Docks for Ophelis by Grosch + Meier

Product news: German designers Till Grosch and Björn Meier have created a modular office furniture system that can be arranged in a variety of groups and islands (+ slideshow).

Docks by Grosch and Meier

Interior designers Ophelis asked Till Grosch and Björn Meier to develop pieces of furniture to occupy areas between workstations in an office.

Docks by Grosch and Meier

The Docks collection includes chairs, tables, shelves and cabinets that can fit together to form open-plan meeting spaces, small pods for individual work and areas for rest and relaxation.

Docks by Grosch and Meier

The pieces are made from aluminium with an oak veneer and high-pressure laminate, while seating is upholstered in a range of pastel-coloured fabrics.

Docks by Grosch and Meier

The Berlin-based designers said with an unlimited amount of possible combinations, they focused on designing the individual parts so that each configuration is perceived as self contained furniture.

Docks by Grosch and Meier

“We see Docks as a flexible ingredient in the constantly changing world of work and due to its modular nature it is designed to continuously keep evolving in line with the needs of a transforming work culture,” they said.

Docks by Grosch and Meier

“Lamps and side tables can also be docked by slotted panels and by simple indentation they become an integral part of the furniture islands,” they added.

Docks by Grosch and Meier

Other modular furniture collections on Dezeen include a series of angular lounge chairs and ottomans and a range of office furniture with tall backrests.

Docks by Grosch and Meier

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Docks by Grosch and Meier

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Banquet by Paula O’Connor

Graduate designer Paula O’Connor surrounded this table with net curtains to create a more intimate dining experience.

Banquet by Paula O'Connor

Paula O’Connor designed the Banquet table to encourage people to eat together, a notion she feels has been lost in contemporary society. “This concept is focused on creating an experience and encouraging an event around a table,” she said.

Banquet by Paula O'Connor

A chunky chipboard surface sits on four angled white metal legs, which bend around to form posts that support the curtain rails. “Banquet is a statement piece which celebrates dining and symbolises a special ritual,” said O’Connor. “It aims to evoke feelings of grandeur, intimacy and seclusion through a simple, pared-down aesthetic.”

Banquet by Paula O'Connor

The removable sheer curtains let in light and allow diners to see out, while creating a cosier atmosphere inside. “The element of a detachable curtain offers a playful atmosphere, reminding the user of childhood experiences in tent and fort like structures,” she added.

Banquet by Paula O'Connor

O’Connor graduated from the Furniture Design course at the Dublin Institute of Technology this year. The dining table forms part of her thesis project titled Dining Together Matters.

Banquet by Paula O'Connor

We’ve only just posted an installation based on fourteen different ways to replace a table leg, as well as a collection of tables and benches with surfaces made from materials chosen to age well.

Banquet by Paula O'Connor

Also on Dezeen there’s a meeting table surrounded by swinging chairs and a table with a top made from 400 wooden slats that fan out into a full circle.

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Here are some extra details from Paula O’Connor:


Dining is an important ritual. For many, the act of dining and eating together has been lost. For several individuals, dining has been reduced to a rushed affair. We “eat” but do not engage in a dining experience.

Banquet by Paula O'Connor

In contemporary society, there are numerous factors to blame for this outcome. Increasingly, we see a large proportion of people eating on “the move”.

Banquet by Paula O'Connor

“Dining Together Matters” cannot eliminate some of the factors which have caused the change, but it encourage s a different way. It celebrate s the joy of eating and dining. Establishing the importance of eating with others is core message this project.

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The Poetics of Miss Understanding by Ana Rita Antonio

Portuguese artist Ana Rita Antonio has designed an installation based on fourteen different ways to replace a table leg by piling up other objects in its place.

The Poetics of Miss Understanding by Ana Rita Antonio

The installation is a new chapter in her ongoing project called The Poetics of Miss Understanding and features an assortment of objects such as wellington boots, potted plants, a lamp, books, a broom and cardboard tubes taking the place of the missing leg.

The Poetics of Miss Understanding by Ana Rita Antonio

These are stacked and balanced on top of each other at equal heights to balance a board supported by a single supporting trestle.

The Poetics of Miss Understanding by Ana Rita Antonio

The artist also involves her own body by stacking books on her head, lying on the floor with books in a pile on her chest and standing on the table.

The Poetics of Miss Understanding by Ana Rita Antonio

The installation is part of Oslo-based Ana Rita Antonio’s graduation piece from the Design LAB department at Amsterdam’s Gerrit Rietveld Academie.

The Poetics of Miss Understanding by Ana Rita Antonio

She said the entire project was designed around her difficulties with the English language. “I often misspell words and this was one of the cases,” she explained. “As a mistake I added an ‘s’ in the title but I decided to embrace the misunderstanding and make myself into a character that understands problem solving.”

The Poetics of Miss Understanding by Ana Rita Antonio

“The project is a design methodology in problem solving that embraces objects and daily life situations as working material, using whatever components are available to the situation there and then,” she added.

The Poetics of Miss Understanding by Ana Rita Antonio

Ana said she has an extremely stubborn and idiosyncratic attitude in problem solving, as well as a belief that design is evolutionary and there will always be several imperfect solutions to a problem.

The Poetics of Miss Understanding by Ana Rita Antonio

Other installations featured on Dezeen include a red tower resembling the neck and head of a monster, twisted tree branches growing from the beams of the Palais de Tokyo Museum in Paris and a cloud encased inside a transparent two-storey glass cube.

The Poetics of Miss Understanding by Ana Rita Antonio

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Melbourne Project by Sigurd Larsen

Berlin-based Danish architect Sigurd Larsen has designed a collection of tables and benches with surfaces made from materials chosen to age well (+ slideshow).

dezeen_Melbourne Collection by Sigurd Larsen_7

Sigurd Larsen based the furniture on a standard square section steel frame, with oak, leather, copper and concrete used for the surfaces that the body comes into contact with.

dezeen_Melbourne Collection by Sigurd Larsen_10

“The furniture appears thin and light in order to put the horizontal surfaces with their special attributes into focus,” Larsen told Dezeen.

dezeen_Melbourne Collection by Sigurd Larsen_4

“I have always been very excited about materials that gain a higher quality the more you use them,” he added. “I hope that this ‘positive development’ over time will inspire people to keep and maintain their possessions longer instead of replacing them time after time.”

dezeen_Melbourne Collection by Sigurd Larsen_15

The Melbourne Project bench is available with a copper or steel table adjoining the leather surface, as a daybed or with an oak back rest. Tables come in dining and coffee table dimensions.

dezeen_Melbourne Collection by Sigurd Larsen_8

The furniture will be exhibited for four weeks from 1 September at the MINI Paceman store in Melbourne, Australia.

dezeen_Melbourne Collection by Sigurd Larsen_2

We recently published a coffee table with a narrow mouth that swallows books and magazines and another table made using similar techniques to surfboard manufacture.

dezeen_Melbourne Collection by Sigurd Larsen_5

Photography is by Georg Roske.

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Tokyo Table by Loïc Bard

Product news: this wooden coffee table by Canadian designer Loïc Bard has a gaping mouth for swallowing narrow books and magazines.

Tokyo Table by Loic Bard

Tokyo Table features a distorted circular tabletop that houses the magazine compartment within one end. It is built from bleached maple and it stands on three rounded legs.

Tokyo Table by Loic Bard

Designer Loïc Bard said he created the table during a winter in Montreal and was inspired by childhood memories of a trip to Japan: “I designed this coffee table while remembering the sober atmosphere, the simplicity of the utensils and the rustic environment of the tea ceremony.”

“It focuses on a simple aesthetic and the discreet compartment is ideal for hiding books, laptops, magazines and newspapers entirely out of sight,” he added.

Tokyo Table by Loic Bard

Other tables featured on Dezeen include one shaped like a surfboard, a set with noughts and crosses between their legs and another designed to let you eat your dinner directly off the tabletopSee more tables »

Photography is by Andy Long Hoang.

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Log Table by Trust in Design

French studio Trust in Design modelled this table on a surfboard (+ slideshow).

Log Table by Trust in Design

Trust in Design was commissioned by Paris surf boutique Cuisse de Grenouille to create the one-off table using similar techniques to crafting a surfboard.

Log Table by Trust in Design

A solid ash lath runs through the centre, with two fins protruding underneath to which the wooden legs attach on either side.

Log Table by Trust in Design

Rounded corners and edges of the resin top were hand-sanded to mimic the profile of a surfboard.

Log Table by Trust in Design

Trust in Design has also completed the interior of a French beauty parlour with a lime green floor.

Log Table by Trust in Design

More tables we’ve published lately include Ikea’s reissue of its first flat-pack side table and a coffee table with interlocking wooden legs.

Log Table by Trust in Design

Photos are by Samuel Lehuede.

Log Table by Trust in Design

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Ikea relaunches first flat-pack table

IKEA LÖVBACKEN table

News: the three-legged, leaf-shaped side table that sparked a revolution in self-assembly furniture over 60 years ago is returning to Ikea stores next month.

IKEA LÖVBACKEN table

Scandinavian furniture giant Ikea is relaunching the 1956 Lövet table, which they have re-engineered and renamed Lövbacken.

The original design was conceived when Ikea designer Gillis Lundgren was unable to fit the table in his car. By sawing off the legs, Lundgren inadvertently created flat-pack furniture.

Emily Birkin, country sales manager for Ikea UK and Ireland, said that customers are increasingly interested in buying furniture with a story attached to it. “We decided to bring back a popular piece that not only comes steeped in history but combines retro styling with modern convenience,” she said.

“We wanted to pay tribute to the timeless appeal of the original Lövet whilst retaining its simple and practical assembly,” Birkin added.

IKEA LÖVBACKEN table
1956 IKEA catalogue featuring the Lövet table

The brown Lövebacken table features a leaf-shaped tabletop made from poplar veneer and has three detachable beech legs with gold-coloured accents on the feet. It measures 77 centimetres in length, 39 centimetres wide and stands at a height of 51 centimetres.

The table returns to stores in the UK, Netherlands and other select countries from August 2013.

Ikea have recently unveiled designs for flat-pack refugee shelters and launched miniature versions of its products for children to play with.

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Here’s the press release from Ikea:


Return of the Table that started the “flatpack revolution”

IKEA brings back the company’s first piece of Flatpack Furniture with launch of LÖVBACKEN side table

Home furnishings company IKEA, is re-launching the original piece of furniture that kick-started the flatpack revolution. The LÖVBACKEN side table, originally sold by IKEA as the LÖVET in 1956, will be making a come-back into stores in August 2013 as the new IKEA catalogue is sent to 13,157,000 households in the UK.

The LÖVBACKEN takes its inspiration from the LÖVET or ‘the leaf’, the company’s first product to be sold in a flat pack rather than fully-assembled. Almost 60 years on, the table has been redeveloped and re-issued by IKEA as the LÖVBACKEN, enabling everyone to own a piece of design history.

Created by the same team responsible for the main IKEA range – which now numbers 9,500 different products – and of which there are 90 occasional (or side tables) tables, LÖVBACKEN is faithful to the original design right down to its measurements. One tweak to the design will see the original use of jacaranda for the first LÖVET table top replaced with a stained poplar veneer on MDF for the LÖVBACKEN.

IKEA LÖVBACKEN table

Whilst photography of the original LÖVET exists, the original designs were thought to be have been missing until IKEA designers rediscovered them in the company’s archives.

According to IKEA folklore the LOVET was being used in an IKEA catalogue photography session but its three-legged, leaf shape proved too cumbersome for designer Gillis Lundgren to fit into the car. To solve this, Lundgren sawed off the legs and, at that moment started a flatpack, self-assembly revolution.

The LÖVBACKEN side table captures the beauty of mid-century modern with its poplar veneer patterned table top and skinny solid beech legs tipped with gold-coloured foil. At 51 cm high, it’s just the right size to pair with an armchair or alongside a sofa.

Emily Birkin, Country Sales Manager, IKEA UK and Ireland said:

“Most people will have a piece of furniture that they’ve either built or put together somewhere in their house. But until now, not many will know the incredible story about how it all began with a simple little table.

“We know from our research that people are becoming more and more interested in buying pieces of furniture that have a story attached to them, so we decided to bring back a popular piece that not only comes steeped in history but combines retro styling with modern convenience.

“We wanted to pay tribute to the timeless appeal of the original LÖVET whilst retaining its simple and practical assembly. By working together with our customers and enabling them to be a part of the production process, we’re able to make good design affordable to everyone. Now everyone can own a design classic.”

The LÖVBACKEN is part of the IKEA 2014 range and is available for just £40 in tinted, clear lacquered poplar veneer. The new range launches in the new IKEA catalogue in August 2013.

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Noughts and Crosses tables by Michael Sodeau for Modus

Product news: these tables by London designer Michael Sodeau have noughts and crosses inserted between their legs.

Noughts and Crosses tables by Michael Sodeau for Modus

Michael Sodeau designed the Noughts and Crosses tables to accompany his earlier Noughts and Crosses stools and will launch them with British furniture brand Modus at the London Design Festival in September.

Noughts and Crosses tables by Michael Sodeau for Modus

The steel powder-coated O and X shapes are placed underneath the tabletop, acting as a cross-brace for three or four legs. They will be available in black or red, while the oak tables will come in three different heights.

Noughts and Crosses tables by Michael Sodeau for Modus

The tall cafe table also includes a shelf with coloured hooks, creating a place for hanging bags and coats.

Noughts and Crosses tables by Michael Sodeau for Modus

Other Modus products on show during the London Design Festival will include the curved wooden Norse char by Simon Pengelly and Arik Levy’s Japanese-inspired Geta furniture, both of which were launched in Milan.

Other interesting tables on Dezeen includes a coffee table designed to resemble an ancient brain-teaser puzzle and a table that lets you eat your dinner directly off its surface. See all tables »

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Coffee tables by Ding3000 for Normann Copenhagen

Product news: these coffee tables with interlocking wooden legs by German studio Ding3000 have been put into production by Danish brand Normann Copenhagen (+ slideshow).

Ding Table by Ding3000 for Normann Copenhagen

Ding300s‘s design is based on brain-teaser puzzles that join three pieces of wood together as one to form what looks to be an inseparable knot.

Ding Table by Ding3000 for Normann Copenhagen

“The three legs seem to pierce through each other in an impossible way and our intention is to draw attention to this almost magical detail,” say the designers. “That is also why we have chosen a transparent top, so the table’s key focus point is the joining of the legs”.

Ding Table by Ding3000 for Normann Copenhagen

The coffee tables are assembled without any screws or tools and the pieces of oak simply slot together to create a single sculptural form, which becomes the base for a glass tabletop. The base is held firm due to specific shapes cut into each individual leg.

Ding Table by Ding3000 for Normann Copenhagen

The designers first showed the table as a prototype in 2011, along with cutlery based on the same joint, and it’s now part of Normann Copenhagen‘s collection.

Ding Table by Ding3000 for Normann Copenhagen

The legs come in natural, orange or black, and the top is available in transparent or smoked glass.

Ding Table by Ding3000 for Normann Copenhagen

We’ve featured a variety of coffee tables, including Glimpt’s Peruvian hand-carved wooden design, Foster + Partners’ base created by stretching a perforated disk of steel  and Reinier de Jong’s coffee table for REK which can be expanded by sliding out sections in any direction.

Ding Table by Ding3000 for Normann Copenhagen

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Prehistoric Aliens by Glimpt

Swedish designers Glimpt worked with Peruvian artisans to produce the hand-carved wooden bases for these coffee tables (+ slideshow).

dezeen_Prehistoric Aliens by Glimpt_1

Mattias Rask and Tor Palm of Glimpt travelled to the village of Yungay in Peru to research the techniques used by woodworkers at a workshop run by voluntary organisation, Artesanos Don Bosco.

dezeen_Prehistoric Aliens by Glimpt_2

They designed a range of contemporary tables that make use of the facilities provided to artisans, who are taught furniture-making skills to encourage them to stay and work locally, rather than moving to the cities.

dezeen_Prehistoric Aliens by Glimpt_3

The bases are made from local timber, including a hard white wood called Lengha, and a type of cedar. The wood is turned on a lathe before the faceted decoration is chiselled by hand and painted.

dezeen_Prehistoric Aliens by Glimpt_4

Explaining how the project came about, Rask told Dezeen: “We sent an email to a Swedish guy in Lima and asked him about crafts organisations in Peru; he basically said that Artesanos Don Bosco are the best artisans in Peru, so we sent them an email!”

dezeen_Prehistoric Aliens by Glimpt_5

Prehistoric Aliens will continue to be produced in Yungay and was presented by Italian furniture brand Cappellini as part of its Cappellini NEXT collection in Milan earlier this year.

dezeen_Prehistoric Aliens by Glimpt_6

Glimpt collaborates with artisans around the world and previously created a range of stools made from seagrass in Vietnam, and ceramic lights painted to look like strawberries produced by craftsmen in South Africa.

dezeen_Prehistoric Aliens by Glimpt_7

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dezeen_Prehistoric Aliens by Glimpt_8

Still life photography is by Daniel Thrue.

Here’s some more information from the designers:


Glimpt of Peru – Prehistoric Aliens

We spent the autumn of 2012 in Peru working and learning from the Crafts Cooperative, Artesanos Don Bosco, a continuation of our work with craftsmen and women from different countries.

dezeen_Prehistoric Aliens by Glimpt_9

Before our trip we had not fully appreciated how extensive this organisation was. Artesanos Don Bosco is part of a large Italian voluntary organisation called Operazione Mato Grosso. This organisation was founded in the 1960s by Father Hugo, a Catholic missionary priest who saw there was a need to help poor farmers in the Andes. Now, some fifty years later, Operazione Mato Grosso has roughly 2000 Italian volunteers and employs about twice as many Peruvians.

dezeen_Prehistoric Aliens by Glimpt_10

The work involves educating and training people in the remote villages in the Andes, and then creating employment opportunities for them there. The idea is to encourage people to stay and work in these isolated areas rather than move to a very uncertain future in Lima, something that many Peruvians otherwise are tempted to do.

dezeen_Prehistoric Aliens by Glimpt_11

Operazione Mato Grosso promotes the virtues of a simple, unhurried life, living and working in cooperation with one another. They have started schools, orphanages, hospitals and even power stations that provide electric power in the mountains. All this is free of charge for the poor.

dezeen_Prehistoric Aliens by Glimpt_12

One part of this organisation, called Artesanos Don Bosco, provides craftsmanship training. After five years training with ADB most of the artisans then work in the organisation’s cooperative. The courses they give are mainly related to different ways of working with wood. This includes furniture making, decorations, carving pictures and the construction of housing. They also teach stone masonry, how to make glass, different ways of working with textiles and even metal work.

dezeen_Prehistoric Aliens by Glimpt_13

We decided we wanted to help them develop a more modern series of furniture. After having visited several villages and different cooperatives in the Andes we finally settled on Yungay as the village where we would set to work. In Yungay there was a little cooperative that worked with furniture making. During our visits we were impressed by their very high standards of craftsmanship and above all by the skill of the people who carved pictures in wood.

dezeen_Prehistoric Aliens by Glimpt_14

So day after day of soup followed by fried guinea-pigs and washed down with Inca Cola finally lead to the production of a series of coffee tables called Prehistoric Aliens. Our main difficulty was not a shortage of good ideas but rather the language barrier. Neither of us spoke any Spanish but we were faced with a situation where this was the only possible language for communication.

dezeen_Prehistoric Aliens by Glimpt_15

The first few weeks we had been helped by our American friend Nick, but after a while we had to manage by ourselves. After keen language practice on the computer every evening, and getting a lot of hands on experience every day in the workshops, we finally managed to make some Spanish sounding words and were rewarded with the nicknames Gordo and Chato (Chubby and Shorty) by our fellow workers.

dezeen_Prehistoric Aliens by Glimpt_16

Marcial, Barosso, Aristares and Messias taught us alot and we hope we have taught them something as well. It has been a good experience living and working with them. Hopefully our collaboration will provide them with more work so that they can keep on developing their skills and supporting their families, as well as contributing to the great work of Artesanos Don Bosco and Operazione Mato Grosso.

dezeen_Prehistoric Aliens by Glimpt_17

The name, Prehistoric Aliens, was inspired by Peru’s fantastic cultural heritage which often seems very mystical and ancient to our western eyes.

dezeen_Prehistoric Aliens by Glimpt_19

The small coffee tables are almost like small spaceships that have just landed, with their leader, The Robot.

dezeen_Prehistoric Aliens by Glimpt_20

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