Vaulted brick pavilion in Barcelona by Map13

Spanish architecture collective Map13 combined a traditional Spanish construction technique with digital design tools to create this vaulted brick pavilion in a Barcelona courtyard (+ slideshow).

Bricktopia by map13

Named Bricktopia, the structure was designed by Map13 using a Catalan vault – a method where plain bricks are laid lengthways across gently curved forms to create a series of smooth low arches.

Bricktopia by map13

“Unlike the construction that can be seen these days, this project aims to restore the expertise and imagination of the building hands,” explained the architects.

Bricktopia by map13

The structure was conceived using three-dimensional modelling software program Rhino and a plugin called Rhinovault. This enabled the architects to test the geometries of the structure and adapt it so that only compression stresses act on the vault.

Bricktopia by map13

This approach is based on a prototype developed by researchers Philippe Block, Matthias Rippman and Lara Davis at the Technical University of Zurich.

Bricktopia by map13
Photography by eme3

“This research collects the material tradition and the constructive knowledge of tile vaulting and combines them with contemporary computational tools,” said the designers.

Bricktopia by map13
Photography by eme3

The structure was built by architecture students and volunteers, who used criss-crossing metal rods and pieces of cardboard to outline the basic frame.

Bricktopia by map13

The completed structure comprised four vaulted spaces with curved openings that form doors and windows.

Bricktopia by map13

Bricktopia was constructed as part of the Eme3 International Festival of Architecture, which took place in June, and was used to host a programme of summer events including talks, activities and film projections.

Bricktopia by map13

Photography is by Manuel de Lózar and Paula López Barba, unless otherwise stated.

Here is some more information from the architects:


Bricktopia, Contemporary Crafts Festival EME3

Bricktopia, by the architects of the international collective Map13, is the winning project in the “Build-it” category at the International Festival of Architecture Eme3 held from the 27th to 30th of June in Barcelona. It can be visited during this summer at one of the courtyards of the former factory Fabra i Coats, in the district of Sant Andreu.

Bricktopia by map13

This intervention configures a new square where different activities can be performed, both under the building and around it. It includes bathing public spaces and sundecks, a bar and a stage for enjoying the summer 2013.

Bricktopia by map13

It is a vaulted structure made of brick using a traditional construction technique called tile-vault (or “Catalan vault”). It has been designed with new digital tools to optimise the structure through geometry. The proposal is the result of the academic research currently carried out by Marta Domènech Rodríguez, David López López and Mariana Palumbo Fernández, co-founders of the group Map13, with the help of different Professors from different fields and various schools of architecture.

Bricktopia by map13

This construction takes as a reference the prototype built by Philippe Block, Matthias Rippman and Lara Davis at the Technical University of Zurich, with which they demonstrated the reliability of “RhinoVault”, a plug-in for Rhinoceros, used to design the pavilion.

Bricktopia by map13

As “Bricktopia” is a pilot project which makes this traditional technique work to its limits, its implementation has required the expansion of the team, which has been enlarged with Paula López Barba and Josep Brazo Ramírez. The construction has also required the effort of Eme3 festival that gives support to young talented people to carry out their projects, the sponsorship of the companies that contributed with workforce and materials and the help of volunteers and students of architecture.

Bricktopia by map13

This research collects the material tradition and the constructive knowledge of tile vaulting and combines them with contemporary computational tools. This project, developed in the enclosed area of a nineteenth-century factory made of brick, uses the same material raising a new topography in the old courtyard. However, it is opposed to the industrial construction offering a concave and protected space that links the origins of all cultures.

Bricktopia by map13

The vaulted pavilion sets out the contemporary validity of this traditional system, native of Catalonia and widely used in various parts of the world for centuries. It is economical, sustainable, with formal and functional versatility and nowadays it is also offering the possibility of being built in developing countries for roofs, stairs, drainage systems, etc.

Bricktopia by map13

Unlike the construction that can be seen these days, this project aims to restore the expertise and imagination of the building hands. “Bricktopia” has been built by excellent builders who have made an unprecedented craftsmanship. The challenge that requires good layout in tile vault construction, specially with a complex shape like this one, suggests the work as an opposite to the mechanical work.

Bricktopia by map13
Site plan – click for larger image
Bricktopia by map13
Plan – click for larger image
Bricktopia by map13
Concpet drawings – click for larger images
Bricktopia by map13
Section and perspective

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by Map13
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Tiny Madrid apartment by MYCC with rooms connected by ladders

100m3 by MYCC

The owner of this Madrid apartment moves between living and working spaces like a character in a computer game, using ladders that connect platforms inserted in a single tall, narrow space.

100m3 by MYCC

“[It] leads to an image that looks like those old computer platform games,” said Spanish architects MYCC, who created the live-work space in a 100 cubic-metre volume.

100m3 by MYCC

The architects described the volume as “an empty box waiting to be filled,” adding: “The idea of light and simple floors where it could be possible to easily jump from one to another was always in mind from the very first sketches.”

100m3 by MYCC

A mixture of ladders and staircases connect each of the platforms in the space, which is just 20 square metres in plan.

“Size, both horizontal and vertical, of every part gives a non-lineal path,” added the architects. “So, moving from one room to another is a kind of small physical effort.”

100m3 by MYCC

The entrance lobby steps up to the kitchen, then more stairs lead down to a living area on the opposite side.

A steel ladder mounted onto the side wall can be climbed to access a mezzanine study, while a sleeping area is tucked underneath.

100m3 by MYCC

A final set of stairs leads down from the living room into a bathroom located beneath the kitchen.

100m3 by MYCC

Walls, floors and ceilings are all finished in white, so the only splashes of colour come from items of furniture and framed artworks.

100m3 by MYCC

Photography is by Elena Almagro.

Here’s a project description from MYCC:


100m3 apartment

This singular urban shelter is just twenty square metres and nevertheless is one hundred cubic metres of volume. In such an enclosed space should a single person live and work. He will use his creativity and dynamism to make it his own sweet home.

A longitudinal section defines the project. The space highness has been used to accommodate several pieces, which are limited in volume but at the same time all are visually connected to each other. Even the bathroom is within sight.

100m3 by MYCC
3D diagram of apartment – click for larger image

The necessity to hold the programmed uses, each of them with specific characteristics and size, leads to an image which looks like those old computers platform games. The idea of light and simple floors where could be possible even easily jump from one to another was always in mind from the very first sketches.

Size, both horizontal and vertical, of every piece gives as a result a non lineal path. So, moving from one room to another is a kind of small physical effort.

Going up to the kitchen or getting down to the bedroom offers a stressed change and different sensation of the space, both any different unit and the apartment as a whole.

Section of 100m3 by MYCC
Section – click for larger image

The apartment, even with its small size, wants to offer generous spaces and a big quantity of different pieces of use. The pieces that make it up, does not really have a fixed clearly defined use: the kitchen is a walk-through room to get the living. There are stands rather than stairs to go down the living, which is over a cellar-storage room. Then, it is possible to get the ladder to go up to the indoor sunny terrace, a place to be used as a study or a chill out. Also the central living room connects through four steps to the bathroom. This is an oversized kind of luxury room that holds even an in-situ cosy kind of hamman bath.

Construction and finishing are made in a direct and unadorned way and all is full of bright white.

Architects: MYCC (Carmina Casajuana, Beatriz G. Casares, Marcos Gonzalez)
Location: Madrid, Spain
Area: 21m2
Volume: 100m3
Date: 2012

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rooms connected by ladders
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Google’s colourful Madrid headquarters by Jump Studios

Colour-coded meeting rooms and private workspaces are tucked behind wooden arches at the Google offices in Madrid by London practice Jump Studios (+ slideshow).

Google Madrid by Jump Studios

For Google‘s headquarters in the Spanish capital, Jump Studios fitted out two floors of the Torre Picasso – a high-rise to the north of Madrid city centre.

Google Madrid by Jump Studios

“The office spaces now boast a higher degree of flexibility and functionality, which fulfil the aspirations of the client who wanted a unique and friendly workplace with local character,” said the studio.

Google Madrid by Jump Studios

The lower level houses the reception area, lecture theatre and canteen, as well as office space.

Google Madrid by Jump Studios

Graphics and patterns are printed on the walls, ceiling and around the front of the reception desk.

Google Madrid by Jump Studios

The kitchen serving the canteen is surrounded by a curved wall clad in cork, which contains storage shelves and cabinets.

Google Madrid by Jump Studios

On the floor above, timber arches designed to reflect traditional Spanish architecture separate the workspace around the outside of the floor from meeting rooms and cubicles for private work.

Google Madrid by Jump Studios

There’s also a multi-functional recreation area with a ping-pong table and self-catering equipment.

Google Madrid by Jump Studios

Google is springing up new offices across the globe. Earlier this year Allford Hall Monaghan Morris applied for planning permission to construct a 27-hectare headquarters for the company in London’s King’s Cross.

Google Madrid by Jump Studios

Here’s the information sent to us by the designers:


Google Madrid HQ

The extensive fit out and refurbishment of Google’s Madrid HQ sets new standards in office interior design on the Iberian peninsula.

Google Madrid by Jump Studios

Jump Studios, a London based architecture practice with a recently launched satellite office in Lisbon, has completed Google’s new Madrid office using advanced materials to deliver a highly sustainable and inspiring new workplace for the company’s Iberian operations.

Google Madrid by Jump Studios

Jump Studios is currently shortlisted for the BD Architect of the Year 2013 Award in the Interior Architecture category for a range of projects including Google Madrid.

Google Madrid by Jump Studios

Overview

The Google Madrid project comprises the fit out of two floors in one of Madrid’s most prestigious high-rise buildings – Torre Picasso.

Google Madrid by Jump Studios

Working with the concept of a timber arched core element – a reference to the spatial and material qualities of traditional Spanish architecture – the scheme has greatly improved the efficiency of the floorplate and created a highly characteristic ambience that is relaxed and sophisticated at the same time.

Google Madrid by Jump Studios

The office spaces now boast a higher degree of flexibility and functionality, which fulfil the aspirations of the client who wanted a unique and friendly workplace with local character.

Google Madrid by Jump Studios

Now an approachable and usable space with a strong identity, productivity has greatly increased.

Google Madrid by Jump Studios

Project Details

The lower of the two adjacent levels occupied by the client houses the main reception, lecture theatre, canteen and a multi-functional area with fully equipped kitchen catering for the entire office.

Google Madrid by Jump Studios

On the upper level can be found the bulk of the office space as well as more extensive breakout spaces with room for games, additional informal presentation areas, shower facilities, a massage room and hammock area.

Google Madrid by Jump Studios

The overall layout and arrangement of particular spaces and elements has been carefully considered and developed to suit the working style of the company in general while meeting the more exact needs and requirements of the local workforce.

Google Madrid by Jump Studios

The very specific acoustic requirements of the project for both the meeting rooms and the individual video conferencing cabins necessitated the careful selection of subcontractors and the very close co-ordination of all the teams involved to provide both robust and aesthetically pleasing solutions and details.

Google Madrid by Jump Studios

The use of sustainable materials contributed to the project’s LEED Gold rating.

Google Madrid by Jump Studios

Project Delivery and Sustainability

The project was delivered in five separate phases, which allowed the offices to remain open throughout.

Google Madrid by Jump Studios
Level 1 – click for larger image

It involved a high level of co-ordination and collaboration between the architectural, engineering and contracting teams – Jump Studios, Deerns and Construcía with strong project management from Artelia Spain.

Google Madrid by Jump Studios
Level 2 – click for larger image

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by Jump Studios
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Royal Caballito: The new Madrid-based label produces locally and features minimal yet playful prints to survive the winter

Royal Caballito


Though born and raised in Madrid, Diana Saldaña is very much an international figure. As an art historian who specializes in self-portrait photography, she’s worked at PHOTOEspaña Festival in Madrid, Magnum Photos in Paris and LA’s Getty…

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Cristian Reyes Studio Giros Table: A solid ash side table with elevating top tier for added storage space

Cristian Reyes Studio Giros Table


Amongst the many emerging industrial designers we met while visiting Feria Habitat Valencia in September 2012, Cristian Reyes Studio was a true standout. In the year since our introduction,…

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La Ascensión del Señor by AGi architects looks more like a factory than a church

The industrial materials used to construct this church in Seville, Spain, make it look more like an edge-of-town manufacturing plant than a place for worship (+ slideshow).

La Ascension del Senor Church by AGi architects

Spanish-Kuwaiti firm AGi architects designed the church for an area built in the last 15 years on the outskirts of the city, which required a new church as well as a place for community activities.

The different planes that form the roof feature apertures that allow light to reach the interior and help to distinguish the various interior spaces, which perform different liturgical functions. “One of these folds steeps up to become the bell tower, though no bells have been installed due to the economic situation,” the architects told Dezeen.

La Ascension del Senor Church by AGi architects

“The shape of the building relates to its context through the idea of unfolding a cover that creates a place for meeting and fraternisation, in contrast with the rigid look of the dwelling buildings where the individualised everyday life takes place,” the architects said.

The church adjoins a large courtyard that connects it to the existing facilities of a community parish centre, and its industrial aesthetic reflects the contemporary nature of its surroundings.

La Ascension del Senor Church by AGi architects

The stone-tiled courtyard that provides a meeting space for community activities extends into the building’s interior and a series of doors can be opened to unite the two spaces.

The architects described the tiled floor as “a stone carpet that is unfolded to enter the main space of the church in an arrangement that facilitates the participation of the entire assembly in the liturgy.”

La Ascension del Senor Church by AGi architects

Two smaller courtyards connected to the spaces containing the baptismal font, the penitential chapel and sacristy are used to host activities including markets, cinema screenings, religious teaching classes and as a place for contemplation.

Budgetary restraints led the architects to specify simple, economical materials, including the corrugated steel sheet covering the roof, false ceilings and partitions made of gypsum board, and concrete blocks used for the outer shell.

La Ascension del Senor Church by AGi architects

“White plaster finish links with more traditional architectures while the sheet of the roof is a technical solution that makes a reference to present, the period in which this urban development was carried out,” the architects added.

Structural girders form a cross at the church’s entrance, which has “an open shape that recalls traditional religious architecture”.

The angular aesthetic of the walls and roof is echoed in the shape of the wood and stone pulpit.

La Ascension del Senor Church by AGi architects

Photography is by Miguel de Guzmán.

Here are some more details from AGi architects:


La Ascensión del Señor Church

This building proposed by AGi architects means the completion of the Parish Center and its empowerment as focus of community activity for the neighborhood. The project aims at strengthening the Parish Center as a meeting and fraternization place, in order to develop spiritual and welfare tasks. It has been designed by economical savings and sustainability premises, simple construction techniques and materials, while endowing the district with an image and sign of identity.

La Ascension del Senor Church by AGi architects

The spatial scheme of the building is structured through three different qualifying voids: the large central courtyard that belongs to the first phase of the Parish Center, which now articulates the relationships between worship spaces and the rest of facilities. Its stone surface is prolonged inwards to enter the main space of the church and, bending towards the walls, creates a huge vessel that houses the congregation of believers. There are other two smaller scale courtyards, one of them linked to the area of the baptismal font, the other to the penitential chapel and sacristy.

La Ascension del Senor Church by AGi architects

Due to security reasons, the nature of shelter and interaction inherent to the project are only revealed to the outside in the main entrance that plays a relevant role as an open attraction space to welcome and invite users inside.

The shape of the roof, which unfolds freely to cover the assembly space by joining various inclined planes, allows the introduction of natural light inside, to achieve a clear qualification of the different areas needed to comply with liturgy requirements.

La Ascension del Senor Church by AGi architects

According to AGi architects’ team, “this church is very close to the community, reaching the transcendental through the existing social problems and needs. Our goal has been to open the space for community use, making it more human”.

La Ascension del Senor Church by AGi architects

Project Name: La Ascensión del Señor Church
Type: Religious | 1,150 sqm | Competition – First prize
Location: Seville, Spain
Date: 2010-2013
Client: Archdiocese of Seville
Cost: Confidential

Design Team:
Joaquín Pérez-Goicoechea
Nasser B. Abulhasan
Salvador Cejudo

Architectural team:
Daniel Muñoz
Gwenola Kergall
Bruno Gomes
Stefania Rendinelli
Javier Alonso
Daniel Bas

Consultants:
Singe K, Ingenieros Consultores, S.L
Javier Drake Canela

La Ascension del Senor Church by AGi architects
Floor plan – click for larger image
La Ascension del Senor Church by AGi architects
Cross section – click for larger image
La Ascension del Senor Church by AGi architects
Cross section – click for larger image
La Ascension del Senor Church by AGi architects
Long section – click for larger image
La Ascension del Senor Church by AGi architects
Long section – click for larger image

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looks more like a factory than a church
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MO House in the woods by FRPO

The rooms of this wooden house in a forest near Madrid by local architects FRPO branch off in different directions to slot into gaps between the trees (+ slideshow).

MO House in the woods by FRPO

FRPO was asked to design a family home that was sensitive to its natural environs and chose to distribute the rooms across the site in a series of interconnected boxes.

MO House in the woods by FRPO

“The powerful presence of the trees and the wish to have a house integrated in the woods led to a disaggregated solution,” said the architects.

MO House in the woods by FRPO

Several possibilities for the position of the various boxes were explored before the architects settled on the most suitable solution.

MO House in the woods by FRPO

The boxes nestle beneath the branches of the trees, which also occupy spaces between the numerous angled external walls.

MO House in the woods by FRPO

The building is constructed from cross-laminated wood panels that remove the need for destructive foundations and provide excellent thermal insulation.

MO House in the woods by FRPO

FRPO explained that the choice of wood allowed them to create a structure that is “insulating, continuous, lightweight, precise and extremely thin,” and described it as “wood in the woods.”

MO House in the woods by FRPO

The wooden theme continues inside the building, where painted timber panelling covers the walls, and a table with a thick wooden top occupies the dining room.

MO House in the woods by FRPO

From an entrance at the centre of the plan, corridors branch off towards the master bedroom and two rooms for the family’s children at one end of the house, and a kitchen, dining area and living room at the other end.

MO House in the woods by FRPO

A single taller box contains a study space that is accessed by a spiralling staircase.

MO House in the woods by FRPO

Photography is by FRPO, Miguel de Guzmán.

MO House in the woods by FRPO

Here are some more details from the architects:


MO House by FRPO

Systematic freedom

In 2010 we received a commission to design a single-family house in a forest in the outskirts of Madrid. Although the programmatic requirements were conventional, the site would demand a complex geometry. The powerful presence of the trees and the wish to have a house integrated in the woods led to a disaggregated solution. The program was transferred in a very direct and natural way to a number of simple rectangular pieces. The different topological relations between the pieces determined a series of useful solutions, 24 in the end. The optimal version was selected and the plan of the MO House was this way defined.

MO House in the woods by FRPO

The MO House project belongs to a family of projects developed in the office beginning in 2005. These projects explore the possibilities of generating architectural complexity out of the combination of simple elements. Throughout this process of projects, conditioned by a large number of specifications settled by the clients, we have been forced to systematize every design decision in order to simplify the process to its full capacity. The results produce a nice surprise: the combination of a number of extremely simple spaces offer an extremely rich spatial experience. We have found a powerful tool to work with. We can use this system in very different situations. Some very simple basic rules and a series of pieces with adequate proportions will result in an endless range of solutions.

MO House in the woods by FRPO

Wood in the woods

The final arrangement of the MO House plan opened two technical issues that put the solution into question: the high variety of angles in the joints between pieces and a penalized shape factor that would result in a negative impact on the energetic performance of the house (an elevated façade-volume ratio). In addition to that, another key issue aroused: proximity of trees required a little aggressive foundation system.

MO House in the woods by FRPO

The technical solution adopted in a first approach – steel skeleton with concrete slabs – did not seem viable. We needed a lighter system that could be assembled in a more accurate way. It had to be simple – like the plan – and thermally favourable. On a visit to his studio, a friend showed us a cross-laminated wood panel by KLH. The product met all the requirements: a solid structural material with high insulating performance and CNC manufactured at their Austrian factory. The house would be solid wood. Wood in the woods. 72 mm thick walls. Slabs from 95 to 182 mm.

Site plan of MO House in the woods by FRPO
Site plan – click for larger image

The total weight of the structure would not reach one third of a conventional system. The foundations could therefore be made of galvanized steel micropiles only 2 meters long. The panels would be manufactured by numerical control cutting, ensuring accuracy at all angles. The structure would be insulating, continuous, lightweight, precise and extremely thin. The floor of the house could be a direct transposition of the work scheme. The installation process would be fast and accurate.

Floor plan of MO House in the woods by FRPO
Floor plan – click for larger image

The nature of the project remained intact and its technical requirements had led us to the discovery of a new field of project possibilities.

Diagram key of MO House in the woods by FRPO
Rooms key – click for larger image

Location: Madrid, Spain
Program: housing
Project start: 2010
Project completion: 2012
Surface: 295 m2
Architecture: FRPO Rodriguez & Oriol ARCHITECTURE LANDSCAPE, Pablo Oriol, Fernando Rodríguez.
Collaborators: Pastora Cotero, Inés Olavarrieta, Cornelius Schmitz, Cristina Escuder
Contractor: Alter Materia, Grupo Singular
Consultants: KLH, Alter Materia, Miguel Nevado

Section of MO House in the woods by FRPO
Section – click for larger image

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by FRPO
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Nomadic Furniture by Jorge Penadés

Spanish designer Jorge Penadés has devised a chair made from simple wooden boards that collapses into a backpack (+ slideshow).

Nomadic Furniture by Jorge Penades

Penadés deliberately made the seat easy to deconstruct and transport at the expense of its comfort.

Nomadic Furniture by Jorge Penades

“Luxury is not anymore a matter of comfort,” said the designer. “Nowadays, luxury is to be able to decide where you want to have a moment of peace, a chance to escape from hectic activity of contemporary lifestyles.”

Nomadic Furniture by Jorge Penades

The furniture is constructed without screws or glue and simply slots together with small brightly coloured metal connectors.

Nomadic Furniture by Jorge Penades

“The system works through connections inspired by traditional wooden joinery that can be assembled and disassembled by hand, with small gestures,” Penadés explained.

Nomadic Furniture by Jorge Penades

“This fact allows the user to move easily with the seat from one place to another, emphasising dynamism as the object´s inherent purpose,” he added.

Nomadic Furniture by Jorge Penades

The components can be packed into a sling comprising leather patches and adjustable ratchet straps, and carried around on the user’s back.

Nomadic Furniture by Jorge Penades

The design is a continuation of the young Málaga-based designer’s graduation project from the Escola Superior de Disseny i d’Arts Plàstiques in Barcelona and will be on show as part of Product Design Madrid at the Architectural Association in the city from 21 to 24 November.

Here’s some more information from Jorge Penadés:


Nomadic Chair: a temporary seat for one person

Responding to society´s current and future needs born from modern culture, this project explores the potential of temporary furniture.

Nomadic Furniture by Jorge Penades

Reducing comfort to the minimum in order to enlarge mobility to the maximum, Penadés encourage us to reconsider our ideas of contemporary furniture and give them new meanings in a more ephemeral context.

Nomadic Furniture by Jorge Penades

This project is based on a structure without any kind of screws, nails or glue. The system works through connections inspired by traditional wooden joinery that can be assembled and disassembled by hand, with small gestures in (approx) 2 minutes. This fact allows the user to move easily with the seat from one place to another, emphasising dynamism as the object´s inherent purpose.

Nomadic Furniture by Jorge Penades

Jorge Penadés is currently investigating new possibilities of temporary furniture in order to create a collection of pieces within the same principle, understanding furniture as itinerant objects rather than static.

Nomadic Furniture by Jorge Penades

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by Jorge Penadés
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Patricia Urquiola: Time to Make a Book: The Spanish designer’s first monograph celebrates her eclectic, experimental style

Patricia Urquiola: Time to Make a Book


Championed for her eclectic eye and design style, Spanish designer Patricia Urquiola is one of the most sought-after minds in contemporary design. To offer a comprehensive look at her expansive portfolio of architectural projects and product…

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Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Gabion walls, concrete staircases and huge rocks frame the spaces of this public park in Zaragoza by Spanish architects Héctor Fernández Elorza and Manuel Fernández Ramírez (+ slideshow).

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Venecia Park spans a 415-metre stretch beside a ring road on the outskirts of the city, forming a gateway to the residential neighbourhoods to the south.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Architects Héctor Fernández Elorza and Manuel Fernández Ramírez, who previously teamed up on a park elsewhere in the city, were asked to overcome three issues – a 14-metre level change across the site, regular flooding caused by heavy rainfall and noise from the adjacent road.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

The largest space in the park is a sunken concrete plaza in the south-west corner. Staircases lead down to it from all four corners, while the surrounding walls offer protection from the strong prevailing winds.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Most of the time this space can function as a pedestrian space, but it also doubles as an overflow basin for rainwater, reducing the impact of flooding to the surrounding residential areas.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

To create a sound barrier and deal with the level change, the architects designed a system of rammed-earth banks to run along the north-west border of the park and fronted them with four staggered gabion walls, made from steel cages and stones.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Another sound barrier was required along the south-west side so the architects specified a wall made from oversized rocks, which they refer to as the “cyclopean wall”.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

“This wall is conceived as an icon that characterises the new neighbourhood,” they said.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Young trees have been planted along some of the pathways, while metal shelters mark the location of viewpoints and ramps lead on towards the nearby canal.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

“Venecia Park is a carefully planned topographical operation that complements the acoustic functions and flow-forming processes, in addition to providing green spaces to the city,” added the architects.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Other landscape architecture on Dezeen includes a public square in Croatia where steps, terraces and textured paving delineate different zones and a colourful city park in Copenhagen featuring street furniture from 60 different nations.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

See more landscape architecture »
See more architecture and design in Spain »

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Here’s a project description from the architects:


Venecia Park, Zaragoza

The green space within sector 88/1, known as Venecia Park, is located at its north-western limits, running parallel to the Ronda Hispanidad Avenue between the Calle Zafiro Roundabout and the historic channel of the Imperial Canal of Aragón. The project encompasses a linear urban infrastructure, averaging 415 metres in length and 60 metres in width: a surface area of approximately 2.5 hectares. It was required to address three issues: the resolution of an acoustic problem, the evacuation of rainfall deposits and the question of topography.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

The sound issue caused by road traffic on the Ronda Hispanidad (Third Ring Road) affecting neighbouring dwellings, requires the establishment of a sound barrier to include the whole north-western border of the park. The existing topographical ground level difference between ground-level of the new residential quarter and the ring road reaches a maximum height of 14 metres, where the containment of the terrain is resolved by means of a system of reinforced earth walls. This is made up four steps set apart from one another by 1.50 metres, composed of a galvanised steel mesh and large gravel stones, thus forming a sound barrier that will protect future residential developments in the area.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

To the far south-west of the park, where no significant topographical difference is noticeable, the issue of sound containment is resolved by means of a Cyclopean wall 100 metres long with a maximum height of 10 metres. This wall is moreover conceived as an icon that characterises the new neighbourhood and also provides access to the underground square or mill basin situated in its extrados.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

This laminar flow basin is designed to cope with the intense rainfall that affects the area, thus preventing floodwaters from emptying into the municipal network, whose diameter and capacity are insufficient to deal with such heavy quantities of rainwater. This compound with its large surface area (3,150 m2), whose use as a laminar flow space will be conditioned by the frequency and intensity of local rainfall, has been conceived and designed as an urban space or pedestrian square for most of the year and a welcome area of shelter from the unpleasant Cierzo wind which blows in this upper area of the city. Four stairs situated at the corners provide access to the underground square, connecting with the adjacent neighbourhood and the city level. The incorporation of sufficiently wide ramps situated within the sound barrier wall gives access to service and maintenance vehicles and a more ample use of the compound.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez

Finally Venecia Park is a carefully planned topographical operation that complements the acoustic functions and flow-forming processes described above in addition to providing green spaces to the city. All this is structured spatially over the Ronda Hispanidad by means of staggered interconnecting platforms in a linear or extended link-up of little squares (hard and soft), viewing points protected with light metallic pergolas, extensive groves of pines and pedestrian ramps leading to the historic heritage site of Aragón’s Imperial Canal.

Venecia Park by Héctor Fernández Elorza and Manuel Fernández Ramírez
Site plan – click for larger image

Architects: Héctor Fernández Elorza, Manuel Fernández Ramírez
Collaborators: Félix Royo Millán, José Antonio Alonso García, Antonio Gros Bañeres, Beatriz Navarro Pérez (Engineers)
Location: Sector 88/1, Pinares de Venecia, Zaragoza
Project: 2008
Construction: 1 July 2009 – 31 December 2011
Client: Junta de Compensación del Sector 88/1
Constructor: IDECON, S.A.U.
Surface Area: 2,5 Ha.
Budget: 2.598.799 euros

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and Manuel Fernández Ramírez
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