One World Trade Center tops out

One World Trade Center tops out, photo by Placeboe

News: One World Trade Center in New York has become the world’s third-tallest building after topping out at a height of 541 metres.

A 124-metre steel spire was installed last Friday, pushing the skyscraper’s height to 1776 feet – a number commemorating the year of America’s independence.

One World Trade Center is now the tallest structure in the USA and the third-tallest in the world, although there is debate over whether the spire is actually a removable antenna – a vital distinction in measuring buildings.

Built at a cost of $3.9 billion, the tower also has the distinction of being the most expensive office building in the world.

Previously known as the Freedom Tower, the building is located in the northwest corner of the site where the former World Trade Center towers were destroyed in the 11 September 2001 attacks.

Originally designed by Daniel Libeskind – the architect behind the masterplan for the entire Ground Zero site – the tower underwent numerous revisions before US firm SOM was brought in to oversee its design.

One World Trade Center tops out, photo by alecperkins

When finally completed it will offer 241,000 square metres of commercial office space as well as observation decks, TV broadcasting facilities and restaurants.

Another building on the site, Four World Trade Center, topped out last summer, while Ground Zero is also home to two fountains sunk into the site of the former Twin Towers – see all architecture in New York.

SOM recently unveiled plans to build Singapore’s tallest tower, while last year the firm proposed adding a floating observation deck over New York’s Grand Central Terminal – see all architecture by SOM or see all skyscrapers.

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Chinese newspaper headquarters compared to huge penis

China newspaper headquarters resembles huge penis

News: after buildings that look like giant underpants and a stack of toilet rolls, here’s a tower in Beijing that has been compared to a giant penis.

Seen from one angle, the scaffolding on the upper levels gives the tower an obviously phallic appearance, as internet commenters pointed out this week.

The 150-metre-high building, which will become the new headquarters for the Chinese state newspaper People’s Daily, in fact has a wedge-shaped silhouette.

China newspaper headquarters resembles huge penis
Visualisation of completed building

The Chinese government has attempted to block internet users in the country from searching for images of the building, but carefully worded messages have spread the word across Weibo, China’s biggest social networking service.

“It seems the People’s Daily is going to rise up, there’s hope for the Chinese dream,” said one message.

Others made creative use of Photoshop to illustrate how the tower might fit between the “legs” of the China Central Television (CCTV) headquarters in Beijing, which was designed by OMA.

See more towers with unfortunate likenesses, including one that looks like a pair of trousers, or see all skyscrapers on Dezeen.

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SOM to build Singapore’s tallest tower

SOM to build Singapore's tallest tower

News: American firm SOM has unveiled plans to build Singapore’s tallest tower as part of a mixed-use development in the Tanjong Pagar business district.

SOM’s 64-storey, 290-metre tower will be positioned on the eastern part of the Tanjong Pagar Centre site, and will contain offices on its lower floors and luxury apartments above.

A smaller tower alongside it will accommodate a business hotel with its own restaurants and conference centre as well as a pool overlooking the redesigned Tanjong Pagar City Park.

An additional six-storey building will provide a car park, shops, restaurants and entertainment as well as an area for public art and outdoor performances.

SOM is the architectural practice behind the tallest building in the world, the Burj Khalifa in Dubai. The firm recently proposed a floating observation deck over Grand Central Station in New York and a tower with triangular facets in Seoul – see all architecture by SOM.

Elsewhere in Singapore,the Gardens by the Bay tropical garden was named World Building of the Year at last year’s World Architecture Festival, where Dezeen filmed an interview with architect Chris Wilkinson about the project – see all architecture in Singapore.

SOM to build Singapore's tallest tower

Here’s some more information from SOM:


Tanjong Pagar Centre
Singapore, Singapore

Positioned as a premier quality business and lifestyle hub, the 1.7-million-gross-square-foot Tanjong Pagar Centre will provide a mix of uses, comprising office, residential, retail and hospitality, in Singapore’s historic Tanjong Pagar central business district. The development will be a significant contribution to the evolving skyline of Singapore and will become a landmark destination, serving as a gateway to the future waterfront city.

The centerpiece of the project will be a re-designed Tanjong Pagar City Park to create unique public spaces that provide activity and open space to visitors. In line with the Singapore’s Urban Redevelopment Authority’s mission to create lively and attractive public places, protected and useful outdoor gathering spaces and sustainable urban environments, Tanjong Pagar Centre will set the standard for sustainable, livable development in Singapore for generations to come.

SOM to build Singapore's tallest tower

Located on the eastern half of the site, the mixed-use office and residential tower will feature Grade-A office space with luxury residential units above. This tower will be the tallest building in Singapore.

The free-standing mid-rise tower to the west will accommodate the luxury business hotel and its amenities, including restaurants, a conference centre, gym and pool deck overlooking the Tanjong Pagar City Park.

The six-storey podium will provide multiple levels of car parking, retail, restaurants, and entertainment, as well as the hotel, office, and residential lobby and amenities level. A large public component includes a “city room” which will feature public art and outdoor performance areas, ground-level retail, and an underground pedestrian network that will connect to the existing MRT station.

Project Completion Year: 2016
Design Completion Year: 2012
Project Area: 1,700,000 sq ft
Number of Stories: 64
Building Height: 290 m

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Proposal unveiled for Mumbai’s tallest tower

Imperial Tower by Adrian Smith + Gordon Gill Architecture

News: Adrian Smith + Gordon Gill Architecture has unveiled its competition-winning proposal to build Mumbai’s tallest skyscraper.

The 400-metre-high, 116-storey Imperial Tower would become the tallest building in the Indian city if construction goes ahead.

The tower would have a slender, aerodynamic shape designed to “confuse the wind” and withstand strong currents, according to Adrian Smith + Gordon Gill Architecture.

Imperial Tower by Adrian Smith + Gordon Gill Architecture

Green terraces called “sky gardens” would also break up wind currents, say the architects, whose kilometre-high Kingdom Tower in Saudi Arabia is currently under construction.

The proposal includes plans for 132 residential units, some as large as 1,115 square metres, along with smaller serviced apartments.

Imperial Tower by Adrian Smith + Gordon Gill Architecture

Other projects by the same architects include a high-density, car-free city in China and a pair of 450 metre-high towers with glass scales – see all projects by Adrian Smith + Gordon Gill Architecture.

At the start of the year we took a look at the ten tallest skyscrapers set to complete around the world in 2013 – see all skyscrapers on Dezeen.

Imperial Tower by Adrian Smith + Gordon Gill Architecture

Here’s some more information from the architects:


Imperial Tower Competition
Mumbai, India

At 116 stories and 400 meters tall, Imperial Tower was designed to be the tallest building in the city and a prototype for Mumbai, a densely developed but mostly low-rise metropolis whose urban future revolves around tall residential towers.

The softly curvilinear form of this tall, elegantly slender tower is aerodynamically shaped to “confuse the wind,” minimising the negative effects of wind action on the tower. Wind vortex shedding is also mitigated by the north- and south-facing sky gardens, which break up wind currents around the tower. The sky gardens also provide unprecedented access to light, views and connection with the natural world that are unprecedented in Mumbai.

Imperial Tower will also offer the most spacious and luxurious residences in Mumbai. The 76,272- square-metre tower includes 132 residential units of between 195 and 1115 square metres, along with serviced apartments of between 72 and 252 square meters. All of the upper-storey condominiums offer breathtaking views of the Arabian sea.

Architecturally, the exterior wall provides a strong visual contrast with the heavy masonry cladding of most surrounding buildings. The exterior wall is highly sustainable, blocking heat gain and diffusing direct sunlight in the hot and humid climate of Mumbai.

The sustainability of Imperial Tower is also evident in its treatment of water, one of the area’s most precious resources. Water from mechanical systems is collected and treated as greywater; rainfall is also collected for re-use by the units. High-efficiency mechanical systems, a green-wall podium and the use of native plants in the landscaping and sky gardens also adds to the project’s sustainable performance. As+GG is also exploring a plan for kitchens and bathrooms to be pre-fabricated, possibly at a nearby mini-factory that would train a new local workforce.

Services: Architecture, interior design
Client: SD Corporation Pvt. ltd.
Function: Mixed-use
Facts: 400 m height, 116 storeys

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Grimshaw submits plans for Australian skyscraper

Grimshaw submits plans for Australian skyscraper

News: London firm Grimshaw has submitted plans for a 90-storey skyscraper in a suburb of Sydney, Australia.

The Aspire Tower, designed for a competition held by Parramatta City Council, will have spires reaching to 336 metres and a roof height of 306 metres – higher than the Q1 tower in Queensland, which is currently the tallest building in the southern hemisphere.

Grimshaw submits plans for Australian skyscraper

However, it’s likely Grimshaw’s tower will only hold that title for a few years or months, if at all, after plans were approved last month for a 388-metre-tall tower in the Australian city of Melbourne, due to complete by 2018.

The Aspire Tower is designed to twist upwards from its street-level alignment, maximising sunny northern views for its residents and twisting inwards to the north to disperse the force of the wind.

Grimshaw submits plans for Australian skyscraper

As well as the 700 apartments arranged around 14 six-storey atriums, the tower will include a hotel, bars, restaurants and shops plus a viewing deck over the top two floors.

Grimshaw partner Andrew Cortese said the firm wanted to set a new standard in sustainable urban development. “We hope that the tower will be recognised as a landmark through its balanced achievement of programmatic and environmental innovations, its rationality and buildability, and its uniquely sculptural form,” he commented.

Grimshaw submits plans for Australian skyscraper

Last year Nicholas Grimshaw’s firm was awarded the Carbuncle Cup – a prize for architectural ugliness – for its steel and glass cocoon containing the historic Cutty Sark tea clipper in London. Other projects by the firm we’ve featured include Bijlmer Station in Amsterdam and a museum of steel in Mexico – see all architecture by Grimshaw.

At the beginning of the year we rounded up the ten tallest skyscrapers due to complete in 2013, including the 383-metre Eton Place Dalian in north-east China and The Domain by Foster + Partners in Abu Dhabi – see all skyscrapers.

Grimshaw submits plans for Australian skyscraper

Here’s more information from the architects:


Grimshaw has submitted a Development Application on behalf of Parramatta City Council for a landmark mixed-use tower. The Aspire Tower emerged from a design excellence competition held by the Council and is set to establish a new benchmark for innovative, passive-environmental design in Australian high-rise developments. Designed to act as a catalyst project for Parramatta Square, the tower provides high density, urban residential living which is not only affordable but also sustainable.

As one of the tallest structures in Australia, the engineering of Aspire Tower consciously orientates itself to the wind and to sunlight. The highly adaptable facades accommodate all of the various planning arrangements of apartment type into a modular system. The tower’s striking sculptural form twists upwards from its Church Street alignment to maximise the capture of the sun, the breeze and northern views for its residents.

The accommodation within the tower is situated in two east and west facing wings which are connected to a perforated central core. These wings open up to the south to catch the prevailing air movements, while twisting inwards to the north to disperse the downward force of the wind. By resolving wind and ventilation, the tower creates a comfortable and accessible habitat at all levels, in both its private and public domains. The design has consciously set out to ensure that all apartments have an equity of view, ventilation and light.

Sitting 90 storeys above ground, the tower’s spires reach 336m, while the 306m roof height of the habitable terraces creates a distinctive silhouette for the city’s emerging skyline. The mixed-use nature of the tower also creates a new precinct with 700 residential apartments. These ‘vertical neighbourhoods’ are configured around 14 six storey communal atria with soft and hard landscaping. The precinct also includes 150 hotel rooms, bars, restaurants and retail as well as a spectacular public function including a restaurant space, experience centre and viewing deck over the top two floors.

The tower will also create a new public and civic realm for Parramatta. This new public realm, created from the re-development of Church Street and a new square on axis to St John’s Cathedral, forms the western precinct of Parramatta Square. A vibrant public domain will emerge from the activities on the square with the perimeter uses of retail, building lobbies and transport connections.

Speaking about the achievements and ambitions of the project, Grimshaw Partner, Andrew Cortese, said: “Grimshaw’s approach is derived from the practice’s research on the habitat of tall buildings and on the design of the public and environmental infrastructure of cities. Aspire Tower on Parramatta Square is a rare opportunity to invest in and construct a viable and vital piece of city-making.

“The project has the ability to transform its place and set a new achievable standard in affordable and sustainable urban development. We hope that the tower will be recognised as a landmark through its balanced achievement of programmatic and environmental innovations, its rationality and buildability, and its uniquely sculptural form.”

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Shenzhen Stock Exchange by OMA nears completion

Here are the latest photographs of the OMA-designed Shenzhen Stock Exchange, set to complete next month in the Chinese city (+ slideshow).

Shenzhen Stock Exchange by OMA

Designed by Rem Koolhaas’ OMA back in 2006, the much-debated structure comprises a 250-metre skyscraper with a vast podium hoisted up around its waist, forming a canopy for a public plaza at its feet.

Shenzhen Stock Exchange by OMA

The three-storey podium is suspended 36 metres above the ground to create the large trading rooms of the Stock Exchange, while a landscaped garden will be accessible on its roof.

Shenzhen Stock Exchange by OMA

A strict grid of square windows generates the facade of the 46-storey tower, while the surrounding podium displays a zigzagging sequence of structural trusses.

Shenzhen Stock Exchange by OMA

Scheduled to complete in May, the Shenzhen Stock Exchange is OMA’s second-largest building in China after the CCTV Headquarters in Beijing, which completed last year. The firm is also currently working on a second Shenzhen skyscraper in the city’s business district. See more architecture in Shenzhen or more projects in China.

Shenzhen Stock Exchange by OMA

Dezeen filmed a series of interviews with Rem Koolhaas, as well as OMA partners Reinier de Graaf and Iyad Alsaka at an exhibition about the firm’s work in London. Watch the movies or see all our stories about OMA.

Photography is by Philippe Ruault.

Here’s some extra information from OMA:


Shenzhen Stock Exchange

The essence of the stock market is speculation: it is based on capital, not material. The Shenzhen Stock Exchange is conceived as a physical materialization of the virtual stock market: it is a building with a floating base, representing the stock market – more than physically accommodating it. Typically, the base of a building anchors a structure and connects it emphatically to the ground. In the case of Shenzhen Stock Exchange, the base, as if lifted by the same speculative euphoria that drives the market, has crept up the tower to become a raised podium, defying an architectural convention that has survived millennia into modernity: a solid building standing on a solid base.

SZSE’s raised podium is a three-storey cantilevered platform floating 36m above the ground, one of the largest office floor plates, with an area of 15,000 m2 per floor and an accessible landscaped roof. The raised podium contains all the Stock Exchange functions, including the listing hall and all stock exchange departments. The raised podium vastly increases SZSE’s exposure in its elevated position. When glowing at night, it “broadcasts” the virtual activities of the city’s financial market, while its cantilevers crop and frame views of Shenzhen. The raised podium also liberates the ground level and creates a generous public space for what could have been what is typically a secure, private building.

The raised podium and the tower are combined as one structure, with the tower and atrium columns providing vertical and lateral support for the cantilevering structure. The raised podium is framed by a robust three-dimensional array of full-depth steel transfer trusses.

The tower is flanked by two atria – voids that connect the ground directly with the public spaces inside the building. SZSE staff enter from the East and tenants from the West. SZSE executive offices are located just above the raised podium, leaving the uppermost floors leasable as rental offices and a dining club.
The generic square form of the tower obediently blends in with the surrounding homogenous towers, but the facade of SZSE is different. The building’s facade wraps the robust exoskeletal grid structure supporting the building in patterned glass. The texture of the glass cladding reveals the construction technology behind while simultaneously rendering it mysterious and beautiful. The neutral colour and translucency of the facade change with weather conditions, creating a mysterious crystalline effect: sparkling during bright sunshine, mute on an overcast day, radiant at dusk, and glowing at night. The facade is a “deep facade”, with recessed openings that passively reduce the amount of solar heat gain entering the building, improve natural day light, and reduce energy consumption. SZSE is designed to be one of the first 3-star green rated buildings in
China.

The 46-storey (254m) Shenzhen Stock Exchange is a Financial Center with civic meaning. Located in a new public square at the meeting point of the north-south axis between Mount Lianhua and Binhe Boulevard, and the east-west axis of Shennan Road, Shenzhen’s main artery, it engages the city not as an isolated object, but as a building to be reacted to at multiple scales and levels. At times appearing massive and at others intimate and personal, SZSE constantly generates new relationships within the urban context, hopefully as an impetus to new forms of architecture and urbanism.

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Agora Garden by Vincent Callebaut

A plant-covered twisting tower shaped like a DNA strand by Belgian architect Vincent Callebaut is under construction in Taipei, Taiwan (+ slideshow).

Agora Garden by Vincent Callebaut Architectures

Described by Vincent Callebaut as “neither single tower, nor twin towers”, the 20-storey Agora Garden apartment block is designed with a double-helix structure that twists up around a fixed central core.

Agora Garden by Vincent Callebaut Architectures

“Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain,” says the architect.

Agora Garden by Vincent Callebaut Architectures

Balconies on each floor will be filled with plants, vegetable gardens and fruit trees, creating a cascading layer of greenery across the exterior. These will enable residents to grow their own food and compost all their biodegradable waste.

Agora Garden by Vincent Callebaut Architectures

Between two and four apartments will be located on each floor of the building and will integrate a number of sustainable technologies, including rainwater-harvesting and solar energy.

Agora Garden by Vincent Callebaut Architectures

“The concept is to build a true fragment of vertical landscape with low energetic consumption,” explains Callebaut. “The project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity.”

Agora Garden by Vincent Callebaut Architectures

Agora Garden is being constructed on one of the largest designated residential sites in the city and will be surrounded be a moat. As well as apartments, the building will also accommodate rooftop clubhouses, a swimming pool, gym facilities and car parking floors.

Agora Garden by Vincent Callebaut Architectures

Vincent Callebaut won a competition to design the building in 2010 and construction is set to complete in 2016.

The architect also recently unveiled a futuristic concept for “farmscrapers” made from piles of giant glass pebbles. See more architecture concepts by Vincent Callebaut.

Here’s a detailed project description from the architect:


Agora Garden, An Ecologocal Residential Tower

Taipei, Taiwan, 2010-2016

In November 2010, Vincent Callebaut Architectures SARL was awarded as the successful tenderer for the construction of a new luxurious residential tower located at Taipei. The project is currently under construction and will be completed in 2016.

You will find below the conceptual design proposal presented during the competition phase in 2010 by Vincent Callebaut, design architect:

The Ecologic Philosophy of the Project

In the heart of the urban networks of Xinyin District in full development, the Agora Garden project presents a pioneer concept of sustainable residential eco-construction that aims at limiting the ecologic footprint of its inhabitants by researching the right symbiosis between the human being and nature.

On this site that is the last and only biggest parcel of land for residential use, the concept is to build a true fragment of vertical landscape with low energetic consumption. The building is thus eco-designed. It integrates not only the recycling of organic waste and used water but also all the renewable energies and other new state-of-the-art nanotechnologies (BIPV solar photovoltaic, rain water recycling, compost, etc.). The project targets thus the energetic performance so as to be officially approved by the Green Building Label, the norm for high environmental quality, delivered by the Home Affairs Ministry of Taipei.

Part of the concept of inhabited and cultivated vertical farm through its own inhabitants, this project of residential tower enables first to design by its avant-gardist architecture a new life style in accordance with the nature and the climate. Actually, the Agora Garden tower superimposes vertically wide planted balconies of true suspended orchards, organic vegetable gardens, aromatic gardens and other medicinal gardens.

Such as a living organism, the tower becomes metabolic! It overpasses its energy-consuming passive role (absorbing all the natural resources and rejecting only waste) to produce its own organic food. The architectural concept is thus to eco-design an energy self-sufficient building, whose energy is electric, thermal and also alimentary.

Therefore, the project answers directly to 4 main ecologic objectives of the After Copenhagen:

1. The reduction of the climatic global warming.
2. The protection of the nature and the biodiversity.
3. The protection of the environment and the quality of life.
4. The management of the natural resources and waste.

Finally, according to the Cradle to Cradle concept where nothing is lost, everything transforms itself; all the construction and furnishing materials will be selected through recycled and/or recyclable labels. By imitating the processes of natural ecosystems, it deals thus with reinventing in Taiwan the industrial and architectural processes in order to produce clean solutions and to create industrial cycle where everything is reused, either back to the ground as non-toxic organic nutrients, or back to the industry as technical nutrients able to be indefinitely recycled. Biotechnological prototype, the Agora Garden project reveals thus the symbiosis of human actions and their positive impact on the nature.

Agora Garden by Vincent Callebaut Architectures

Above: north and south facades

The Morphologic Philosophy of the Project

Neither single tower, nor twin towers, the project arises towards the sky with two helicoidal towers gathering themselves around a central core. This architectural party offers a hyper-compacted core and a maximal flexibility of the housing storeys (with the possibility to unify two apartments units in one without any footbridge). It brings a reduction of view angles towards the urban landscape and a hyper-abundance of suspended gardens.

The Agora Garden tower is, as its name indicates it, directly inspired of the structure in double helix of the DNA (Deoxyribonucleic acid), source of life, dynamism and twinning. Every double helix is represented in the project by two housing units forming a full level.

Thus, from its base to the top, the 20 inhabited levels in double helix stretch themselves and twist themselves at 90 degrees. By metaphor, the obtained sinuosity corresponds to the universal musical symbol of harmonic revealing the notion of ultimate balance praised by the project.

» This twist of 90 degrees answers to four major objectives:

1. The first objective is to be perfectly integrated in the north/south pyramidal profile of the building volume. Actually, the morphology of the project changes according to its orientation. Its east/west elevations draw a rhomboidal pyramid whereas the north-south ones represent a reverse pyramid.

2. The second objective is to generate a maximum of cascades of suspended open-air gardens, not part of the F.A.R. (floor area ratio). Thus, the planted balcony surface area can easily exceed the limit of the required 10 percents. The global framework of 40 percents of building coverage ratio, i.e. 3 264 M2 is thus totally respected.

3. The third objective is to offer to the inhabitants exceptional panoramic views on the skyline of Taipei by multiplying the transversal views, especially towards the very close Taipei 101 tower and the Central Business District in full emergence.

4. The fourth objective is to generate from a flexible standardized level a progressive geometry with corbels which assures the intimacy and the confidentiality of each apartment by avoiding the indiscreet vision axes.

Inspired from nature, the Agora Garden project is shaped with an organic fluid and dynamic geometry. From the simple and standardized element of the double helix of housing superimposed vertically and put in successive rotation of 4.5 degrees level by level, a multi-facial morphology appears all in convex and concave curves.

Actually, according to the point of view of the pedestrian from the surrounding streets, the Agora Garden tower changes of faces and proposes new profiles. Besides this moving geometry wearing a planted dress with sensual style, the project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity. It is a new nest in the city!

Agora Garden by Vincent Callebaut Architectures

Above: east and west facades

The Main Components of the Project

The luxuriant forest and the glade

In order to ensure the confidentiality of the residents, the whole perimeter of the site is bordered by a mineral moat that animates the outside public space with organic urban furnitures. Inside the parcel, the walls of this moat transform themselves into planted surrounding walls. The main access of the site is located at the Song Yong Road which is less busy that the main avenue, Song Gao Road. The tower is coiled up in the centre of a heavy and luxuriant safe forest of mature trees that protects the intimacy of the inhabitants from the surrounding urban pollution. In the heart of the vegetable lung, the pedestrian square of exotic wood opens itself on a mineral and aquatic glade.

Such as the shock wave created by a water drop, the landscape design is made in circles arches and radiates from the epicentre of the tower. A circular light well, curved this time, makes the light, the abundant plants in cascades to the deepest basement. The car parks, the swimming pool and the fitness are thus naturally lightened and ventilated.

The lobbies in indoor – outdoor connectivity

The ground floor in double height sets through its great transparent facades a high connectivity between the interior community spaces and the exterior garden.

The central core, a vertical twisted garden surrounded by sky entry foyers

The central core has been designed to separate totally the vertical circulations into two housing units on the same level. This core is fixed (it does not pivot). But in order to ensure the rotation of the storeys floor by floor, it is surrounded by a (naturally lightened) horizontal circulation loop welcoming the entry foyer dedicated to each unit. This buffer loop enables thus to set the main entrance always in the axis of each apartment and this despite of the 4.5 degrees rotation storey by storey. An alternative has been studied to build sky entry foyers directly around the cylindrical central core offering thus planted entry foyers with spectacular front view on the city of Taipei.

By level, the central core gathers 2 staircases, 4 high speed elevators of 24 people (1800 kg), 1 car elevators (also useful to carry enormous art pieces, luxury antique vehicles, or even huge pianos, etc.), 2 sky garages in glass and also all the vertical shafts for the main flows. All these vertical flows are covered by a huge bearing exoskeleton in reinforced steel.

The apartments, a maximal spatial and technical flexibility

The apartments of 540 M2 on average superimpose themselves under the shape of two planted twists unified around a central core. Each unit presents a storey structurally made with Vierendeel beams system behind glass facades only on even floors. All levels are linked at both ends by two spiralling mega columns covered by green walls. Each apartment is completely free columns!

This structural concept inspired by the DNA chain enables a maximal flexibility in terms of interior layout. It ensures also an optimal visual permeability (indoor outdoor connectivity) towards the suspended gardens of the balconies in foreground and the urban panorama on the background.

» The spatial flexibility is divided in 4 main typologies of storeys of 2 or 4 units:

Typology A: 2 units with curved living rooms around a central core.
Typology B: 2 units with living rooms stretched in the length behind the Southern façades.
Typology C: 2 units with living rooms set in bow by the panoramic storey.
Typology D: 4 units in duplex with living rooms benefiting from a double height.

In addition to these basic typologies, two huge clubhouses are set up on the roof floors so as to respect the setback required by the building volume. Therefore, from the same standardized double helix (1.250 M2 floor area), the rotation of the storey and its customizable interior laying-out makes every level be a unique floor for each resident!

Agora Garden by Vincent Callebaut Architectures

Above: north-west and south-east facades

» The technical flexibility is obtained by the integration of the double deck and double wall concepts:

Spatially hyper-flexible, the constructive system proposed also a total flexibility to the level of technical distribution of the flows. Additional vertical flows are organized with “oblique shafts” along the glass façade. The system of double deck is integrated at each level under the shape of a double floor and a suspended ceiling. The network of the flows (rain water, used water, hot water, electricity, under floor-heating, cool air, hot air, optic fibre, etc.) crossing the central core can thus irrigate without any difficulty on the horizontal way all the surface area of each storey. Moreover, the use of castellated beams will enable to take advantage of a maximal free height under ceiling. The interior partitioning of each apartment will be à la carte according to the wishes of each inhabitant. The double walls will compartmentalize the different rooms following the curved axes of the building by integrating also many useful storage spaces.

» The energetic efficiency is obtained by isolating façades with high performance named inter-layer or double-layer:

The Agora Garden tower is covered by linear crystalline façades repeating themselves at each level. The identical facades in every apartment will be pre-manufactured in factory to accelerate their setting-up during the works. A multilayer glass (airspace + Polyvinyl Butyral) or double layer façades with integrated blinds will be directly associated there in order to protect the interior spaces from the solar radiation in summer and to limit the calorific loss in winter.

The landscape balconies, green cascades of flowers, fruits, vegetables and aromates

The landscape concept is to build a cascade of suspended gardens which cover the entire building. The tower becomes then a true vertical inhabited park, in a box of nature in the heart of the city! The selected essences will be preferably eatable in order to make each inhabitant gardener in its own vegetable consumption. Suspended orchards, organic vegetable gardens, aromatic and medicinal gardens will flourish the wide and deep jardinière along the global periphery of each apartment. Garden furniture, compost spaces from waste to organic fertilizers, fuel cells, rain water tanks for the irrigation of plants, and ecologic nests for birds will be directly integrated in the design of these jardinières. In order to protect the organic substrate tanks from the heating coming from the solar radiation, the planting beds will be covered by a layer of Bethel white granite on honeycomb. The white colour of the Agora Garden tower will provide a new emblematic, pure and fresh identity.

The tower generates through its morphology in rotation two types of very specific landscape balconies:

1. The balconies called ascending or positive:open-air, they benefit from a maximal sunshine and enable to cultivate their trees and shrubs of subtropical essences. We will preferably set up the living rooms on this side. It will be also possible to inlay photovoltaic sunshades at the extremity of the slab according to the wishes of each resident. Thermal captors could be also set up in order to produce sanitary hot water.

2. The balconies called descending or negative:Covered by the superior level, they offer half shadowed relaxing spaces to cultivate flowers, vegetables, aromatic plants and falling and climbing species. We will preferably set up the bedrooms on this side.

In bow of the housing storeys, are laid-out some outdoor garden bath sanctuary that coils themselves up in an alcove dig in the façade of each apartment. Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain. Following the seasons, the planted essences (with persistent and deciduous leaves) will make its colours and its abundance to evolve. Declining a camaieu of green in the summer, the tower will blaze with golden and bloody colours in autumn. In spring, it will be bloomed with thousands colours and will liberate floral fragrances from its fruit trees. The tower will then develop perfumed micro-climate for the very best welfare of its inhabitants!

The photovoltaic roof and its gardens for phyto-purification

Located at 100 meters high, a huge photovoltaic pergola of 1000 m² transforms the sun rays into electric energy which is directly reintroduced into the network of the building. Under this layer with blue-steel reflection, clubhouses are located on the roof surrounded by panoramic sky gardens. They filter and purify the rain water with the action of the plants in order to reinject the water by gravity in the distribution network of sanitary water. From this terrace, there is an extraordinary panoramic view on the 101 tower.

Agora Garden by Vincent Callebaut Architectures

Above: north-east and south-west facades

The landscape basement naturally lightened and ventilated:

Contrary to the traditional car park of 2.10 M high under beams and plunged under an artificial shadowy light, the car park of the Agora Garden project benefits from the natural light. Actually, a light well integrating seismic joints makes the light and the fresh air fall to the levels of the basement. Thus, the car park and the connected facilities (swimming pools and fitness) are naturally ventilated. The main access of the basement is done by the Song Yong Road under a sculptural entry gate inspired by a spiralling leaf.

From the level B1, we can access to both car elevators inside the central core and go very quickly to the sky garages located at the entrance of each apartment. The car park is designed in the existing perimeter of the current car park of the pre-existing Agora Garden hotel in order to limit the works cost of excavation and foundations.

Only the south-west wall has been corrected so as to set up a laying-out with double helix. Actually, in the continuation of the rotating tower, the car park is drawn according to a circular plan with an ascending interior helix around the core in the direction of the exit and a second descending helix in the direction of the entrance. The whole set forms a continuous banister that welcomes more than 230 cars and 500 scooters. From slab to slab, the minimal height is 3,10 meters which improves comfortably the atmosphere of the building of an immaculate white. It is important to notice that the structure of the tower weights through this car park in order to facilitate the descent of the loading of the whole building.

The Challenge Of A Positively Ecologic Revolution!

In the architecture of the Agora Garden project, the association of the living (Bios), the biotechnologies (renewable energies and nanotechnologies), and the NICT (New Technologies of Information and Communication), can meet the Chinese antique thought which always refused to separate the nature and the humanity that nourishes itself from it; the body from the spirit that did not exist without it. Avant-gardist on the theme of contemporary ecologic crisis, the Chinese thought prefers the relationships rather than the separated elements. The human being and its life framework depend from the fusion of the variables:

As humbly wrote the influent sinologist, specialist in old China Marcel Granet in the Chinese Thought in 1934: None opposes the human being from the nature; do not think of opposing them such as the free element from the determined element. The Chinese people only see in the Time and the Space a gathering of occasions and sites. These are interdependences, solidarities that constitute the order of the Universe. We do not think that the Man could form a reign in the Nature or that the spirit distinguishes itself from the material.

In the heart of Taipei, after having built the city on the landscape, after having then built the city on the city, it is now time for the landscape to rebuild itself on the city! In this perspective of ecologic resilience, the Agora Garden project must be considered as an abstraction of geography and a distortion of ecosystem. The Agora Garden project is a nature built from the living that fights for the re-naturalisation of Ecopolis of tomorrow! This tower reveals strongly and surely the challenge of reinventing a new lifestyle for residential tower, that is self-sufficient, sculpturally unprecedented. It is a project absolutely unique in the world and charismatic drawing with poetry in the oriental sky, a delicate superposition of sky villas with wide suspended private gardens.

Last but not least, it is a unique ecologic landmark, new symbol of sustainability at the bottom of the prestigious 101 tower!

Agora Garden by Vincent Callebaut Architectures

Above: cross section

Type: International Competition – First Prize Winner In November 2010
Client: Bes Engineering Corporation, Taipei
Contract Location: Xinyin District, Taipei City, Taiwan
Program: 40 Luxurious Apartments + Facilities
Surface Area: 42.335.34 M²
Delivery: 2016
Current Phase: Construction Documents – Below Grade Under Construction
Green Certification: LEED Gold

International Design Architect: Vincent Callebaut Architectures, SARL Paris
Local Architect: LKP Design, Taipei
Structural Engineer: King Le Chang & Associates, Taipei
Local Mep Engineering: Sine & Associates, Taipei
International Interior Architect: Wilson & Associates (Wa), Los Angeles
International Landscape Architect: SWA, Sausalito, San Francisco
Local Landscape Architect: Horizon & Atmosphere (H&A), Taipei
International Lighting Designer: L’observatoire International, New-York
Local Lighting Designer: Unolai Design, Taipei
Green Consultant: Enertek, Taipei
VCA’s Team: Emilie Diers, Frederique Beck, Jiao Yang, Florence Mauny, Volker Erlich, Philippe Steels, Marco Conti Sikic, Benoit Patterlini, Maguy Delrieu, Vincent Callebaut
Model Maker: Patrick Laurent

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CMA CGM Headquarters by Zaha Hadid photographed by Hufton+Crow

Zaha Hadid’s 142-metre tower for French shipping company CMA CGM in Marseille is documented in these new images by London photographers Hufton + Crow (+ slideshow).

CMA CGM Headquarters by Zaha Hadid

The 33-storey structure, which was completed in 2011, is currently the tallest building in the city and features a glazed facade with a seam of tinted glass running up through its centre.

CMA CGM Headquarters by Zaha Hadid

The darkened glass tapers outwards at the top, creating the illusion of swelling upper storeys although the building actually has a rectilinear body that only curves outwards at its base.

CMA CGM Headquarters by Zaha Hadid

Located within Marseille’s 480-hectare Euroméditerranée development zone in the north of the city, the CMA CGM Headquarters functions as the primary offices for the transportation company, bringing together over 2400 employees that had previously been located on seven different sites.

CMA CGM Headquarters by Zaha Hadid

Zaha Hadid Architects also designed a 135-metre-long annex building, which is joined to the tower with a curving glass bridge.

CMA CGM Headquarters by Zaha Hadid

In 2010, when the project was nearing completion, Marseilles studio Exmagina shot a time-lapse movie showing the surrounding activity over the course of one day – watch the movie.

CMA CGM Headquarters by Zaha Hadid

Zaha Hadid Architects has recently unveiled designs for a few new projects, including a cultural complex in Changsha, China, a cluster of towers in Bratislava and a masterplan for the site of an old textile factory in Belgrade.

CMA CGM Headquarters by Zaha Hadid

In recent months the studio has also completed the 330,000-square-metre Galaxy Soho complex in Beijing and a museum of contemporary art at Michigan State University. See more architecture by Zaha Hadid Architects.

CMA CGM Headquarters by Zaha Hadid

See more photography by Hufton + Crow on Dezeen, or on the photographers’ website.

CMA CGM Headquarters by Zaha Hadid

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Tallest building in southern hemisphere given go-ahead

Australia 108 to become tallest building in southern hemisphere

News: a 388-metre-high hotel and apartment building, which will be the tallest building in the southern hemisphere when completed, has been approved by planners in Melbourne, Australia.

The government of Victoria last week gave the go-ahead for Australia 108, designed by local architects Fender Katsaladis for a location in the Southbank area just a few streets away from another of its skyscrapers, the 297-metre-high Eureka Tower.

Australia 108 to become tallest building in southern hemisphere

As well as 108 floors of apartments, the building will contain a luxury hotel and several restaurants and bars on its upper floors, plus a food market and cafe near ground level.

Melbourne’s city council had originally opposed the project, fearing the 108-storey building would cast a shadow over the Shrine of Remembrance war memorial, but planning minister Matthew Guy said the project had now received endorsement from the memorial’s trustees and met the city’s planning conditions.

Australia 108 to become tallest building in southern hemisphere

The building is due to be completed in 2018, but may not retain its title as the southern hemisphere’s tallest for long, because an even taller skyscraper is set to complete in South Africa in the same year – the 447-metre-high Centurion-Symbio City tower in Tshwane.

Australia 108 to become tallest building in southern hemisphere

The ten tallest skyscrapers due for completion in 2013 include a 383-metre-high tower in north-east China and an Abu Dhabi complex by Foster + Partners – see all skyscrapers.

Images are by Australia 108.

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Asian Cairns by Vincent Callebaut

Belgian architect Vincent Callebaut has developed a concept to introduce natural ecosystems into cities with designs for “farmscrapers” made from piles of giant glass pebbles for a site in Shenzhen, China (+ slideshow).

Asian Cairns by Vincent Callebaut

As a response to the rapid urbanisation going on in the country, Vincent Callebaut wanted to completely rethink the current structure of cities and do away with suburbs. “The more a city is dense, the less it consumes energy,” he explains.

Asian Cairns by Vincent Callebaut

He continues: “The challenge is to create a fertile urbanisation with zero carbon emissions and with positive energy. This means producing more energy that it consumes, in order to conciliate the economical development with the protection of the planet.”

Asian Cairns by Vincent Callebaut

The architect proposes a new type of urban habitat based on the rules of the natural world, with stacks of giant pebbles housing entire communities. All energy would be sourced from the sun and wind, anything produced would be recyclable and local expertise would be capitalised wherever possible.

Asian Cairns by Vincent Callebaut

Residents of each tower would also work there, reducing the need to travel. All food and commodities would be produced within the building, in suspended orchards and vegetables gardens, plus all waste would be fed back into the ecosystem.

Asian Cairns by Vincent Callebaut

“The garden is no more placed side by side to the building; it is the building!” says Callebaut. “The architecture becomes cultivable, eatable and nutritive.”

Asian Cairns by Vincent Callebaut

Entitled Asian Cairns, Callebaut’s proposals are for a series of six towers, with some containing as many as 20 glazed “pebbles”. A steel structure would create the curved shapes, while solar panels and wind turbines would be mounted onto the outer surfaces.

Asian Cairns by Vincent Callebaut

The project was commissioned by private Chinese investors.

Asian Cairns by Vincent Callebaut

Vincent Callebaut has developed a number of conceptual architecture projects in recent years. In 2010 he revealed a conceptual transport system involving airships powered by seaweed and has also been working on a tower with the same structure as a DNA strand.

Asian Cairns by Vincent Callebaut

See more architecture proposals in China, including a Zaha Hadid-designed cultural complex in Changsha and a pair of opposing museums in Tianjin by Steven Holl.

Here’s a lot of extra information from Vincent Callebaut:


Sustainable Farmscrapers for Rural Urbanity, Shenzhen, China

From Rural Exodus to Chinese Urban Biosphere

At the end of 2011 in China, the number of inhabitants in the cities exceeded the number of inhabitants in the countryside. Whereas 30 years ago only one Chinese person out of five lived in the city, the city-dwellers represent now 51.27% of the total population of 1 347 billion of people. This urban population is supposed to increase to 800 million of inhabitants within 2020 spread mainly in 221 cities of at least one million of inhabitants (versus only 40 in Europe of the same scale) and 23 megapolis of more that five million of inhabitants.

Asian Cairns by Vincent Callebaut

According to Li Jianmin, an expert in demography from the Tianjin University, the Chinese population will be urban at 75% within 2030! Facing this massive rural exodus and the unrestrained acceleration of the urbanisation, the future models of the – green, dense and connected – cities must be rethought from now on! The challenge is to create a fertile urbanisation with zero carbon emissions and with positive energy, this means producing more energy that it consumes, in order to conciliate the economical development with the protection of the planet. The standard of living of everyone will thus be increased by respecting at the same time the standard of living of everybody.

Asian Cairns by Vincent Callebaut

The green city

The cities are currently responsible for 75% of the worldwide consumption of energy and they reject 80% of worldwide emissions of CO2. The contemporary urban model is thus ultra-energy consuming and works on the importation of wealth and natural resources on the one hand, and on the exportation of the pollution and waste on the other hand. This loop of energetic flows can be avoided by repatriating the countryside and the farming production modes in the heart of the city by the creation of green lungs, farmscrapers in vertical storeys and by the implantation of wind and solar power stations. The production sites of food and energy resources will be thus reintegrated in the heart of the consumption sites! The buildings with positive energies must become the norm and reduce the carbon print on the mid term.

Asian Cairns by Vincent Callebaut

The dense city

The model of main contemporary cities advocating the urban spread and based on the mono-functionality and the social segregation, must be rejected! Actually, the more a city is dense, the less it consumes energy. This is the end of ultra secured ghettos of rich people against quarters of huge poverty! This is the end of bedroom suburbs without any activity alternating with uniform commercial area and without any inhabitant! This is the end of museum city centres fighting against monofunctional business districts. This is the end of embolism of the all-car eating away the city centres! This is the end of the explosion of public and private transports devouring our lands because based on an obsolete geographical separation of housing and work! The social diversity and the functional diversity must be the key words to build more intelligent cities! Ecologically more viable, the dense, vertical and less spread city will constitute an attractive open pole and offering many services. The social will be reinvented!

Asian Cairns by Vincent Callebaut

The connected city

The information and communication technologies have now a major role in the development of city network and will be able to reduce the carbon emissions from 15 and 20% within 2020. The communication solutions such as the optic fibre and the satellite systems enable already thanks to their associated applications (videoconference, telecommuting, telemedicine, video surveillance, e-commerce, real time information, etc.). to reduce considerably the carbon emissions and to save the travel costs by reinforcing at the same time the economical dynamism and the attractiveness of the cities.

Based on innovation, the TIC solutions favour the diminution of physical goods and means of transport via the dematerialization. They empower also a clever logistics and a synchronisation of the production operations. Everything tends to new opportunities of profitable growth and to a saving with low carbon print. The sustainable development must thus enable to find innovative solutions for an economy resilient to climatic changes which is in total harmony with the biosphere in order to preserve the capabilities of the future generations to meet their needs.

Asian Cairns by Vincent Callebaut

The Biomorphism, the Bionic and the Biomimicry at the Service of the Renaturalisation of the City

The oldest living beings appeared 3.8 billion years ago. In terms of durability, the human societies are thus far behind the nature that made its proofs. If only 1% of the species survived by adapting themselves constantly without hypothecate the future generation and without any fuel, their subsistence merits the respect and reminds us the laws of their prosperity:

» The Nature works mainly with solar energy.
» It uses only the quantity of energy it needs.
» It adjusts the shape to the function.
» It recycles everything.
» It bets on the biodiversity.
» It limits the excess from the interior.
» It transforms the constraints into opportunities.
» It transforms waste into natural resources.
» It enhances the local expertise.

Based on these billions of years of Research and Development, new innovation approaches aiming at modifying the carbon balance, guide us to three additional scales operated by the contemporary biotechnologies: the shapes, the strategies and the ecosystems.

Asian Cairns by Vincent Callebaut

The Biomorphism is based only on shapes from the Nature, e.g. the vertical wings of the Steppes Eagle, the spiralling and hydro-dynamical shape of the nautilus, the ventilation of the termite mounds.

The Bionics is based on living strategies, natural manufacturing processes, e.g. the plasticity of the lilypads, the hyper-resistant structure of the hives in bee nests.

The Biomimicry is based on mature ecosystems and tends to reproduce all the interactions present in a tropical forest such as: the use of waste as resources, the diversification and the cooperation, the reduction of the materials at their strict minimum, e.g. the autogenerative agriculture, the reproduction of the photosynthesis process (main energy source of humanity), the production of bio-hydrogen from green algae.

Whereas the primary reason of architecture is since time immemorial to protect Man against Nature, the contemporary city desires by its emergent methods to reconciliate finally Man and the natural ecosystems! The architecture becomes metabolic and creative! The facades become as intelligent, regenerative and organic epidermis. They are matters in movement, recovered by free plants and adjust always the shape to the functionality. The roofs become the new grounds of the green city. The garden is no more placed side by side to the building; it is the building! The architecture becomes cultivable, eatable and nutritive. The architecture is no more set up in the ground but is planted into the earth and exchanges with it the organic matters changed in natural resources.

Asian Cairns, Towards a New Model of Smart City

Benefiting from its privileged geographical position in the heart of the Chinese megalopolis of the Delta of the Pearl River, Shenzhen faces a spectacular economic and demographic development. Since the return of Hong Kong to China, both cities have been merging together and constitute now one of the greatest Chinese metropolises with more than 20 billions of inhabitants! In this context of hyper growth and accelerated urbanism, the “Asian Cairns” project fights for the construction of an urban multifunctional, multicultural and ecological pole. It is an obvious project to build a prototype of green, dense, Smart city connected by the TIC and eco-designed from biotechnologies!

Asian Cairns by Vincent Callebaut

Three interlaced eco-spirals

The master plan is designed under the shape of three interlaced spirals that represent the 3 elements which are fire, earth and water, all organised around air in the middle. Each spiral curls up around two magalithic towers and forms urban ecosystems implanting the biodiversity in the heart of the City under the shape of vast public orchards and urban agriculture fields. Huge basins of viticulture and vast lagoons of phyto-puration recycle the grey waters rejected by the inhabited vertical farms.

Six multifunctional farmscrapers

The six gardening towers engraved in a Golden Triangle pile up a mixed programmation superimposing farmingscrapers cultivated by their own inhabitants. Like our Dragonfly project in New York, the aim is to repatriate the countryside in the city and to reintegrate the food production modes into the consumption sites. The megalithic towers are based on cairns, artificial stone heap present on the mountains to mark out the hiker tracks. Clever exploits of the construction, these six towers pile up housing, offices, leisure spaces in the monolithic pebbles superimposed on each other along a vertical central boulevard. This central boulevard constitutes the structural framework of each tower. It choreographs the human flows, distributes the natural resources and digests the waste by sorting and selective composting. True city quarter piling up mixed blocks, these cairns make the urban space denser by optimising also the quality of life of its inhabitants by the reduction of means of transport, the implantation of a home automation network, the re-naturalisation of the public and private spaces and the integration of clean renewable energies.

Asian Cairns by Vincent Callebaut

These six farmscrapers are pioneer towers aiming at the 10 following objectives:

1. The diminution of the ecological footprint of this new vertical eco-quarter enhancing the local consumption by its food autonomy and by the reduction of means of road, rail and river transport.
2. The reintegration of local employment in the primary and secondary sectors coproducing the fresh and organic products to the city dwellers who will be able to reappropriate the knowledge of the farming production modes.
3. The recycling in short and closed loop of the liquid or solid organic waste of the used waters by anaerobe composting and green algae panels producing biogas by accelerated photosynthesis.
4. The economy of the rural territory reducing the deforestation, the desertification and the pollution of the phreatic tables.
5. The oxygenation of the polluted city centres whose air quality is saturated in lead particles.
6. The production of a vertical organic agriculture of fruits and vegetables limiting the systematic recourse to pesticides, insecticides, herbicides and chemical fertilizers.
7. The saving of water resource by the recycling of urban waters, spraying waters and the evapo-sweated water by the plants.
8. The protection of the biodiversity and the development of eco-systemic cycles in the heart of the city.
9. The diminution of the sanitary risks by the disappearance of pesticides noxious for the health and by the fertility and total protection of the phreatic tables.
10. The diminution of the recourse to fossil fuel needed for the conventional agriculture in long cycle for the refrigeration and the transport of the goods.

Asian Cairns by Vincent Callebaut

Hundred of bioclimatic pebbles with positive energy

Each pebble is a true eco-quarter of this new model of vertical city. Structurally, they are made of steel rings which arch around the horizontal double-decks. These rings are linked to the central spinal column by Vierendeel beams that enable a maximum of flexibility and spatial modularity. These huge beams form a plan in cross that welcomes the individual programmation of each pebble. The interstitial spaces between this cross and the megalith skin welcome great nutritive suspended gardens under the shape of farming greenhouses.

True living stones playing from their overhanging position, the crystalline pebbles are eco designed from renewable energies. An open-air epidermis of photovoltaic and photo thermal solar cells as well as a forest of axial wind turbines covers the zenithal roofs punctuated by suspended orchards and vegetable gardens. Each pebble presents thus a positive energetic balance on the electrical hand and also on the calorific or food hand.

The “Asian Cairns” project syntheses our architectural philosophy that transforms the cities in ecosystems, the quarters in forests and the buildings in mature trees changing thus each constraint in opportunity and each waste in renewable natural resource!

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