Choosing to display, store, or get rid of an item

I am a firm believer that everything you choose to own should be display worthy, even if you choose not to display it. My hammer is stored in a toolbox along with screwdrivers, pliers, nails, and other tools because a portable box is the most efficient and uncluttered solution. The way I think about it is that I could hang my hammer on my living room wall, but I don’t because that would be inconvenient and a little odd with our decor. (Now that I’ve written about it, though, I must admit that I’m incredibly tempted to do it. Very dada.)

The fronts of my kitchen cabinets are mostly glass, so even my plates and cups are on display. Since I follow the red velvet rope test for my closet, I’m fine if people see my clothes, although I don’t know why they would want to look at them. My office supplies are stored in a closet, but the closet has made so many appearances on Unclutterer that people actually ask to see it when they come to visit.

For a possession not to be on display in my home, it must meet one of four strict standards: security, safety, efficiency, and anti-distraction.

  • Security: If having an item on display risks your personal security, then by all means keep it stored out of sight. Your social security information, your passport, and other sensitive data is more secure if it’s difficult for strangers to find in your home.
  • Safety: Cleaning supplies, weapons, and medications should be stored in such a way as to make it difficult for children and visitors to accidentally poison or injure themselves. If you or someone in your home has a mobility disability, keeping things stored away might also help reduce injuries.
  • Efficiency: Storing tools in a toolbox is a good example of the efficiency factor — it is more efficient to carry a single toolbox to a project than to take each tool off a wall and carry it individually to a project. It’s efficient to store pots and pans in a kitchen cupboard because it keeps dust, bacteria, and grease from collecting on the items.
  • Anti-distraction: This is a tricky standard and should be used carefully. It would be easy to justify storing every note you wrote in middle school in a box in your attic because displaying them would be a visual distraction. But, if you would be embarrassed to have any of the notes on display, you would be abusing the anti-distraction standard. The anti-distraction standard is for when an object being out on display distracts you the same way clutter does. Office supplies are better stored in a drawer if they infringe on your work surface and draw your attention away from your work. Your goal at your desk is to work, so your desk surface should be clear of all distractions.

Another good standard is the embarrassment factor: If I would be embarrassed for someone to know I owned something, it’s clutter and I get rid of it. Socks with holes in them and stained t-shirts become dust rags, for example.

If an object is not on display or stored because of one of the above standards, I recycle, trash, sell, or give it away.

Do you use standards or guidelines to help you decide what objects in your home belong in storage instead of being on display? I’ll admit that my standards are more strict than other people’s, but they work for my family and our small space. These standards also help us keep clutter to a minimum because if I don’t think an object is worthy of being on display (even if I choose not to display the item), I’ll get rid of it. Fewer possessions result in fewer things to clean and maintain — and I greatly value these benefits of an uncluttered life.


Remodelista Launches Architect/Designer Directory

0527remodlaunch.jpg

If you want evidence of why the internet is great, look no further than Remodelista. In just under three years, our pals at the site have taken it from a relatively quiet start-up blog to an internationally recognized go-to for anyone interested in design, architecture and all places in between (and of course, at one point they also managed to become Gwyneth Paltrow‘s BFFs). Now they’re flexing their muscles again with this week’s launch of their own Architect/Designer Directory. Broken into regions across the country, they’ll be highlighting firms in each, going above all those traditional listings you’ve likely run across on a fairly regular basis by filtering and finding the best of the best (and if you’re familiar with Remodelista, you know their filtering abilities can often range from pretty amazing to downright otherworldly). This wing of their site just launched, so it’s a heavy on the coasts they know best (namely around the San Francisco and New York metropolitan areas) and just starting up in sections like their “Chicago & Midwest” category, but if history is any judge, we’re expecting great things.

New Career Opportunities Daily: The best jobs in media.

Ferrari World : Abu Dhabi

Voici le centre “Ferrari World” consacré à la marque italienne, dans la ville d’Abu Dhabi. Un parc doté d’un toit de 200.000 m² portant le logo de Ferrari, d’un musée et de plusieurs pistes de course. Il devrait ouvrir ses portes en octobre 2010, quelques jours avant le GP de Formule 1.



ferrari02

ferrari03

ferrari04

ferrari05

ferrari06

ferrari07

ferrari08

ferrari09

ferrari10

ferrari13

ferrari14













Previously on Fubiz

Stellar by Tokujin Yoshioka at Swarovski Crystal Palace

Tokijin Yoshioka has sent us a short video of his Stellar installation at Swarovski Crystal Palace in Milan this year. (more…)

Iceberg

Fascinated by the irregular sharp edges of ice, we wanted to create a mirror that could translate this amazing look, We avoided symmetry and repetitio..

Book Review: Vending Machines: Coined Consumerism, by Christopher Salyers

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/vending_machines_book_01.jpg” width=”468″ height=”350″ alt=”vending_machines_book_01.jpg”//div

pDespite the erudite and thoughtful historical introduction and the literally hundreds of context-rich photos of machines in-situ, fate, of course, would have the Core77 team first open Christopher Salyers new book to the full-bleed photo of a Japanese “used” panty vending machine. Attacking that subject with the academic rigor it deserves (?), a href=”http://www.amazon.com/Vending-Machines-Christopher-D-Salyers/dp/0981960014/?tag=core77-20″emVending Machines: Coined Consumerism/em/a notes that Japanese law requires licensing for the sale of used goods, so a mango scent is substituted for the real thing. While the sale of used panties in a vending machine might be due primarily to cultural factors, what can’t be denied is that Japan’s demographic trends (urban population density and an aging populace coupled with technological sophistication and relative affluence) point toward where most First World countries may be headed in the near-future. So while cosplay costumes (Japan – page 17), gold coins (Germany – page 26) and an automated hair straightener (Scotland – page 30) may not be reaching the masses anytime soon, things like beach-adjacent board shorts dispensers (US – page 32) and cloudburst-ready umbrella dispensers (Britain – page 31) have a certain logic. Just don’t expect walking vending machine robots (Japan, of course – page 40-41) to take over the world quite yet./p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/vending_machines_book_03.jpg” width=”468″ height=”350″ alt=”vending_machines_book_03.jpg”//div

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/vending_machines_book_02.jpg” width=”468″ height=”350″ alt=”vending_machines_book_02.jpg”//div

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/vending_machines_book_06.jpg” width=”468″ height=”350″ alt=”vending_machines_book_06.jpg”//div
a href=”http://www.core77.com/blog/book_reviews/book_review_vending_machines_coined_consumerism_by_christopher_salyers_16639.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/Jp7x9swIOHECkSsKVAmh45K7n4o/0/da”img src=”http://feedads.g.doubleclick.net/~a/Jp7x9swIOHECkSsKVAmh45K7n4o/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/Jp7x9swIOHECkSsKVAmh45K7n4o/1/da”img src=”http://feedads.g.doubleclick.net/~a/Jp7x9swIOHECkSsKVAmh45K7n4o/1/di” border=”0″ ismap=”true”/img/a/p

Louis Vuitton Maison by Peter Marino

New York architect Peter Marino has completed the new flagship Louis Vuitton Maison on London’s Bond Street, featuring glass windows lined with golden chainmail. (more…)

Moving Past User Needs: Reflections on IIT’s 2010 Design Research Conference

pimg alt=”drc-lobby-panel.jpg” src=”http://s3files.core77.com/blog/images/drc-lobby-panel.jpg” width=”468″ height=”450″ class=”mt-image-none” style=”” //p

pemGuest post by Tara Mullaney./em/p

p”What’s Next?” was the question posed to the speakers at this year’s Design Research Conference held by a href=”http://newbauhaus.id.iit.edu/index.html”IIT’s Institute of Design/a on May 10-12. In its 9th year, the DRC has seen Design Research go from a niche field to being internationally recognized as the leading way to understand people. In response, this year’s organizers, student chairs Raphael D’Amico and Gene Young, focused on the new challenges Design Research faces now that it has become widely accepted.br /
br /
Kicking off the conference was the ever-insightful and purposefully controversial a href=”http://www.jnd.org”Donald Norman/a. Rekindling the fire he started earlier this year in the Design Research community with his article a href=”http://interactions.acm.org/content/?p=1343″”Technology First, Needs Last: The Research-Product Gulf,”/a Norman challenged the crowd with his assertion that none of the major innovations to drastically alter society were the result of a needs-based approach. Instead, when it comes to revolutionary innovation the “technology comes first, applications second, and needs last.” He argues that fundamentally Design Research does not lead to new product categories, despite the fact that radical innovation is what design companies prefer, what design contests reinforce, and what most consultants love to preach. Norman suggests that the most frequent gains provided by Design Research are incremental changes that fit comfortably into the existing product-delivery cycle. However, if innovation is driven by technology and not needs, what does this mean for human-centered design? /p

pimg alt=”norman-rick.jpg” src=”http://s3files.core77.com/blog/images/norman-rick.jpg” width=”468″ height=”540″ class=”mt-image-none” style=”” //p

pemDonald Norman (top) and Rick Robinson./em/p

pa href=”http://rickerobinson.com/”Rick Robinson/a, co-founder of Elab (http://www.elab.com/), agreed that considering needs is “entirely beside the point, and an outdated way of thinking.” Quite the loaded statement, Robinson supports this concept by explaining that needs refer to the motivations and drives of one person, and only captures a small piece of a complex and dynamic system. He contends that the field of Design Research has been in a “methodological malaise” for the past twenty years due to its preoccupation with methodology and its search for needs. To become “unstuck” the field needs to embrace openness and uncertainty. Doug Look of a href=”http://usa.autodesk.com/”AutoDesk/a concurred with Robinson in his comment “its time to get over our fascination with methods and tools and focus on ways to influence.” Look suggests one way that Design Research can be influential is by increasing communication and integration between business silos./p

div class=”article_quote””Ethnographic research has become the security blanket of Design Research.” – Rick Robinson/div

pThe next step for Design Research then is to get out of its own way. The methodologies that drive us to find “key insights” are simply bogging us down. According to Tim Brown, CEO of a href=”http://www.ideo.com”IDEO/a, “we should spend a little less time scripting the play and more time building a stage for people to collaborate.” Other conference speakers such as Martha Cotton of a href=”http://www.gravitytank.com”gravitytank/a and Heather Fraser of a href=”http://www.rotmandesignworks.ca/”Rotman DesignWorks/a reiterated the value of collaboration in their talks./pa href=”http://www.core77.com/blog/events/moving_past_user_needs_reflections_on_iits_2010_design_research_conference__16638.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/RZG_7dLbAcorC0Rj84V1kFZ7ud4/0/da”img src=”http://feedads.g.doubleclick.net/~a/RZG_7dLbAcorC0Rj84V1kFZ7ud4/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/RZG_7dLbAcorC0Rj84V1kFZ7ud4/1/da”img src=”http://feedads.g.doubleclick.net/~a/RZG_7dLbAcorC0Rj84V1kFZ7ud4/1/di” border=”0″ ismap=”true”/img/a/p

Keyboard Shortcut Skins

Se avete bisogno di un remind sulle varie shortcut che usate quotidianamente, fatevi un giro qui.
[Via]

Keyboard Shortcut Skins For Macs

ProjectiOne’s bubble-wrap bathroom

pimg alt=”0bubblebath.jpg” src=”http://s3files.core77.com/blog/images/0bubblebath.jpg” width=”468″ height=”310″ class=”mt-image-none” style=”” //p

pAs a blogger I have to go through hundreds of websites a day, giving me a bad case of short-attention-span-itis. I can’t remember the last time I saw even a four-minute video that kept my attention all the way through–but watching the A HREF=”http://www.projectione.com/bitmaps/” bitMAPS/A project by design collective A HREF=”http://www.projectione.com/” ProjectiOne/A did the trick. Watch as they use vacuum forming and a CNC machine to build out a bubble-wrap-inspired bathroom interior for a client:/p

pobject width=”468″ height=”304″param name=”allowfullscreen” value=”true” /param name=”allowscriptaccess” value=”always” /param name=”movie” value=”http://vimeo.com/moogaloop.swf?clip_id=10943944amp;server=vimeo.comamp;show_title=1amp;show_byline=1amp;show_portrait=0amp;color=00ADEFamp;fullscreen=1″ /embed src=”http://vimeo.com/moogaloop.swf?clip_id=10943944amp;server=vimeo.comamp;show_title=1amp;show_byline=1amp;show_portrait=0amp;color=00ADEFamp;fullscreen=1″ type=”application/x-shockwave-flash” allowfullscreen=”true” allowscriptaccess=”always” width=”468″ height=”304″/embed/objectpa href=”http://vimeo.com/10943944″bitMAPS/a from a href=”http://vimeo.com/projectione”PROJECTiONE/a on a href=”http://vimeo.com”Vimeo/a./p/p

pHit the jump for a detailed description of the project./pa href=”http://www.core77.com/blog/object_culture/projectiones_bubble-wrap_bathroom_16637.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/tWeNAlZQo1TUOHZo9OnoOxRFhFw/0/da”img src=”http://feedads.g.doubleclick.net/~a/tWeNAlZQo1TUOHZo9OnoOxRFhFw/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/tWeNAlZQo1TUOHZo9OnoOxRFhFw/1/da”img src=”http://feedads.g.doubleclick.net/~a/tWeNAlZQo1TUOHZo9OnoOxRFhFw/1/di” border=”0″ ismap=”true”/img/a/p