New paper sorting and filing products

Four days last week, I attended the National Association of Professional Organizers’ 24th annual conference in Baltimore. It was nice to see so many terrific leaders in the industry and catch up on the latest trends and research relating to uncluttering and organizing.

One of my favorite parts of the conference is the exposition hall, which is filled with manufacturers, retailers, and service providers who work closely with the professional organizing industry. Many of these providers use the conference to introduce new items that aren’t yet on the market, as well as to solicit suggestions for how professional organizers think products can be improved.

Today, and then a couple days next week, I want to feature some of these new and yet-to-be released products so you can see the latest trends in organizing. A couple of the items are in the “new-to-me” category, but most of them will also be new to you. To be clear, I’m not getting any sort of payment or kick-backs for writing about these products. These are simply the items I found interesting and helpful for common organizing problems.

I’ve grouped the items into themes, and today I want to feature the new paper sorting and filing products –

Pendaflex has a few new products that caught my attention. The first is their PileSmart View Folders. If you’re someone who insists on piling papers instead of using a filing cabinet, these are folders for important papers that include tabs so you can easily see what you’re searching for in your stack:

Another Pendaflex product I like is their Divide It Up File Folders. These are great for sub-dividing paperwork for small projects:

The final Pendaflex product I thought could be useful are their new Ready-Tab Hanging File Folders. Instead of hunting for plastic tabs to insert into the folder or having those tabs accidentally pop off, the tabs are part of the folder and pull out of the folder itself:

The Smead Company is now making Lockit Pocket Folders that have a tab at the top of the folder to keep papers from sliding out during transport. These are great for important papers you can’t afford to have slip out of their folders:

Next up is Smead’s Vertical Divided File, which is so new you can’t even order them yet. They are vertical folders with interior pockets and tabbed dividers. These would be great for organizing a trip, similar to the Pendaflex Divide It Up Folder, but for folks who prefer vertical folders:

Also related to the topic of paper management was word from the people at Fujitsu that we should expect to see updates coming to the ScanSnap 1300 series of scanners at some point during the summer. They were tight-lipped as to what those updates are, so I imagine they’re going to be good ones.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Niall McClelland

Our interview with the Toronto-based artist on the process and progress of his photocopy tapestries
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Niall McClelland‘s art may be rooted in the subcultures of graffiti and punk rock, but its roughness has been refined through a well executed artistic process. His highly sought after “Tapestry” series includes large-scale works which are made by folding and wearing down large sheets of paper covered in photocopy toner. Toying with balance between control and chance, McClelland also makes vivid prints by allowing inkjet cartridges to seep into the corners of rugged Japanese papers that have been folded and bound, leaving striking psychedelic stains.

We recently caught up with the Toronto-based artist to ask about his process and his upcoming projects.

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You have an obvious affection for cast off common objects—ink cartridges, light bulbs, bed sheets, photocopies, etc. How did this develop? What’s the appeal of these things?

It developed as a practical way of making work. I needed to use affordable material for budget reasons, but it’s also what I’ve been surrounded by forever—used clothes, used furniture, thrift shop or junk pile everything. It seems like a natural, honest starting point for me to make work. Developing an eye for the potential in trash or cheap familiar materials. Being resourceful I think is the appeal, there’s a pride that comes from that.

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How much of the process are you able to dictate, and when do you know to just let things happen?

I like the idea of working with material that has had a bit of life to it, something that has existed outside of a studio. I tend to set up scenarios for the work to be created within, so setting up parameters that I’ve pre-determined then letting the material do its own thing within them—anything from weathering canvases on my roof, to folding paper and walking with it in my pocket. As far as when to know when to let go, that’s just experience with the materials and learning restraint. Having an eye for what works and what is shit.

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Tell us about how the folded photocopies ended up as the fabric design for Jeremy Laing’s Spring 2012 collection.

Jeremy saw my show last spring at Clint Roenisch gallery and got in touch, but we have a lot of friends in common so it wasn’t a huge stretch. We started getting together to talk about his upcoming collection and compare notes, he’s a sharp guy and we see eye to eye on things, so we just narrowed it down to several directions and I created the work which ended up as his prints for the Spring/Summer 2012 collection. Super simple, we’re friends now. I also have a couple really rad silk scarves coming out with Cast of Vices in the fall. We scanned some of the folded photocopies on this insane NASA scanner, and had them printed on really great silk, pretty badass.

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What’s on the horizon?

As far as upcoming projects, I have a solo show opening at Eleanor Harwood Gallery in San Francisco opening 7 April. I’ll be showing with Clint Roenisch at the NADA fair in May (to coincide with the first Frieze Art Fair in New York) alongside buds and great artists Hugh Scott-Douglas and Alexander Hardashnakov, which should be rad. All three of us will also be included in the group exhibit this June “Trans/FORM” at the Museum of Contemporary Canadian Art (MOCCA) in Toronto alongside five other artists. Can’t wait for that one too!

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Niall McClelland is represented by Clint Roenisch Gallery in Toronto, Envoy Enterprises in New York and Eleanor Harwood Gallery in San Francisco.


Little Paper Planes

Designers revamp the standard classroom DIY toy
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Having founded the online artist’s community Little Paper Planes in 2004, Kelly Lynn Jones decided to share their ideas with readers in her new book of the same name. Little Paper Planes revisits the traditional DIY toy with 20 takes on the classic form, complete with perforated pages for folding, taping and flying. Each paper airplane comes from a different graphic artist, with designs ranging from old standbys to experimental models. Along with each artist’s background and their thoughts on childhood is a clear set of instructions, list of supplies and pattern needed to create their version of the paper airplane.

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“Paper planes were something that bridged the gap between this make-believe world and reality,” writes Jones, musing about their role in her childhood imagination. “They were real, tangible objects but represented the possibility that what I imagined could really come to be.” In creating a book around the act of making and creativity—something so ingrained in youth—Jones felt a deep sense of nostalgia, while being confronted with the what she calls “notions around authorship and collaboration between artist and reader.”

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The artists included in the book are all veterans of the LPP site, combining their efforts to produce this playtime edition. Besides more straightforward approaches from Alyson Fox‘s bright lined patterns to form into a flying airplane, a floating swan or “whatever you like”, and Brendan Monroe‘s Light Speed Flyer (“designed for speed”), some artists, such as Alexis Anne Mackenzie, venture outside the realm of linear flight. Her instructions read: “Shred the page into as many tiny pieces as you can, using only your fingers, and fling them into the air.” Christine Tillman gives us the schematics for a beautifully illustrated wad of paper—which, when thrown correctly, flies just as well as a paper airplane. Gemma Correll demonstrates a method to outfit a favorite pet with wings, including instructions to extend the length of paper for “plumper” animals.

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Little Paper Planes drops in May 2012 and is available now for pre-order from Chronicle Books and Amazon.


The Aleatoric Series

Paper engineering set off with abstract painting in a collaboration from Ghostly International

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From the record label-meets-art house Ghostly International comes a collaboration between abstract artists Michael Cina and Matt Shlian. The limited edition series contains works on paper that bring together the divergent styles of the two artists, marrying Cina’s colorful abstractions and Shlian’s signature paper engineering to demonstrate the common theme of experimentation in their respective processes. Shlian’s paper pyramids borrows from geometric and biological forms to create a 3D canvas, his typical monochrome look overhauled by Cina’s vibrant pigments, which have roots in his background creating album art for Ghostly.

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The name for the Aleatoric Series refers to the element of chance to create an unexpected outcome in the artists’ joint work. “These pieces feel spatial or nebulous…a micro and macro all at once,” says Shlian. “When I read, I never understand the important parts first. I pull out the details and focus on them first, and then I have to work at understanding the bigger picture.” In this way, the two artists shared the back and forth that comes with collaborative, ongoing work.

The pieces are assembled by hand using acid-free glue and paper, and the surface is colored with vegetable-based ink. As arrangement of the color changes from piece to piece, none of the 25 iterations of each composition are exactly the same. All told, the collection demonstrates the benefits of artistic experimentation and the effect that occurs when two talented artists riff off of one another.

Pieces from The Aleatoric Series is available from the Ghostly Store for $250.


Managing active files and papers

I’ve been having an email exchange this morning with a woman who is looking to keep her desk organized while she works, which is especially difficult because she has a significant amount of physical paperwork she has to manage. She works in human resources and paperwork is unavoidable in her position. Accountants, billing managers, and anyone who works with hand-signed contracts likely have similar paper management concerns.

The paperwork she processes can be organized into groups, although most of those groups are regularly changing. For example, she’s constantly receiving resumes, but the jobs she is collecting resumes for change as openings for positions do. Having erasable file labels or a label maker will help folder identification change as the file needs change.

Having quick and easy access to those files is also important. I like working with tiered or separated desktop file organizers. My favorite is an expanding metal file organizer that adjusts to meet your size needs:

I also like non-adjustable tiered racks and tiered boxes. If a workspace is next to an empty wall, a wall-mounted pocket rack can do the same thing and not take up desk space:

Individual papers that don’t belong in groups, can always be suspended from clipboards, paperclips suspended from a piece of twine tacked to the wall or a bulletin board, or a restaurant ticket order holder:

As part of this paperwork management, it’s also important to shred, recycle, or file into an archived filing system papers and files as they are no longer being circulated. Be sure to schedule 10 minutes twice a week to review all the active papers and files to make sure you’re keeping inactive items out of your active system.

Do you have a constant flow of active papers and files crossing your desk over the course of a day? What products have you discovered to help you manage your work and keep papers and files from overwhelming your workspace? Share your suggestions in the comments.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Trebucard

Let the inter-office warfare commence with a business card catapult

by Blair Pfander

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If designer Bryce Bell has anything to do with it, business cards won’t be regarded for their paper weight or raised ink, but by their ability to fling random objects through space. His latest invention, the “Trebucard“, does exactly that, using the weight of 16 pennies to launch jumbo-size paperclips 8-10 feet in the air.

Cleverly designed to fold into a wallet-friendly rectangle, the Trebucard is modeled on a classic trebuchet (a kind of medieval catapult). Two curved wings on the outside of the card can be clipped together in the center to create a rocking teeter-totter, while stacks of taped-together pennies fit into identical windows at the top. A paperclip, slightly stretched-out, is then positioned beneath a white tab at the bottom. When the catapult is positioned upright over the paperclip and released, it lurches forward, propelling the clip into the air with jaw-dropping speed.

Not only is the Trebucard a fully-functional (if very small) weapon, but Bell makes it easy to customize it to the user’s needs. The cards can be ordered blank or pre-printed with contact information, and Bell conveniently includes a paperclip with every card, so each one is ready for blast-off as soon as it leaves your wallet. And those outside the U.S. need not worry—Bell assures us that most small coins can be used in lieu of American pennies.

Anyone who ever wanted a weird party trick or a harmless way to annoy a cubicle-mate can order cards online (prices start at $1.25 for a set of 1-9) and go forth with confidence. Also available is Bell’s Cardapult V2, recently enhanced for greater power. Take a look at the Trebucard in action in this video.


Ask Unclutterer: How do I convince my spouse to get rid of unnecessary papers?

Reader Kat submitted the following to Ask Unclutterer:

How do I get my husband and stepson to follow the systems I set up? How do I work with other people to attain organization? How can I convince my husband that we don’t need to keep every piece of paper that crosses our threshold??

Full disclosure: Kat’s email was significantly longer than the paragraph of questions quoted here. The gist of the other part of her message was that her family has incredible qualities, they’re truly wonderful people, they just LOVE keeping paper and not doing anything with it except for stacking it. This behavior drives Kat, a newlywed, batty.

Kat, the first thing you need to do is accept that you live with paper keepers and stackers. It’s who they are. They were this way before you married into the family two years ago, and you will never be able to force them into becoming shredders, scanners, and filers. As much as you want to, you can’t force anyone into being an unclutterer.

That being said, you can implement strategies to help you deal with your frustrations about their behavior, and you can also talk with them about your uncluttered and organized preference and hope they choose to adopt them.

The first step is to sit down and have a family meeting about the paper situation in your home. If you can maintain a calm conversation at home, have it there. If voices are likely to be raised, take pictures of the rooms in your house that are cluttered with paper and head with your family to a restaurant to have the conversation in public. People are much more likely to keep level-headed in public spaces.

During your conversation, be specific with how you feel about the paper clutter, the impact the paper clutter is having on your life (don’t over dramatize, state only facts), and describe exactly how you wish the space to look. Then, ask your husband and your son how they feel about the paper clutter in the house, how is it impacting their lives, and how they want their home to look. Try your best to come to an agreement between the three of you for how you want your space to look. You will have to give a little, and they will have to give a little, but the three of you should agree on a state that works for all of you. Then, discuss in detail how you plan to make the vision a reality.

If you cannot agree upon the way you want the house to look, I strongly recommend seeking the help of a therapist. Talking things over with a person who doesn’t live in your house can help significantly in these situations.

After you decide on the desired state of your home, everyone should do a walk through of the entire paper handling process with each other to make sure everyone will work in the same way. Since you already own a shredder and scanner, everyone should practice on the equipment. Don’t be condescending to each other, just walk through the process.

Then, when the walk-through is over, you need to trust your family to stick to the plan. You also have to stick to the plan, no exceptions. If your husband or son do not follow the agreed upon behavior, they have two choices. Ask, “The three of us agreed that we want our home to look a specific way. Do you still agree with this or has something changed and we need to revisit our goals?” As long as the person still agrees with the goals, he will very likely get up and process the papers appropriately. If the person no longer agrees with the goals, you need to sit back down and have the conversation about paper in your home again.

If the paper situation doesn’t bother anyone but you and neither your husband or son have interest in changing their ways, there may be a point where you will want to take over as the paper person for the house. You can’t take over this role without the permission of your husband and son. If everyone is okay with you being the paper person, though, trade it out for chores you don’t want to do but that your husband and son do. Maybe you agree to process paper and your husband agrees to do all the yard work? Maybe you agree to process paper and your son agrees to load and unload the dishwasher every night after dinner? Whatever trade you decide to make, be sure the chores are as close as possible to taking the same amount of time and energy to complete. We do this separation of responsibilities with numerous home maintenance work in our home.

Thank you, Kat, for submitting your question for our Ask Unclutterer column. Good luck getting the paper under control in your home and be sure to check the comments for even more suggestions from our readers.

Do you have a question relating to organizing, cleaning, home and office projects, productivity, or any problems you think the Unclutterer team could help you solve? To submit your questions to Ask Unclutterer, go to our contact page and type your question in the content field. Please list the subject of your e-mail as “Ask Unclutterer.” If you feel comfortable sharing images of the spaces that trouble you, let us know about them. The more information we have about your specific issue, the better.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Ricardo Filomeno

Papercraft becomes motion graphic-inspired art

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Having just sold his first framed piece and a short-film project getting underway, Sao Paulo-based Ricardo Filomeno is poised to turn his whimsical papercraft hobby into a profession.

Filomeno and his girlfriend, art director Carol Bella, who also works with the medium in her free time, are collaborating on an experimental papercraft horror amusement park project. Inspired by The Funhouse, the short film will employ live action rather than stop-motion as a way to animate the scenes and characters. They’re currently in the testing stage, playing around with simple motors and tiny lamps to see how they might be incorporated to pull off the scenes filmed inside the house. The project is expected to be completed in three months.

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Filomeno, a freelance motion graphics artist who primarily works in Brazil’s advertising industry, was first turned on to the art form in 2008, particularly by the pieces of Los Angeles artist Elsa Mora, and trips to France.

For Filomeno, his work creating graphics provided a natural foundation for his new endeavor. He started making various pieces in his spare time, creating cameo brooches of pop culture characters found in comic books and Wes Anderson and sci-fi films. A recurring personality is Deus Mendingo, which translates roughly as “hippie God” in English. Filomeno originally used the pieces as business cards to make a lasting impression on potential clients of his animation work, but after participating in a bazaar in São Paulo last year and successfully selling a few, it was obvious his work could reach a bigger audience.

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With plans to show his pieces on a bigger scale, Filomeno is set to share his burgeoning hobby well beyond São Paulo. For more information, or to order custom pieces visit the artist’s website, and keep an eye out for his paper-craft horror show later this year.


Breaking Bad and Mad Men paper dolls

Non ho mai visto la serie tv Breaking Bad o Mad Men, ma questi paper toy spaccano. Disegnati da Andrés Martínez Ricci.
{Via}

Breaking Bad and Mad Men paper dolls

Breaking Bad and Mad Men paper dolls

Breaking Bad and Mad Men paper dolls

The Wolf I Used To Be

Le studio Nearly Normal nous propose cette superbe vidéo d’animation de papier appelée “The Wolf I Used to Be”. Reprenant les concepts de la nature de l’homme et de sa place dans la société, cette vidéo impressionne par sa qualité. A découvrir dans la suite.



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