate with strong light and parkland scenery, a feature that recalls Simounet’s generous arrangements in the galleries that he designed.

Lille Metropole Musee extension by Manuelle Gautrand

Envelopes are sober: smooth untreated concrete, with mouldings and openwork screens to protect the bays from too much daylight. The surface concrete has a slight colour tint that varies according to intensity of light.

Lille Metropole Musee extension by Manuelle Gautrand

Lille Metropole Musee extension by Manuelle Gautrand

Lille Metropole Musee extension by Manuelle Gautrand

Lille Metropole Musee extension by Manuelle Gautrand

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Lille Metropole Musee extension by Manuelle Gautrand

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Lille Metropole Musee extension by Manuelle Gautrand

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See also:

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Conceptual extension
by Axis Mundi
National Glass Museum
Holland by Bureau SLA
More architecture
stories

Matroshka: A system of space-saving furniture that never was

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DANT DANT. I just experienced the design blogger’s version of the opening scene from Law & Order: I was looking for something else and I stumbled upon a corpse. Matroshka is a design project from 2007 that looked promising and was generating interest and potential customers, then sadly died before seeing production. (Cause of death unknown.)

The concept is for a system of space-saving furniture that nests together–hence its name, Matroshka, a/k/a the Russian nesting dolls. At its most compressed the system takes up just four square meters but breaks out into permutations including a bed, desk, bookshelf, couch, coffee table, dinner table, wardrobe, clothing drawers, and seating for twelve!

I’m going to spend the next 30 minutes investigating, so I can find someone to prosecute for another 30 minutes.

Hit the jump for tons-o’-shots.

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Bookshelves are filled with books, and this blog’s filled with bookshelves

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Never mind apps, there really is a blog for everything. I just stumbled upon Bookshelf, a blog dedicated to interesting you-know-whats. Some of ’em you’ve seen before but many you haven’t; and with archives stretching back several years, you’ll have plenty of browsing ahead of you. I know it’s not Friday yet, but treat yourself and steal some time when the boss-man ain’t looking.

By the by, the Library concept above is from Coroflot’s own Guy Eddington.

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The Annual: Now open for submissions

Creative Review is now open for submissions for The Annual 2011, which will showcase the visual communication highlights from the past twelve months.

The Annual aims to be the definitive guide to the year in visual communication, including Advertising, Graphic Design, Digital Media, Illustration, Editorial Design, Music Video and more. Full entry details are here.

As the only title to cover all these areas and with nearly 30 years experience, CR will ally its skills and knowledge with that of leading industry figures to select the most significant work of 2010.

The categories are broken down into the following areas:

  • Online advertising
  • Print and press
  • Graphic design
  • Illustration
  • Packaging
  • Interactive and digital media
  • Commercials
  • Music videos
  • Virals
  • Motion graphics
  • Editorial design
  • Other

Judges for this year’s submissions are:

Andy Cameron
Interactive creative director, Wieden + Kennedy London

Kevin Stark
Creative director, Bartle Bogle Hegarty

Laura Jordan-Bambach
Executive creative director, LBi

Georgia Fendley
Brand director, Mulberry and founder, Construct

Fernanda Romano
Global creative director digital and experiential, Euro RSCG

      The deadline for entries is December 17.

      For full entry details and to register your interest, please go here.

      Yelle – La Musique

      Voici le retour de la chanteuse Yelle avec son nouveau single “La Musique” produit sur le label Kitsuné. Une vidéo construite entièrement en gif animée pour son clip officiel. Une réalisation de l’équipe et du collectif parisiens : We are from L.A. A découvrir dans la suite.



      yelle

      Previously on Fubiz

      Brandbase Pallets by Most Architecture

      Brandbase Pallets by Most Architecture

      Dutch firm Most Architecture have created this temporary office from wooden pallets for an Amsterdam advertising company.

      Brandbase Pallets by Most Architecture

      The project for advertising agency BrandBase sits in a narrow Dutch canal house that runs 27 metres deep.

      Brandbase Pallets by Most Architecture

      Whitewashed walls contrast with lighting, fittings and banisters all finished in black.

      Brandbase Pallets by Most Architecture

      In the main room two long tables and a central walkway formed from disused pallets run from end-to-end.

      Brandbase Pallets by Most Architecture

      A staircase made from pallets leads up to the manager’s office with a presentation room behind glass walls.

      Brandbase Pallets by Most Architecture

      To the rear of the office a studio has white desks and ceiling-hung wires servicing each workstation.

      Brandbase Pallets by Most Architecture

      All photographs are by Rogier Jaarsma.

      Here’s some more from the architects:


      BRANDBASE PALLET PROJECT

      A temporary furnishment for the new office location combined with the explicit wish to furnish the space with an authentic, recycable material, gave creative director Marvin Pupping and MOST Architecture the idea to use Euro-pallets for this particular design. The pallet structure; an open, autonomous landscape that gradually changes its character, facilitates all parts of the office.

      Brandbase Pallets by Most Architecture

      The pallet structure is designed in such a way that besides being merely a workplace, the entire element invites you to stand, sit or lay down on the pallets. This open office concept was created to suit the creative advertising agency, with an additional, informal atmosphere.

      Brandbase Pallets by Most Architecture

      The existing building on the Brouwersgracht, downtown Amsterdam, is an archetypical Dutch canalhouse; a narrow, 27 meters deep space, with a back area that is divided by split level. Because of this, the concept for this dynamic company was organised along the longitudinal axis. And because of BrandBase’s specialty, it was mandatory to include new media. From the very start of the project, the design development as well as its execution, had followers from all over the world through the project’s Facebook page.

      Brandbase Pallets by Most Architecture

      The design concept, an open autonomous landscape, consists of 3 layers. The first layer, the existing space was used as a starting position and painted completely white, to provide a homogeneous base for the pallet structure. The pallets itself create a structure that slowly changes its character accommodating all parts of the office.Finally, the third layer in the design contains additions to the pallet structure like light fixtures, staircase banisters and the furniture; which are all done in black. The structure is not dictating, rather facilitating.

      Brandbase Pallets by Most Architecture

      The open character is enhanced by dispositioning the pallets both directions over a 20 cm grid. The pallet structure unites the whole space, covering the whole depth of the building in one single movement.The design can loosely be divided into four zones: The entrance area, the staircase area, the split level area and the studio area, in the back of the ground floor. Entrance area: coming in, the pallet structure welcomes its visitors with open arms, created by two rows of desks, providing a total of eight working units on two different levels. Visitors walk onto the pallet structure like a catwalk, surrounded by BrandBase employees. Staircase area: the working units in the entrance area make way for a staircase that is divided in two part; the formal part with its steps and banisters and a more informal part, where stacked pallets provide for a place to hang-out.

      Split level area: reaching the upper floor, the staircase transforms into the management premises, with a combined presentation- and meeting room. Here, the four desks are designed more independently. Subsequently the pallet structure, separated by a transparant wall with translucent doors, develops into the presentation room with its seating element that  accommodates guests during presentations. In front of this, a huge movable boardroom table, made of pallets. The studio area: the rear part of the ground floor was dealt with in a totally different way. The efficient positions of the white desks are connected with the pallet structure through black wires, which hang along the ceiling from the staircase to the desks and servers like lianas.

      Brandbase Pallets by Most Architecture

      MOST Architecture  is an office led by Paul Geurts (aged 32) and Saxon-Lear Duckworth (aged 30). For over a year they have been working together intensively on several design assignments. Their first collaboration immediately resulted in a longlist nomination for the Prix the Rome 2010, the oldest art prize of the Netherlands, for their design called ‘The Great Green Escape’. Furthermore, the office work on a spectrum of competitions and assignments, ranging from interior designs to architectural projects and urban strategies. Their architecture is characterised by clear analysis, providing cutting-edge contemporary challenges with powerfull sollutions. BrandBase specialises in exceptional projects, mainly around Brand Activation. This is the integration of all available communication means into a creative platform to activate consumers. In other words: advertising new style. Putting a brand in the spotlights, using all means in the most creative and innovative way possible. This is what BrandBase does, mainly for multinationals like Shell, ING, Schiphol and Friesland Campina.

      Brandbase Pallets by Most Architecture

      Architects: MOST Architecture
      Location: Rotterdam
      Client: BrandBase bv.
      Location: Brouwersgracht 246, Amsterdam

      Brandbase Pallets by Most Architecture

      Design: May 2010
      Completion: July 2010
      Number of pallets: 270 pieces
      Surface: 245 m2
      Building sum: 50.000 euro


      See also:

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      Pallet House
      by I-Beam
      225 Forest Avenue by
      Michael Neumann Architecture
      More
      interior stories

      Philadelphia Designers Accord Town Hall Meeting: October 12th

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      The discussion about sustainability has been in full swing for quite awhile. How do we move past talk and towards action? Join together with designers throughout the city to develop and begin exploring an action plan. Start responding to the questions raised around the responsibilities of designers in society. University of the Arts Industrial Design and Bresslergroup invite you to join the conversation during DesignPhiladelphia 2010.

      The Designers Accord is a global coalition of designers, educators, and business leaders working together to create positive environmental and social impact. This town hall meeting is your chance to join fellow Seattle designers who care deeply about these issues, and share in the discussion of how we can make designing in sustainable ways a reality in our region.

      6:00 – 6:15 socialize and network; refreshments
      6:15 – 7:15 presentations
      7:15 – 7:45 roundtable discussion
      7:45 – 8:00 in depth conversation

      The University of the Arts
      211 South Broad St
      Terra Hall 5th floor – Industrial Design Department

      Speakers:
      Mathieu Turpault, Senior Designer at Bresslergroup
      Monique Curry, Founder, Association for the Advancement and Integration of Design
      Third speaker to be confirmed

      Free and open to the public

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