The word is that President Obama and the First Lady are admirers of bold abstract paintings.
The Obamas are sending ripples through the art world as they put the call out to museums, galleries and private collectors that they’d like to borrow modern art by African-American, Asian, Hispanic and female artists for the White House. In a sharp departure from the 19th-century still lifes, pastorals and portraits that dominate the White House’s public rooms, they are choosing bold, abstract art works.
To find out more on their choices you know what to do.
In-line with Garanti Bank, Turkish clothing brand T-Box finds influence from Shepard Fairey’s iconic poster of President Obama.
The ad says : “Hope Dedik”. in Turkish, “hop dedik” means “we said : enough !”, but with a word play it says “we said : hope”. “Our only hope is T-Box”. via:
A little dose of irony for your amusement… This condom wrapper was designed in response to Benedict XVI declaring that condoms are not a valid weapon against AIDS while on tour in Africa.
The creative studio chosen to coordinate this task was none other than Mode, the agency who contracted Sender, the brand masters of the ‘08 Obama logo. This time around they brought on accomplished designers Aaron Draplin and Chris Glass to work their magic. At this point it is too early to comment on how the identities will be received by the hard-working taxpayers. For a complete critique of both identities, Brand New offers a very informative write-up.
As we’ve previously mentioned, The Polling Place Photo Project, was an initiative presented by Winterhouse and endorsed by the AIGA. This nationwide experiment in citizen journalism encouraged voters to document, post and share photographs of the primaries, caucuses and general elections.
The University of Hartford is hosting an exhibit which includes 200+ photographs from the archive along with four films by Andrew Sloat about democracy and the constitution. The exhibition opens on March 6th and will run until the 18th.
After some extreme heavy lifting, Jorge Rodriquez Gerada created a massive sand portrait of Barack Obama (2.5 acres in all). The portrait was created during the 2008 US presidential election using a large-scale vector graphic, a GPS topography system and approximately 650 tons of sand.
The technique of sand painting was used by the artist as a metaphor for the healing that needs to take place in order to improve our future and to secure a safer world for future generations.
Shepard Fairey, the artist behind the HOPE portrait of Barack Obama, filed a lawsuit against The Associated Press on Monday. He asked a judge to find him not guilty of violating copyright infringement for using the AP photo shown above in creating the iconic poster. For more on this development click here.
One of the finer things to come from the Bush Jr. era. It’s on eBay and the auction ends in a few days! Interestingly enough, the piece in Germany. (via Kempt)
Illustrator Thomas Fuchs and designer Felix Sockwell’s new self-published book, Deconstructing Dumbo, presents 100 fabulous reinterpretations of the US Republican party’s elephant symbol. To order the 5X5 saddle stitched book in all of its glory click here.
Barack Obama’s historic rise to power has been an inspiring journey. What began as a grass roots campaign transformed into a movement that captured the hopes and dreams of Americans and engaged millions in countless aspects of the political process. The mantra, “Yes We Can,” was not empty rhetoric, but a call to all citizens of this country to unite and create the change they wish to see.
Without question, ‘Camp Obama’ ran a brilliant campaign, particularly in terms of its brand as a reflection of Barack Obama’s core message of progress. The interconnection between art, culture and politics during his historic run for presidency was brimming with sheer inspiration, and at times, unbridled creativity. The following study will take you through a journey, beginning with the brand identity developed by Sender/MODE, that galvanized people of this nation – and around the world – to use art & design as a visual response to Obama’s powerful message of unity, hope and positive change.
THE BRAND IDENTITY OF THE OBAMA The Obama Brand by Chicago-based design firm Sender and interactive agency Mode: For a more in depth look, check out our comprehensive visual retrospective of the Obama Brand which showcases the logo and its extension as an identifier throughout his campaign.
State Specific X50 (Various samples): Party Specific: Typography and Usage:
Sol Sender sheds light on the origin of the Obama identity: Video 1:
Video 2:
VIRAL MARKETING: SHEPARD FAIREY In addition to the Obama Logo and Brand, another iconic image surfaced out of LA by graphic artist Shepard Fairey. His graphic portrait quickly became the symbol of “Hope” across the country and was adopted in the early days of the Obama campaign. Fairey discusses the famous image:
“I wanted to make an art piece of Barack Obama because I thought an iconic portrait of him could symbolize and amplify the importance of his mission. I believe Obama will guide this country to a future where everyone can thrive and I should support him vigorously for the sake of my two young daughters. I have made art opposing the Iraq war for several years, and making art of Obama, who opposed the war from the start, is like making art for peace. I know I have an audience of young art fans and I’m delighted if I can encourage them to see the merits of Barack Obama.”
“HOPE” Poster:
Obama Campaign Event Poster:
Vote Poster:
Victory and Yes We Did Posters: Inauguration Poster: Mixed Media Collage at National Portrait Gallery in D.C.:
Commemorative Plates:
Interview with Fairey on how the sh*t went down:
INITIATIVES USING ART AND DESIGN AS A VEHICLE Throughout the Obama Campaign many organizations were involved in developing a forum for the creative culture to develop work to promote Obama’s message of Change and Hope. Initiatives include: DESIGNERS FOR OBAMA: This concept was developed by Aaron Perry-Zucker, a senior studying graphic design at the Rhode Island School of Design, and was built by Adam Meyer, a senior industrial design student at said school. This website was inspired and supported by Design Observer, a leading graphic design blog. We’ve highlighted three out of nearly 100 posters created during the campaign. To view the entire gallery, click here.
30 REASONS: 30 Reasons was a 30-day internet campaign to encourage people to vote for Barack Obama. The goal was simple: Use design to build a logical, multi-faceted, and coherent visual argument to elect Obama.
30 graphic designers were asked to create a poster for the campaign which started on October 5th and ended on Election Day. To view the entire gallery, click here.
ARTISTS FOR OBAMA: Artists for Obama raised money by selling donated art and merchandise.
“Obama 08″ by Lance Wyman: MANIFEST HOPE GALLERY (DENVER): Art plays a pivotal role in creating cultural momentum. The Manifest Hope Gallery celebrates that role and shines a spotlight on artists across the nation who use their voices to amplify and motivate the grass roots movement surrounding the Obama Campaign. The Manifest Hope Gallery highlights the central themes of the progressive grass-roots movement–Hope Change, Progress, Unity and Patriotism. We’ve highlighted the 6 contest winners of this initiative, to view the other finalists, click here.
MANIFEST HOPE GALLERY (D.C.): Manifest Hope gathered together a diverse group of the nation’s most inspiring visual artists under one roof to mark this monumental achievement in our nation’s history. The Gallery encouraged artists and activists to maintain the momentum to bring about true change in the United States. Three themes of change are highlighted in the show (Workers Rights, Green Economy, and Healthcare for ALL). To view entire online gallery, you know the drill.
Manifest Change: Health Care For All Potion Bottle-Hope by Marc Petrovic:
Manifest Unity: Workers’ Rights Restoration by Scotlund Halsley:
Manifest Opportunity: The Green Economy Change USA by Derek Gores:
GET OUT THE VOTE INITIATIVES: The 2008 Presidential Election saw an increase in the percentage of voters. Here are a few initiatives that were focused on getting the public out to vote:
IF I WERE PRESIDENT: If I were President: (Selected Video of Majora Carter) AIGA GET OUT THE VOTE: AIGA invited designers from across the United States to create nonpartisan posters—and YouTube submissions—that inspire the American public to participate in the electoral process and vote for a presidential candidate in the 2008 general election. In all, 24 posters were selected as finalists to be printed and distributed nationally. View the entire gallery here.
by Steff Geissbuhler
by Office
Chris Piascik
ELECTION DAY INITIATIVES: During this election there were a number of initiatives to educate the public to know their rights and document their experience at the voting booth. Here are a few we have highlighted.
The Polling Place Project: The Polling Place Photo Project was a nationwide experiment in citizen journalism that encouraged voters to capture, post and share photographs of primaries, caucuses and general elections. By documenting local voting experiences, participants contributed to an archive of photographs that capture the richness and complexity of voting in America.
OBAMA ART AND BEYOND: What was so fascinating about this campaign is the level of enthusiasm it elicited from the public. It seemed as though everyone wanted to join in and express their hope for change. We’d like to highlight three examples of how the brand took on a life of its own. If you’re in need for more Obama Art, KH over at The Obama Art Report created a daily blog dedicated to documenting just that.
Drink For Change: The Obama Blend It’s smooth, fresh and lacks bitterness. Environmentally friendly, unexpected, and a little left of center. Contributes to your overall well being and Health(care).
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
