Sockerbit

The Swedish sweet shop introduces all-natural popsicles for summer

Offering a bright white respite from the bustle of Christopher Street, Sockerbit is a Scandinavian sweet shop in NYC’s West Village known for its delectable selection of traditional smågodis (little candies) and its pristine, rainbow-lined interior. The shop—whose name literally translates to “lump of sugar”—was opened in 2010 by Stefan Ernberg and his wife, Florence Baras. Specializing in all things sweet and Swedish—with foodstuffs and toys from neighboring Denmark as well—Sockerbit carries more than 149 different candies priced by the pound. All of their candies are naturally colored and free of genetically modified ingredients and trans fats. “Usually there are more adults in here than kids,” says Baras. “Our candies may look like other candy, but once people try them they can taste the difference.”

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This summer, Sockerbit introduced a line of popsicles made in collaboration with Go-Go Pops, a company based in Cold Springs, New York. The flavors are inspired by Sockerbit’s goodies and traditional Swedish flavors like lingonberry and lemon-elderberry pop. Some varieties include small pieces of candy, like the salted licorice, which features chunks of Sockerbit’s bestselling sweet. Like Sockerbit’s other products, their popsicles are naturally flavored and sweetened. “The best part about working with Go-Go Pops is that they are constantly updating the line to include seasonal ingredients,” says Baras. “There is only about one cup of sugar in every 500 popsicles.”

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Our favorite popsicles included their Rocky Road fudgesicle, which is delightfully dotted with Swedish marshmallows, and strawberry flavored with rose petals. For an ode to their new home, the star-spangled pop gets a jolt of Americana color with strawberries, blueberries and lemon. The popsicles are $3.80 each and are sold exclusively in-store, while candy is available through the online shop as well.


Muà Gelatieri d’Italia

A sweet find in the unlikeliest of places
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On a recent trip to Istanbul we got to experience that magic mixture of Europe and Asia—the harmonic balance of historic venues and international retail chains, the reflections of lights on tiles and the Bosphorus, the best aubergines, the young crowd on Istiklal Avenue. We did not necessarily expect to find good ice cream, so were pleasantly surprised to stumble upon Muà Gelatieri d’Italia.

Muà Gelatieri d’Italia is a recently launched small chain of Italian gelato shops. The first to open is located by the sea in the hip Yeniköy neighborhood. The design of the interior is based on the playful contrast of white and pink colors, with the omnipresent logo of a shocking pink mouth miming the kiss that inspires the onomatopoeic “muà” name. During the warm season, clients can also enjoy a nice outdoor space.

Florentine entrepreneur Elena Pallotta decided to quit a well-established real estate career in order to pursue her ice cream dream. “After finding a group of investors,” Pallotta tells CH, “I left my beautiful house in Tuscany, moved to Turkey and started from scratch. At the beginning I had to take care of every aspect, from construction details to the search for the perfect ingredients.”

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Every flavor is naturally prepared in the adjacent laboratory with strictly seasonal ingredients and without preservatives or chemicals. Some of our favorites include hazelnut (made with the Turkish staple), chocolate (which comes in two choices, with or without milk), locally-sourced banana and kaymak, a Turkish version of clotted cream. Passing on Turkish dondurma—a kind of gummy ice cream—the young gelateria is already being hailed as the best frozen treat in town. In addition to gelato, Muà offers coffee and cold desserts, freshly made from recipes merging Italian tradition with Turkish taste.

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The second store is located in the Göktürk Merkez, while a third will be opened on the 4 July 2012 in the trendy neighborhood of Cihangir.


Aesop Shin-Marunouchi by Torafu Architects

Chunky chipboard surfaces have been sanded and stained to look like marble at this Aesop skincare shop in Tokyo by Japanese studio Torafu Architects (+ slideshow).

Aesop Shin-Marunouchi by Torafu Architects

A muted brown stain coats the wooden walls and countertops and bottles sit within recessed shelves and openings.

Aesop Shin-Marunouchi by Torafu Architects

Two island counters accomodate hidden drawers and cupboards, sinks and a cash register.

Aesop Shin-Marunouchi by Torafu Architects

Other Aesop stores we’ve published include a shop filled with translucent boxes on stilts and a kiosk made from newspapers.

Aesop Shin-Marunouchi by Torafu Architects

See all our stories about Aesop »

Aesop Shin-Marunouchi by Torafu Architects

See all our stories about Torafu Architects »

Aesop Shin-Marunouchi by Torafu Architects

Photography is by Takumi Ota.

Aesop Shin-Marunouchi by Torafu Architects

Here’s some more information from Torafu Architects:


Aesop Shin-Marunouchi – Torafu Architects

For Aesop, an Australian skincare brand celebrating its 25th year anniversary this year, we proposed an interior fit-out located in the Shin-Marunouchi Building. Concurrent to this, we also designed Aesop Yokohama Bay Quarter, which opened at the same time.

Aesop’s skincare products emphasise on maintenance to restore the skin’s natural health, and in a similar way we had chosen a key material that reflects this idea for the two stores. OSB (Oriented Strand Board) is a wood which has characteristic textures and patterns, and of which are accentuated are accentuated once sanded and stained in different ways. While associated as a rough material typically used in construction, as it is stained the wood adopts a stone-like appearance. The result is a distinct materiality which be felt throughout the store space.

At Aesop Shin-Marunouchi, the OSB has been stained with a brown colour to distinguish the store with its neighbours within the bright surrounding environment. The central band of display seen stretched across the back wall binds the store space to a single point of focus, naturally drawing customers towards the products.

In the foreground of the shops are stand-alone functional counters that allow the corner shop space to be freely circulated. Small stores require an efficient use of space, so the activities essential to the shop’s operation have been carefully considered and housed into the ‘floating’ boxes to assist in operational processes. We thought about how the volumes of these counters can be opened at various parts when required, and eventually closed back into a simple box.

Even located within a large commercial building, we have focused on how we can clearly reflect Aesop’s brand image into these stores.

Principle use: shop
Production: Ishimaru
Credit: Graphic design: Aesop
Building site: Shin-Marunouchi Building, Marunouchi, Tokyo Total floor area: 22.53m2
Design period: 2012.02-2012.06
Construction period: 2012.06

The post Aesop Shin-Marunouchi
by Torafu Architects
appeared first on Dezeen.

Bijulesterie

Jules Kim’s new shop defines NYC’s underground arts scene
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To anyone with a finance degree, opening a jewelry store below street level would seem like a risky move. But to Jules Kim, the sole designer behind Bijules, this location is not only on brand, but its clandestine location is also part of a forward-thinking business move the food and beverage industry has capitalized on for years—anyone who’s used the phone booth at Crif Dogs or made their way through the kitchen at La Esquina knows that often what’s most attractive in NYC isn’t always visible at surface level.

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Kim’s new appointment-only showroom and shop on the Bowery—situated below the equally progressive boutique Eva New York—is a dark, den-like room that seduces you with its mystery. “I come from the underground,” Kim tells us. “I started promoting Bijules in the clubs here in New York. It makes sense to launch in the belly of the Bowery to maintain the real integrity of the brand. Bijules is a research-driven brand and my clients take pride in the discovery of their jewels. The fact that the Bijulesterie breathes below ground indicates its durability in this grimy city but also its communication potential will flourish from down under to way above!”

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Kim’s raw talent for innovative design has Bijules on the hands of everyone from Rihanna to Rooney Mara in “The Girl With The Dragon Tattoo”, but it’s her everlasting indie spirit that keeps the line perpetually fresh and admired by her peers. The Bijulesterie is as much an extension of her downtown lifestyle and an homage to artist friends as it is a functioning showroom.

“I wanted to create a 360-degree experience around the showroom, one which starts in the simple awareness of its existence, the descension into the room, the fragrance developed by Six Scents, contemporary psychedelic artwork by Sylvia Hommert, flower design by 11×11, streaming tunes while we work and of course a 125-gallon vintage aquarium—aka the Bijules jewelry display,” she explains.

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In addition to hosting rooftop parties at The Standard this summer, the bold beauty is currently taking appointments before taking Bijules on an international tour this summer. To contact Kim for an appointment, see her website.

All images by Elizabeth Raab.


Tokyobike London

The Japanese bike-maker’s new Shoreditch shop

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One of our favorite cult bike brands, tokyobike, just threw a housewarming party and customized-bike exhibit to inaugurate its new outpost in London’s Shoreditch neighborhood. Londoners can now buy these lightweight, 22lb bikes directly from the Japanese bike-maker in a variety of frame colors and models. The simple, all-white 1,700-square-foot interior of the shop, designed by Glass Hill, also stocks hard-to-find accessories and lifestyle pieces such as Japanese bags and housewares, and houses a bike workshop space in the basement. We asked the team at the London location to give us more insight into the new shop, which is the latest in a string of recent openings that includes Berlin, Sydney and Singapore, with Paris and New York coming soon.

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The design of the store incorporates elevated platforms for the bikes. Can you explain the concept behind these?

Joe Nunn, Glass Hill: The elevated platforms are more a shared approach that sees that different functions should take place in different spaces. Separating the circulation area from the product display area seems appropriate in the same way as a genkan is right for outdoor shoes and not indoor slippers. We are showing the bicycles as new and pristine, and the slight separation in height and material not only says that visually but also practically.

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What is the significance of the hanging cedar ball and how does it fit into the space?

Yuki Sugahara, store manager of tokyobike Melbourne: The cedar ball, made by Japanese craftsman, is traditionally used at the sake breweries as a sign to tell the locals that the fresh sake is ready. We wanted to have a symbolic piece that makes our customers feel something about Japan, where tokyobike originally came from. It is a beautiful and happy element that stands out in a simple white space and will hopefully start a conversation.

What elements did you bring to this store to give it a London personality?

Neil Davis, tokyobike: tokyobike comes from a traditional suburb of Tokyo with a lot of craftspeople and designer/makers still working. The Yanaka store displays and sells a lot of this work, and the London store will be similar in that respect, showcasing local products and designs alongside books and maps and a carefully curated range of bicycle accessories. Gropes is a good example.

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What are your plans for the store and brand in the UK?

Davis: The store is a beautiful, clean space designed to show off the bikes and their many colors, but this makes it ideal for events and exhibitions. We have just collaborated with six artists to produce six pieces of bike art which will be displayed at the store before being auctioned. In the future look out for more exhibitions and product launches.

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What is the fixie bike culture like in London?

Yu Fujiwara, store manager of tokyobike London: Compared with Tokyo, London’s bike culture is more centered around DIY and vintage. People fix up their old bikes or ride 1950s and ’60s bicycles; the growing popularity of the Tweed Run typifies this culture. Tokyo’s fixie culture is more rooted in pop/youth culture, which mixes colorful components with fashion.

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What did you learn about the UK market after you did the pop-up shop last year that you took into account for this permanent location?

Davis: Pop-ups are fun but we always intended to have a permanent store. Not least because we want to look after our customers’ bikes. Location was important too—staying in Shoreditch, close to our existing customer base and in an area where there is still a lot of creativity. Space was also important. We wanted to give people coming to the store an experience as well as have enough room to show the entire range and house a workshop to build/service the bikes.

If you’re in London during Clerkenwell Design Week from 22-25 May 2012, tokyobike will be offering its famous bike tours. Send an email to cdw@tokyobike.co.uk to reserve a spot.

Photos by Andrea DiCenzo


Paper View

Sight Unseen returns to the printed page with a limited edition publication championing the creative process
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The brainchild of two former I.D. Magazine editors, Sight Unseen began as a Kickstarter project in 2009, shortly after the celebrated print outlet published its final issue. Armed with years of industry experience, Jill Singer and Monica Khemsurov tackled the online world with a distinct site focused on the creative process and what happens behind the scenes at design studios around the world.

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Now, with the help of Karlsson’s Vodka Unfiltered project, Singer and Khemsurov return to the printed page with a limited edition book designed by NYC’s Studio Lin. The aptly titled “Paper View” includes 24 new features on a range of designers, including Roman and Williams, Anntian, Roanne Adams, Andy Rementer, Shin Okuda and more.

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The duo smartly organized the book into four thematic sections revolving around what it’s like to be a maker. Beginning with “My Mom and Dad Are Artists”, the book continues the exploration of some of the universal truths behind creative thinking with the headings “I Studied X and Now I’m Doing Y”, “Material Obsession” and “Strange Ephemera”. Singer and Khemsurov expertly detail insights from their studio visits and combine valuable text with illustrative photos for a comprehensive overview of how each designer works.

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In a one-page column called “8 Things”, a handful of designers candidly share what inspires them—Apartamento founder Nacho Alegre tells how he is humbled by the work of American photographer Alec Soth, PIN-UP Magazine editor Felix Burrichter declares his love for Lagunilla flea market in Mexico City, Mondo Cane‘s Patrick Parrish divulges Sweetwater I.P.A. as his favorite beer and Established & Sons‘ Sebastian Wrong states his obsession for open fireplaces, to name a few.

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Limited to just 400 copies, “Paper View” is now available to order for $30. Those in NYC can celebrate the book launch at the design-led boutique Creatures of Comfort (also highlighted in the printed edition), where the Sight Unseen Shape Shop pop-up will open tonight, 9 April and run through 6 May 2012. The temporary store within a store is centered around all things geometric—from Bec Brittain‘s Penta-Hex bottle opener to pillow totems from Mociun and more.


CH Local: Cape Town

Four highlights from our guide on what not to miss in South Africa’s Mother City

Cradled by a striking 360-degree panorama of a horseshoe-shaped mountain range and the sparkling sea, Cape Town is one of the most gorgeous places on Earth. South Africa’s Mother City has historically been a harbor destination, beginning with European merchants who would stop off on their way to the Indies through to today, where it remains a Riviera-like draw for a host of international tourists. That’s changing, though, as progressives like Design Indaba founder Ravi Naidoo, Taj Hotel General Manager Michael Pownall and a myriad of thoughtful artists and designers reshape people’s perception of the town center. Home to the nation’s Houses of Parliament, Cape Town’s urban area is much more than its notorious Long Street—the city’s main drag reminiscent of Bourbon Street. Together in post-Apartheid Cape Town, a melting pot of nationalities has generated a meaningful downtown community and exciting place to visit. As the World Design Capital for 2014, many creative developments are sure to come.

To help navigate the bustling town center and beyond, we’ve added 10 jumping off points to our CH Local edition dedicated to Cape Town. Here are four highlights.

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Woodstock Foundry

The Woodstock Foundry opened in March 2012 as a bright and airy space intended for mixed creative use. Besides the working foundry, the three-story building also houses several design stores and studios, including O.live’s, Dear Ray Jewelry, Selah, The Lobby Hair Shop and West Street Cafe—a great place to stop and relax over a glass of Pinotage or Viognier. On our visit, we had a chance to check out the remarkable Southern Guild exhibition, “Recollect”, which featured a myriad of works by notable South African designers, such as Porky Hefer, Heath Nash, Haldane Martin, Bronze Age and Laduma Ngxokolo.

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For a look at South Africa’s emerging contemporary artists, be sure to stop by the WHATIFTHEWORLD gallery a block away, housed in a crisp white Cape Dutch style building. Currently on view is “Truth Lies Here”, a solo show by Cape Town-based artist Dan Halter, who explores the “integration and disintegration of the fabric” of his native Zimbabwe.

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Royale Eatery

From the well-designed kitschy decor to the equally quirky yet super friendly staff, Royale Eatery is already a great place to grab a bite in Cape Town, but the burgers make it a must. Vegetarians will delight in an extensive menu of meat-free options, which includes patties made from lentils, marinated tofu, black beans, falafel or a mushroom. Burger connoisseurs can also choose from a selection of meats including pork, pure beef, ostrich and lamb. If you don’t start with a Classic Royale (or the recently added Burgerac burger), the best bet is to go with one of their house concoctions. We recommend Jenga Jeng’s BopBop burger, a beef or chicken base topped with pickles, tomatoes, red onions, homemade mustard-mayo and “Mama’s Son of Bitch chili sauce”.

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Located at the start of Long Street, dinner at Royale (be sure to book a table in advance) is a great way to start a night. Then head upstairs to The Waiting Room—a lounge that doubles as Royale’s waiting room in the evening and a place to catch live bands or dance to DJs later on—or stroll over to Rafiki’s about a half-mile away on Kloof Nek Road for some drinks on its expansive veranda.

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Taj Hotel

Centrally located in the heart of downtown Cape Town, the Taj Hotel opened up in 2010 as an opulent antidote to the glossy hotels sprinkling the tourist laden harbor. Its convenient proximity to the more intriguing urban offerings is just the tipping point. The Taj Cape Town boasts amazing views of Table and Lion’s Head mountains and the sprawling city below—including the historic Town Hall and Houses of Parliament. Nothing is left for want at Taj, and while geared toward the business-minded side of design, the rooms provide a tranquil atmosphere dotted with Indian-inspired furnishings. Various rooms on the Wale Street side include a bathtub with a glass wall, allowing you to take in the majestic views going while soaking in Molton Brown bubbles.

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Whether staying in the hotel or not, we recommend having a meal at Mint, the ground floor restaurant serving up consistently delicious fare. Try the traditional Indian breakfast, or, if you’re staying at the hotel be sure to order the utterly fantastic jalapeño chili poppers—still deep fried but a more delectable take on the classic American bar snack.

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Honest Chocolate

Anthony Gird and Michael de Klerk make Honest Chocolate right in the back of their Cape Town shop, dutifully stirring, molding and wrapping it all by hand. The duo’s raw, organic cacao confections have become quite legendary both in town and abroad, and they continue to finesse their range, which currently includes mouthwatering bonbon truffles, infused chocolate bars packaged in paper designed by Capetonian artists, and the ultimate chocolate spread for toast or fresh fruit.

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Whether you prefer dessert before or after a meal, there are two choice spots for lunch nearby on Bree Street. Birds Boutique Café is great for a super fresh sandwich or savory bowl of pasta, or try Clarke’s for a refined greasy spoon—the croissant-like buns on their burger are worth stopping by for alone.

For more great jumping off points, check out our full CH Local: Cape Town guide.

With contributions from Cape Town designer Craig Pickard

Photos by Karen Day


Word of Mouth: Hong Kong

Eight places to eat, drink and shop in the bustling metropolis

by Joanna Prisco

Designer mega-brands have established Hong Kong as a luxury shopping destination for some time now, but recently, a surge of smaller, independently minded businesses have been infusing the city’s neighborhoods with a bit of bohemia. Craft coffee culture joins the city’s world-famous tea houses, while a vibrant food scene anchored by dim sum now welcomes speakeasies for the cocktail-crazed and a growing number of ex-pat chefs and dine-in kitchens. Here’s our round-up of eight small treasures to seek out among the city’s 7,650 skyscrapers.

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Barista Jam

From pre-warming the glass for your piccolo latte to distilling the nuances between flavor profiles of single-origin roasts, the staff at industrial-chic Barista Jam in Sheung Wan offer a level of service exclusive to bona-fide bean geeks. House coffees are roasted in Hong Kong and blended on premises, while a rotating menu of guest coffees from around the globe like Square Mile from the U.K. and Sydney’s Mecca Coffee offer customers the opportunity to try new brews. If you’re feeling inspired, browse the retail area upstairs stocking all manner of French presses, La Marzocco machines, Cafelat tools and slow-drip filters.

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Yardbird

First of all, yes—you should hit all of the dim sum joints you can squeeze in. At some point, however, you will inevitably want a break. When that moment arrives, head to Yardbird in Sheung Wan. Opened last year by Chef Matt Abergel—previously at Masa in New York—this chicken-only yakitori den is as laid back as it is seriously legitimate. Try the oyster—which is actually two plump pieces of dark meat, near the thigh—the spicy, citrusy hearts and the large, juicy meatball with egg yolk dipping sauce to start. Then order one of everything else.

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Fungus Workshop

Fungus Workshop in Sheung Wan is divided into a retail shop for fine leather goods and an artist’s salon. You’ll go to admire its unconventional yet sophisticated wares and leave wanting to sign up for one of the hoiming classes, no doubt discussing fashion or design philosophy with another patron in the convivial atmosphere while you’re there. Take note the shop’s limited hours—three days out of the week, it doesn’t even open before 6 p.m.

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c’est la B

After draining your bank account in Causeway Bay, take time for a repast at c’est la B in Tai Hang. The eatery marks the first in a new collection of tiny cafes that trendsetter Bonnie Gokson is launching around her signature jewel-box cakes. The bite-size desserts, artfully capped with butterflies, flowers, pearls and dramatic spikes, are almost too precious to eat—but that would be a waste, because they are infinitely tasty, too. Say you were there before it appears everywhere.

Speakeasy 001

Central Hong Kong has no shortage of loud and rowdy bars. Housed behind an unmarked door in the middle of a wet market, Speakeasy 001 (LG/F Shop G1 Welley Building 97 Wellington Street) offers the opposite experience. This hard-to-find haunt invites you to unwind with its quiet atmosphere, colorful cat-house decor and cocktails like the Midnight Manhattan, using homemade vanilla and cherry-infused bourbon.

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Kapok Shop

One of the best parts of returning from a trip abroad is bringing back gifts you can’t find elsewhere. Kapok Shop in Wan Chai is known for supporting young local brands, and the outpost on Sun Street stocks an eclectic selection spanning elegant goldfish rope soaps, diminutive travel candles, sharp canvas totes, beautifully packaged teas and many other curios.

Moustache

A proper gentleman in Hong Kong would certainly have his entire wardrobe made by Moustache in Sheung Wan. Not only does the tailor specialize in well made, tropical ready-to-wear, but Moustache also regularly prints its own indispensable guide to Hong Kong, spotlighting new and exciting stores, restaurants, and experiences.

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Dream Nation

Alongside its own whimsical collection of clothing and accessories, Dream Nation in Wan Chai curates the work of other local fashion designers, musicians and artists, going as far as staging small performances and happenings inside the shop. I was so taken with Dream Nation’s fantastical atmosphere that I bought a cream leather crown, and haven’t regretted the decision since.

If you tire of all of the eating, drinking and shopping, fear not. There are plenty of things to see in Hong Kong without opening your wallet. Wander the alleyways and ladder streets and you will quickly find a world of street art on display. In the evening, ride the Star Ferry over to Tsim Sha Tsui and take in the light show that goes off across the harbor every night at 8:00 p.m. as a dazzling finale for any adventure.


Shelve

Snarkitecture’s latest design holds up the goods at Grey Area’s new NYC shop and showroom
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Since launching last July, Grey Area has become a choice online destination for those seeking unique, artist-designed objects, from “Best Friends” skateboards to handmade headpieces. After opening pop-ups in Montauk last summer and then at the Bass Museum in Miami for the latest installment of Art Basel, co-founders Manish Vora and Kyle DeWoody decided to give their retail concept a permanent home with a showroom in NYC.

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Opening Thursday, 8 March 2012, the Grey Area SoHo shop and showroom will present a rotating selection of wares on Snarkitecture‘s custom-crafted display system, simply called “Shelve”. The lacquered wood and fiberglass slab shelves seem to float against the wall like chunks of uncarved stone. A continuation of Alex Mustonen and Daniel Arsham’s “Slab Table“, Shelve also speaks to Snarkitecture’s penchant for playing with topography and negative space—which can also be seen in their “Excavated Mirror” and “Slip Bench“. Shelve comes in various dimensions and will sell from Grey Area starting at $400.

In addition to the shop, the showroom will host art installations and an ongoing series of performances and events. Stop by Tuesday through Saturday or make an appointment to see what they have in store.

Grey Area

547 Broadway, 2nd Floor

New York, NY 10012


Handsome Coffee Roasters

A sneak peak at the new flagship store in LA’s downtown Arts District

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For the last few months, the corner of 5th and Mateo in the Arts District of downtown Los Angeles has been abuzz with activity as the WoodSmithe team puts the finishing touches on Handsome Coffee Roasters‘ flagship store. Handsome has made a splash in the specialty coffee world since they announced that Tyler Wells and Chris Owens would be teaming up with World Barista Champion Michael Phillips to launch the coffee company of their dreams.

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With the space nearly ready to open its doors, the collaboration between the roasters and the builders—who also happen to be neighbors—seems like a natural one. Also in on the operation is Na Young Ma’s Proof Bakery, whose pastries will be served alongside the coffee.

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We met with Owens to see the space coming together and talk more about their process for sourcing and roasting. “Every roaster is going to color the coffee in some way,” he says. “You bring your style to it. The dynamic, interesting, sweet, fruity coffees that we tend to buy are complimented by the roast style. I want to start thinking of it as a partnership between mother-nature and me as a roaster.” Summing up their simple philosophy, Owens adds, “We source beans responsibly and sustainably. We are going to buy delicious coffees, prepare them well, and try not to mess that up. Really, that’s it, I want to get people excited about coffee.”

Handsome’s Tyler Wells and WoodSmithe’s Nathanael Balon also sat down with us to talk about the new ultimate custom-designed coffee bar.

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The inevitable question, where did the name Handsome come from?

Wells: We went around and around about names for more than two months. Basically our whole aesthetic and philosophy is about way back when, when things were made by hand. Things were quality, a recall to the days of really cool equipment like sewing machines. I was thinking about old bread ovens because I like baking. One morning I was half asleep in bed and it hit me, Handsome Coffee. We are Handsome Coffee Roasters. I texted Chris: “Handsome Coffee Roasters?” He texted back “expletive… yes!” It was perfect. It’s a little bit tongue and cheek, but as the aesthetic builds and as the brand gets bigger, you get it.

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How did you find this location in the Arts District?

Wells: The Arts District was our first choice. Mike was still in Chicago but we had agreed to terms. Chris and I would drive around this neighborhood at least one day a week, but had a hard time finding anything. We met Carl from Creative Spaces. He asked us to describe our dream: Arts District, corner, bow truss, skylights, 3,500 square feet, clearspan, 220 power, three-phase. He called me at 10 o’clock that night and said we were going to see a space at nine in the morning. It was almost fate. When you get to the Arts District you start to understand the community down here. It is not as dense as some of the rest of Los Angeles, but quality-wise it is 100%. Every person down here is doing something awesome.

Nathanael, how does the Handsome Coffee fit into what you do at Woodsmithe?

Balon: I think it made sense on a number of levels. Primarily the local. We are local. This is my neighborhood. This is where I live. This is where I work. I have a built-in high value for new businesses and the types of businesses that are going to take the time to really create a great product and offer it here in my neighborhood. Right off the bat, I started to understand the level of quality coffee they were going to bring into the neighborhood. These guys had language for what they wanted to create. What we do is translate that language into form. We want to work with brands that have great stories and are interested in doing great work. The fact that they are doing it blocks away from our office and shop is just perfect.

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How would you describe the WoodSmithe aesthetic?

Balon: I am always striving for simplicity and honesty in design and an exposure of as many of the elements as possible. Our aesthetic is typically pretty strong, fairly masculine with clean lines and simplistic forms. We purposely put as little as possible in the space to be able to expose as much of the process as we could. You can see green coffee in the back on the pallets in bags, and we put in a huge glass wall to showcase the roasting process. Then, you are staring at a finished product.

How did you design the area for the Probat roaster?

Balon: The Probat roaster is an amazing piece of machinery. Its simplistic, strong, and clean. It’s a beautiful machine. Our goal there was to take more of a museum or art gallery approach. Let this unit stand-alone in a clean space and just be beautiful.

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The wall by the roaster is made from white subways tiles and along the hallway wood ones. What are those made from?

Balon: The wood subway tile is made from one of Handsome’s core materials…aged Maple. We utilized Handsome’s brand imagery through laser etching to overlay a wall-paper like pattern over the wood layout.

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What’s on the menu?

Wells: It reads like this: brewed coffee, espresso, espresso with milk. Three ounces, six ounces, 10 ounces. That’s it. It’s pretty straightforward because if you took a poll of the people who come in here and asked, “What do you think a cappuccino is?” everyone has a different idea. It will strip away the stigma and attitude that often comes with serving great coffee.

Are you going to frown at people who pull out a sugar packet?

Wells: No, but they will have to pull out their own sugar packet because we won’t have any. It’s not because we are anti-sugar. I have one hell of a sweet tooth, but I don’t want sugar in my coffee. This coffee is fantastic and it does not need sugar. We have probably served about six or seven thousand cups of Handsome coffee at this point. Almost invariably people come back and say, “this does not even need sugar.”

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What do you say to the people who might ask, what’s all the fuss?
It’s just a drink.

Wells: That’s actually fine. Crappy coffee is just a drink. Chris’ sentiment is if you want to opt in, then we’ll nerd out with you. But if you just want a drink that is good, that’s fine too, just come in to order a coffee without having to hear about every detail. On its base level it should be user friendly. That is the whole idea of the space. You come in you know exactly where to order. Someone is right there.

To learn more about how Handsome’s flagship store came to be, check out this video of the building process.

Handsome Coffee Roasters

582 Mateo Street

Los Angeles, CA 90013