“We need to redesign our thinking with LED lamps” – Marcel Wanders

Dutch designer Marcel Wanders discusses how he overcame the challenges of using LED technology in his new lamp for Moooi and defends the high cost of design products in this movie Dezeen filmed in Milan

"With LED lamps we need to redesign our thinking" - Marcel Wanders
Flattering by Marcel Wanders at Moooi’s Unexpected Welcome exhibition Milan

Wanders‘ new lamp for Moooi is called Flattering and features an ornate copper-coloured frame that supports 32 LED lights enclosed by tiny individual transparent lamp shades. It was on show as part of Moooi’s Unexpected Welcome exhibition in Milan.

"With LED lamps we need to redesign our thinking" - Marcel Wanders

“With LEDs we need to redesign our thinking about what to do,” says Wanders of the challenges of working with the technology.

“You have these little lights, but each of them is very sharp. If you want enough light in an LED lamp you have to put them together and [if] you have a lot it [will] blind you completely. One of the solutions is to put these little lights further away from each other.”

"With LED lamps we need to redesign our thinking" - Marcel Wanders

Normally, spreading apart so many individual LEDs would result in a lot of messy wiring to power them all. However, Wanders explains that Moooi has developed its own proprietary technology called Electrosandwich, which allows the LEDs to be powered directly through layers of conductive material within the frame.

“Here we have developed a patented technology which makes it possible for us to put lights anywhere we want without putting special cables and fittings,” he says.

"With LED lamps we need to redesign our thinking" - Marcel Wanders

Wanders then goes on to defend the high cost of products that design companies like Moooi produce.

“If Moooi makes a design, the company doesn’t only make this object in a really good way, with the right materials, with the right techniques and with the right perfections,” he says.”It also did all of the development. To get there is really difficult.”

"With LED lamps we need to redesign our thinking" - Marcel Wanders

“You will always find that the companies who copy something sell only the things that sell really well,” he continues. “A company that does design has to also find a way to make it’s margins for all the other things that fail, which is part of design.”

Wanders concludes: “Ultimately, an original design product will have a cost higher than its copy.”

"With LED lamps we need to redesign our thinking" - Marcel Wanders

Wanders also believes that owning an original product rather than a copy is important.

“If you want an authentic life, if you want to be an authentic being then you want to connect with with your surroundings,’ he says.

“My grandfather used to say ‘show me your friends and I’ll tell you who you are.’ Show me your surroundings and I’ll tell you who you are.”

"With LED lamps we need to redesign our thinking" - Marcel Wanders

We also filmed interviews with Wanders about Moooi’s Unexpected Welcome exhibition in Milan, as well as about his new Dressed watch for Alessi.

Wanders also features in this movie about the phenomenon of copying in design.

See all our Milan 2013 coverage »
Watch our Dezeen and MINI World Tour video reports from Milan »

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“I’m sure we had the most expensive exhibition at Milan this year” – Marcel Wanders

Dutch designer and Moooi art director Marcel Wanders explains why the design brand wanted to make a big impact at Milan this year in this movie filmed at Moooi’s Unexpected Welcome exhibition

"I am certain that we had the most expensive exhibition at Milan this year"

The Moooi show featured pieces from its Unexpected Welcome collection arranged in small room layouts, with giant portraits by Dutch photographer Erwin Olaf dividing the large warehouse space.

"I am certain that we had the most expensive exhibition at Milan this year"

“I am 100% sure that we are by far the most expensive exhibition in this Milano fair,” Wanders says in the movie. “We might hopefully be the most impressive one.”

"I am certain that we had the most expensive exhibition at Milan this year"

“For Moooi, this is the right moment to do something,” he continues. “This year we felt we were really ready to do more development.”

"I am certain that we had the most expensive exhibition at Milan this year"

“We wanted to show that besides making iconic objects, we are ready to do spaces, to make things work together. To not only make objects, but homes.”

"I am certain that we had the most expensive exhibition at Milan this year"

Wanders believes that the quickly developing economies in the east provide a new set of challenges and opportunities for companies like Moooi.

"I am certain that we had the most expensive exhibition at Milan this year"

“The west has been educated in its own kind of rational way for a hundred years,” he says. “We arrive now to clients all over the world. These people don’t have this dogmatic education. You’re not going to sell them a grey sofa because you tell them it’s a great grey sofa.”

"I am certain that we had the most expensive exhibition at Milan this year"

Wanders continues: “You have to give real value, give them something that they think is really vital to them, something valuable to them, something they really want to have in their hearts. And I think it’s a great opportunity for design.”

"I am certain that we had the most expensive exhibition at Milan this year"

See all our Milan 2013 coverage »
Watch our Dezeen and MINI World Tour video reports from Milan »

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at Milan this year” – Marcel Wanders
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Interview: Sophie Morichi of Archivio Picone : The family of Italian designer Giuseppe Picone keep his artistic legacy and contribution to “Made In Italy” alive

Interview: Sophie Morichi of Archivio Picone


by Heather Stewart Feldman When artist, ceramist and fabric and fashion designer Giuseppe Picone passed away in 2008, he left behind a precious gift to Italian craft history. Picone’s invaluable artistic legacy and many contributions were key…

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“It’s easy for designers today to produce and sell their own work”

Dezeen and MINI World Tour: in our penultimate movie recorded at the MINI Paceman Garage in Milan, New York designer Stephen Burks discusses the importance of having a design identity and journalist Henrietta Thompson explains why designers are starting to expand into retail.

"It's easy for designers today to produce and sell their own work"
Stephen Burks

Stephen Burks of Readymade Projects was one of the guest speakers at the series of workshops that were hosted in the MINI Paceman Garage during Milan design week.

"It's easy for designers today to produce and sell their own work"
Stephen Burks giving his talk

“I really impressed upon the students that it was important to understand their own identity before choosing manufacturers to work with, before running off and making something,” he says of his talk. “I think now they have a better sense of what that identity can be.”

"It's easy for designers today to produce and sell their own work"
Henrietta Thompson

Henrietta Thompson, editor-at-large at Wallpaper magazine, believes that changes in manufacturing are enabling more and more designers to produce and sell their own products.

“There’s certainly a shift happening in the way that designers are taking much more control over exhibiting their own work and also selling their own work,” she says. “So you’ve actually got a new dynamic opening up and a lot of the galleries and the shows that you go to are actually retail environments as well.”

"It's easy for designers today to produce and sell their own work"
Booo lighting store at Spazio Rossana Orlandi, Milan

“You have a lot more designer-makers, so they’re making things in limited editions, which they’re then able to sell,” she adds.

“Because of all these new technologies coming in, which enable the way things are made to change dramatically, things can be made much cheaper. You’ve got 3D printing, which is completely changing the landscape as well. [A designer] can sell things online and actually distribute [their own work] fairly easily now.”

"It's easy for designers today to produce and sell their own work"
Tom Dixon‘s shop at MOST in Milan

It’s not just designers that are moving into retail, Thompson suggests. “Magazines are getting into retail, exhibitions are getting into retail,” she says.

“It doesn’t necessarily have to be as cut-and-dry as ‘I’m a producer’, ‘I’m a designer’, ‘I’m a retailer’, ‘I’m a magazine’. Now everybody is doing all of those things all together.”

"It's easy for designers today to produce and sell their own work"
Our Dezeen and MINI World Tour Studio

See all our stories about Milan 2013.

The music featured in this movie is a track called Konika by Italian disco DJ Daniele Baldelli, who played a set at the MINI Paceman Garage. You can listen to more music by Baldelli on Dezeen Music Project.

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produce and sell their own work”
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28Posti Restaurant by Francesco Faccin

This little restaurant in Milan was designed by Italian architect Francesco Faccin and built by inmates from a local prison (+ slideshow).

28Posti Restaurant by Francesco Faccin

Named 28Posti, the restaurant occupies a former karaoke bar in Milan’s Navigli neighbourhood and opened in April to coincide with the Salone Internazionale del Mobile.

28Posti Restaurant by Francesco Faccin

Francesco Faccin designed the interior, retaining the peeling plaster and exposed brickwork of the existing walls and adding wooden seating and fixtures as well as a concrete floor.

28Posti Restaurant by Francesco Faccin

Working alongside Maria Luisa Daglia and Gaetano Berni of charity organisation Live in Slums, Faccin enlisted a team of prisoners from the nearby Bollate Penitentiary to build all the furniture for the restaurant, tutored by carpenter Giuseppe Filippini.

28Posti Restaurant by Francesco Faccin

The Bollate inmates used recycled timber offcuts to build tables, sideboards, doors and wall panelling. Three members of the team also helped to strip and clean the structure, pour the concrete floor and fit the windows and furniture.

“[One of] the restaurant’s objectives is to become a showcase of these furnishings in order to create a direct sales network with the Bollate’s penitentiary workshop,” explains the 28Posti team.

28Posti Restaurant by Francesco Faccin

To complete the space, pendant lights made from recycled plastic bottles are suspended over each of the tables, while Kenyan objects and sculptures are placed within recesses in the walls.

See more eateries on Dezeen, including a restaurant filled with a weave of colourful strings and a pizza bar lined with ceramic tiles.

28Posti Restaurant by Francesco Faccin

Photography is by Filippo Romano.

Here’s a project description from the restaurant’s website:


28Posti

The restaurant room is cosy and intimate, only 28 covers. It is located in a quiet street in the core of Navigli’s neighbourhood, precisely where in the past was located the historical club “Karaoke Canta Milano”. The architectural project is designed according to the original spatial characteristics and it is supplied with furniture entirely produced with waste materials.

The kitchen is the soul of the project: the guests can have access to it through a quick passage at the entrance and though a loophole in the main room which reveals the preparation of foods. Our cuisine is oriented toward ethical values, attentive to the quality of food, the respect for the environment and the fairness of the production processes.

The convicts of the penitentiary who have been able to benefit from the Art.21 could participate to the construction process. After this important experience, the restaurant will continue to be devoted with diligence to the reinstatement of disadvantaged groups.

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by Francesco Faccin
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OMA’s furniture collection for Knoll “turns industry into a fetish”

Dezeen and MINI World Tour: in our fourth movie recorded at the MINI Paceman Garage in Milan, MINI head of design Anders Warming introduces the workshops that took place in the space and journalist Justin McGuirk explains why he sees OMA’s Tools for Life collection as a nostalgic reaction to the decline of industry in the city.

The MINI Paceman Garage hosted a week-long series of workshops in which students were tasked with coming up with a new product or identity for MINI and pitching it to the car brand.

OMA's furniture collection for Knoll "turns industry into a fetish"
Anders Warming

“The MINI community spreads into the design community, and that’s why we do these workshops with young students,” Warming says. “Sometimes one very straight thought, especially from a younger generation, actually helps nail things and makes them very simple and honest.”

OMA's furniture collection for Knoll "turns industry into a fetish"

Warming led the first workshop himself. “It’s not just a one-way street, where I might be teaching about how to do design,” he says. “It’s my view on design and what [the students] spontaneously think of that.”

OMA's furniture collection for Knoll "turns industry into a fetish"
Justin McGuirk

The guest in our Dezeen and MINI World Tour Studio is Justin McGuirk, architecture and design journalist and director of Strelka Press. “The most interesting thing I’ve seen is the OMA furniture for Knoll,” he says of this year’s fair.

OMA's furniture collection for Knoll "turns industry into a fetish"
Tools for Life by OMA for Knoll

But McGuirk doesn’t believe the Tools for Life collection, which includes a motorised table and chair that rise and fall at the press of large red buttons, are meant to be practical pieces of furniture.

“If you look at the way that Knoll is presenting this furniture it’s the standard spiel about adaptable, ergonomic furniture,” he says. “But it’s got nothing to do with that. The whole thing is just a performance and I think it is deeply nostalgic for industry.”

OMA's furniture collection for Knoll "turns industry into a fetish"

“It’s an interesting time to launch a product like that,” he continues. “Here we are in Milan where the city’s industry and the country’s industry is visibly in decline – it’s almost this message that industry is dead, so now we can turn it into luxury. But also, it turns industry into a fetish.”

OMA's furniture collection for Knoll "turns industry into a fetish"

Another piece in the Tools for Life collection is a counter made of three swivelling stacked blocks. McGuirk says: “It’s one of those classic designs that purports to solve all of these different problems, but actually solves none of them. So it’s actually completely useless.”

“It comes clearly from an architecture studio, and one that’s not overly concerned with form as well.”

OMA's furniture collection for Knoll "turns industry into a fetish"
Our Dezeen and MINI World Tour Studio

See all our stories about Milan 2013.

The music featured in this movie is a track called Konika by Italian disco DJ Daniele Baldelli, who played a set at the MINI Paceman Garage. You can listen to more music by Baldelli on Dezeen Music Project.

The post OMA’s furniture collection for Knoll
“turns industry into a fetish”
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YOU Autumn/Winter 2014: Handmade footwear from Milan mixes high-quality materials and diverse stylistic influences

YOU Autumn/Winter 2014


We first met with Milan’s Your Own Universe (YOU) creators after the launch of their well-recieved Spring/Summer 2013 Nomad collection. We loved their unique use of varied materials, textures and stylistic influences. Their upcoming Autumn/Winter 2014…

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Interview: Stefano Terzuolo of GUM Salon: The Milan salon’s range of organic grooming products and the art of blending tradition with innovation

Interview: Stefano Terzuolo of GUM Salon


We first met Stefano Terzuolo after the opening of Milan’s GUM Salon three years ago. Since then, GUM has become a point of reference for hairstyling throughout all of…

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Interview: Patricia Urquiola: We speak with the Spanish designer about briefs, color and the contract space

Interview: Patricia Urquiola


In the 25 years since taking the reins at Kartell, owner and CEO Claudio Luti has collaborated with nearly every industrial designer of note, transforming the over 60-year-old company into the king of polycarbonate furniture and…

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Five Hanging Lights: Slip cast, blown glass, corroded bronze and hand-turned wood lighting up Milan Design Week 2013

Five Hanging Lights


Innovations in LEDs, compounded with many designers’ renewed interest in age-old illumination techniques, have brought new life to contemporary lighting design. To celebrate creativity in this enduring design sector, the following are five notable hanging lights in a variety of mediums spotted throughout the 2013 );…

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