Mineirão Stadium renovation by BCMF Arquitetos

Here are some photographs of the renovated 1960s Mineirão Stadium in Belo Horizonte, Brazil, set to host matches during the 2014 FIFA World Cup (+ slideshow).

Mineirão Stadium renovation by BCMF Architects
Photograph is by Leonardo Finotti

BCMF Arquitetos was commissioned for a complete overhaul of the 1960s football stadium, located on the edge of the Pampulha Lagoon. Originally designed by architects Eduardo Mendes Guimarães Júnior and Gaspar Garreto, the building features an oval-shaped structure with a rhythmic facade made up of 88 projecting ribs.

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

The team stripped the building back to its shell, before adding a new roof, lowering the pitch, upgrading all services and infrastructure, and adding new shops and a dedicated football museum.

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

“Since Mineirão is a protected building, the addition of new program could be solely made through the insertion of a platform at its base,” said the design team. “Subverting the classic notion of a podium, which refers to a horizontal building with a flat top surface, this platform is carved on the ground and shaped accordingly, creating semi-public squares set at different levels.”

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

The lowering of the pitch helps to improve sight lines for spectators, while redesigned seating tiers at the lower levels increase the capacity to over 62,000 seats.

Mineirão Stadium renovation by BCMF Architects
Photograph is by Joana França

Structural analysis revealed that the structure had subsided by around 30 centimetres. This was corrected using hydraulic jacks and steel cables, before the architects added a cantilevered roof to shelter spectators.

Mineirão Stadium renovation by BCMF Architects
Photograph is by Alberto Andrich

Sustainable technologies were also prioritised. As reported earlier this year, the stadium is the first in the world to be fully powered by solar energy, and uses rainwater harvesting to reduce its water consumption.

Mineirão Stadium renovation by BCMF Architects
Photograph is by Alberto Andrich

Improvements to the surrounding landscaping involved creating an artificial topography that defines public plazas, seating areas and routes between the stadium’s entrances and the nearby Mineirinho Gymnasium.

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

A number of large projects are underway in Brazil, as the country prepares for the 2014 World Cup and the 2016 Olympic Games. Other recently completed projects include a new art museum and art school in Rio and a huge social housing complex in São Paulo.

Mineirão Stadium renovation by BCMF Architects
Photograph is by Joana França

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Mineirão Stadium renovation by BCMF Architects
Photograph is by Joana França

Here’s some more information from BCMF Arquitetos:


New Mineirão

Inaugurated in 1965 (original design by Eduardo Mendes Guimarães Júnior and Gaspar Garreto) as the second largest stadium in the world, the Mineirão Stadium is located in the surroundings of the Pampulha Lagoon, close to Oscar Niemeyer’s and Burle Marx seminal work, being part of Belo Horizonte’s main postcard. As Brazil was chosen to host the World Cup 2014, opportunity came about to transform the traditional stadium, whose façade is heritage listed, into a contemporary multifunctional sports facility.

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

The New Mineirão aims to go beyond its primary role as a world-class sports arena, also offering a range of services, commerce, culture and entertainment for the city, becoming a new hub of activities integrated to the modernist landscape of the leisure and touristic Pampulha complex.

Mineirão Stadium renovation by BCMF Architects
Photograph is by Joana França

The instrument chosen to make this operation possible was a public-private partnership (PPP), determining that the redevelopment of the stadium would be undertaken by a company which, in return, would be granted its use for the next 25 years. The winner of the bid was Minas Arena Consortium, that invited BCMF Architects, renowned for their expertise in sports architecture, to be responsible for the renovation of the New Mineirão.

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

In this context, to transform the “Pampulha Giant” into a modern multifunctional facility, the interventions proposed are both radical and respectful, reinforcing the monumental original structure within the iconic modernist landscape.

Mineirão Stadium renovation by BCMF Architects
Photograph is by Joana França

As for the original architecture of the Stadium, basically only the outer “shell” remained: the 88 structural semi-porticos, the concrete roof and the upper tiers. The rest of the “core” was completely rebuilt to guarantee the total overhaul inside the arena, including the new extension of the roof, all the new program and infrastructure, besides the lowering of the pitch and the lower tiers redesign, improving the sight-lines for the new capacity of 62,160 seats.

Mineirão Stadium renovation by BCMF Architects
Photography is by Leonardo Finotti

The renovation on the outside is total, with a new 200,000 sqm operational platform separating the spectators’ from the accredited flow. The “Esplanade” includes various facilities around the stadium, opened to the public as an immense landscaped plaza, visually linked to the Pampulha Lagoon. This platform is sculpted and moulded to the site as an artificial topography, integrated with the immediate surroundings, being perceived as a continuation of the street domain. Thus, the public is attracted by programs strategically distributed throughout the esplanade, creating areas with potential to generate activities and movement during all day, seven days a week.

Mineirão Stadium renovation by BCMF Arquitetos
Photography is by Leonardo Finotti

The project has also sustainable features, using solar energy, reusing rainwater, as well as efficient lighting systems, intelligent control of energy and so on (LEED Certification). After the event, many operational areas which are specific for the 2014 World Cup will have other uses (institutional, commercial and leisure programs), contributing for the economic sustainability of the complex.

Mineirão Stadium renovation by BCMF Arquitetos
Photography is by Leonardo Finotti

The New Mineirão points out ways in which sports mega events can leave a lasting legacy to the host-cities. Here, even though interventions are made on a stadium scale, they respond to the demands of larger scales, such as the neighbourhood, the landscape and the city itself. Thus, the ambition is that the urban domain should be invited into the realm and scope of the architecture.

Mineirão Stadium renovation by BCMF Architects
Site plan – click for larger image
Photograph is by Joana FrançaMineirão Stadium renovation by BCMF Architects
Ground floor plan – esplanade level
Mineirão Stadium renovation by BCMF Architects
Basement level one – click for larger image
Mineirão Stadium renovation by BCMF Architects
Basement level two – click for larger image
Mineirão Stadium renovation by BCMF Architects
Cross section – click for larger image
Mineirão Stadium renovation by BCMF Architects
Detailed section – click for larger image

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Zaha Hadid Architects to design stadium for Qatar World Cup

Zaha Hadid Architects to design stadium for Qatar World Cup

News: Zaha Hadid Architects has been appointed to design a new stadium in Qatar that will host matches during the 2022 FIFA World Cup.

The studio will work with engineering and construction specialist AECOM to deliver the scheme in the city of Al Wakrah, which is 12 miles from Doha.

During the tournament the Al Wakrah stadium will seat 45,000 spectators, with the capacity reduced to 20,000 as part of the legacy plan.

Last year, sports architecture firm Populous scrapped plans to air condition a stadium it is designing for the tournament, saying these systems are too expensive and “notoriously unsustainable” when used in desert environments.

Zaha Hadid Architects has also been selected to design the new national stadium for Japan and was the firm behind the Aquatics Centre for the London 2012 Olympics, which recently had two temporary spectator stands removed from its sides.

The Aquatics Centre was criticised for providing some spectators with a restricted view, although the studio claimed that this was not their fault.

See all stories about stadium design »
See all architecture and design by Zaha Hadid »

Here is some more information from AECOM:


AECOM wins Al Wakrah 2022 FIFA World Cup stadium contract in Qatar
03-Jun-2013

AECOM announced today that it has been selected to provide design consultancy and construction supervision services for the Al Wakrah Stadium and Precinct for the 2022 FIFA World Cup Qatar.

The Qatar 2022 Supreme Committee has appointed AECOM, in association with Zaha Hadid Architects, as the design consultant for the project.

Al Wakrah will serve as a host city for a 2022 FIFA World Cup stadium and precinct, and is located approximately 12 miles south of Doha. It is one of the oldest inhabited areas in Qatar, with a rich cultural heritage evidenced by its traditional Islamic architecture, historical buildings, distinctive mosques and archaeological sites.

The stadium will have a tournament capacity of 45,000 spectators during the games and, by using modular best practice design, the number will be reduced to 20,000 spectators for the legacy program in Qatar. Another important element of the design project will be the integration of cooling-technology systems with climate-control requirements for renewable energy production.

“We are delighted to be involved with the 2022 FIFA World Cup program and to support the Qatar 2022 Supreme Committee,” said AECOM Chairman and Chief Executive Officer John M. Dionisio. “This is an exciting time for Qatar, and our global team of forward-thinking sports experts is well equipped to meet the challenges that a project of this caliber demands.”

The vision set by the Qatar 2022 Supreme Committee is one that embraces the cultural heritage of the host city and the adjacent historical Qatari settlement of Al Wukair. Incorporating this identity will be a crucial part of the stadium design and enhancing the fan experience.

Work on the project is set to begin immediately.

About AECOM

AECOM is a global provider of professional technical and management support services to a broad range of markets, including transportation, facilities, environmental, energy, water and government. With approximately 45,000 employees around the world, AECOM is a leader in all of the key markets that it serves. AECOM provides a blend of global reach, local knowledge, innovation and technical excellence in delivering solutions that create, enhance and sustain the world’s built, natural, and social environments. A Fortune 500 company, AECOM serves clients in more than 140 countries and had revenue of $8.2 billion during the 12 months ended March 31, 2013. More information on AECOM and its services can be found at www.aecom.com.

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Brazil opens first solar-powered stadium ahead of 2014 World Cup

Brazil opens first solar-powered stadium, photo by Luan S.R.

News: a 1960s football stadium in Brazil has become the first of several in the country to be equipped with a solar-powered roof in preparation for next year’s FIFA World Cup.

The Mineirão Stadium in the south-eastern city of Belo Horizonte, originally built in 1965, has been fitted with a 1.4MW solar array on its rooftop.

The €12.5 million (£10.7 million) project will see energy fed back into the grid rather than being used directly by the stadium.

The next ground to be converted is the Mané Garrincha stadium in Brasilia, which will be fitted with a 2.5MW solar array providing enough solar energy to power nearly half the stadium.

Organisers had initially hoped to install solar arrays in all 12 of the 2014 World Cup venues, but with just over a year until the tournament starts, that target appears to have been lowered.

Brazil opens first solar-powered stadium ahead of 2014 World Cup
Mineirão Stadium, photo by ME/Portal da Copa/Nitro Imagens

Earlier this year, the stadium in Rio de Janeiro that was set to host athletics tournaments during the 2016 Olympics was closed indefinitely due to structural problems with its roof.

We recently reported on plans for a new basketball stadium on the waterfront in San Francisco and news that construction has begun on a football stadium in Bordeaux, France, designed by Herzog & de Meuron – see all stadiums.

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Golden State Warriors arena by Snøhetta and AECOM

Architects Snøhetta and AECOM have revealed their latest renderings of a new stadium for NBA basketball team the Golden State Warriors on the waterfront in San Francisco (+ slideshow).

Golden State Warriors arena by Snøhetta and AECOM

Set to replace the team’s existing home at the Oracle Arena in Oakland when the lease expires in 2017, the 67,000 square-metre arena will be constructed in time for the start of the 2017-18 basketball season and will also provide a venue for music concerts, conventions and other cultural events.

Golden State Warriors arena by Snøhetta and AECOM

Snøhetta and AECOM‘s latest design shows a circular building with large areas of glazing around the facade, designed to give visitors a view from outside into the practice facility and the arena during games.

Golden State Warriors arena by Snøhetta and AECOM

Additional high-level windows will allow spectators inside the building a view through the walls to Bay Bridge just beyond.

Golden State Warriors arena by Snøhetta and AECOM

“We believe our new design lives up to the importance of this incredible waterfront site and fuses together the vision of the Golden State Warriors with the landscape of the bay,” says Craig Dykers, architect and founding director of Snøhetta.

Golden State Warriors arena by Snøhetta and AECOM

The Golden State Warriors arena will also accommodate 8000-square-metres of retail, plus a fire station with docks for two fireboats.

Golden State Warriors arena by Snøhetta and AECOM

The large disc-like roof is to be covered with LEDs and will be used for the projection of images and motifs.

Golden State Warriors arena by Snøhetta and AECOM

Construction is expected to take three years and will include $100 million worth of repairs to the piers, where the arena is set to be located.

Golden State Warriors arena by Snøhetta and AECOM

Both Snøhetta and AECOM are also currently involved in the construction of several other major sport and event venues. AECOM has designed the masterplan for the Rio 2016 Olympic Games, while Snøhetta is working on an opera house in South Korea and the extension of the San Francisco Museum of Modern Art (SFMOMA).

Golden State Warriors arena by Snøhetta and AECOM

See more architecture by Snøhetta »
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Here’s more information from the design team:


Golden State Warriors release updated design of new arena on San Francisco waterfront

Today the Golden State Warriors released the updated design of their new sports and entertainment arena on the waterfront at Piers 30-32 in San Francisco.

“This new design by Snøhetta and AECOM builds on the first draft we released to create an arena experience on the waterfront that is unique, community-focused and unlike any other venue in existence around the world,” said Joe Lacob, Co-Executive Chairman and CEO of the Warriors. “The new design creates more open space and accessibility to the waterfront, new berths for fireboats and cruise ships and public views into the arena that will be one-of-a-kind for an NBA venue.”

Golden State Warriors arena by Snøhetta and AECOM

“From the beginning, we’ve said this arena will be world-class, incorporating the best in design, technology and sustainability,” said Peter Guber, Co-Executive Chairman of the Warriors. “Snøhetta and AECOM have done a masterful job designing an arena and public space that will serve as the model for a 21st century digital sports and entertainment center.”

The new arena design now includes a fire station with berths for two fireboats, a deep-water berth for large ships, public access space on the eastern edge of the pier, a sustainable “Gabion Wall” stormwater filtration system and public views that allow visitors to see inside the Golden State Warriors practice facility and into the arena during Warriors games. Additionally, the Warriors have removed nearly 750 seats and several luxury suites to allow fans to view the Bay Bridge from their seats inside the arena during games. The exterior roof of the arena will also feature small LEDs similar to the current Bay Lights art installation that can project images, patterns or shapes.

Golden State Warriors arena by Snøhetta and AECOM

“We believe our new design lives up to the importance of this incredible waterfront site and fuses together the vision of the Golden State Warriors with the landscape of the bay and the community input we’ve heard over the past several months,” said Craig Dykers, Architect and Founding Partner of Snøhetta. “When people view the new designs, they will see a place that provides for everyone: fans, pedestrians, bicyclists, tourists, local residents and the diverse community of San Francisco.”

“The NBA is thrilled about this new design and excited that the Bay Area’s NBA team will be playing in a unique, world-class facility on the San Francisco waterfront,” said NBA Commissioner David Stern. “Once completed, the Warriors’ arena will provide our fans with one of the most technologically advanced and unique fan experiences in the NBA and all of professional sports.”

“These updated designs show the incredible potential of a new waterfront venue at Piers 30-32,” said San Francisco Mayor Ed Lee. “In addition to hosting the Warriors and enabling our city to host major indoor sporting events and concerts, the Piers 30-32 project will provide tremendous public benefits to San Francisco, including a new fire station, berths for large ships and SFFD fire boats and an expansive new civic space for fans, residents and tourists to enjoy.”

Golden State Warriors arena by Snøhetta and AECOM
Proposed site plan – click for larger image

The privately financed arena will be located at Piers 30-32 on San Francisco Bay, south of the Bay Bridge, between the Ferry Building and AT&T Park.

Under the agreement, the City will provide the land and the Warriors will pay to repair the crumbling piers and privately finance the arena project. The cost of repairs alone is estimated at $100-120 million.

The new facility will host the Bay Area’s NBA basketball team, as well as provide a spectacular new venue for top-tier concerts, cultural events and conventions – prominent events the City currently cannot accommodate.

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Construction begins on Bordeaux stadium by Herzog & de Meuron

Nouveau Stade de Bordeaux by Herzog & de Meuron

News: work has started on a football stadium in Bordeaux, France, by Swiss architects Herzog & de Meuron.

First unveiled in 2011, when it was referred to as the Stade Bordeaux Atlantique, Herzog & de Meuron’s Nouveau Stade de Bordeaux will provide seating for up to 42,000 spectators.

A rectangular white roof will cover the stadium, supported by a forest of slim white columns.

The structure is expected to be completed in 2015 ready to host matches during the Euro 2016 football championship.

Last week construction began on an outdoor bathing lake in Riehen, Switzerland, also by Herzog & de Meuron.

The architects previously completed the National Stadium in Beijing for the 2008 Olympic Games – see all architecture by Herzog & de Meuron or see all stadiums.

Earlier this year French designer Philippe Starck and car company Peugeot unveiled a prototype bicycle for a free cycle scheme in Bordeaux – see all projects in Bordeaux.

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Rio Olympic stadium closed due to roof problems

Joao Havelange Olympic Stadium, photo by Ministério das Relações Exteriores Brasil

News: the Rio de Janeiro stadium that was set to host athletics tournaments during the 2016 Olympics has been closed indefinitely due to structural problems.

The Joao Havelange Olympic Stadium, known locally as the Engenhao, will have to undergo roof repairs before it can be declared fit for use.

Rio’s mayor Eduardo Paes said he had been told that the structural problems could pose a risk for spectators, depending on the wind speed and temperature.

“On that basis, I immediately decided to close the stadium until we had more details,” he told a news conference.

“It’s simply not acceptable that a stadium which was inaugurated such a short time ago now has to face this sort of situation.”

Designed by architects Carlos Porto and Gilson Santos, the stadium opened late and over budget in 2007 and is currently the city’s main football venue while the Maracana Stadium is rebuilt for this year’s Confederations Cup and the 2014 World Cup.

Rio intends to build only nine permanent sites and six temporary venues for the 2016 Olympics in an attempt to avoid the legacy of ‘white elephant’ sporting venues suffered by former host cities Athens and Beijing.

Other sports venues we’ve reported on lately include Zaha Hadid Architects’ successful bid to design the new national stadium for Japan and a competition-winning design for a football stadium in Ethiopia with stands built into mounds of earth – see all stadiums.

Photograph is by the Brazilian Foreign Office.

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Zaha Hadid to design Japan National Stadium

News: UK firm Zaha Hadid Architects has been selected to design the new national stadium for Japan.

Japan National Stadium by Zaha Hadid Architects

The new 80,000-seat stadium will replace the existing Kasumigaoka National Stadium in Tokyo and could become the main sporting venue for the 2020 Olympic Games if Japan is successful in its bid to host the event.

Japan National Stadium by Zaha Hadid Architects

The arena is also earmarked to host the 2019 Rugby World Cup and will be offered to FIFA as a possible venue for future World Cup football matches.

Japan National Stadium by Zaha Hadid Architects

Zaha Hadid Architects has seen off ten other finalists to win the competition, which was organised by the Japan Sport Council.

The new building is scheduled for completion in 2018.

Also this week, the Zaha Hadid-designed Eli and Edythe Broad Art Museum opened to the public at Michigan State University.

See more stories about Zaha Hadid Architects, including the recently completed Galaxy Soho, a 330,000-square-metre retail, office and entertainment complex in Beijing.

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“Is the Centre Court roof the real star of Wimbledon 2012?” – Telegraph

Wimbledon Centre Court sliding roof by Populous

Dezeen Wire: as the sliding roof on Wimbledon’s Centre Court was closed today to allow the men’s singles final between Andy Murray and Roger Federer to continue despite heavy rain, The Telegraph argues that the Populous-designed cover is the real star of this year’s championships.

Wimbledon Centre Court sliding roof by Populous

The Telegraph interviews the lead designer, Rod Sheard, who said: ““Grass is much more delicate than human beings. We can take off our coats or jumpers to cool down. Grass can’t, so if we just put the roof over, it would sweat and turn the court into a skating ring. The air conditioning we put in at Wimbledon is all about the grass, not the crowds.”

Wimbledon Centre Court sliding roof by Populous

The roof was completed in 2009 and cost an estimated £80-£100 million.

Wimbledon Centre Court sliding roof by Populous

See all our stories about sports design | See all our stories about tennis | Grimshaw to design new masterplan for Wimbledon

Here’s some text from Populous about the roof:


CHALLENGE. Populous are privileged to have been working with the AELTC for a decade now, helping the Club to evolve and stay at the very forefront of Grand Slam tennis. To accommodate increasing visitor levels and give players and members the level of facilities they expect while maintaining the unmistakable atmosphere has required a careful balance of innovation and tradition – nowhere more so than with the retractable roof at Centre Court. The specifics were scientifically demanding, yet the internal environment with a closed roof had to keep the feel of ‘tennis in an English garden’, with players and spectators alike feeling comfortable.

Wimbledon Centre Court sliding roof by Populous

INNOVATION. The hydraulically operated roof measures 65×75 metres and is a ‘folding fabric concertina’ with steel trusses supporting a translucent fabric skin. This skin allows natural light to reach the grass on the court, while an airflow removes condensation from within the bowl. In this way optimum player performance and spectator comfort is maintained and the sense of tradition that pervades the historic 1922 show court remains undisturbed. Beneath the roof, extra rows of seating, new wider seats, lifts and new members facilities enhance the experience even further.

Wimbledon Centre Court sliding roof by Populous

IMPACT. Guaranteeing a schedule of play avoids major disruption to the event programme, which in turn ensures Wimbledon retains its status as the premier Grand Slam tennis event within the tennis calendar, with broadcast coverage of the tournament going out to an audience of millions worldwide.

 

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Sports Concert Complex by GMP Architekten

Sports Concert Complex by GMP Architekten

Following their Eurovision Song Contest win last summer, Azerbaijan rushed to commission German firm GMP Architekten to design a new stadium that will be complete in time to host this year’s competition.

Sports Concert Complex by GMP Architekten

The sports stadium and concert hall for the capital city of Baku will seat 25,000 spectators and is being designed and constructed simultaneously in a period of just eight months.

Sports Concert Complex by GMP Architekten

The building’s exterior will be faceted to match the form of a crystal container. GMP Architekten are collaborating with contractors Alpine Bau Deutschland and Nüssli to deliver the project by March 2012.

Sports Concert Complex by GMP Architekten

You can see more stadiums designed by GMP Architekten here, including a trio of venues for Shenzhen that are remarkably similar.

The text below is a statement from the architects:


Sports Concert Complex, Baku, Azerbaijan

Design and implementation of Crystal Hall for the Eurovision Song Contest in Baku
In May 2012, the Eurovision Song Contest will take place in Azerbaijan’s capital Baku at Crystal Hall.

Alpine Bau Deutschland GmbH, the general contractor for the project, was contracted on August 2nd, 2011 to design and implement a multipurpose event-venue that is meant to accommodate 25,000 spectators.

This challenging task was undertaken by combining the efforts of gmp · Architekten von Gerkan, Marg und Partner, Alpine Bau Deutschland AG, and Nüssli International AG.

The Eurovision Song Contest takes place every year, which means that this striking crystal-shaped building on the peninsula near the city centre, right in the Caspian Sea and in the direct vicinity of one of the world’s highest flagpoles, had to be designed and constructed within a period of just eight months. The building is not a concert hall in the classical sense but a multi-functional indoor arena, which is intended to be a longer-term facility. Normally, event venues of comparable size, such as a football stadium, will require 4 to 5 years for design and construction.

Instead of the usual reinforced concrete construction, the building has been designed as a pure steel structure which consists of three independent parts, i.e. the membrane façade, the modular stadium itself and the interior roof. In order to be able to put up a building of the size of a football stadium in just a few months, design and construction proceed in parallel. An important tool in this complex process is the detailed visualisation of the entire work schedule: it covers and displays each step in chronological order in weekly sequences. A prerequisite for the success of this novel working method is the extensive experience in design, management and construction scheduling provided by the consortium, as well as very good communication between the design team and the construction companies.

The characteristic crystalline shape of the building and its illuminated façade is the response to Azerbaijan’s special request for the creation of a widely visible and visually effective landmark as a bridge between Asia and Europe that will be noticed in an international context. Different dynamic lighting scenarios are currently being programmed for the 9,500 LED lights to highlight the membrane façade and create moods appropriate for the different stages of the events.

Sports Concert Complex, Baku, Azerbaijan
Direct commission following the bidding process in 2011
In Cooperation: with Alpine Bau Deutschland AG, Nüssli International AG
Design: Volkwin Marg and Hubert Nienhoff with Markus Pfisterer, 2011
Project Management: Markus Pfisterer, Silke Flaßnöcker
Staff: Martin Hakiel, Carsten Borucki, Monika Kwiatkowski, Ignacio Zarrabeitia, Helge Lezius, Gerard Slee, Lars Laubenthal, Fariborz Rahimi, Justin Allen, Sebastian Lundelius, Dirk Müller

Client: State Commitee on Property Issues, Baku, Azerbaijan
Structural engineering: SSF Ingenieure München; schlaich bergermann and partners, Stuttgart
Services / Sanitary / Heating / Ventilation: Basler & Hofmann Ingenieure, Zurich
Lighting design: Lichtvision, Berlin
Seats: 25,000
Design and construction period: July 2011 – March 2012
Length of hall: approx. 206 m
Width of hall: approx. 168 m
Height of hall: approx. 25 m

Populous scraps plans for air conditioned stadium at 2022 Qatar World Cup


Dezeen Wire:
 sports architecture firm Populous claims that original plans to air condition a stadium they are designing for the 2022 Football World Cup are too expensive and “notoriously unsustainable” when used in desert environments – The Independent

Populous director John Barrow says they are now considering other options for creating a comfortable climate inside the Sports City stadium and is encouraging the Qatari government to alter its building schedule to give new technologies time to develop.

You can see our previous story on the 2012 London Olympic stadium, also by Populous, and all our stadium stories here.