Reflections at Keppel Bay by Daniel Libeskind

Reflections at Keppel Bay by Daniel Libeskind

Architect Daniel Libeskind has completed a family of curved towers beside a bay in Singapore.

Reflections at Keppel Bay by Daniel Libeskind

Alternating between 24 and 41 storeys-high, the six glazed residential towers feature rooftop gardens and are connected to one another by elevated bridges.

Reflections at Keppel Bay by Daniel Libeskind

The Reflections at Keppel Bay development also includes a series of aluminium-clad apartment blocks that accompany the high-rise buildings to create over a thousand new residences in total.

Reflections at Keppel Bay by Daniel Libeskind

You can see more projects by Daniel Libeskind here, including a war museum that sparked a fiery debate amongst our readers.

Reflections at Keppel Bay by Daniel Libeskind

Photography is © Courtesy of Keppel Bay Pte Ltd – a Keppel Land Company.

Here’s a longer description from Studio Daniel Libeskind:


Keppel Harbor, Reflections at Keppel Bay

Prominently situated at the entrance to Sin­gapore’s historic Keppel Harbor, Reflections at Keppel Bay is a two-million-square-foot residential development comprised of 6 high-rise towers ranging from 24 and 41 stories and 11 low-rise villa apart­ment blocks of 6–8 floors– a total of 1,129 units.

Reflections at Keppel Bay by Daniel Libeskind

The series of high-rise undulating towers is the focal point of this project. These sleek curving forms of alternating heights create graceful openings and gaps between the structures allowing all to have commanding views of the waterfront, Sentosa, the golf course and Mount Faber.

Reflections at Keppel Bay by Daniel Libeskind

The Libeskind design for Reflections at Keppel Bay skillfully tackles the challenge faced by architects working in contexts such as Singapore: the high-density construction needed to recoup the exorbitant cost of real estate. To address this issue, rather than equally distributing the density across the site with similar building types, the design is composed of two distinct typologies of housing; the lower Villa blocks along the water front and the high-rise towers which over look them set just behind.

Reflections at Keppel Bay by Daniel Libeskind

The artful composition of ever shifting building orientations, along with the differing building typologies, creates an airy, light-filled grouping of short and tall structures. These ever shifting forms create an experience where each level feels unique as it is not in alignment with either the floor above or below.

Reflections at Keppel Bay by Daniel Libeskind

No two alike residences are experienced next to one another or seen from the same perspective; the result of this design is a fundamental shift in living in a high-rise where individuality and difference is not sacrificed.

Reflections at Keppel Bay by Daniel Libeskind

A recipient of the BCA Green Mark Gold Award  from Singapore’s building and construction authority, the form, construction and materials of the buildings are unprecedented for Singapore and particularly for a residential development.

Reflections at Keppel Bay by Daniel Libeskind

The double curvatures of the high-rise towers are unique in the world for structure and construction; they are clad with a fully unitized and insulated curtain wall which is among the first for residential developments in the region.

Reflections at Keppel Bay by Daniel Libeskind

The low-rise villas along the water front are clad in anodized aluminum that creates a luminous surface and provides additional insulation. The six towers are crowned with lush sky gardens on sloping rooflines and linked by sky bridges, providing pockets of open spaces and platforms and unobstructed 360-degree views, the kind of green, open space, rarely found in high-rise buildings.

Reflections at Keppel Bay by Daniel Libeskind

Daniel Libeskind’s first residential project in Asia, and his largest completed residential project to date, Reflections is a creative in­terplay of changing planes and reflections.  It defies the inherent nature of high-density residential developments with its innovative approach to design– creating a new land mark for the greater Singapore.

Best of CH 2011: Five Travel Pairings

From the beachside to the Big Apple, our choice locales and travel essentials of the past year

After yet another year of seemingly endless adventure, we look back on our favorite trips of 2011 and the items we bring when we take to the road. With the right gear and the right destination, a last-minute red-eye becomes a welcome surprise.

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Hôtel Americano and GoToob

We loved the minimalist, Mexican style of this NYC hotel when it first opened, and it hasn’t lost any of its charm to date. To complement the no-fuss decor of the hotel and the collateral lack of counter space inherent to any Manhattan property, our accessory of choice is this highly functional suction cup fluid container for shower essentials.

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The Tides Zihuatanejo and Patagonia Travel Duffle

The perfect accompaniment to the azure waters at Zihuatanejo is this colorful lightweight duffel from Patagonia. Easy packed away within its own pocket, this is the perfect bag-within-a-bag for the rugged luxury of this resort on Mexico’s Pacific shoreline. The pampered service at the Tides and endangered turtle breeding grounds nearby make this one spot we hope to return to in 2012.

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Wanderlust Hotel and Lights-Out Sleep Mask

Our top choice for Singapore’s busy lifestyle, the Wanderlust Hotel is not without its share of neon lights and monochromatic furniture. To recover from rowdy nights out on the town—and survive what may be a long flight for readers in the West—we advise bringing along a sleeping mask, this one featuring a molded shape that helps induce uninterrupted REM sleep.

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Public Hotel Chicago and Powerbag

As primarily practical travelers, we appreciated the Public Hotel’s commitment to deliver top-notch service at a manageable price. Taking advantage of their free wi-fi, the Powerbag delivers that extra bit of juice to our devices as we edit away in the hotel lobby.

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Hotel du Marc and Pro Messenger AW Series

The old-world luxury of the Hotel du Marc—former residence of Madame Clicquot—calls for a traveler with camera in-hand. The Lowepro system marks our newly discovered favorite camera bag going into 2012, and certainly does the trick when snapping shots of something so grand as a French mansion-turned-hotel.


The Scotts Tower by UNStudio

The Scotts Tower by UNStudio

Dutch architects UNStudio have unveiled designs for a Singapore skyscraper with chunks missing from its facade.

The Scotts Tower by UNStudio

The proposed Scotts Tower will house gardens, swimming pools and barbeque pavilions inside these gaping voids, named Sky Frames, which will surround both the base of the tower and a cluster of floors near the top.

The Scotts Tower by UNStudio

The tower will be 31 storeys high and provide 231 apartments, including a floor of luxury penthouses, near to shopping district Orchard Road.

The Scotts Tower by UNStudio

UNStudio also recently presented proposals for a cantilevered concrete observation tower and an international airport – see more projects by UNStudio here.

The Scotts Tower by UNStudio

Here’s some more text from the architects:


The Scotts Tower (TST), Singapore, 2010

The Scotts Tower SOHO apartment building in Singapore is situated on a prime location, close to the Orchard Road luxury shopping district and with views encompassing both nearby parkland and the panoramic cityscape of Singapore City. The design of the tower embraces both the neighbourhood principle and the history of the city of Singapore, alongside the hybrid conditions created by the prominent blend of architecture and nature inherent to the city.

The Scotts Tower by UNStudio

Neighbourhoods in the sky

The concept of The Scotts Tower is that of a vertical city incorporating a variety of residence types and scales. In addition, outdoor green areas in the form of sky terraces, penthouse roof gardens and individual terraces form an important element of the design. The vertical city concept is interpreted on the tower in three scales; the “city”, the “neighbourhood” and the “home”. The three elements ofthe vertical city concept along with the green areas are bound together by two gestures: the “vertical frame” and the “sky frames”.

The Scotts Tower by UNStudio

The “vertical frame” organises the tower architecturally in an urban manner. The frame gives the tower – on a macro scale – the “vertical city” feel, whilst dividing the four residential clusters (packages) into different “neighbourhoods”, which are identified through alterations in the tint of the glass. The micro scale in the design is provided by the balcony variations of the individual residential units, which provide the feeling of “home” (unit identity) to the residents.

The “sky frames” – at the lobby (Level 1 & Level 2) and sky terrace (Level )- organise the amenity spaces and green areas of the tower. They represent the connecting element of the tower to Singapore City; projecting the identity of the tower to the city, whilst simultaneously bringing the city to the tower by framing the cityscape views at the Sky Garden level and embracing the neighbouring green park areas at the Lobby Terrace levels.

The Scotts Tower by UNStudio

Customised living

The four residential clusters are each designed for versatile and customised living. Individual identity is given to each unit by means of type, scale, distribution and articulation of outdoor space, along with the possibility for personalisation of the interior layout. The individual articulation of each cluster within the main framework of the tower is directly related to the organisation and materialisation of the terrace spaces. These varied outdoor spaces afford a choice of views, with corner terraces providing both cityscape panoramas and vistas over the natural landscape adjacent to the building.

The individual residences within each cluster offer a choice of refined living space where craftsmanship, attention to detail, design and material finishes are essential elements of the four unit types.

The Scotts Tower by UNStudio

City Loft, City View, Park View and Penthouses

Situated above the lower sky frame, the hundred and twenty-eight City Loft residences in the first cluster occupy the lower sixteen floors of the tower. Single urban units with a multifunctional design, compact spaces and cutting edge features, the City Loft residences measure 62sqm (669sqft).

The second cluster offers a total of eighty City View units distributed in two clusters. The first cluster shares the first sixteen floor plates with the City Loft residencies. While the second cluster of 48 units runs above the previous package. These urban professional units are characterised by a sophisticated balance of representative and private spaces. The City View units have a floor area of 82sqm (887sqft).

The Scotts Tower by UNStudio

Park View units form the next cluster above the second sky frame, covering five floors and containing twenty units. The Park View urban family residences offer communal and retreat spaces in a motion friendly design, with each covering an area of 122sqm (1315sqft).

Crowning the tower is the final cluster containing one floor of three exclusive Penthouse residences. The Penthouses residences are characterised by prestigious views, distinctive interior spaces, private lobbies and outdoor spaces enjoying the exclusive leisure facilities of private rooftop terraces with an option for private pools. The Penthouse residences have a floor area of 265sqm (2854sqft).

The Scotts Tower by UNStudio

Gardens and recreation

The nearby green area to the West of the tower is extended into the Scotts Road site initially by means of a ground level landscape concept designed by Sitetectonix. This ground level concept incorporates a multi-layered environment which links together the different zones and recreational facilities available to the residents. The various landscape spaces consist of elements including planting, paving, and water features – including recreational water, green waters, vapor waters, water walls and swimming waters.

The landscape is articulated by two areas; urban recreation to the North and enclosure and relaxation to the South.

Recreational facilities within the gardens include a 50 meter lap pool with sunning deck, a children’s pool, a wellness pool, dining & BBQ pavilions, a Meeting pavilion and massage and gym pavilions.

The Scotts Tower by UNStudio

Sky Frames

Vehicular and pedestrian access to the Scotts road tower is also incorporated in this ground level concept. A green gateway to the residences is created by the lower sky frame terrace, the “sky lobby”, which is located eight meters above the access routes to the building. This terrace therefore serves to continue the natural landscape of the gardens vertically into the tower, whilst simultaneously providing direct access for the residents to the recreational facilities, without the need to traverse access routes and the main entrance lobby at ground level.

A second sky frame terrace, the “sky garden” is introduced above the third cluster, offering panoramic views and the possibility for use as a social platform for outdoor events. Facilities such as Jacuzzi pools, a swimming pool and a dinning deck can be found in the “sky garden” level.

Burger King Garden Grill by Outofstock

Burger-King-Garden-Grill-by-Outofstock

Following our hotly debated story about the new-look interiors for fast-food giant McDonalds in France, here’s a revamped outlet for rival Burger King in Singapore that’s designed to imitate a garden. 

Burger King Garden Grill by Outofstock

Like McDonalds, Burger King want to appeal to families with children as well as to teenagers, so commissioned design collective Outofstock to update their restaurants.

Burger King Garden Grill by Outofstock

The Burger King Garden Grill features a plant-covered trellis ceiling, exposed brick walls and plant-pot pendent lamps.

Burger King Garden Grill by Outofstock

The dining area is filled with stick-back chairs more usually found in English kitchens and metal-framed wooden dining tables inspired by camping furniture, while sofas upholstered with outdoor fabrics line the walls.

Burger King Garden Grill by Outofstock

Posters advertising food are displayed in pictures frames propped up on wooden shelves.

Burger King Garden Grill by Outofstock

More restaurants incorporating the new design are scheduled to open in Singapore and Japan in 2012.

Burger King Garden Grill by Outofstock

Other designer updates to fast-food restaurants include a Little Chef outlet by Ab Rogers and a chicken shop in Munich by Ippolito Fleitz Group.

Burger King Garden Grill by Outofstock

Here’s some more information from Outofstock:


“BK Garden Grill” by Outofstock

Burger King Asia-Pacific recently commissioned Outofstock to design a pilot restaurant in Singapore. The goal of the project was to create a new interior identity for Burger King. Some key points mentioned by BK was that they wanted a warm and welcoming store that would appeal to a wide audience – teens, young adults as well as families with children – the design should stand out but at the same time be accessible for the man on the street.

Burger King Garden Grill by Outofstock

We started off by analysing the BK brand, it’s advertising visuals as well as its history. We noticed that one word that kept popping up was “flame grilled”, and we used this clue as a starting point. From collective experiences, our mental picture of flame grilling is closely associated with garden barbecues and camping cook-outs.

Burger King Garden Grill by Outofstock

These activities, often held with groups of family and friends, left indelible memories in our growing up years. This led us to name the project “BK Garden Grill”, which is based on bringing the garden, as well as colours and textures of the outdoors into the restaurant.

Burger King Garden Grill by Outofstock

We wanted to remind people of the joy of communal dining with family and friends in a warm and natural atmosphere, evoking memories of BBQ parties and summer camps.

Burger King Garden Grill by Outofstock

We also aimed at created a more personable and flexible space, where potted plants can be neatly arranged or randomly placed on wooden ledges along exposed brick walls and glass windows. Framed marketing posters placed on these wooden shelves can be changed or moved about easily. More objects can be added to the fray with time as the restaurant develops its own story.

Burger King Garden Grill by Outofstock

Custom designed lounge seats and ottomans are upholstered with outdoor fabrics that are water repellent. The lounge seating area is set against a collage wall of materials and textures, most of which are applied throughout the restaurant, from raw concrete to clay bricks, wood veneers as well as cork, blackboard, copper and brass. BK’s branding and slogans can be applied in a more engaging way with this material wall.

Burger King Garden Grill by Outofstock

An overhead “roof” trellis takes visual attention away from exposed services such as air-conditioning and kitchen exhaust trunking while also acting as cable trays for pendant lamps and spot lights. We suspended clay, concrete and aluminum pots as pendant lamps to add to the garden atmosphere.

Burger King Garden Grill by Outofstock

We designed simple metal framed tables whose structure is reminiscent of foldable camping furniture, but being very strong and easy to clean. We sourced for a traditional stick-back chair to complete the look of the restaurant.

Burger King Garden Grill by Outofstock

The pilot store was officially opened during the recent BK Asia-Pacific Conference in Singapore and was met with generally positive feedback. More Burger King outlets based on our “Garden Grill” concept are currently being built in Singapore and Japan, and will be open by early 2012.

Burger King Garden Grill by Outofstock

Fat Cow Restaurant by Brewin Concepts

Fat Cow Restaurant by Brewin Concepts

A sprawling grid of timber cubes covers the ceiling of a restaurant in Singapore by designers Brewin Concepts.

Fat Cow Restaurant by Brewin Concepts

The Fat Cow Restaurant is split into three equal sections, which comprise a bar and lounge, a dining counter and a set of five private dining rooms.

Fat Cow Restaurant by Brewin Concepts

Diners enter the restaurant through a thick copper-covered door and approach each of the rooms through a curved corridor lined with illuminated glass blocks.

Fat Cow Restaurant by Brewin Concepts

In the main dining room the wooden cubes evenly circulate overhead, while the grid extends more chaotically around the ceiling and walls of the lounge.

Fat Cow Restaurant by Brewin Concepts

Randomly distributed light bulbs illuminate the timber cubes, which also provide the framework for shelves at the bar.

Fat Cow Restaurant by Brewin Concepts

The restaurant occupies part of the ground floor of an 18-storey medical centre designed by Richard Meier – you can see more stories about the American architect here.

Fat Cow Restaurant by Brewin Concepts

Restaurants filled with timber lattices have been popular in recent months on Dezeen – see our earlier stories about one with a woven net of bamboo across the ceiling and another with timber slats descending around the dining tables.

Here’s some more information from Brewin Concepts:


The Fat Cow Restaurant, Singapore

The layout of the restaurant is divided into 3 sections, the entry bar lounge, the private rooms, and the formal Shabu dining counter, each to have a capacity of 20 people. The main circulation spine is located along the curved edge of the restaurant, also the perimeter of the circular building plan.

Fat Cow Restaurant by Brewin Concepts

This 12m long curved passage way is flanked by the existing glass brick wall on one side and a new curved wall on the other, with openings that lead to the respective 3 sections.

Fat Cow Restaurant by Brewin Concepts

The exterior white 1m x 1m facade grid of the building inspired the internal three dimensional ceiling grid, present throughout the restaurant, broken into 50x50x50cm and 25x25x25cm cubes.

Fat Cow Restaurant by Brewin Concepts

The grid provide lowered ceiling spaces that further enhance different areas in the restaurant, also serve as storage and display shelves in these areas.

Fat Cow Restaurant by Brewin Concepts

The same grid pattern also inspired the movable partition screens in the private room area. Hung off a ceiling track system, the movable translucent screens provide flexibility to the 5 individual rooms to suit the space requirements for different size parties.

Fat Cow Restaurant by Brewin Concepts

Type: Japanese bespoke beef restaurant
Size: 3000 Sq Ft
Location: Camden Medical Center by Richard Meier
Designer: Brewin Concepts

Plusminusten

Asia’s first-ever homage to Dieter Rams’ core beliefs by ten graphic designers

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Commandments as legendary as the man who created them, Dieter Rams’ ten principles of “good design” provide an essential guide for any creative seeking to produce high-quality work. In an effort to visualize the enduring concepts beyond the many products inspired by them, Singapore-based studio Anonymous asked ten graphic designers each to transform one of the tenets into an expressive poster, interpreting the fundamentals of Rams’ thoughts on design, from minimalism to innovation, in one concise collection.

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Dubbed “plusminusten,” the exhibition itself embodies Rams’ philosophy on effective design, with a simple presentation that makes its purpose clear. The clean aesthetic creates an attractive space with an unobtrusive ambiance that allows visitors to contemplate the works without a forced point of view. Curator Felix Ng also emphasizes the principle that “good design is thorough, down to the last detail” by tapping Singapore’s cult music producer Nick Chan (the brains behind experimental group Muon) to create a soundtrack purposely for the exhibition.

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Much homage has been paid to the industrial designer’s seminal set of beliefs, such as Bibliotheque‘s poster for Vitsoe or Inksie‘s essay project, but the Anonymous-led exhibition is the first-ever tribute in Asia. Included in the momentous display are graphic designers Edwin Tan, Abdul Basit Khan, Aen Tan, B.A.L.L.S., Daniel Koh, Hanson Ho
Jonathan Yuen, Larry Peh, Roy Poh and Yong, who each offer a distinct perspective on what it means to be true to his craft.

“Plusminusten” is on view at The Gallery (Old School) from the 11-24 November 2011, where you can snag one of 50 lithographic prints or 250 box sets.

Photographs by Caleb Ming


Sneak Preview Singapore apartment

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Yeahhhh… I have talked about our Singapore apartment before and I have talked about white floors before… and finally after weeks renovation our apartment is finally finished and I am very very happy with the result. Last weekend my husband and I went together to give our favorite space in the world a good clean and we started to decorate a bit. Hopefully soon I will get some profesional photographers to come and help me take nice pictures of the whole apartment. 

Here is a before the renovation picture, the state in which we bought this place… together with architect Jacqueline Yeo from Ply-Studio we came up with ideas to make this apartment much brighter, wider and open. 

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I have always loved plywood so we decided on using this material for all the build-in cabinets. The colors black and white go best with my all my thrift shop purchases and vintage finds I believe.

Hope you like the look and feel. Once I have better and shaper images of the place I will tell you more about the lamps, vases, chairs etc. and where I have found them… all very very cheap, yes that is possible :-)…

Images by me, irene

Saporiti Luxury Towers

An opulent box designed to store life’s most precious memories

by Adele Chan

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Presented in Asia two years ago, the first-ever Saporiti Design Award Exhibition showcased the works of nine promising Singaporean designers who were tasked with creatively conceiving luxury towers that would hold, store or display opulent objects.

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The Italian furniture brand awarded the prestigious trophy to Ministry Of Design, a studio whose illustrious works include the the recently opened Club Hotel in Singapore and the branding, landscape and interiors of an emerging boutique hotel in Penang called The Macalister Mansion.

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MOD’s Director of Design, Colin Seah was inspired by Shakespeare’s poem “All the World’s a Stage,” and interpreted the idea of luxurious commodities as life’s precious memories. The agency set about designing six separate containers meant to represent a different stage in life, with each container finished in a material symbolizing that particular stage. “Infant” is crafted from raw pinewood, “Schoolboy” is covered with monochromatic plaid printed on leather, “Lover” is made out of etched smoke mirror, “Soldier” is built from brushed steel, “Judge” has a polished gold-plated finish, and “Pantaloon” is produced in polished petrified timber.

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When pieced together on a metal frame, the containers form one holistic sculpture called the “Luxury Towers.” A specially-designed cover can be placed over to seal the containers in place creating a sturdy object measuring nearly two feet high.

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Saporiti recently completed an remarkable prototype of MOD’s winning entry, and are talking with manufacturers about production. As its name implies, one can expect top-notch workmanship and high quality materials. The lavish boxes make for a beautiful way to stow equally valuable mementos and sentimental belongings.


Siglap House

Voici cette magnifique maison située à Singapore, désignée par le studio d’architecture Aamer Architects Un élégant travail sur les vérandas et terrasses extérieures pour cette villa très moderne. Un style unique avec une belle utilisation du bois à découvrir dans la suite.



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Previously on Fubiz

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The Periscope by VW+BS

The Periscope by VW+BS

London studio VW+BS have designed an office building for Singapore that resembles a giant periscope.

The Periscope by VW+BS

Tacked onto the rear of a listed 19th century shophouse, The Periscope will have a dramatically cantilevered top floor that will oversail the existing roof.

The Periscope by VW+BS

This cantilever will contain a top-floor restaurant above four storeys of offices.

The Periscope by VW+BS

The building is to be constructed of reinforced concrete, infilled with perforated aluminium panels on the front and rear facades.

The Periscope by VW+BS

A two metre-wide gap will separate the extension from the shophouse, which will be refurbished to provide offices on the first and second floors.

The Periscope by VW+BS

The project is currently awaiting approval from the local planning authority.

The Periscope by VW+BS

Shophouses, usually composed of a shop with flats stacked above, are common in the urban areas of south-east Asia – check out our earlier story about shophouses converted into a live-work unit and a photography story from last year about shophouses in Thailand.

Other bizarre cantilevers from the Dezeen archive include a balancing house with a swing below and a freestanding ski jumpsee all our stories about cantilevers here.

More information is provided by the architects:


The Periscope

The Periscope is an office building located in the Upper Circular Road conservation area in Singapore. Made up of warehouses and shophouses that serviced the commercial activity around the nearby Singapore River until the latter half of the 20th century, the area has recently undergone regeneration and the restored buildings now accommodate offices, hotels, restaurants and shops.

Our site comprises a listed 19th century shophouse which was remodelled in the 1930s. It has road access along the front via a covered public walkway and pedestrian service access along the rear of the building. There are traces of both the 19th century and 1930s interventions and our addition is positioned so that it reads as a distinct layer in addition to the historic ones.

The Singaporean conservation rules allowed us to redevelop the site behind the first 7.5 metres. Our strategy is therefore to retain the original features and character of the front portion of the building as much as possible and create our insertion to the rear of and above it, thereby keeping it as a distinct entity. The extension comprises a service core with office spaces to its rear which ascends four storeys before cantilevering on the top floor over the historic roofline. The cantilever lies behind this conservation boundary and together with the vertical portion of the extension acts as a visual frame to the listed building.

A two metre deep airwell separates the extension from the existing building. It ensures that light and ventilation is maintained throughout the deep building, a device borrowed from traditional shophouses in this region.

Planning rules also dictated that we keep the side walls blank to allow future adjacent development. In the meantime we propose roughcast side walls made of reinforced concrete that act to accommodate the cantilever structurally.

The front and rear facades in contrast are in lightweight perforated aluminium panels to act as sunscreens for these facades.


See also:

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NHow Hotel Berlin by
NPS Tchoban Voss
Hamburger Hof by
NPS Tchoban Voss
BLC Headquarters by
Atelier Hapsitus