House in Pedrogão by Phyd Arquitectura

House in Pedrogão by Phyd Arquitectura

This dreamy holiday bunker designed by Portuguese studio Phyd Arquitectura is sunk into the landscape, overlooking the hills near Torres Novas.

House in Pedrogão by Phyd Arquitectura

The monolithic House in Pedrogão is made from concrete and has a glazed facade that provides residents with a panoramic view of the surroundings.

House in Pedrogão by Phyd Arquitectura

The house sits upon the rear of a timber-covered plinth, which has a swimming pool at the opposite end.

House in Pedrogão by Phyd Arquitectura

Behind the front living area are enclosed rooms that include a kitchen, two bathrooms, a bedroom and a study.

House in Pedrogão by Phyd Arquitectura

The house was completed in 2008.

House in Pedrogão by Phyd Arquitectura

This is the second Portuguese project published on Dezeen this month, following a completely white house with an asymmetrical roofsee all our stories about projects in Portugal here.

House in Pedrogão by Phyd Arquitectura

Photography is by Montse Zamorano.

The following information is from Phyd Arquitectura:


Time Suspension – and the creating act

I take Saramago once again: “My relation with time is, above all, very specific….when trying to express it graphically; I understand time as a large screen, a huge screen, where every single event is projected, including the oldest and the most recent. On that screen, everything is side by side in a kind of chaos as if time was compressed and flattened on that surface; as if events, facts and people were shown and assembled chaotically instead of being diachronically assembled, and we were meant to find a meaning.”

House in Pedrogão by Phyd Arquitectura

That idea of time, Flat Time, described in Saramago’s words, could be the ultimate dream we aspire to. That idea of architecture as a tool for capturing places, topographies, landscapes, customs and people. That project fulfils the mission of retaining, composing, organizing customs and qualities of the place. A Flat Time, cleared up by topography, arranged by function and disposed by space qualification.

A profound architectural image of space disposition and organization, this possibility of imagining a Flat Time where inhabiting is made possible, where our work and labour is naturally defined by various space elements.

House in Pedrogão by Phyd Arquitectura

A Flat Time that enables us to;

Live below the soil and above the air.
Live in substance and in landscape.

As if there was a character particular to things and to Architecture, where the logic of construction of the Imaginary is rooted in the logical nature of making, disposing, assembling, organizing, in such a way we can say there is a Nature of Things.
As if Architecture has always built a truth and its opposite. In a relation between lightness and weight, that antithesis, that gravitational illusion has always nurtured the dreams of architects throughout the history of Architecture. It has been limited by skill and dream. The Architecture we make should pursue the building of lightness, with the weight characteristic to substance, which is imposed by the skill of its own time.

House in Pedrogão by Phyd Arquitectura

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Addition

The project harbors only one level inserted on the terrain, th rough the construction of a level platform. This strategy of construction benefits from the terrain dangling, allowing by a very simple manner the perfect harmony with the surrounding nature, emerging with its volume from the pending of the landscape, assuming it’s quotas as their own.

The access is provided by the superior level of the terrain, emancipating the exterior areas, and the favorable areas to unburden views creating a unique relationship with the surrounding. The level platform mentioned above enabled the project for the housing areas and swimming pool on its superior end, and the technical areas on its inferior end.

House in Pedrogão by Phyd Arquitectura

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Gross area = 285.76 m2
Floor area = 108 m2
Area of land = 17920 m2

The project constituted by two areas of housing, the area most “embedded” in the field, and the pool area of support and preparation of food directed to the southwest, taking advantage of the views. These two areas are separated by an area of health installations. As facilities outside areas, are located between the pool and its area of support.

Laterally to the swimming pool, at a lower level is a technical area.

Stating, the project is consisted by 9 (nine) different areas; 1 living room, 1 room, 2 toilets, 1 area of preparation of food, 1 area of support and meals, 1 area of support to the pool, 1 swimming pool, 1 technical area.

House in Pedrogão by Phyd Arquitectura

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Energy efficiency

The measures further to improve the energy performance of buildings have taken into account outdoor climatic and local conditions as well as indoor climate environment and cost-effectiveness.

The energy performance of the house has been calculated on the basis of a methodology, at a regional level, according to the European Energy Performance of Buildings Directive 2009/91/CE.

It has been given most importance to thermal insulations, heating and air-conditioning installations and the use of renewable energy sources culminating on the design of the house. Meeting the energy performance requirements tailored to the local climate, exploring its full potential.

House in Pedrogão by Phyd Arquitectura

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Project category: Concrete
Name of the project: House in Pedrogão
Name of the architect: Paulo Henrique Sousa Durão
Year of construction: 2008
Site location: Pedrogão: Torres Novas, Portugal

House in Possanco by ARX Portugal Arquitectos with Stefano Riva

House in Possanco by ARX Portugal Arquitectos

Four courtyards are cut into the asymmetrical white roof of this Portuguese house by ARX Portugal Arquitectos and Portuguese architect Stefano Riva.

House in Possanco by ARX Portugal Arquitectos

The two-storey House in Possanco has a completely white exterior with concealed guttering and window frames.

House in Possanco by ARX Portugal Arquitectos

The largest of the four courtyards breaks through the rear facade to allow residents a view across the plains.

House in Possanco by ARX Portugal Arquitectos

More stories about projects in Portugal on Dezeen »

House in Possanco by ARX Portugal Arquitectos

Photography is by Fernando Guerra.

House in Possanco by ARX Portugal Arquitectos

Here is some text from ARX Portugal:


House in Possanco

The cultural meeting point joining the house owners and the architects was based on their common interest: an undoubtedly contemporary architecture, but one whose nature and final expression would also be the outcome of a research of the paradigms figuring in the traditional architecture of the region, the Alentejo.

House in Possanco by ARX Portugal Arquitectos

The implantation terrain of this small house, located in the village of Possanco, sets the transition area between the new urban strip and the protected agriculture zone.

House in Possanco by ARX Portugal Arquitectos

An extensive northbound plain ends far away at the splendid Arrabida mountain ridge. Sparse water spots of the river Sado spreading, and the Atlantic Ocean defining the horizon complete this scenario of a bold pictorial expression.

House in Possanco by ARX Portugal Arquitectos

The owners wanted a small vacation house that allowed a casual and relaxed enjoyment of their weekend when escaping the urban everyday stress. Our minds were for so long populated by images of the so-called popular architecture, produced before the technological era.

House in Possanco by ARX Portugal Arquitectos

They are small houses with sometimes asymmetric roofs, with one of the two garrets longer, almost disproportionate, reinforcing the compact aspect of volumes very much committed to the land where they are built.

House in Possanco by ARX Portugal Arquitectos

These long roofs make the houses cosy during the extremely hot summers and yet sober in the winter.

House in Possanco by ARX Portugal Arquitectos

The presence of these houses on the Alentejo plains, allied to the whiteness of their lime painting bringing out an almost abstract figure, compose portraits of a singular and surprising beauty.

House in Possanco by ARX Portugal Arquitectos

The first relevant constraint is the triangular shape of the small lot which, when applying the legal distance measures, almost does not allow any formal alternatives.

House in Possanco by ARX Portugal Arquitectos

Conceiving the house had still to face a paradox: the most interesting views stand to the north and not south, where the windows should be placed in their quest for light.

House in Possanco by ARX Portugal Arquitectos

At south there is the street, traffic and passers-by whose look inside the house owners wanted to avoid.

House in Possanco by ARX Portugal Arquitectos

These two aspects ended up being the key-features of the project and the solution would end being the introduction of yet another paradigm in traditional architecture: the patio.

House in Possanco by ARX Portugal Arquitectos

The volume is determined in blueprint by the regulated distances. In profile, the maximum height permitted is reached by the back wall (2 floors) and the front wall, facing the street, stays with the minimum height possible (1 floor). To the passer-by, the result is a house of deformed perspective, in axonometric projection.

House in Possanco by ARX Portugal Arquitectos

In order to receive natural light to the south, we introduced in that long plan 4 patios: a central one, one in the living-room, one in the social toilets and a final one near the children’s room.

House in Possanco by ARX Portugal Arquitectos

Almost all situated north, the windows guide the views to the amazing landscape.

House in Possanco by ARX Portugal Arquitectos

We explored the expressiveness of the white block and its abstract personality. The totality of the volume would be white, roofs included, where the patios resemble bluish excavations, enhancing delicately the strong character of the house.

House in Possanco by ARX Portugal Arquitectos

In fact, the building is done almost exclusively with the Alentejo repertoire:  white matter, light-shade, thickness/mass, texture.

House in Possanco by ARX Portugal Arquitectos

Indoors, rooms occur in between “suggestions” of the traditional two-garret volume, and variations in scale and depth transform in each chamber the atmosphere of that inner world intentionally sober.

House in Possanco by ARX Portugal Arquitectos

In the middle of the living-room, the kitchen-island takes on the ancient role of the fire as a centre-piece of the home, around which everything comes to place.

House in Possanco by ARX Portugal Arquitectos

Address: Herdade da Comporta, Possanco, Alcácer do Sal, Portugal
Project: 2006 – 07
Construction: 2008 – 09 (estimated)
Gross Construction Surface: 250 sq m

Architecture: ARX Portugal Arquitectos – José Mateus, Nuno Mateus, with Stefano Riva
Project Team: Stefano Riva, Paulo Rocha
Structural Engineering: SAFRE, Projectos e Estudos de Engenharia Lda.


See also:

.

House in Paço de Arcos by
Jorge Mealha Arquitecto
House in Tróia by Jorge
Mealha Arquitecto
House SGLight
by Grau.Zero

Champalimaud Centre for the Unknown by Charles Correa Associates

Champalimaud Foundation by Charles Correa

This medical research centre in Lisbon by Indian architects Charles Correa Associates has a curved stone form with circular cut-aways.

Champalimaud-Foundation-by-Charles-Correa

The Champalimaud Centre for the Unknown comprises two buildings, the first containing research laboratories and treatment rooms, and the second housing an auditorium and exhibition area.

Champalimaud-Foundation-by-Charles-Correa

A central pathway crosses the site between the buildings, leading towards two monolithic stone sculptures and an outdoor amphitheatre.

Champalimaud-Foundation-by-Charles-Correa

Above the pathway, a glass tubular bridge connects the two buildings together.

Champalimaud-Foundation-by-Charles-Correa

Photography is by José Campos.

Champalimaud-Foundation-by-Charles-Correa

More projects in Portugal on Dezeen »

Champalimaud-Foundation-by-Charles-Correa

More stories about medical buildings on Dezeen »

Champalimaud-Foundation-by-Charles-Correa

Here are some more details from Charles Correa:


The Champalimaud Centre for the Unknown

What makes me most proud about this project is that it is NOT a Museum of Modern Art.

Champalimaud-Foundation-by-Charles-Correa

On the contrary, it uses the highest levels of contemporary science and medicine to help people grappling with real problems; cancer, brain damage, going blind.

Champalimaud-Foundation-by-Charles-Correa

And to house these cutting-edge activities, we tried to create a piece of architecture. Architecture as Sculpture. Architecture as Beauty. Beauty as therapy.

Champalimaud-Foundation-by-Charles-Correa

And we have also attempted to use NATURE as therapy. The WATER around us. The SKY above. The healing presence of RAIN FORESTS. All these are therapies for the patients.

Champalimaud-Foundation-by-Charles-Correa

Of course we have a very special site. One of astonishing Beauty – and great historic Memory.

Champalimaud-Foundation-by-Charles-Correa

Norbert Schulz has written eloquently about what he calls the GENUS LOCI, the essential meaning of a site – and Architecture’s unique responsibility to express, to release, that meaning, A musician can play the same Chopin concert one evening in Tokyo and the next in Brazil and the third in Paris – with every note exactly the same.

Champalimaud-Foundation-by-Charles-Correa

But not the Architect. For a building is rooted in the soil on which it stands, In the climate, in the technology, in the culture – and the aspirations! – of the society that uses it. This is why the same building cannot be repeated anywhere and everywhere in the world.

Champalimaud-Foundation-by-Charles-Correa

And of course what makes this site very special is that it is the place from which 500 years ago Vasco da Gama and the other great navigators went forth on their voyages of Discovery – a perfect metaphor for the discoveries of contemporary science today.

Champalimaud-Foundation-by-Charles-Correa

This is why more than 50% of the site has been given back to the city of Lisbon for its citizens to celebrate that history – without in anyway compromising the privacy of the medical activities, and vice versa. The site plan is a yang-yang pattern of interlocking spaces.

Champalimaud-Foundation-by-Charles-Correa

Lastly, I am proud that this project tries to express the essential nature, the Genus Loci, of this site without resorting to erratz versions of traditional architecture.

Champalimaud-Foundation-by-Charles-Correa

No, we have used throughout a Contemporary voice to express not only the truth about this site – but also to celebrate a very crucial moment (arguably the DEFINING moment) in the history of this nation.

Champalimaud-Foundation-by-Charles-Correa

Project: Champalimaud Centre for the Unknown
Location: Portugal, Lisbon
Client: The Champalimaud Foundation
Purpose: Translational Centre for Brain, Eye-sight and Cancer research

Champalimaud-Foundation-by-Charles-Correa

Design Architect: Charles Correa Associates
Design Team: Charles Correa, Sachin Agshikar, Manas Vanwari, Dhaval Malesha
Laboratory and Clinical design: RMJM
Architect of Record: Glintt

Champalimaud-Foundation-by-Charles-Correa

Services: Vanderwell
Structure: LNM
Bridge design: Joerg Schlaich
Lighting: DPA
Landscape: PROAP
Signage: Studio Dambar

Champalimaud-Foundation-by-Charles-Correa

Area: 50,000 sq. mt.
Budget: 100 million Euros

Champalimaud-Foundation-by-Charles-Correa

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Champalimaud-Foundation-by-Charles-Correa

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Champalimaud-Foundation-by-Charles-Correa

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Champalimaud-Foundation-by-Charles-Correa

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Champalimaud-Foundation-by-Charles-Correa

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See also:

.

Maggie’s Centre Cheltenham
by MJP Architects
Maggie’s Centre Gartnavel
by OMA
GKK Dental Ambulatory
by Xarchitecten

Palácio de Justiça de Gouveia by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarães

Photographer José Campos has sent us these photographs of the recently completed law courts in Gouveia, Portugal, by architects Barbosa & Guimarães.

Judicial Court by Barbosa & Guimarães

Located between two parks, The Gouveia Law Courts are set upon four chunky pillars.

Judicial Court by Barbosa & Guimarães

The courts are accessed by a wide central staircase that brings visitors from the plaza into the heart of the building.

Judicial Court by Barbosa & Guimarães

This stairwell is open to the sky and framed by the faceted concrete walls of the surrounding building.

Judicial Court by Barbosa & Guimarães

The registrars’ offices are located in a courtyard below this staircase.

Judicial Court by Barbosa & Guimarães

Internally, the courtroom is naturally lit through a series of skylights and offices overlook the park to the north.

Judicial Court by Barbosa & Guimarães

More stories about projects in Portugal on Dezeen »

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Judicial Court by Barbosa & Guimarães

Here are some more details from the architects:


Palácio de Justiça de Gouveia 2002 – 2011

Gouveia, door for entry to the Serra da Estrela, is going to be served by new Law Courts. The land set aside for construction is located between the public gardens, at the end of the Rampa do Monte do Calvário, replacing an existing building. The project takes advantage of the demolition of the existing building, which occupied the whole of the plot, to design a new Plaza, with a scale and dignity to receive the Law Courts.

Judicial Court by Barbosa & Guimarães

In dialogue with the granite walls that define its surroundings, the Plaza takes on the form of a bottling of stone, upon which the Law Courts rest.

Judicial Court by Barbosa & Guimarães

The building, set on four pillars, ensures transparency and connection between the two gardens that delimit it to the north and the south.

Judicial Court by Barbosa & Guimarães

The dignity and symbolism that a building like the Law Courts should always have is achieved at the cost of the monolithic and singular character that the volume of white concrete acquires, above all in the expression of its compact elevations, with empty spaces deeply excavated, as if suspended over the Plaza.

Judicial Court by Barbosa & Guimarães

A staircase of generous proportions opening onto a patio honours access to the Court floor.

Judicial Court by Barbosa & Guimarães

The lobby/foyer crosses longitudinally the entirety of the building, communicating directly with the garden to the north, establishing a relationship of closeness with the tops of the existing trees through a horizontal empty space.

Judicial Court by Barbosa & Guimarães

In the volume, the courtroom stands out, with a set of vertical skylights that subtly light the whole space.

Judicial Court by Barbosa & Guimarães

The registrars services, which operate independently, are installed in the filled part of the building, open to an interior patio which communicates directly with the north garden.

Judicial Court by Barbosa & Guimarães

The project foresees a public car park, hidden under the plaza, with access from the adjacent streets.

Judicial Court by Barbosa & Guimarães

Ficha Técnica

Local: Gouveia
Dono da obra: Instituto de gestão financeira e infraestruturas da justiça

Judicial Court by Barbosa & Guimarães

Concurso: 2002
Projecto: 2002 – 2004
Obra: 2008 – 2011

Judicial Court by Barbosa & Guimarães

Arquitectura: Barbosa & Guimarães, José António Barbosa, Pedro Lopes Guimarães
Colaboradores: Miguel Pimenta, Cristina Chicau, Henrique Dias, José Marques, Luís Monteiro, Paula Fonseca, Susana Machado, Teresa Aroso, Raul Andrade, Pablo Rebelo

Judicial Court by Barbosa & Guimarães

Estabilidade e estruturas: Alberto Teixeira
Empresa construtora: José Coutinho s.a.
Instalações hidráulicas: Luis Veloso
Instalações eléctricas: Rga. Paulo Oliveira
Instalações de rede de gás: Rga . Arnaldo Monteiro
Director de obra: Rafael Luzio
Instalações de avac: Rga . Arnaldo Monteiro

Judicial Court by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarãesv

Judicial Court by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarães

Judicial Court by Barbosa & Guimarães


See also:

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Ciutat de la Justícia
by David Chipperfield
Monitoring Center
by Aires Mateus
Social Centre
by Imago

EDP Foundation Cultural Centre by AL_A

EDP Foundation Cultural Centre by Amanda Levete Architects

Amanda Levete Architects have sent us these images of their proposals for a new cultural centre in Lisbon with a roof that spirals around from the existing riverfront pathway.

EDP Foundation Cultural Centre by Amanda Levete Architects

Visitors to the EDP Foundation Cultural Centre would be able to walk both around and over the building.

EDP Foundation Cultural Centre by Amanda Levete Architects

A series of steps up from the riverside lead to an entrance for the centre.

EDP Foundation Cultural Centre by Amanda Levete Architects

More projects by Amanda Levete Architects on Dezeen »

The following is from Amanda Levete Architects:


EDP Foundation Cultural Centre

The EDP Foundation Cultural Centre in Lisbon is a project about water, light, reflections and people – a building that captures the essence of the unique riverside site and the extraordinary southern light of Lisbon.

The site is of strategic importance. Acting as the gateway to the culturally rich area of Ajuda / Belém, the building will be a magnet, drawing people from the heart of the city to the panoramic views along the Tagus estuary. The currently neglected riverfront area will be activated, and the cultural centre will become one of Lisbon’s leading destinations.

This project is also about democracy. It is a building for the people – for the people of Lisbon, for cultural visitors and for tourists. It is a building for culture and leisure that defies the boundaries between public space and building. A simple and organic gesture creates a topographic form that blends into landscape making a fluid and natural relationship between inside and outside – people move over as well as through the building.

The building creates an attractive landscape, stepping down into the river Tagus. At high tide the steps are covered with water creating a constantly changing space that converses with the tide and the reflections from the water. The reflections play with the overhanging façade to give unexpected lighting effects both inside and out, capturing and magnifying the unique light qualities of this south facing site. An area of welcome shade is naturally created by the cantilevered structure.

The roof offers panoramic views towards the river as well as across the cultural area of Ajuda / Belém. In relationship to the Museu da Electricidade next to it the building is modest in height. It reflects the horizontal emphasis of the riverfront and is designed to have minimum visual impact on views from the city. Lisbon’s rich heritage of complex cobble stone patterns is subtlety reinterpreted and used to merge the existing materiality of the pathways with new public spaces that speak of modernity.


See also:

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Station by
Amanda Levete Architects
Showroom by
Amanda Levete Architects
Exhibition design by
Amanda Levete Architects

Casa das Histórias Paula Rego by Eduardo Souto de Moura

Casa das Histórias Paula Rego by Eduardo Souto de Moura

Architectural photographer Francisco Nogueira has sent us his photographs of Casa das Histórias Paula Rego in Cascais, Portugal, the latest building to be completed by 2011 Pritzker Prize Laureate Eduardo Souto de Moura.

Casa das Histórias Paula Rego by Eduardo Souto de Moura

Designed to exhibit paintings, drawings and etchings by artist Paula Rego, the red concrete museum has four wings and two pyramid-like chimneys.

Casa das Histórias Paula Rego by Eduardo Souto de Moura

The interior is painted white with flooring made from local marble.

Casa das Histórias Paula Rego by Eduardo Souto de Moura

Besides the galleries the building houses a shop, cafe and 200-seat auditorium.

Casa das Histórias Paula Rego by Eduardo Souto de Moura

More about the Pritzker Prize »

Casa das Histórias Paula Rego by Eduardo Souto de Moura

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Casa das Histórias Paula Rego by Eduardo Souto de Moura

The information below is from the Casa das Histórias Paula Rego:


The Casa das Histórias Paula Rego was designed by the architect Eduardo Souto de Moura. The building makes use of certain aspects of the region’s historical architecture, which is here reinterpreted in a contemporary way. It can be immediately recognised thanks to its two pyramid-shaped towers and the red-coloured concrete used in its construction.

The land and trees which previously existed at the site are incorporated as fundamental elements, while four wings, of varying heights and sizes, make up the building. The building itself is subdivided into rooms which lead into one another and are laid out around the higher central room which houses the temporary exhibition. The building’s interior has 750m2 of exhibition space, on top of the technical and service areas, and is decorated in neutral shades and paved with the blue-grey marble of Cascais. The building also houses a shop, a café which opens onto a verdant garden and an auditorium with 200 seats.

The building’s design is fully in keeping with the artist’s wishes, and it was Paul Rego herself who was responsible for the choice of architect. It meets all the requirements for a museum and its various functions, without forgetting the need to give visitors a warm welcome.

With the Casa das Histórias, it can be said that Eduardo Souto de Moura has adopted an almost ‘regionalist’ approach, distancing himself from the modern abstractionism that has been a dominant feature of his work. It is, however, an uncritical regionalism, that avoids the sense of ‘resistante’ which lay behind other attempts at the approach in Portugal in the 1980s. In this museum created for Cascais, Souto de Moura associates certain formal devices with a legacy of architectural composition, adopting specific formulas for the building’s insertion in the surrounding area as well as a use of scale which can be easily contextualised in a very specific type of geography. Its close proximity to the work of Raul Lino is therefore set in a “Southern” landscape, without resorting to any unnecessary decorative or picturesque frills.”

“With this museum, Souto de Moura develops a form of “modern-day architecture” without, in fact, repeating any of the “old models” – in keeping with the ideas defended by Aldo Rossi in his scientific autobiography – evoking timeless archetypes from urban iconography: towers, lighthouses, silos and chimneys, like the ones that define the profile of the Palácio de Sintra. It is therefore not surprising, if one continues the “analogy”, that, when describing this museum, Souto de Moura also mentioned the pronounced roofs of Raul Lino’s palaces, or the idea of an “inhabited chimney”, evoking that of the kitchen in the monastery of Alcobaça. In fact, in its best interpretation, the Casa das Histórias can be seen as a “historicist” project, a condition that will certainly surprise Souto de Moura’s most faithful followers and confound his harshest critics.”


See also:

.

Key projects by Eduardo
Souto de Moura
More about
the prize
More Portuguese
architecture

House 77 by dIONISO LAB

House 77 by dIONISO LAB

Portuguese studio dIONISO LAB have completed a house in Póvoa de Varzim, Portugal, with a façade comprising aluminium shutters perforated with symbols. 

House 77 by dIONISO LAB

The concertinaed metal shutters sit in front of full-height windows, creating a balcony area between the two façades and providing privacy when required.

House 77 by dIONISO LAB

Symbols relevant to the local area, a fishing town, puncture the metal screens.

House 77 by dIONISO LAB

The interior is divided into split levels and opens onto a little garden at the rear.

House 77 by dIONISO LAB

Photographs are by Fernando Guerra.

House 77 by dIONISO LAB

More photography by Fernando Guerra »

House 77 by dIONISO LAB

More residential architecture on Dezeen »
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House 77 by dIONISO LAB

Here’s some more information from the architects:


HOUSE 77

Póvoa de Varzim is a city profoundly related to the sea and fishing.

House 77 by dIONISO LAB

Its great cultural richness became an interesting stimulus to the project.

House 77 by dIONISO LAB

In fact, the house was an opportunity to revitalize some of the city’s memories and to participate in the panoply of colours and materials that characterise the street.

House 77 by dIONISO LAB

The house is simple… it is organized in a vertical and hierarchical way.

House 77 by dIONISO LAB

The social areas are on the inferior floors and the private areas on the superior levels.

House 77 by dIONISO LAB

To achieve great visual amplitudes and dynamic interconnections between spaces, the interior was structured in half floors.

House 77 by dIONISO LAB

The width of the plot decided the stair. In fact, it became the heart of the house.

House 77 by dIONISO LAB

A wall painted with Blue Klein emphasizes its importance and continuity through the spaces.

House 77 by dIONISO LAB

The west facade is covered by aluminum venetian blinds that not only defend the interior from the insulation but also open the house to a small garden.

House 77 by dIONISO LAB

At east, the house gets its identity.

House 77 by dIONISO LAB

The intimacy is guaranteed by stainless steel panels, perforated with the “siglas poveiras”.

House 77 by dIONISO LAB

These symbols are a proto-writing system once used as a way of communication and to mark personal and fishing belongings.

House 77 by dIONISO LAB

Also, they were hereditary and constituted an important family legacy that was transmitted by inheritance through generations, evolving with new combinations.

House 77 by dIONISO LAB

In this way, the house, in the very centre of “Bairro Norte”, shares some of the city’s memories and references with the population and revitalizes a legacy that has been progressively forgotten and abandoned.

House 77 by dIONISO LAB

Quietly, the house confesses its pride in the city…

House 77 by dIONISO LAB

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Architect: José Cadilhe
Project Team: José Cadilhe, Emanuel Fontoura (Final Design)

House 77 by dIONISO LAB

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Location: Póvoa de Varzim, Portugal

House 77 by dIONISO LAB

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Project Year: 2008/ 2009
Construction Period: 2009/ 2010

House 77 by dIONISO LAB

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Contractor: Consarte Lda. (www.consarte.pt)
Constructed Area: 232 m2

House 77 by dIONISO LAB

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See also:

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Casa Puglia by
Peter Pichler
Ladderstile House by ThreefoldArchitectsRestello by
Piercy Conner Architects

PAC House by A+R Arquitectos

PAC House by A and R Arquitectos

Portuguese firm A+R Arquitectos installed this staircase with floating wooden treads and a zig-zag hand rail as part of the renovation of a Portuguese house.

PAC House by A and R Arquitectos

Called PAC House, the three-storey project has parking and the entrance on the ground floor, kitchen, dining living room and bathroom on the first floor and bedrooms at the top of the staircase.

PAC House by A and R Arquitectos

Photographs are by Nelson Garrido unless otherwise stated.

PAC House by A and R Arquitectos

More staircases on Dezeen »

PAC House by A and R Arquitectos

More extensions and renovations on Dezeen »

PAC House by A and R Arquitectos

More residential architecture on Dezeen »

PAC House by A and R Arquitectos

More photography by Nelson Garrido »

PAC House by A and R Arquitectos

The following information is from the architects:


From the original building, localized in a context of a consolidated but chaotic city, we valued the stone masonry walls and the spatiality of the envelope.

PAC House by A and R Arquitectos

The new objects added inside suggest the clear reading of these limits which they tend not to touch.

PAC House by A and R Arquitectos

The intervention goals are twofold: to preserve the original character, through a careful balance between old and new; and to create living conditions compatible with contemporary habits.

PAC House by A and R Arquitectos

PAC House by A and R Arquitectos

PAC House by A and R Arquitectos

PAC House by A and R Arquitectos

PAC House by A and R Arquitectos

PAC House by A and R Arquitectos

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See also:

.

Heliotrope Raising by
Bang Architectes
51A Gloucester Crescent by John GlewVol House by
Estudio BaBO

Galeria.Solar.S.Roque by Manuel Maia Gomes

Galeria.Solar.S.Roque by Manuel Maia Gomes

Photographer Fernando Guerra has sent us his images of a public passage and gallery in Vila do Conde, Portugal, designed by Portuguese architect Manuel Maia Gomes.

Galeria.Solar.S.Roque by Manuel Maia Gomes

Called Galeria.Solar.S.Roque, the staircase and elevator lead between two old buildings to a square eight meters below.

Galeria.Solar.S.Roque by Manuel Maia Gomes

The staircase is made of concrete with a red pigment and features a large window of brightly coloured glass panels.

Galeria.Solar.S.Roque by Manuel Maia Gomes

Artworks are displayed behind glass-lined walls along the corridor and parts of the original sixteenth century building are left exposed.

Galeria.Solar.S.Roque by Manuel Maia Gomes

Other projects by Manuel Maia Gomes on Dezeen »
More photography by Fernando Guerra on Dezeen »

Galeria.Solar.S.Roque by Manuel Maia Gomes

More Portuguese architecture »

Galeria.Solar.S.Roque by Manuel Maia Gomes

The following information is from the architects:


The project concerns the construction of a passage through two buildings leading to a square which lies eight meter below, leveled by one elevator, inside the staircase. The passage works like an exhibition space, for paints, sculpture and video arts.

Galeria.Solar.S.Roque by Manuel Maia Gomes

Conducts directly to the “Galleria Solar”, gallery which is specialized in cinematic art video and shortcut films. There is also a city bookshop. The original building was constructed in the sixteenth century, being deeply transformed in the eighteenth century.

Galeria.Solar.S.Roque by Manuel Maia Gomes

The refurbishment is done after the building was totally ruined. Being the passage a public space, which is opened from 8:00 am until 12:00pm, the art is protected by glass panels which are provided with natural heating and ventilation.

Galeria.Solar.S.Roque by Manuel Maia Gomes

In the middle of the passage, we leaved some remains, testimony of the sixteenth century original building: a stone portico and some steps characteristic of this period. In the first floor and in the attic, the space is converted in one student residence with eighteen sleeping rooms, kitchens and living spaces. Here, the strategy of the project is different.

Galeria.Solar.S.Roque by Manuel Maia Gomes

While in the ground floor, all the stone remain nude, without plaster and the floor are made of stone or cement, in the student residence, the space has been treated in terms of comfort: the floor was paved with wood and the walls are plastered and painted.

Galeria.Solar.S.Roque by Manuel Maia Gomes

Being one temporary residence, the common spaces communicates with the gallery through transparencies, communicates also at the level of the attic with city monuments through windows placed specifically to guide the viewing angles.

Galeria.Solar.S.Roque by Manuel Maia Gomes

The presence of the colored glass helps to make the transition between the historic manor house build in stone and the staircase constructed in pigmented concrete. Both materials went through unfinished treatments, evidencing the imperfection of the mankind.

Galeria.Solar.S.Roque by Manuel Maia Gomes

The space with the colour glass iluminate the passage wich incorporates a space for art exhibitions, introducing a section of cinematic gallery inside.
By this way, people meet art when walking through the city public spaces, being directly confronted and surprised by the regular exhibitions of the gallery.

Galeria.Solar.S.Roque by Manuel Maia Gomes

It combines the old with the new design, taking the atmosphere and ambience of gothic vitrals into contemporary architecture.
The way that the luminous color panel is seen at the entrance of the building, attracts people to come and see the bright colors: the light at the end of the tunnel.

Galeria.Solar.S.Roque by Manuel Maia Gomes

The Gallery was designed taking into account the principles of reuse of construction materials. The granite, building material which predominates in the building complemented with pigmented concrete, used in the construction of stairs and lift box. This project exposed the enormous capacity for conversion of the granite material seen as natural and environmentally friendly.

Galeria.Solar.S.Roque by Manuel Maia Gomes

The huge thermal inertia of the granite associated with its high density, permits this material to be used as heat accumulator during the summer, releasing the energy accumulated during the winter months, thereby avoiding the use of forced air-conditioning spaces. Our little contribution to the desirable sustainability.

Galeria.Solar.S.Roque by Manuel Maia Gomes


See also:

.

Visitor Center by Standardarchitecture Educational Centre by Alejandro Muñoz MirandaSugamo Shinkin Bank by Emmanuelle Moureaux

Dezeen archive: Portugal

Dezeen archive portugal

We’ve published a few popular stories about Portuguese architecture recently so here’s a roundup of all our stories on projects in Portugal. See all the stories »

See all our archive stories »