Headgear to thwart mind-reading surveillance cameras by Fabrica researchers

Researchers at Italian design centre Fabrica have created accessories that would deceive neuroimaging devices by diverting thoughts using electric shocks and flashing lights (+ slideshow).

Wearable anti-NIS accessories by Fabrica

Lisa Kori Chung and Caitlin Morris from Fabrica designed the anti-NIS (neuroimaging surveillance) pieces to detect when surveillance technology linked to CCTV cameras is trying to read the wearer’s brainwaves. It would then focus their thoughts to something inconsequential to help maintain privacy.

Wearable anti-NIS accessories by Fabrica

They say neuroimaging technology is currently being researched and developed to read and record the thoughts of the public, with the aim to detect ill intentions before they are carried out.

Wearable anti-NIS accessories by Fabrica_dezeen_2

However this raises issues of privacy, so Kori Chung and Morris are proposing to mask thoughts using a range of wearable devices.

Wearable anti-NIS accessories by Fabrica

Each faceted piece covered with decorative patterns is designed to detect when the wearer is being scanned and provides a distraction to change their thought pattern.

“Rather than simply blocking access to the brain, which would require unsubtle and complex equipment, each piece proposes a method of momentary cognitive diversion,” said the designers.

Wearable anti-NIS accessories by Fabrica

“When a scan is detected, the accessories provoke a sensory reaction that will demand the wearer’s attention, changing their current brain activity patterns and affording a moment of privacy through camouflage.”

The hat transmits sound pulses through the skull to the ear, the collar gives a gentle electric shock and the mask emits light flashes into the wearer’s eyes.

Wearable anti-NIS accessories by Fabrica

This means that at the moment of the scan, the wearer’s thoughts are more likely to be read as “this light is too bright” or “that’s a strange sound” rather than what their mind might have been preoccupied with otherwise.

Even though the implementation of neuroimaging technology is still science fiction, the project aims to raise awareness of other surveillance techniques currently used in conjunction with CCTV such as facial recognition, motion detection and voice analysis.

Wearable anti-NIS accessories by Fabrica

The project was designed for the Futures 10 exhibition of wearable technology, displayed last night as part of the Wearable Futures conference at Ravensbourne in London.

On the same theme of masking surveillance, Adam Harvery created a range of anti-drone clothing to hide the wearer from heat detection technologies.

Photographs are by Marco Zanin.

Here’s some information the designers sent to us:


Wearables to thwart neuroimaging surveillance by Lisa Kori Chung and Caitlin Morris

The paradigm of clothing as protector and concealer is slowly shifting: increasingly, our bodies are becoming more and more public (though security practices as well as fashion choices), while new forms of neuro-imaging technology are developing that may one day allow for surveillance and interception of the contents of our minds. Anti-NIS Accessories is a series of proposed objects designed as a form of clothing that maintains privacy of thought and action.

Wearable anti-NIS accessories by Fabrica

Rather than simply blocking access to the brain, which would require unsubtle and complex equipment, each piece proposes a method of momentary cognitive diversion. When a scan is detected, the accessories provoke a sensory reaction that will demand the wearer’s attention, changing their current brain activity patterns and affording a moment of privacy through camouflage. The objects include a hat that transmits sound pulses through bone conduction, a collar that gives a gentle electric shock and a mask that distracts the user with flashing lights.

Can the purpose of clothing be expanded to serve a hybrid purpose: acting as an expressive covering of the body, and also maintaining privacy of things like emotions, intelligence, and even more specific “brain data”?

Wearable anti-NIS accessories by Fabrica

These are the wider questions we asked:

Today, closed-circuit video surveillance has become commonplace. Concurrent with its rise in ubiquity, new techniques are being developed for analysing the massive amounts of information generated. Biometric identification techniques such as FRT (facial recognition technology), gait analysis, and voice analysis are often used after an incident has taken place to try to determine the identities of the parties involved. However, now various companies are working on algorithms to detect persons acting “suspiciously” (perhaps based on activities such as running, loitering and carrying packages). We are entering a new period of algorithmic guessing of intention based on external behaviours, before an incident takes place.

What if brain-scanning could be periodically deployed in a widespread and stealthy manner in urban environments, similar to CCTV now? Already our notions of civil liberties and bodily privacy are being challenged on an everyday basis, how should they be defined in the future in terms of the mind?

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Masko spiky origami masks for shop window mannequins by 3Gatti Architecture Studio

These spiky masks folded from paper by 3Gatti Architecture Studio are designed for customising mannequins in retail displays (+ slideshow).

Origami masks for mannequins by 3Gatti Architecture Studio

“This project is born form the increasing demand in the retail world of eye-catching mannequins for the windows display,” 3Gatti founder Francesco Gatti said. “Customising the entire mannequin becomes too expensive if you have to follow the increasing speed of the window display concept transformations, so we thought of a low-cost paper mask to temporarily make your mannequin literally a cutting-edge peace of design.”

Origami masks for mannequins by 3Gatti Architecture Studio

The Masko masks are folded from sections of white paper and attached together using tabs.

Origami masks for mannequins by 3Gatti Architecture Studio

Simplified 3D models found in computer games were used as a reference for the faceted forms.

Origami masks for mannequins by 3Gatti Architecture Studio

“The translation of this into reality of course has to pass through the art of paper folding and origami,” said Gatti. “In this particular case using white parchment all cut and folded by machines. The result is aggressively edgy.”

Origami masks for mannequins by 3Gatti Architecture Studio

Triangular and trapezium-shaped sections vary in size and density across the surfaces to create the combinations of protruding shapes.

Origami masks for mannequins by 3Gatti Architecture Studio

Some of the pieces have extreme spikes extending from the front and back, especially noticeable when viewed from the side, while others designs are flatter and symmetrical.

Origami masks for mannequins by 3Gatti Architecture Studio

The masks will first be used on mannequins at a store that 3Gatti Architecture Studio are designing in Chongqing, China.

Here’s the information sent to us by the designers:


Masko – Mannequins masks design set

This project is born form the increasing demand in the retail world of eye-catching mannequins for the windows display.

Origami masks for mannequins by 3Gatti Architecture Studio

Customising the entire mannequin become too expensive if have to follow the increasing speed of the window display concepts transformations; so we thought of a low cost paper masks to temporary make your mannequins literally a cutting-edge peace of design.

Origami masks for mannequins by 3Gatti Architecture Studio

The concept behind this design comes from our contemporary life, usually in big metropolis where often you don’t see the people faces because of the anti-pollution masks or simply because we live more isolated from the real bodies and the real life and more and more in virtual worlds such as video games where you see the other always wearing a virtual mask.

Origami masks for mannequins by 3Gatti Architecture Studio

From the video games world comes the inspiration of a polygonal mask, using the same language of the simplified 3D models usually used in the virtual environments to make higher performances in the graphics acceleration.

Origami masks for mannequins by 3Gatti Architecture Studio

The translation of this into reality of course has to pass through the art of paper folding and origami, in this particular case using white parchment all cut and folded by machines. The result is aggressively edgy.

Origami masks for mannequins by 3Gatti Architecture Studio

Masko credits:

Design firm: 3GATTI
Chief designer: Francesco Gatti
Project designer: Bogdan Chipara

Origami masks for mannequins by 3Gatti Architecture Studio

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mannequins by 3Gatti Architecture Studio
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Atmospheric Reentry by Maiko Takeda

Hundreds of colourful bristles emanate from headdresses in Maiko Takeda’s millinery collection, presented at the Royal College of Art fashion show earlier this week.

Atmospheric Reentry by Maiko Takeda

The adornments consist of transparent plastic spikes tinted with colour gradients at the bases and tips, which are held in place between sections of acrylic joined by small silver rings.

Atmospheric Reentry by Maiko Takeda

“While hats are commonly made with substantial and durable materials such as fabric, felt, plastic, leather so on, instead I wanted to create ethereal experiences for the wearer through the pieces,” Takeda told Dezeen.

Atmospheric Reentry by Maiko Takeda

“Through the experiment process, I developed the technique to create a visual effect of intangible aura by layering printed clear film, sandwiched with acrylic discs and linked together with silver jump rings.”

Atmospheric Reentry by Maiko Takeda

One head piece comprises two domes covered in orange and red spines that sit either side of the face with in thin gap in between, and another mask with orange and purple spines wraps around the head like a sea cucumber.

Atmospheric Reentry by Maiko Takeda

Peacock-tail-coloured quills fan out like ruffled feathers around a visor that masks from forehead to mouth. Another design covers the head, shoulders and bust but leaves the face exposed, while a different garment reaches from one wrist to another along two sleeves that join across the chest and back.

Atmospheric Reentry by Maiko Takeda

“When I saw the Philipp Glass and Robert Wilson opera Einstein on the Beach last year, it became my main inspiration and its futuristic mood of the space age heavily influenced the aesthetic of my collection,” said Takeda. Her collection was part of the Royal College of Art‘s annual fashion show, which took place on several occasions this week.

Atmospheric Reentry by Maiko Takeda

Last month we wrote about headsets that allow the wearer to adjust their sight and hearing, which were also developed by a group of Royal College of Art students.

Photography is by Bryan Huynh.

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Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

A group of students from the Royal College of Art in London has developed headsets that allow the wearer to adjust their sight and hearing in the same way they’d control the settings on a TV or radio (+ movie).

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

The Eidos equipment was developed to enhance sensory perception by tuning in to specific sounds or images amongst a barrage of sonic and visual information, then applying effects to enhance the important ones.

“We’ve found that while we experience the world as many overlapping signals, we can use technology to first isolate and then amplify the one we want,” say the designers.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

The first device is a mask that fits over the mouth and ears to let the wearer hear speech more selectively. A directional microphone captures the audio, which is processed by software to neutralise background noise.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

It’s then transmitted to the listener through headphones and a central mouthpiece, which passes the isolated sound directly to the inner ear via bone vibrations. “This creates the unique sensation of hearing someone talk right inside your head,” they say.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

The second device fits over the eyes and applies special effects – like those seen in long-exposure photography – to what the wearer is seeing in real-time. A head-mounted camera captures the imagery and sends it to a computer, where it’s processed by custom software to detect and overlay movement.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

It’s then played to the wearer inside the headset, allowing them to see patterns and traces of movement that would normally be undetectable.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

Possible applications could include sports, allowing teams to visualise and improve technique in real time, and performing arts where effects normally limited to video could be applied to live performance.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

The audio equipment could enable concert-goers to enhance specific elements of a band or orchestra. The designers also suggest that filtering out distracting background noise could improve focus in the classroom for children with ADHD and assist elderly people as their natural hearing ability deteriorates.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

Two prototypes styled with faceted surfaces and graduated perforations were presented at the Work in Progress exhibition at the Royal College of Art earlier this year. “Our final objects convey the mixing of digital technology with the organic human body,” explain the team.

The Eidos team includes students Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara.

Eidos by Tim Bouckley, Millie Clive-Smith, Mi Eun Kim and Yuta Sugawara

Other projects about enhancing sensory perception on Dezeen include cutlery shaped to stimulate diners’ full range of senses and alter the taste of food, and masks that let the wearer experience the world from the perspective of different animals.

Other wearable technology we’re reported on includes a camera that automatically photographs moments of your life that are worth remembering and the Google Glass headset that overlays what you’re seeing with information from the internet.

See more wearable technology »
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Designed in Hackney: Leutton Postle AW12 collection

Leutton Postle Autumn Winter 2012

Designed in Hackney: scribbled faces on fabric masks feature in the latest collection from young designers Leutton Postle, who continue this week’s look at Hackney fashion designers.

Leutton Postle Autumn Winter 2012

Abstract illustrations of facial features adorn the collection, which combines textured knit, reverse appliqué, metallic yarn and tinsel.

Leutton Postle Autumn Winter 2012

Sam Leutton and Jenny Postle both studied at Central Saint Martins before making their debut together at London Fashion Week in September 2011. Their craft-led creations won them the Vauxhall Fashion Scout Merit Award for Spring Summer 2012.

Leutton Postle Autumn Winter 2012

Their studio is next to Hackney Downs.

Leutton Postle Autumn Winter 2012

Here’s some more information from Leutton and Postle:


Autumn/Winter 2012

The AW12 collection from cult design duo Leutton Postle is visually arresting, playful and intensely detailed.

Leutton Postle Autumn Winter 2012

Labour-intensive looks artfully meld textured knit and reverse appliqué together, often to surprising effect.

Leutton Postle Autumn Winter 2012

A knitted face is enlivened with a three dimensional weft of hair that becomes a ponytail.

Leutton Postle Autumn Winter 2012

Patterns come in the form of facial features, both illustrative in knitwear and abstract in textiles; a motif which is echoed throughout the collection.

Leutton Postle Autumn Winter 2012

Diverse inspirations ranging from tinsel to faces to blocks to Wes make for a muted colour palette (mulchy earth tones, putty, inky blues) offset with intense primaries.

Leutton Postle Autumn Winter 2012

Never afraid to utilise unusual materials in their work, splashes of tinsel and sparks of metallic yarn illuminate the collection.

Leutton Postle Autumn Winter 2012

Classic knitwear shapes such as vests, cardigans and v-neck jumpers are subverted and the classic smart skirt suit is re-hashed with intense patterning and metallic tones.

Leutton Postle Autumn Winter 2012

Garments are worn layered: delicately trimmed tunics are paired with boldly patterned trousers and heavy boucle jackets along with quirky headwear, which set a playful tone for the rest of the collection.

Leutton Postle Autumn Winter 2012

These are luxurious statement pieces in their own right and statement looks when worn together. The upshot? A sartorial mash-up for bold, vibrant women.


Designed in Hackney map:

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Key:

Blue = designers
Red = architects
Yellow = brands

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

Too Beautiful To Be True by Meike Harde

Too Beautiful To Be True by Meike Harde

These masks by German designer Meike Harde cover just the eyes and mouth, replacing the wearer’s features with idealised ones from the media.

Too Beautiful To Be True by Meike Harde

Called Too Beautiful To Be True, the results are more disturbing than attractive.

Too Beautiful To Be True by Meike Harde

See all our stories about masks and disguises here.

Too Beautiful To Be True by Meike Harde

Here are some more details from the designer:


German designer Meike Harde generated masks which picture the eye and mouth area correspond to the current ideal of beauty.

Too Beautiful To Be True by Meike Harde

When put on, however, they cause a contortion of the face. This is meant to show that artificially produced beauty is not always beautiful; instead it can evoke the very opposite. Furthermore the pressure to be beautiful is to be questioned and denounced.

Too Beautiful To Be True by Meike Harde

The installation “Too beautiful to be true” was developed on the occasion of the exhibition “Fine Arts” in Saarbruecken, Germany.

Too Beautiful To Be True by Meike Harde

The visitors of the exhibition were free to take along an exemplar of the masks, which, not only inside the exhibition rooms, resulted in many unsettling reactions during the evening.

Too Beautiful To Be True by Meike Harde

Mark Grotjahn at Aspen Art Museum

Lift tickets, lodges and museums carry the artist’s abstract representations

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Surveying more than two decades of work by contemporary artist Mark Grotjahn, the new exhibition at the Aspen Art Museum provides a comprehensive overview of his paintings, drawings, installations and sculptures. Known for his rigidly geometric Op Art-like compositions, which earned him the honor of exhibiting at the 2006 Whitney Biennial, in Aspen Grotjahn will also move beyond museum walls with a sculptural invasion spread across the four peaks of Snowmass Mountain.

Mark_Grotjahn_Aspen2a.jpg Mark_Grotjahn_Aspen2b.jpg

A limited-edition ski pass bearing images of Grotjahn’s mask sculptures will sell from Aspen resorts this weekend, where skiers and riders can enjoy the public sculptures that have been erected around the mountain. Grotjahn’s ability to walk the line between representation and abstractions is something that really comes through in this sculptural series.

Mark_Grotjahn_Aspen3a.jpg Mark_Grotjahn_Aspen3b.jpg

The sculptures themselves are made of primed cardboard that has been mounted on linen. The layered effect of the artist’s brush and palette knife creates the textures that define the mask sculptures. The pieces are featured on five different lift passes, and Grotjahn’s physical works be on display in the museum and surrounding areas through 22 April 2012.


Dezeen archive: masks and disguises

Dezeen archive: masks and disguises

Dezeen archive: since this mask by Didier Faustino that clamps over the faces of a kissing couple (bottom left) was so hotly debated this week, we’ve grouped together all of the stories from the Dezeen archive about masks and disguises. See all the stories »

See all our archive stories »

Mafia Animals

Très inspiré par les masques d’animaux, le photographe Nick Rudnicki a poussé ce concept avec la série complète “Mafia Animals”. Reprenant les masques dans un contexte de braquage et diverses situations, ses photos sont à découvrir dans la suite de l’article.



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Masked – In Flight by Sruli Recht

To coincide with Icelandic design festival DesignMarch, which began in Reykjavik yesterday, here are some parchment gas masks by Reykjavik designer Sruli Recht. (more…)