Tube Tank TRIWA pop-up shop by Mode:lina Architekci

Polish studio Mode:lina Architekci built a tank out of cardboard tubes to make this pop-up shop for Swedish watch brand TRIWA (+ slideshow).

Tube Tank TRIWA pop-up shop by Mode:lina Architekci

Located in Poznań Plaza shopping mall in the city of Poznań, Poland, the Tube Tank was designed by Mode:lina Architekci to be low-cost and quick to construct.

Tube Tank TRIWA pop-up shop by Modelina Architekci

The tank is built from over 900 cardboard tubes and held together with brightly coloured ratchet straps.

Tube Tank TRIWA pop-up shop by Modelina Architekci

The architects settled on the material first and then discovered that a tank shape would be a simple and secure way to piece the cardboard together.

Tube Tank TRIWA pop-up shop by Modelina Architekci

“When we did some experiments with strapping the tubes with ratchet straps, the most stable construction looked like a caterpillar tread – we decided to follow this look,” architect Jerzy Woźniak told Dezeen.

Tube Tank TRIWA pop-up shop by Modelina Architekci

The display cabinets for the posters and watches are made from chunky chipboard panels.

Tube Tank TRIWA pop-up shop by Modelina Architekci

TRIWA sales assistants stand inside the tank to sell watches to passing customers.

Tube Tank TRIWA pop-up shop by Modelina Architekci

Cardboard tubes have popped up in a few projects on Dezeen, including an installation in a London department store by Nicholas Grimshaw’s studio and a Japanese boutique made of hanging cardboard tubes.

Tube Tank TRIWA pop-up shop by Modelina Architekci

Previous projects by Mode:lina we’ve featured include a stark police station interior and a London soundscape played through tangled pipes, which we filmed as part of our Dezeen Platform micro-exhibition.

Tube Tank TRIWA pop-up shop by Modelina Architekci

See all our stories about cardboard »
See all our stories about Mode:lina Architekci »
See all our stories about shops »

Tube Tank TRIWA pop-up shop by Modelina Architekci

Photographs are by Mode:lina Architekci.

Here’s some more information from the architects:


Once again mode:lina accepted a challenge, to create a temporary store for Swedish watch brand TRIWA. Goals, similar to previous year, were:
Use of renewable materials – Low cost
Speed of constructing
But above all, to further increase global brand awareness.

Previous cooperation between the two exceeded by far client’s expectations – pictures of the store were published around the globe, both online and offline.

Once more, designers decided to use a very well known raw material – paperboard. Only this time it was rolled into tubes. Over 900 of paper tubes, wrapped with ratchet-straps around cabinets built from raw OSB wood panels. That’s how the Tube Tank was born. Meet Triwa Pop-Up store! See you at Poznań Plaza mall (Poland)!

Tube Tank TRIWA pop-up shop by Modelina Architekci

Project: Tube Tank – TRIWA Pop-Up store
Design: mode:lina architekci (Paweł Garus & Jerzy Woźniak)
Project team: Paweł Garus, Jerzy Woźniak, Kinga Kin
Realisation: November / Listopad 2012
Area: 10 m2

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by Mode:lina Architekci
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Małopolska Garden of Arts by Ingarden & Ewý

Polish studio Ingarden & Ewý has slotted a theatre and library around the nineteenth century structure of a former horse-riding arena in Kraków (+ slideshow).

Małopolska Garden of Arts by Ingarden & Ewy

Bringing together two existing organisations, the Małopolska Garden of Arts (MGA) contains both the Małopolska Voivodeship Library and the Juliusz Słowacki Theatre that had been already been using the old building as a venue for workshops.

Małopolska Garden of Arts by Ingarden & Ewy

Architects Krzysztof Ingarden and Jacek Ewý extended the building to create a T-shaped plan, surrounded by a glass curtain wall with a cloak of chunky clay louvres.

Małopolska Garden of Arts by Ingarden & Ewy

This stripy cladding was designed with an uneven profile to mirror the shapes of surrounding buildings. Ingarden describes this as a game between “mimesis and the abstraction”, meaning that the building both refers to its context and is distinctly different from it.

Małopolska Garden of Arts by Ingarden & Ewy

The library occupies the western wing of the T-shaped plan, while the theatre stretches north to south, beside a large indoor garden filled with benches, planting beds and a maple tree.

Małopolska Garden of Arts by Ingarden & Ewy

Partially sheltered beneath a skeletal roof, this space is open to the public and was designed to “transport the gateway to the stage out onto the street” and hence entice visitors into the theatre, cinema, events room and cafe.

Małopolska Garden of Arts by Ingarden & Ewy

The library has its own entrance and contains three floors of reading rooms and study areas that face out onto a pedestrian passageway along the side of the building.

Małopolska Garden of Arts by Ingarden & Ewy

Ingarden & Ewý won a competion to design the Małopolska Garden of Arts back in 2005 and it finally opened to the public last month.

Małopolska Garden of Arts by Ingarden & Ewy

It was also recently awarded the Janusz Bogdanowski Award for making the greatest contribution to architecture in Kraków in 2012.

Małopolska Garden of Arts by Ingarden & Ewy

See more projects in Poland, including the world’s narrowest house and a sports centre with rooftop tennis courts.

Małopolska Garden of Arts by Ingarden & Ewy

Photography is by Krzysztof Ingarden.

Małopolska Garden of Arts by Ingarden & Ewy

Here’s more information from Ingarden & Ewy


The building of the Małopolska Garden of Arts (MGA) has been constructed according to a competition-winning (Union of Polish Architects, SARP 2005) design by Ingarden & Ewy Architects. The initiative of establishing a new cultural institution in Kraków was proposed a year earlier by Krzysztof Orzechowski, Director of the Juliusz Słowacki Theatre and Janusz Sepioł, at the time the Marshal of the Małopolska Region. It is no coincidence that the building was raised in the vicinity of ul. Karmelicka – a street popular with students and locals alike – opposite the building of the public library, with the aim of ensuring its smooth inclusion into the “bloodstream” of the city.

Małopolska Garden of Arts by Ingarden & Ewy

The building of MGA introduced new spatial order to the old backyards and ruined buildings in Rajska and Szujskiego streets in Krakow. The starting point was a multifunctional hall, which was entered into the outline of the old, 19th-century horse-riding arena, used in the last years of its history as workshops and storage space for the Juliusz Słowacki Theatre in Kraków.

Małopolska Garden of Arts by Ingarden & Ewy

The Małopolska Garden of Arts is a cross between two institutions: the Juliusz Słowacki Theatre and the Malopolska Voivodeship Library. The wing on Szujskiego Street holds a modern art and media library, with multimedia books and music, while the section standing on ul. Rajska has been developed by the theatre, and is equipped with a multifunctional events hall. The new hall – operating, as a studio theatre, conference room, concert hall, and venue for banquets and exhibitions – holds retractable stages for 300 people. State-of-the-art stage technology is present overhead: fixed on hoists and cranes to the steel ceiling girders. This allows dramas and concerts to be performed, and exhibitions, film screenings, symposiums, conferences, art auctions, fashion shows, and many more events to be held. Altogether, the space of about 4300 sq.m houses a theatre together with a cosy cinema with 98 seats, a café, and premises for the organisation of educational, art-related activities.

Małopolska Garden of Arts by Ingarden & Ewy

Honing the form, the architects focused on interaction with the future recipients, which is why the entire spatial form of the symbolic, openwork roofing raised over the garden from the side of Rajska Street – though not functioning as an actual roof – is there to transport the gateway to the stage out onto the street. In this way, the building delicately nudges passers-by with the skilful manipulation of the form, already at first glance giving the onlooker the impression of going beyond the borders of a garden, where culture is grown in evenly planted rows. Further proof of the sophisticated play with the space is the garden itself. Imitating flower beds, the equal bands with low greens are a metaphor of a garden: as much as the architects could afford here. A notable fact is that historically “ulica Rajska” – literally “Paradise Street” – led to the Garden of Paradise, which was later replaced by the developments of the Tobacco Works.

Małopolska Garden of Arts by Ingarden & Ewy

Architect Krzysztof Ingarden (collaborating with Jacek Ewý), claims that the form of the building is a contextual game between “mimesis and the abstraction”. In practice, this means that the building is by no means a simulacrum of the context, but rather draws inspiration from the code of contextual forms by making references to the geometry of the roofs and tissue of the neighbouring structures applied for the abstract geometrical compositions of the façades. The building fits the scale of its environment perfectly by maintaining the lines of the roof and divisions of the façades in line with the composition and linear solutions of the neighbouring buildings.

Małopolska Garden of Arts by Ingarden & Ewy

The final impact is the result of the designers’ sensitivity to signals coming from the environment. For example, the opening in the perforated roof of the garden was formed, especially for the maple tree that grows there. In recognition of its exquisite sense of spatial composition and creative form in historical context, the building was awarded with the Professor Janusz Bogdanowski Prize, for the best architectural achievement in Krakow in the year 2012.

Małopolska Garden of Arts by Ingarden & Ewy

In this place, the cultural life of the Kraków’s young artistic set will blossom under a shared roof. Modern ballet, contemporary theatre forms, audio and video arts, concerts, and all and any other artistic pursuits will find their home here.

Małopolska Garden of Arts by Ingarden & Ewy

Above: computer rendering

Malopolska Garden of Arts by Ingarden and Ewy

Above: basement plan

Malopolska Garden of Arts by Ingarden and Ewy

Above: ground floor plan

Malopolska Garden of Arts by Ingarden and Ewy

Above: first floor plan

Malopolska Garden of Arts by Ingarden and Ewy

Above: section A-A – click above for larger image

Malopolska Garden of Arts by Ingarden and Ewy

Above: section B-B – click above for larger image

Malopolska Garden of Arts by Ingarden and Ewy

Above: section C-C – click above for larger image

Malopolska Garden of Arts by Ingarden and Ewy

Above: section D-D – click above for larger image

Malopolska Garden of Arts by Ingarden and Ewy

Above: section E-E – click above for larger image

Malopolska Garden of Arts by Ingarden and Ewy

Above: west elevation – click above for larger image

Malopolska Garden of Arts by Ingarden and Ewy

Above: south elevation – click above for larger image

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by Ingarden & Ewý
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World’s narrowest house by Jakub Szczesny

Polish architect Jakub Szczesny claims to have built the world’s narrowest house, just 122 centimetres across at its widest point.

Keret House by Jakub Szczesny

The Keret House is squeezed into a crevice between two buildings in the centre of Warsaw and will provide a temporary home for travelling writers.

Keret House by Jakub Szczesny

“It started with the space,” Szczesny told Dezeen, after explaining how he came across the site when walking home one day. “I started to think who could live there. It had to be a person that would like to be a hermit, someone who would like to spend time alone doing something, but doing what?”

Keret House by Jakub Szczesny

Szczesny, who is one of the co-founders of arts group Centrala, approached Israeli writer Etgar Keret to get involved in the project and the pair started developing a triangular house with just enough space for a single inhabitant to live and work. “It requires a sense of humour, as you cannot stay long in a place like this,” joked Szczesny.

Keret House by Jakub Szczesny

The body of the house is raised up on stilts and a staircase leads inside from underneath.

Keret House by Jakub Szczesny

At its narrowest point the house is no more than 72 centimetres wide. “Everything was custom and everything needed to be pushed,” said Szczesny, explaining how they managed to fit in all the necessary furnishings.

Keret House by Jakub Szczesny

The house will remain in place for at least two years, but could end up staying for good. “It has already become a Warsaw icon and is already on the tourist map,” said the architect.

Keret House by Jakub Szczesny

Other narrow buildings we’ve featured include a house with a two-metre-wide wing in Japan and an “eels-nest” house in Los Angeles.

Keret House by Jakub Szczesny

Photography is by Bartek Warzecha, © Polish Modern Art Foundation, The National Centre for Culture.

Keret House by Jakub Szczesny

Here’s some information from the project team:


The narrowest Keret House with the broadest horizons

Keret House is the installation art in the form of an insert in between two existing buildings. The project was launched on Saturday 20th of October in Warsaw. It is led by the Israeli writer Etgar Keret.

Keret House is fully functional space in which one can live as well as create. It is located between buildings at Chlodna 22 Street and Zelazna 74 Street. “We deeply believe it will become a symbol of modern Warsaw ingrained in its complicated history. The House attracts attention of media from entire world. He hope it will show the most fascinating side of Warsaw”, say Sarmen Beglarian and Sylwia Szymaniak form Polish Modern Art Foundation, the curators of the project.

The House is located on the plot measuring 92 centimeters in its narrowest point and 152 centimeters in its widest point. “That is why at first it seems that the construction of living space within such premise is impossible. Keret House is to contradict that false image, simultaneously broadening the concept of impossible architecture”, says the architect Jakub Szczesny. The house itself is 72 centimeters in the narrowest and 122 centimeters in the widest point.

In the fracture of history

The house is located between two buildings from two historical epochs. “The first is a brick building on Zelazna Street – a fragment of the pre-world war II city, almost no longer existing. The second – a cooperative concrete apartment building, an element of an “imposed structure”, which was aimed at negating the previous city landscape. Their adjacency is coincidental – like many architectural structures in Warsaw. Keret House is a perfect example of the so-called “non-matching” in the city’s urban fabric. Another reason is the city’s war history – where the house is located, two ghettos – the large ghetto and the small ghetto met. Only a few steps from the house, a bridge connecting the two closed spaces, stood”, explains Jakub Szczesny.

Project’s founder/concept designer: Jakub Szczesny
Art curators: Sarmen Beglarian, Sylwia Szymaniak
Executive producer: Joanna Trytek – Black Salt Production

Organiser: Polish Modern Art Foundation
Co-financing: the Capital City of Warsaw
Partner: National Centre for Culture

Sponsor: LHI
General conctractor: AWBUD
Partners: GIRA, Kingspan, Decoroom, Volunta Parket, Milantex, Polish Institute in Tel Aviv, White & Case, Kostrzewa PR, Chylinski Family, Jewish Community in Warsaw, Chlodna Comedy Club, PMG Partners, Biuro Wystaw.

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by Jakub Szczesny
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Katowice Scientific Information Centre and Academic Library by HS99

A grid of red sandstone panels dominates every side of this university library in Katowice, Poland, by architects HS99 (+ slideshow).

Katowice Scientific Information Centre and Academic Library by HS99

Architects Dariusz Herman, Piotr Smierzewski and Wojciech Subalski arranged the rectangular panels in a brickwork-style pattern to ”relate to the raw clay bricks on the neighbouring buildings,” but used a different scale.

Katowice Scientific Information Centre and Academic Library by HS99

Gaps between the panels create hundreds of narrow windows, which become slivers of light all over the facade after dark.

Katowice Scientific Information Centre and Academic Library by HS99

HS99 won a competition back in 2002 to design the library, which houses a series of scientific and economic collections for the University of Silesia and is the first stage in a campus-wide redevelopment.

Katowice Scientific Information Centre and Academic Library by HS99

Three large floors form the main volume of the library, matching the scale of the neighbouring university campus buildings, while three upper floors with a smaller footprint create a slab-like tower at the north-east corner.

Katowice Scientific Information Centre and Academic Library by HS99

The architects planned this taller block as a visual marker for students, directing them towards the public square that lines the edge of the building.

Katowice Scientific Information Centre and Academic Library by HS99

Students enter the library through a three-storey-high atrium, which leads to reading rooms, group study areas, conference rooms and individual workspaces amongst the bookshelves.

Katowice Scientific Information Centre and Academic Library by HS99

Above: photograph is by Tomasz Zakrzewski

“The interiors are zoned to respond to the many ways in which research and study can take place,” Smierzewski told Dezeen. “We’ve create a wide variety of environments ranging from social to intimate.”

Katowice Scientific Information Centre and Academic Library by HS99

Above: photograph is by Tomasz Zakrzewski

Precast concrete panels cover the interior walls, while grated ceilings offer glimpses of the mechanical systems behind them. ”The utilitarian materiality and finishing alludes to the Silesian region’s heritage rooted in mining and other forms of heavy industry,” said Smierzewski.

Katowice Scientific Information Centre and Academic Library by HS99

Other libraries on Dezeen include a glass pyramid by MVRDV and a golden library by COBE and Transform.

Katowice Scientific Information Centre and Academic Library by HS99

See more stories about libraries »

Katowice Scientific Information Centre and Academic Library by HS99

Photography is by Jakub Certowicz, apart from otherwise stated.

Katowice Scientific Information Centre and Academic Library by HS99

Here’s some more information from HS99:


Katowice – CINiBA (The Scientific Information Centre and Academic Library)

In 2002 a competition was launched by the University of Silesia for the design of a new library that would provide a world-class didactic facility for scientific research. The flexibility the winning proposal offered proved to be its major strength when, after securing a building permit, the program was modified to also include the collections of the University of Economics with no changes to the exterior form.

Katowice Scientific Information Centre and Academic Library by HS99

The Scientific Information Centre and Academic Library (Polish acronym: CINiBA) anchors the new campus redevelopment plan to be implemented in the coming years.

Katowice Scientific Information Centre and Academic Library by HS99

Located at the intersection of the east-west axis that forms the spine of the campus, and the north-south axis which connects the recreational grounds by the river to land set aside for further university expansion, the library reinforces the axial organization which has so far been poorly articulated. A central university square at the foot of the library, the FORUM, generates a civic gathering place that opens onto the library’s grand three storey atrium.

Katowice Scientific Information Centre and Academic Library by HS99

The height of the library has been determined by the average height of buildings on the university campus. The north elevation surpassing this height is directed towards the FORUM and houses the library’s closed stacks. This elevation emphasizes the rank and function of the FORUM and is in dialogue with the existing tall buildings which close the east-west axis.

Katowice Scientific Information Centre and Academic Library by HS99

The facades, clad in a repetitious fabric of rich kahan red sandstone, relate to the raw clay bricks on the neighbouring buildings without the connotation of scale inherent to a singular brick element. The exterior treatment abstracts the building’s function of organized book storing while introducing a notion of mystery inseparably connected to books.

Katowice Scientific Information Centre and Academic Library by HS99

Site plan – click for larger image

The lack of discernible scale produces a monolith when seen from afar that is gradually familiarized. Details such as the decreasing proportions of the façade tiling, the irregular cut of the sandstone slabs, as well as the windows carefully nested inside become visible.

Katowice Scientific Information Centre and Academic Library by HS99

Ground floor plan – click for larger image

The fenestration projects a stunning patchwork of light onto the FORUM at night, yet in the daytime allows diffused light to permeate into the library’s reading rooms. The resulting strongly introverted interior composition of the library floors focuses one’s attention onto the books while calming the space. Partial isolation from the external world not only influences the atmosphere within but also introduces a flow of time detached from the pulse of the surrounding city.

Katowice Scientific Information Centre and Academic Library by HS99

First floor plan – click for larger image

Location: Katowice, ul. Bankowa 11a
Client: Consortium of the University of Silesia and University of Economics in Katowice
Design: SARP Competition No. 924: 12.2002 (1st prize)
Building Permit Secured: 2004

Katowice Scientific Information Centre and Academic Library by HS99

Second floor plan – click for larger image

Construction: 2009-2011
Building Footprint: 2 910 m2
Total Floor Area: 10562 m2

Katowice Scientific Information Centre and Academic Library by HS99

Longitudinal section – click for larger image

Volume: 62 560 m3
Net Floor Area: 12 273 m2
Gross Floor Area: 13 260 m2

Katowice Scientific Information Centre and Academic Library by HS99

Cross section – click for larger image

Maximum Volume Storage: 2 000 000 books
Volumes Currently Held: 340 000 books (open collection); 460 000 books (closed collection)

Katowice Scientific Information Centre and Academic Library by HS99

North elevation – click for larger image

Team: HS99, Dariusz Herman, Piotr Smierzewski, Wojciech Subalski,
Cooperation: Rafal Sobieraj, Adam Kulesza, Jacek Moczała, Wojciech Słupczyński
Structural Design: Jan Filipkowski, Joanna Jacoszek, Jerzy Rawski, Mariusz Staszewski

Katowice Scientific Information Centre and Academic Library by HS99

West elevation – click for larger image

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and Academic Library by HS99
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Chocolate Bar by Bro.Kat

Chocolate Bar by Bro.Kat

Chocolate appears to be dripping down the walls at this cafe in Opole, Poland, by interior designers Bro.Kat.

Chocolate Bar by Bro.Kat

Located in the market square, the cafe only occupies a 30-square-metre unit but the designers have built a mezzanine to fit extra seating areas into the space.

Chocolate Bar by Bro.Kat

“The chocolate melting on the walls is the only embellishment of the room,” said designers Roma Skuza and Bogna Polańska, before explaining that the “milk drops” hanging from the ceiling are lamps.

Chocolate Bar by Bro.Kat

Black, brown and cream are the only shades used for furniture and decoration, reflecting the three main varieties of chocolate.

Chocolate Bar by Bro.Kat

Ground floor plan – click above for larger image and key

A dark brown-coloured bar and kitchen are located beneath the mezzanine, which the designers refer to as ”a square of chocolate”.

Chocolate Bar by Bro.Kat

Mezzanine plan – click above for larger image and key

We’ve featured a couple of spaces with chocolate-like decorations. See our earlier stories about a chocolatiers’s shop in Belgium another one in Japan.

See all our stories about chocolate »

Photography is by Radosław Kaźmierczak.

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by Bro.Kat
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Fala Park by PL.architekci

Stray balls aren’t a problem on the rooftop tennis court of this sports centre in western Poland by PL.architekci, thanks to the cage that covers the building (+ slideshow).

Fala Park by PLarchitekci

“The plot was too small to locate a tennis court on the ground, so we decided to put it on the roof,” architect Bartek Bajon told Dezeen. “We designed an eight-metre-high cage to protect people on the ground from falling tennis balls.”

Fala Park by PLarchitekci

The metal cage wraps the facade and roof of the two-storey building, creating the framework for a row of shutters that can be fastened shut across the glazed elevations.

Fala Park by PL.architekci

Inside the centre, a two-storey climbing wall surrounded by a cafe and reception area sits in the crook of the L-shaped plan.

Fala Park by PL.architekci

The climbing wall can be seen from almost every other part of the building, which includes bowling alleys, squash courts, a gym and a children’s play area.

Fala Park by PLarchitekci

Faceted staircases lead up to the rooftop tennis court, which Bajon says offers “picturesque views of the old town, park and lake”.

Fala Park by PLarchitekci

Other sports centres on Dezeen include a timber-clad football training centre and a sports hall with a rainbow-coloured facade.

Fala Park by PLarchitekci

See more stories about sport »

Fala Park by PLarchitekci

See more buildings in Poland »

Fala Park by PLarchitekci

Photography is by Bartosz Makowski.

Fala Park by PLarchitekci

Here’s some text from the architects:


Fala Park

Fala Park is a sports and recreation centre situated in the small and picturesque town of Wolsztyn, Poland, famous as the location of a locomotive roundhouse.

Fala Park by PLarchitekci

The new centre has been built on a former brownfield site bordering a historic park and offering views to a nearby lake.

Fala Park by PLarchitekci

Our intention was to take full advantage of the sites location by creating visual connections from the building to its attractive surroundings with the main internal spaces requiring natural light having views towards the lake.

Fala Park by PLarchitekci

A rooftop tennis court – Poland’s first – offers users an exciting platform to admire the far-reaching panorama of the town’s historic church towers and dense rooftops.

Fala Park by PLarchitekci

The form and massing of the building is derived from the spatial requirements of the sporting functions within.

Fala Park by PLarchitekci

Although initially Fala Park was supposed to be enclosed, we persuaded the investors to keep it open and welcoming; creating a new, inviting and energetic public space that seeks to strengthen the connections between the town, the park and the lake.

Fala Park by PLarchitekci

Along with the rooftop tennis court, Fala Park accommodates: 4 bowling alleys, 2 squash courts, a full height climbing wall, a gym with spin and fitness studios, a children’s play area, a mini-golf course, a cafe, and bike and Segway hire.

Fala Park by PLarchitekci

The building has been wrapped with semi-translucent, vertical brise-soleil panels arranged to create an expressive modular façade whilst reducing solar gain. Inside, contemporary and vivid interiors have been used to enable easy orientation within the entwining yet distinctive buildings functions. Bright accent colours and clear graphics and signage were used throughout to appeal to users of all ages.

Fala Park by PLarchitekci

A striking, green climbing wall, which can be seen throughout the building dominates the main interior space and acts as a notional ‘core’ and way-finding device for users.

Fala Park by PLarchitekci

The climbing walls distinctive form is also playfully expressed in the treatment of the stairs, furniture and other elements of the building. Even though Fala Park was completed on a very tight budget (jointly founded by EU grants and private equity) we believe we have succeeded in delivering a contemporary, playful and contextual building.

Fala Park by PLarchitekci

Ground floor plan- click above for larger image

Fala Park by PLarchitekci

First floor plan- click above for larger image

Fala Park by PLarchitekci

Second floor plan- click above for larger image

Fala Park by PLarchitekci

Section- click above for larger image

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by PL.architekci
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Voivodeship Police Headquarters by Poznań Projekt and mode:lina architekci

Flashes of blue stand out against the stark white and grey interior of this police headquarters in Poland by Poznań Projekt and mode:lina architekci (+ slideshow).

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

The Voivodeship Police Headquarters in Poznań was redesigned to improve disabled access to the building and create a modern interior for the police department.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

Inside the building, sharp corners have been smoothed off and the walls, floors and ceilings are painted white and dark grey.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

The flashes of blue on the reception desk and chairs hint at the official function of the building.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

The interior was completely remodelled but the design of the exterior was partly determined by the building’s heritage status.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

Last September, mode:lina created an audio installation from plastic tubes for Dezeen Platform at Dezeen Space in Shoreditch, and they also told us about the project in a filmed interview.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

See all our stories about police stations »

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

Photographs are by Marcin Ratajczak.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

Here’s some more text from the architects:


Pracownia Architektoniczna and Poznań Projekt, in collaboration with mode:lina architekci, have designed the main entrance to the Voivodeship Police Headquarters in Poznań, situated in a building which is a part of a historic urban structure.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

The aim of this renovation was to adjust the entrance for disabled users as well as set a new standard for police interiors. In order to provide equal chances to enter the building some rough cuts and changes were made. While the exterior part had to be approved by city’s heritage conservator, architects had a free hand to design the interior.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

‘Simple and clear’ – that was how we planned to design the interior. We decided to use white and dark grey as a background for blue – an official police colour. The main circulation is marked in white both on the floor and the Barrisol LED-lit ceiling.

Voivodeship Police Headquarters by Poznan Projekt and Modelina Architekci

Click above for larger image

Blue splashes on the reception desk and furniture leave no doubt that you are in the Police Headquarters. Even though being a policeman is tough, we softened the appearance of the interior by rounding all the angles and corners.

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Poznań Projekt and mode:lina architekci
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Frivole Prestige perfumery by Theza

A multi-faceted gold block dominates this perfumery in Wrocław by Polish interior designers Theza.

Frivole Prestige perfumery by Theza

A beauty salon and back office have been squeezed inside the block and can be glimpsed through perforations in its brushed gold exterior.

Frivole Prestige perfumery by Theza

The rest of the shop is divided into monochrome halves, with the main space in white and the passageway in black.

Frivole Prestige perfumery by Theza

Boxy lights jut out from the roof at angles, complementing the faceted block.

Frivole Prestige perfumery by Theza

The shop, which is the flagship salon of the Frivol perfumery brand, is located in the recently opened Sky Tower in central Wrocław.

Frivole Prestige perfumery by Theza

Theza are a group of young architects and designers from Poland, based in Silesia.

Frivole Prestige perfumery by Theza

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Frivole Prestige perfumery by Theza

Photographs are by Ludwik Kaizerbrecht and Bartłomiej Zabój.

Frivole Prestige perfumery by Theza

Here’s some more information from the designers:


Frivole Prestige perfumery is located in the centre of Wrocław in the recently opened skyscraper Sky Tower. The project is a flagship salon of the Frivol perfumery network, which is based mainly on the outlet sales.

Frivole Prestige perfumery by Theza

The decor stores Frivol network consists of white and black colour scheme, complemented by the leading colour and structure of the polygons.

Frivole Prestige perfumery by Theza

The guideline for the interior is to use mono colour and to develop polygonal structures. The new leading tone got the colour structure of brushed gold.

Frivole Prestige perfumery by Theza

The interior is divided into two zones: white – high, located in the depths, and black – low, located along the passage. Zones are compatible with the products range and type of sales.

Frivole Prestige perfumery by Theza

A gold polygonal structure is visible throughout the whole interior. The block is two sided – golden from the outside, white from the inside. The interior of the shell hides a beauty salon (manicure, massage, waiting room) and back office.

Frivole Prestige perfumery by Theza

In the cosmetic structure part there is a self-supporting three-dimensional structure attached to the floor and partly to the wall.

Frivole Prestige perfumery by Theza

Due to a parametric perforation, the coating becomes semi-transparent, partly allowing sight of the interior of the structure.

Frivole Prestige perfumery by Theza

Function: Perfumery/Cosmetic Treatments
Design: Theza architects
Building site: Sky Tower, Wrocław, Poland
Total floor area: 240 sq. m.
Design period: 12.2011 – 02.2012
Construction period: 02.2012 – 05.2012

The post Frivole Prestige perfumery
by Theza
appeared first on Dezeen.

Pride&Glory Interactive office by Morpho Studio

Recycled wooden boards and pallets are stacked up as furniture at this office in Kraków by Polish designers Morpho Studio (+ slideshow).

Pride And Glory Interactive by Morpho Studio

Located in a former factory, the office for advertising agency Pride&Glory Interactive also features glazed meeting rooms with wooden frames and plank and batten doors.

Pride And Glory Interactive by Morpho Studio

Light bulbs hang from a bunch of cables in one of the meeting rooms, while grass lines the edge of the one opposite.

Pride And Glory Interactive by Morpho Studio

Spotlights illuminate the reception area, where the company’s awards are displayed on shelves supported by ladders.

Pride And Glory Interactive by Morpho Studio

Other office interiors we’ve featured recently include a laboratory-like architecture studio and an office with rooms dedicated to silence.

Pride And Glory Interactive by Morpho Studio

See more stories about office interiors » 

Pride And Glory Interactive by Morpho Studio

Photography is by Hanna Długosz.

Pride And Glory Interactive by Morpho Studio

Here’s some text from Morpho Studio:


The new head office of Pride And Glory Interactive

The industrial character of the Zabłocie district goes much further back than the mid-19th century. It was here that many factories and industrial plants were situated, including a construction and building materials factory, Oskar Schindler’s enamelware factory and the building of the Telpod factory from the times of the Polish People’s Republic, seeming to stretch into infinity. Currently, Zabłocie is going through a revival, and the Museum of Contemporary Art located here attracts Kraków’s creative community.

Pride And Glory Interactive by Morpho Studio

It is precisely in this setting, in a building of a former cable factory, that the head office of the Pride and Glory Interactive agency is situated. The surface area of 800 m2 comprises mainly open spaces, but several conference rooms have also been included. The design was aimed at retaining the industrial atmosphere of the factory, but at the same time, at making it more cozy by adding some homely elements.

Pride And Glory Interactive by Morpho Studio

The interior has been fitted with elements such as award display shelves made of ladders; woodwork in the conference rooms inspired by details found in barns; shelves, the reception desk and some of the tables made of wooden boards obtained after the demolition of a 100-year-old house of one of the agency’s owners. An important element bringing the employees together is an open kitchen with a dining room. The post-industrial space turned out to be the perfect background for original furniture and accessories softening the austerity of the building and enhancing the qualities of the interior.

Pride And Glory Interactive by Morpho Studio

Location: Kraków
Area: 810 m2
Investor: Pride And Glory Interactive
Photo: Hanna Długosz

The post Pride&Glory Interactive office
by Morpho Studio
appeared first on Dezeen.

2013 Arrinera Supercar

Voici ce supercar du constructeur polonais Arrinera basé à Varsovie. Un coupé sportif imaginé par Lee Noble, rappelant les lignes de Lamborghini. Particularité : le véhicule est équipé d’une caméra thermique pour la vision nocturne. Prévue à la commercialisation pour 2013.



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