Indian Ocean Tsunami Memorial by Carmody Groarke

British architects Carmody Groarke have completed this granite monolith outside London’s Natural History Museum to commemorate victims of the 2004 Indian Ocean Tsunami.

Indian Ocean Tsunami Memorial by Carmody Groarke

The 115-tonne stone retains the ridged marks created when it was quarried in France.

Indian Ocean Tsunami Memorial by Carmody Groarke

A diagonal slice undercutting one corner reveals a polished triangular face with an embossed dedication.

Indian Ocean Tsunami Memorial by Carmody Groarke

Carmody Groarke and project managers M3 evolved the design through dialogue with survivors and bereaved families.

Indian Ocean Tsunami Memorial by Carmody Groarke

Carmody Groarke also designed a memorial to victims of the 7 July London terrorist bombings, which opened in Hyde Park, London, in 2009.

More projects by Carmody Groarke on Dezeen »
More stories about memorials on Dezeen »

Photography is by Luke Hayes.

Here are some more details from the Memorial Project Board:


Memorial to victims of Indian Ocean Tsunami opens

A memorial to the victims of the 2004 Indian Ocean Tsunami opens today in the grounds of the Darwin Centre at the Natural History Museum in London in a ceremony attended by His Royal Highness, The Prince of Wales and Her Royal Highness, The Duchess of Cornwall.

The Memorial is the culmination of years of work by Tsunami Support UK (TSUK) and was made possible thanks to a £550,000 grant from the Department for Culture, Media and Sport (DCMS).

A single granite monolith, the design reflects the views and feelings of UK survivors and bereaved families. It is the product of months of dialogue between them and the design team of Carmody Groarke and M3 Consulting.

Michael Holland, Chairman of the Memorial Project Board, said: “The 2004 Indian Ocean Tsunami was one of the worst natural disasters in living memory, hundreds of thousands of people lost their lives. The impact of the devastation was felt across the world. This huge, singular geographical fragment will create a powerful reminder for generations to come of this momentous event within the Earth’s natural history. Its purpose is to stop people forgetting. Within this new public space, the Memorial also offers a place for more quiet contemplation.

“We are immensely grateful to the DCMS for funding the memorial and to the Natural History Museum for making space available in its grounds – we can think of no better place to remember the lives of the UK family members and the over 225,000 others who perished in the Tsunami.”

Kevin Carmody and Andy Groarke of Carmody Groarke said: “It has been a huge privilege to work with the survivors and bereaved families to design a permanent memorial in such a significant public space. Our collective intention is to make a fitting, engaging and unique Memorial – a place for contemplation and remembering for generations to come. Our goal was also to give the Memorial stone a strong architectural relationship between the bold buildings and landscape of the Natural History Museum.”

Dr Michael Dixon, Director of the Natural History Museum, said: “It is fitting that the Natural History Museum is home to this impressive new Memorial. An important part of our mission is to make sense of the natural world and I hope this Memorial will not only bring comfort to those who lost loved ones in the Tsunami but also be a reminder to us all of the powerful and sometimes destructive force of nature.”


See also:

.

7 July Memorial by
Carmody Groarke
Memorial Blocks Berlin
by Daniel Clements
Island of Memory by
Britton Chambers

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Hufton + Crow

Serpentine Gallery Pavilion 2011 by Peter Zumthor

Here are some more photographs of Peter Zumthor’s recently-opened Serpentine Gallery Pavilion in London, taken by UK photographers Hufton + Crow.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

The black-painted pavilion surrounds a planted garden by Piet Oudolf.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

Visitors enter through a dark corridor between the outer walls.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

Long benches line the inner courtyard and cafe-style furniture provides additional seating, although there isn’t a cafe.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

Facing the central strip of planting, this seating is sheltered by an overhanging canopy.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

The pavilion has a timber structure covered in gauze and is coated in black adhesive.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

It opened on Friday in Kensington Gardens, Hyde Park.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

The structure remains open to the public until 16 October.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

More information and images by Walter Herfst can be seen in our earlier story.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

Watch Zumthor talking about the pavilion and his work in our interview on Dezeen Screen.

Serpentine Gallery Pavilion 2011 by Peter Zumthor

See more stories about the Serpentine Gallery pavilions on Dezeen »

Serpentine Gallery Pavilion 2011 by Peter Zumthor

See all of our stories about Peter Zumthor »

Serpentine Gallery Pavilion 2011 by Peter Zumthor

More pavilions on Dezeen »

Serpentine Gallery Pavilion 2011 by Peter Zumthor

Dezeen’s top ten: parks and gardens »

Serpentine Gallery Pavilion 2011 by Peter Zumthor


See also:

.

Serpentine Gallery Pavilion
by Peter Zumthor
Dezeen Screen: interview
with Peter Zumthor
Serpentine Gallery
Pavilions archive

Folly for a Flyover by Assemble

Folly for a Flyover by Assemble

Non-profit organisation Assemble have constructed a temporary canal-side cinema under a London motorway flyover.

Folly for a Flyover by Assemble

Folly for a Flyover was assembled by a team of volunteers over the course of a month, using reclaimed and donated materials.

Folly for a Flyover by Assemble

It remains in place for six weeks, staging a series of movies and performances as part of the Create festival.

Folly for a Flyover by Assemble

Built from bricks of clay and wood and supported by scaffolding, the structure encloses a cafe, bar and cinema stalls.

Folly for a Flyover by Assemble

Visitors can also take trips to the nearby Olympic site aboard rowing boats and canoes that depart from a wooden jetty on the canal bank.

Folly for a Flyover by Assemble

More stories about pavilions on Dezeen »

Folly for a Flyover by Assemble

Photography is by Assemble.

Folly for a Flyover by Assemble

Here are some more details from Assemble:


Folly for a Flyover

On 24th June, a building will appear in the gap between the east and westbound traffic of the A12.

Folly for a Flyover by Assemble

Transforming the cavernous undercroft where the motorway crosses the Lea Navigation Canal, Folly for a Flyover will host a six week programme of waterside cinema, performance and play.

Folly for a Flyover by Assemble

Hand-built with local, reclaimed and donated materials, the Folly draws influence from the surrounding red-brick buildings of Hackney Wick, posing as an imaginary piece of the area’s past, a building trapped under the motorway.

Folly for a Flyover by Assemble

By day the folly will host a café, workshops and events and boat trips exploring the surrounding waterways.

Folly for a Flyover by Assemble

At night there will be screenings ranging from animation classics to early and experimental cinema with live scores, light shows and performances.

Folly for a Flyover by Assemble

Like a giant construction-kit, the folly will be built over the period of a month by a team of volunteers.

Folly for a Flyover by Assemble

Having served one purpose it will be disassembled at the end of the summer, and the compents will find new uses across the local area.

Folly for a Flyover by Assemble

Click above for larger image


See also:

.

Mobile performance venue
by Various Architects
Nomad by
1/100
Summer Theatre by
Kadarik Tüür

La Selva

Carnovsky takes their colorful RGB wallpaper to London in a jungle-themed exhibition

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Lighting up Milan’s famed wallpaper studio Jannelli & Volpi last spring with their collection of mesmerizing
“RGB” wall coverings, Carnovsky will continue to entrance gallery-goers with a new jungle-inspired series at London’s Jaguar Shoes, dubbed “La Selva.”

Founded in ’97 by Francesco Rugi and Silvia Quintanilla, the Milan-based duo create surfaces that change and interact with different chromatic inputs to a stunning degree. Using a layering technique to create various colorful and slightly baroque effects, the jungle’s dense vegetation makes the perfect subject for Carnovsky to work with next.

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The superimposition of three different images—each a single color—creates a visual chaos where tones, lines and shapes overlap in an ethereal display of emotion. When viewed through a colored lens or shown under a different shade of light the individual layers can be shown or hidden to reveal the elements of the composition.

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Karnovsky uses wallpaper as a sort of contemporary mural, creating completely immersive environments that feel like a surreal dream. The general theme of the subjects is metamorphosis, to narrate a story of the things through the idea of their unceasing mutation and transformation.

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“La Selva” will be on view from 28 July through 21 September 2011 at Jaguar Shoes in Shoreditch.


Hentsch Man

A one-stop shop for sophisticated summer menswear opens in London

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With incredible attention to details, Hentsch Man was launched four years ago when its founders Alexia and Max failed in their quest to find the perfect white shirt. Their initial line was promptly snapped up by discerning men also sharing the same desire.

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Building on their immediate success, the pair developed a wider menswear collection including trousers, jackets, shorts and sweaters—built around the same attention to detail as the original shirt.

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For Summer 2011, the brand has opened a popup store intended to help men build a tasteful summer wardrobe that doesn’t scream “trying too hard.” A succesful execution for the one-stop shopper, the store features easily combined colorways and even a new series of sunglasses. The Bobby, as they’re called, are hand made in Italy and available in four very attractive colors (including the distinctive Hentsch Man pink hue), each finished with a matte finish.

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It’s also noteworthy that all materials and labour is undertaken in Europe. Regular trips not only to oversee production also afford the designers an opportunity to source extra items to round out the line. This summer traditional Spanish-made Espadrilles are available in a variety of great colorways.

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Pollen Street Social by Neri&Hu (NHDRO)

Pollen Street Social by Neri&Hu (NHDRO)

Clustered pendant lights are suspended over one of the open food and drink preparation areas of this London restaurant by Chinese designers Neri&Hu.

Pollen Street Social by Neri&Hu (NHDRO)

The open-plan Pollen Street Social restaurant bridges together two previously separate buildings, spread out across the ground floor and basement.

Pollen Street Social by Neri&Hu (NHDRO)

Dining areas are furnished with wood panelled tables and booths, Chesterfield-inspired leather sofas and green glass lamps.

Pollen Street Social by Neri&Hu (NHDRO)

On the basement level, diners can see into the kitchen through a long horizontal slot window.

Pollen Street Social by Neri&Hu (NHDRO)

More restaurants and bars on Dezeen »

Pollen Street Social by Neri&Hu (NHDRO)

Photographs are by Pedro Pegenaute.

The following information is from Neri & Hu (NHDRO):


Recently completed: Pollen Street Social

Pollen Street Social, located in the prestigious Mayfair district of London, is the first independent restaurant by Jason Atherton, the Former Executive Chef at Gordon Ramsay’s Michelin starred Maze. Shanghai-based architectural firm Neri&Hu are the designers for the restaurant and Pollen Street Social represents their first completed project in London.

Pollen Street Social by Neri&Hu (NHDRO)

The term Social always refers to the interaction of organisms with other organisms and to their collective co-existence, irrespective of whether they are aware of it or not, and irrespective of whether the interaction is voluntary or involuntary. –Wiktionary

Pollen Street Social by Neri&Hu (NHDRO)

Neri & Hu’s design concept for Pollen Street Social examines the notion of “social” as a reorganization of the dynamic energies of human interaction.

Pollen Street Social by Neri&Hu (NHDRO)

Like navigating a conversation, the architectural spaces steer and negotiate the social relationships not only amongst guests, but also between diners and their food as it is prepared and served.

Pollen Street Social by Neri&Hu (NHDRO)

Within the confined basement and ground floor spaces of two disjointed historic buildings, the architects have woven a series of these social spatial experiences, from the Bar to the Main Dining Room or Private Dining Room to Atherton’s signature Dessert Bar. Placing those other functions such as the Show Kitchen, Service Station, and Back of House into strategic containers, the guests occupy the space in-between, a fluid zone celebrating the theatrics of eating, drinking, and socializing.

Pollen Street Social by Neri&Hu (NHDRO)

As with the start of any conversation, it is appropriate to begin with a gesture of courtesy, and Neri & Hu’s design for the restaurant’s façade is indeed a nod towards the historic structures surrounding the site. A series of blackened bronze metal frames act as a stitching strategy, redefining the restaurant’s threshold with a modern touch while maintaining the proportions and details of the existing façade. Within these frames, a combination of transparent and translucent glass ensures visual continuity between diners and the life of the street beyond.

Pollen Street Social by Neri&Hu (NHDRO)

Within the restaurant’s ground floor spaces the inviting atmosphere is reminiscent of entering the chef’s own home, and feels as easy as falling into familiar dialogue with an old friend. Through contemporary and abstracted re-interpretations of Old English details—the continuous wood wainscot wrapping each space, the Chesterfield-inspired banquettes, or the green glass P-Lamps at the bar—Neri & Hu has crafted an ambiance that is at once casually domestic yet still retaining the elegance of fine dining.

Pollen Street Social by Neri&Hu (NHDRO)

Dramatic ceiling openings above flood the spaces with light and mark special dining areas, while jeweled pendant lights scattered throughout captivate the eye as food delights the palate.

Pollen Street Social by Neri&Hu (NHDRO)

There is just the slightest pause in the flow of drinks and conversation as dining guests notice, through carefully carved apertures and aligned views, the stage that has been set in this theatrical dining experience. Through the architects’ willful juxtaposition of the disparate realms of food preparation and food consumption, such as the Finishing Kitchen just behind the Dessert Bar or the Service Station placed front and center in the Main Dining Room, these various spaces come alive as contradictions abound. The actions before them—the carving of an Iberico ham, the dabbing of sauce upon a plate, the practiced swirl of decanting wine—are initially, silently performed for their voyeuristic gaze, but then, with the first bite, the tables are turned and it is the diner that is now practicing a slow and deliberate choreography.

Pollen Street Social by Neri&Hu (NHDRO)

Like a chance encounter, the basement level is a pleasant discovery with its distinctive material palette of weathered brick floors and glass display cases. The Private Dining Room features wine fridges enveloping its perimeter, providing an enclosed yet visually open environment for intimate gatherings. A slotted view across the corridor into the Working Kitchen deliberately frames the hands of the chefs and pays homage to their skillful mastery of fine cuisine.

Pollen Street Social by Neri&Hu (NHDRO)

The restrooms on this level are contained within a frosted-glass enclosure with varying degrees of transparency, allowing glimpses of shadowy silhouettes and providing a moment of thrill and audacity. And as a final twist, the restrooms stalls themselves, clad solidly in wood, offer a chance to escape completely and disconnect entirely, should the anxieties of socializing overwhelm.

Pollen Street Social by Neri&Hu (NHDRO)

With their masterful manipulation of spatial elements and materiality, architects Neri & Hu have captured the vibrancy of a social dining atmosphere as envisioned by Chef Atherton—it flows with comfort and familiarity, while occasionally improvisational and unexpected, but which ever direction the conversation turns, Pollen Street Social is sure to be the talk of town.

Pollen Street Social by Neri&Hu (NHDRO)

The custom furniture and accessories pieces featured in the interiors are from neri&hu, a product brand spin-off from the architectural firm.


See also:

.

Nottingdale Cafe by
Found Associates
Restaurant at the RA
by Tom Dixon
What Happens When
by The Metrics

Dalston Rose by House of Hackney

Dalston Rose by House of Hackney

London brand (and near-neighbours of Dezeen) House of Hackney have created a range of floral wallpapers and fabrics that turn black at the edges.

Dalston Rose by House of Hackney

Above and top images are by David Dunan

The Dalston Rose range features English-style navy blue roses printed across a nude-coloured background that fades to black to give a room the appearance of a vintage photograph.

Dalston Rose by House of Hackney

More stories about wallpaper on Dezeen »

Dalston Rose by House of Hackney

Photography is by Sean Myers apart from where otherwise stated.

Here is some further explanation from House of Hackney:


House of Hackney

Launched in London in April 2011 House of Hackney is the new luxury wallpaper, bed linen and home furnishings label which reworks the concept of traditional British home wares for a new generation.

Dalston Rose by House of Hackney

Described as a ’’Colefax and Fowler on acid’’ House of Hackney takes classic British shapes in bed linen, wallpaper, lamps, cushions, fine bone china and furniture and subverts them with beauty and humour.

Dalston Rose by House of Hackney

House of Hackney is about creating product that will stand the test of time working with and supporting the best traditional British manufacturers in their fields.

Dalston Rose by House of Hackney

Dalston Rose

Dalston Rose features a wedgewood style navy blue English rose against an antiqued nude background with a gradient (ombre) effect across the base of the wall. Traditionally gravure printed on FSC paper made from sustainable forests.

Dalston Rose by House of Hackney

To achieve the same ombre effect as photography there are 2 parts to the wallpaper.

Hendzel and Hunt’s 24-Hour Design Challenge

Mechanical music machines made from locally-sourced materials in under a day
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Earlier this year a group of designers gathered in Hendzel and Hunt’s studio were given a brief. Inspired by the industrial history of the Peckham area that was home to the Edison Bells factory, the task was to create a machine capable of playing an Edison Bells record of “Two Cigarettes in the Dark,” by Joe Green and his Novelty Orchestra.

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Like every good challenge, there was a catch. Each group had a budget of only £30 to source materials from the surrounding area (in keeping with Hendzel & Hunt’s own design ethos), and were not allowed to step anywhere near digital technology.

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The results, unveiled 24 hours later, all displayed not only a range of unusual mechanical processes to drive the record, but varied aesthetics and approaches to solving the problems which emerged along the way.

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Team B’s, “The Dutchess of Peckham,” is perhaps the most accomplished of the designs with an intricate speaker horn resembling an old hot air balloon (pictured above and below left). Team D’s sewing machine-driven “The Singer” offers a number of listening cones so a small group can listen in, while Team E came up with perhaps the most lateral take. “The French Orchestra” mounts on a wall, similar to Naoto Fukasawa’s iconic CD player for Muji.

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To spice things up, each of the five groups was mixed up to give each members with different skill sets. Hendzel and Hunt also invited one of London’s up-and-coming film makers to document the process which has just been released for viewing pleasure, while a long-play time lapse film of the entire process has also been put together.

Both films go far to capture the atmosphere and frustrations which the difficult task created and provide a context for the processes of design. In an age when many of us simply consume, it’s riveting to see a fully-fledged documentation of a process from the seed to culmination of an idea.

Londoners can see the five machines in person at So Far, The Future through 21 June 2011.


London 2012 Basketball Arena by Sinclair Knight Merz

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

The latest completed venue for the London 2012 Olympics is the Basketball Arena, a PVC tent designed by Sinclair Knight Merz with Wilkinson Eyre and KSS.

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A patterned surface is created on the exterior where the skin stretches over arched frames.

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The arena will host handball and basketball during the Olympics next year, and wheelchair rugby and basketball for the Paralympics.

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Two thirds of the structure will be reusable after the games are over, when the building will be completely dismantled.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

More about the 2012 London Olympic Games on Dezeen »
More buildings for sport on Dezeen »

The following information is from the Olympic Delivery Authority:


Basketball Arena becomes fourth Olympic Park venue completed

The London 2012 Basketball Arena has become the fourth Olympic Park venue completed, more than a year ahead of the Games and is one of the quickest venues to finish construction, the Olympic Delivery Authority (ODA) announced today.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

The Basketball Arena is one of the largest temporary venues ever used for an Olympic and Paralympic Games and will be dismantled after the Games to be reused elsewhere. Initial works on site began in October 2009, with work to erect the 1,000-tonne steel frame starting in March 2010. The venue has now been completed on budget, making it one of the quickest Olympic Park venues to finish construction.

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

With the ODA’s construction works completed, the venue will now be handed over to the London 2012 Organising Committee (LOCOG) to carry out overlay works to get the venue ready for the first Olympic Park test event in August – the venue will host the London International Basketball Invitational to be held from the 16th-21st August which will see six top men’s teams from around the world come to London to compete (Great Britain, Australia, China, Croatia, France and Serbia).

London-2012-Basketball-Arena-by-Sinclair-Knight-Merz-Wilkinson-Eyre-and-KSS

During the 2012 Games, Basketball preliminary matches and Women’s quarter finals will be staged at the Arena, in addition to the Handball men’s quarter finals, all semi finals and medal matches. It will also host Wheelchair Basketball and Wheelchair Rugby during the Paralympic Games.

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ODA Chief Executive Dennis Hone said: ‘Completing construction on the Basketball Arena delivers another striking Games-time venue for the Olympic Park and an innovative structure that can be re-used elsewhere after 2012. As the fourth Olympic Park venue completed and one of the quickest to finish construction, the Basketball Arena is another milestone for the Olympic Park ‘Big Build’ and a tribute to the companies from across the UK involved in its delivery.’

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Hugh Robertson, Minister for Sport and the Olympics, said: ‘Basketball is one of the most atmospheric competitions of the Games and this has been captured by the artistic design of the Arena. The speed with which this venue has been constructed is a tribute to the ODA and the architect whose design means this facility can be re-used after the Games.’

London 2012 Organising Committee Chair Seb Coe said: ‘Basketball is one of the most popular Olympic sports and spectators will be able to see the game played out in spectacular surroundings. It is a superb venue which will be the centre of some of the best team action during the London 2012 Olympic and Paralympic Games.’

Venue factfile:

Venue design and facilities and design:

  • 12,000 seats – black and orange seating designed to represent the colours of a basketball
  • Venue is 35 metres high (as high as the Tate Modern) and longer than a football pitch at 115 metres long
  • 1,000-tonne steel frame wrapped in 20,000sqm of recyclable white PVC membrane, stretched over three different variations of arched panels.
  • During the Games the exterior will act as a canvas for an artistic and innovative lighting design.
  • Venue facilities including lifts, toilet blocks, corridors and VIP access rooms installed beneath venue seating frame
  • After the Games the venue will be dismantled by the contractors which built and own the temporary elements, with the option of potentially using elements of the arena at other UK and overseas events.

Construction

The Basketball Arena design team was lead by Sinclair Knight Merz together with Wilkinson Eyre and KSS

The venue was constructed by companies from across the UK, including:

  • Scotland: Barr Construction in Glasgow built the structure.
  • West Midlands: Slick Seating in Redditch is providing the temporary seating.
  • South West: Base from Bristol provided the membrane cladding for the outside of the Arena and Mitie from Bristol carried out mechanical and electrical works.
  • South East: Envirowrap from Tenterden in Kent is providing the wrapping for the seats; Sevenoaks-based Volker Fitzpatrick is erecting the steelwork, building the toilet blocks and internal fit-out, including lifts.
  • Northern Ireland: McAvoy from Dungannon is building the temporary accommodation.
  • Yorkshire: Fullflow Group Ltd in Sheffield is a sub-contractor to Barr Construction and will be installing the syphonic drainage.

Sports:

Sports to be staged at the Basketball Arena include:

  • Basketball: The Olympic Basketball competition will have 288 athletes competing for two gold medals – 144 men and 144 women, and 12 teams of 12 players in each competition.
  • Handball: Two teams of seven players pass and dribble a small synthetic or leather ball using only their hands. The aim is to score a goal by throwing the ball past the defending goalkeeper. The team with the most goals wins.
  • Wheelchair Basketball: As in Basketball, played by two teams of five players on the court. It is similar to the Olympic game, with same size court, basket height and near-identical rules.
  • Wheelchair Rugby: Played indoors on a regulation size basketball court using a white ball identical in size and shape to a volleyball. Teams have four players on the court and the object of the game is to carry the ball across the opposition’s goal line.

See also:

.

2012 London Olympic Stadium
by Populous
ArcelorMittal Orbit
by Anish Kapoor
London 2012 Velodrome
by Hopkins Architects

Rogers Stirk Harbour + Partners propose a bridge over the O2 Arena


Dezeen Wire:
UK architects Rogers Stirk Harbour + Partners have submitted proposals to Greenwich Council for a walkway spanning the roof of London’s O2 Arena, which was completed by Richard Rogers Partnership back in 1999 – Greenwich.co.uk

See the proposals here »

See all our stories on Rogers Stirk Harbour + Partners »