“Singapore has balanced the need for density with providing public space”

Dezeen and MINI World Tour: Colin Seah of Ministry of Design shows us examples of how Singapore is responding to the challenge of housing a growing population without sacrificing its green spaces in our second movie from the city.

Colin Seah of Ministry of Design, Singapore
Colin Seah of Singapore studio Ministry of Design

“It has been a perennial issue,” says Seah. “How do you house five to seven million people on an island that would fit into Lake Geneva?”

“The government could have just said: ‘let’s not control it, let’s have sprawl and have more people living in houses’. But the strategy instead was to protect public spaces and green areas.”

The Pinnacle@Duxton by Arc Studio, Singapore
The Pinnacle@Duxton, Singapore, by Arc Studio

Seah takes us to three of his favourite architectural projects around the city, which each tackle the challenge in different ways.

The first is The Pinnacle@Duxton by Singapore architects Arc Studio, a vast public housing complex comprising seven 50-storey tower blocks connected by large bridges and a sky garden at the top.

The Pinnacle@Duxton by Arc Studio, Singapore
The Pinnacle@Duxton, Singapore, by Arc Studio

“It’s amazing because on the same piece of land that housed 150 houses [they have built] up to six or seven times the number of family units,” says Seah.

The Pinnacle@Duxton by Arc Studio, Singapore
The Pinnacle@Duxton, Singapore, by Arc Studio

“The top level is open to the public, because it is public housing after all. You have a 360 degree panorama of Singapore.”

The Interlace, Singapore, designed by former OMA partner Ole Scheeren
The Interlace, Singapore, designed by former OMA partner Ole Scheeren

Next Seah takes us to The Interlace, a new private housing development designed by former OMA partner Ole Scheeren, who has since set up his own studio.

The Interlace, Singapore, designed by former OMA partner Ole Scheeren
The Interlace, Singapore, designed by former OMA partner Ole Scheeren

“Instead of having these tall vertical towers, they broke them down to horizontal towers,” says Seah of the complex, which comprises 31 six-storey blocks stacked diagonally on top of each other.

The Interlace, Singapore, designed by former OMA partner Ole Scheeren
The Interlace, Singapore, designed by former OMA partner Ole Scheeren

The blocks are arranged around large hexagonal communal courtyards, while the roofs of the lower blocks provide smaller gardens for the blocks stacked on top of them.

The Interlace, Singapore, designed by former OMA partner Ole Scheeren
The Interlace, Singapore, designed by former OMA partner Ole Scheeren

“Everybody has a chance to use them and look down into them,” says Seah. “But you’re much closer to the ground than if you were in a vertical tower.”

Marina Barrage, Singapore
Marina Barrage, Singapore

Finally, Seah takes us to Marina Barrage, a dam designed to control the water coming in and out of Marina Bay and prevent flooding in low lying areas of the city. The machinery that operates the dam is housed in a large building alongside, which features a public park on its gradually sloping roof.

Marina Barrage, Singapore
Marina Barrage, Singapore

“Instead of being a utilitarian building, there was a really fantastic agenda to infuse it with a public, park-like quality,” says Seah.

“On the weekends and evenings it’s incredibly popular with families. So for a building that just houses machines, it becomes this living space.”

Marina Barrage, Singapore
Roof of Marina Barrage, Singapore

Seah concludes: “The government has been very clever to balance the need for density with more ample public space that people can share collectively.”

Marina Barrage, Singapore
Marina Barrage, Singapore

We were in Singapore for World Architecture Festival and Inside Festival, and will be publishing interviews with some of the key speakers in the coming weeks.

We drove around Singapore in our MINI Cooper S Paceman. The music in the movie is a track called Feeling Beast by Man Oeuvre.

You can listen to more music by Man Oeuvre on Dezeen Music Project and watch more of our Dezeen and MINI World Tour movies here.

Our Dezeen and MINI World Tour MINI Paceman in Singapore
Our Dezeen and MINI World Tour MINI Paceman in Singapore

The post “Singapore has balanced the need for
density with providing public space”
appeared first on Dezeen.

“Most of our parents wanted us to be lawyers or doctors. Not anymore.”

Dezeen and MINI World Tour: in our first video report from Singapore, Colin Seah of local architecture studio Ministry of Design tells us how the recent cultural shift away from mass-market shops and restaurants is helping transform attitudes towards design in the city. 

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Colin Seah of Ministry of Design

“Singapore was known as a clean and green city,” says Seah. “Clean almost to the point of being boring.”

“There seemed to be a saturation of mass-market experiences. But from 2000 to 2005, things started to rapidly open up. Singapore now is a lot more exciting.”

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Our MINI Paceman across the water from Gardens by the Bay by Wilkinson Eyre

Seah claims that many Singaporeans are choosing to stay away from established chains, preferring to spend their money in more boutique shops and restaurants.

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Dempsey Hill, Singapore

In the movie he takes us to two recently rejuvenated parts of the city where independent retailers and food outlets are flourishing.

The first is Dempsey Hill, a former British colonial army barracks to the west of the city centre, which now hosts a wide range of independent restaurants and cafes.

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Dempsey Hill, Singapore

“It was the first major adaptive reuse project in Singapore, where a building that was once governmental or institutional was given back to the market,” says Seah. “That shift has taken root and you see more districts now being reclaimed this way.”

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Haji Lane, Singapore

Closer to the city centre is Haji Lane, a narrow street lined with two-storey shophouses in the Arab quarter of the city, in sharp contrast to the towering skyscrapers of the nearby financial district that Singapore is more famous for.

“Along Haji Lane you’ll find maybe 30 independent boutiques,” says Seah. “Just a great amount of variety without having to see a brand that you would find also in California or the UK.”

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
New Majestic Hotel by Ministry of Design

One of the first boutique hotels in Singapore was designed by Seah’s studio, Ministry of Design. Called New Majestic Hotel, it comprises four converted shophouse tucked away down a quiet street in Singapore’s Chinatown.

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
New Majestic Hotel by Ministry of Design

Seah believes that the recent demand for hotels like New Majestic Hotel provides an important source of work for designers in the city.

“Without this increased level of curiosity and diversity, firms like ours would not really be able to exist,” he says. “There would just be no market for the work that we do.”

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
New Majestic Hotel by Ministry of Design

He also believes that the cultural shift is encouraging more young people to study architecture and design.

“Because of the need for more firms to provide work of this nature, I think young people feel that it’s less of a risk to enter the design field,” he says.

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
New Majestic Hotel by Ministry of Design

“In Singapore, most of our parents want us to be accountants or lawyers or doctors. [To be an] architect is a bit dodgy and [if you study] interior design or art, you’re a lost cause. But not any more.”

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
SOTA by Singapore architecture practice WOHA

Singapore’s government is also starting to take design seriously, Seah says. In 2008 it established SOTA (School of the Arts), which offers an arts and design-based curriculum for 13 to 18 year olds.

Private art schools have also emerged, such as Lasalle College of the Arts, designed by Singapore practice RSP Architects.

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Lasalle College of the Arts by RSP Architects

“Schools like SOTA are not just great physical examples of architecture,” Seah concludes. “They are also symbols of where Singapore is headed in terms of culture, in terms of design.”

"Most of our parents wanted us to be lawyers or doctors. Not anymore."
Singapore skyline

We are in Singapore for World Architecture Festival and Inside Festival, and will be publishing interviews with some of the key speakers in the coming weeks.

See all our coverage of World Architecture Festival 2013 »

We drove around Singapore in our MINI Cooper S Paceman. The music in the movie is a track called Feeling Beast by Man Oeuvre. You can listen to more music by Man Oeuvre on Dezeen Music Project.

Watch all our Dezeen and MINI World Tour movies »

"Most of our parents wanted us to be lawyers or doctors. Not anymore."

The post “Most of our parents wanted us to be
lawyers or doctors. Not anymore.”
appeared first on Dezeen.

Durasafe Store by Ministry of Design

Hard hats and high visibility jackets are displayed as fashion items at this Singapore boutique that architects Ministry of Design designed for a safety equipment brand (+ slideshow).

Durasafe Gallery by Ministry of Design

As the flagship store for Durasafe, the shop was conceived as a retail space that would attract mainstream shoppers. “The intention is to broaden the appeal to capture new interest from anyone interested in cool hats, boots, gloves, etc.” explained Ministy of Design’s Joy Seah.

Durasafe Gallery by Ministry of Design

She also described how the store will appeal to industry professionals. “For example, a structural engineer may prefer to get his own streamlined Raf-Simons-looking safety boots instead of the standard issue ones, or an architect might want his own construction hard hat in a gorgeous colour,” she said.

Durasafe Gallery by Ministry of Design

The shop is styled like an industrial warehouse with black walls, metal staircases and cage-like balconies.

Durasafe Gallery by Ministry of Design

“We drew inspiration from the building and manufacturing industries for the scaffold-inspired display system, signage and floor markings and the watertight bulkhead doors at the changing rooms,” explained architect Colin Seah.

Durasafe Gallery by Ministry of Design

Bright orange screens mark the entrance to the shop, where customers pass by a bright green cross that forms part of the company logo. “The whole frontage of the boutique is essentially about the logo and you walk right through it,” said Colin Seah. “There is no product or even hint of the product at the start, which is quite atypical for most boutiques.”

Durasafe Gallery by Ministry of Design

Dashed yellow lines on the floor denote different display zones, which are also marked with orange graphics designed by the studio.

Durasafe Gallery by Ministry of Design

Other recent projects by Ministry of Design include a property showroom with a rampart-like facade and an extremely pointy pavilion.

Photography is by Edward Hendricks, CI&A Photography.

Here’s a project description from Ministry of Design:


Durasafe Retail Store

Ministry of Design continues its exploration of retail and exhibition design with the unique Durasafe store – the flagship retail environment for Singapore’s leading supplier of premium safety gear and equipment.

Durasafe Gallery by Ministry of Design

Durasafe, extending its reach beyond the “business to business” model to include a consumer based store, approached Ministry of Design to create a retail environment that would reinforce its existing strong brand presence as well as provide an exciting shopping environment for its predominantly male customer base.

Durasafe Gallery by Ministry of Design

Situated in a 6m high modern warehouse space, MOD’s design for the Durasafe store is a multi-layered spatial experience that dramatizes the entire process of shopping. The entire facade of the store serves as a backdrop for an over-sized Durasafe logo and dominates one’s first visual impression.

Durasafe Gallery by Ministry of Design

Passing through this strongly coloured backdrop, one walks into a completely different space, an entirely black environment which allows the multi-coloured safety products on display to visually pop and take a place of prominence.

Durasafe Gallery by Ministry of Design

The space comprises a double storey display scaffold-like structure surrounding a feature display area and retail lounge. Inspired by the industrial environments and construction sites where Durasafe’s products are most commonly employed, the ‘scaffold’ allows the products to be clearly displayed in distinctive categories – these are further called out with custom designed graphic logos in light boxes.

Durasafe Gallery by Ministry of Design

Ground and first floor plans – click above for larger image

The ‘scaffold’ also exploits the high ceiling space and introduces a sense of adventure and exploration into the shopping experience. This “industrial chic” atmosphere is further enhanced by changing rooms adorned by actual water tight bulkhead doors, a display table made from a 6 m long customized floor trolley and yellow graphic boxes embedded in the floor calling the different zones.

Durasafe Gallery by Ministry of Design

Signage graphics

Scope: Interior Design + Graphic Design
Size: 175 sqm
Location: Singapore
Completed: 2012

The post Durasafe Store by
Ministry of Design
appeared first on Dezeen.

The Edge Gallery by Ministry of Design

Narrow glass openings provide glimpses through the rampart-like facade of this property showroom in Singapore by architects Ministry of Design (+ slideshow).

Edge Gallery by Ministry of Design

Named the Edge Gallery, the building contains a double-height sales gallery and two show apartments for developer UOL, who are constructing three residential towers on a former hotel and theatre site nearby.

Edge Gallery by Ministry of Design

The walls of the two-storey building comprise a series of L-shaped columns that wrap over the roof, while doors and windows fill the gaps between.

Edge Gallery by Ministry of Design

Unlike most showrooms, there are no signs or advertisements on the exterior of the building at all.

Edge Gallery by Ministry of Design

Other projects we’ve featured by Ministry of Design include a monochrome hotel and an extremely pointy pavilion.

Edge Gallery by Ministry of Design

See all our stories about Singapore »

Edge Gallery by Ministry of Design

Photography is by CI&A Photography.

Here’s some text from the architects:


The Edge Gallery
Architecture + Interiors + Furniture Design
910 sqm | Singapore | Completed 2012

Scope

The Edge Gallery explores and redefines the typology of the Singaporean condominium show gallery on several fronts.

Edge Gallery by Ministry of Design

Commissioned by a reputed Singaporean developer, the project for the design of a sales gallery and two show flats of a 244 unit residential development is located at a major intersection along Singapore’s eastern city fringe.

Edge Gallery by Ministry of Design

Explorations

Firstly, the design synthesizes unique characteristics of the site context with the client’s programmatic requirements.

Edge Gallery by Ministry of Design

Key site issues included the unique semi-circle shaped site, noisy surroundings and a distant vehicular drop off point.

Edge Gallery by Ministry of Design

On another front, the design also sought to challenge conventional Singaporean show gallery precedents which seem to ignore the potential for unique architectural solutions as a valid and powerful marketing device.

Edge Gallery by Ministry of Design

In contrast to this, the Edge Gallery departs from the formulaic combination of staid glass boxes and over-sized billboards.

Edge Gallery by Ministry of Design

Click image above for larger image

Relying instead on the inherent branding value of an iconic architectural statement as a more relevant, subtle & sophisticated form of advertisement.

Edge Gallery by Ministry of Design

Click image above for larger image

Incidentally, the project met with significant sales success within its first week and has established a possible new alternative model for the Singaporean show gallery.

Edge Gallery by Ministry of Design

Click image above for larger image

Solution

The building can be understood as a series of white L-shaped walls paired with interstitial vertical glass strips contouring in harmony with the shape of the site to form the overall building.

Edge Gallery by Ministry of Design

Click image above for larger image

The glass strips are intentionally turned away from the oncoming traffic flow but allow for views ports and entry portals.

Click image above for larger image

The alternating rhythm of wall and glass is continued in the building’s section, peaking at over 7m to form a double-height internal space into which the show flats and balconies face, simulating high-rise living.

Edge Gallery by Ministry of Design

Click image above for larger image

The interior design takes its cues from the overarching design language, applying it to floor and wall patterns or finishes.

Edge Gallery by Ministry of Design

Click image above for larger image

The show flats question the notion of contemporary luxury, eschewing typical elements of ostentation for more understated luxury and authentic material richness.

The post The Edge Gallery by
Ministry of Design
appeared first on Dezeen.

Vanke Triple V Gallery by Ministry of Design

Vanke Triple V Gallery by Ministry of Design

Here are some images of an extremely pointy pavilion in Tianjin, China, by Singapore studio Ministry of Design.

Vanke Triple V Gallery by Ministry of Design

A band of Corten steel cladding surrounds the triangular building, pitching upwards at each corner to cantilever over triangular windows.

Vanke Triple V Gallery by Ministry of Design

Doors on two of these glazed corners provide separate entrances to a showroom and an information centre, both for property developer Vanke.

Vanke Triple V Gallery by Ministry of Design

A lounge and bar for entertaining clients is located in the building’s third corner.

Vanke Triple V Gallery by Ministry of Design

We’ve noticed a trend of Corten-clad buildings lately – see a few more of them here.

Vanke Triple V Gallery by Ministry of Design

Photography is by Edward Hendricks, CI&A Photography.

Vanke Triple V Gallery by Ministry of Design

Here’s a little more explanation from Ministry of Design:


Vanke Triple V Gallery

Designed as a permanent show gallery and tourist information center for China’s largest developer Vanke, MOD’s dramatic design for the TRIPLE V GALLERY has become an icon along the Dong Jiang Bay coastline.

Vanke Triple V Gallery by Ministry of Design

Click above for larger image

Despite its obvious sculptural qualities, the building’s DNA evolved rationally from a careful analysis of key contextual & programmatic perimeters – resulting in the TRIPLE V GALLERY’S triangulated floor plan as well as the 3 soaring edges that have come to define its form.

http://www.dezeen.com/?p=190904

Click above for larger image

The client’s program called for 3 main spaces: a tourist information center, a show gallery & a lounge for discussion.

Requiring their own entrances, the tourist center and the show gallery are orientated to separate existing pedestrian pathways and can be operated independently.

Vanke Triple V Gallery by Ministry of Design

An extension of the show gallery, the lounge area is where discussions are conducted. This space takes advantage of the panoramic views of the coastline and comprises a sculptural bar counter.

Tectonically, the building responds to the coastal setting and is finished in weather-sensitive corten steel panels on its exterior and timber strips on the interior walls and ceiling for a more natural feel.

Vanke Triple V Gallery by Ministry of Design

Architectural & Interior Design: Ministry of Design – Colin Seah, David Tan, Daniel Aw, Jeremiah Abueva, Lynn Li, Noel Banta
Site Management: Annie Su, He Ting
Contractor: Nantong No.2 Construction Group (Archi), Beijing Grain. Rain Architectural Design Co., Ltd. (ID) C&S: Tenio Design And Engineering Co., Ltd.
M&E: Tenio Design And Engineering Co., Ltd.
Land Area: 16,850 sqm
Built in GFA: 750 sqm
Facilities: Reception, Model display, Open discussion area, Bank service area, Electricity Room, AV Room, Office, Meeting Rooms, VIP Rooms, Cloakroom, Restrooms, Information center
Construction duration: 4 months
Opening: November 2011

Dezeen Screen: Bar Code office by Ministry of Design

Inside awards: Bar Code by Ministry of Design

Dezeen Screen: in this latest interview from our series of Dezeen Talks filmed at the Inside awards in Barcelona, Dezeen editor-in-chief talks to Marcus Fairs talks to Colin Seah from Ministry of Design about the design of their own office, a former shophouse in Singapore where the rooms and the furniture within them are arranged in rows like a barcode. Watch the movie »

Lien Residence by Ministry of Design

Singapore studio Ministry of Design have completed a single-storey house that zig-zags across its triangular site in Singapore. (more…)

Face to Face by Ministry of Design

Singapore studio Ministry of Design have completed an office building in Singapore, which features strips of white lighting that seem to have been scribbled over exterior and interior surfaces. (more…)