Kora Vases by Studiopepe for Spotti Edizioni

Six limited-edition vases were created by Milan designers Studiopepe for a window installation in central London based on the work of postmodern designer Ettore Sottass (+ slideshow).

Kora Vases by Spotti Edizioni

Designed for Italian design brand Spotti Edizioni, the Kora Vases by Studiopepe were exhibited as part of the So Sottsass exhibition at design store Darkroom London for the London Design Festival 2013.

Kora Vases by Spotti Edizioni

The vases with asymmetric handles were specially customised in a range of hand-painted graphic patterns and bright monotone colours.

Kora Vases by Spotti Edizioni

So Sottsass featured a number of works by contemporary designers that referenced forms and patterns used in Ettore Sottsass’ work during the mid twentieth century.

Kora Vases by Spotti Edizioni

Darkroom is a design accessories shop curated by Rhonda Drakeford and Lulu Roper-Caldbeck.

Kora Vases by Spotti Edizioni

Here is more information from Darkroom:


This is Sottsass with a twist, so expect a sculptural array of hand-painted laminate-style patterns, colour palettes that clash cute with crazy, and juxtaposed materials that push the boundaries between furniture and fashion, plus jewellery that double as objets d’art, and textiles, cushions, stationery and bags.

Kora Vases by Spotti Edizioni

Visionary and contrary, throughout his life Sottsass worked across many disciplines, and his influence can be found everywhere from high fashion to office furniture in the second half of the 20th century.

Kora Vases by Spotti Edizioni

From the iconic Valentine typewriter for Olivetti, to the subversively kitschy furniture of the Memphis group, Sottsass enlivened the functionality of ordinary objects, while pushing the boundaries of current tastes and creating new paradigms for future design.

Kora Vases by Spotti Edizioni

For our So Sottsass season, Darkroom will be drawing on the designer’s bright and playful palette from his time with the legendary Memphis Group, and we’ll also be finding inspiration from the rough-edged modernism of his early ceramics.

Kora Vases by Spotti Edizioni

The post Kora Vases by Studiopepe
for Spotti Edizioni
appeared first on Dezeen.

Brutal, London: Lazarides and The Vinyl Factory present the tough stuff in a crumbling basement in London

Brutal, London


This year’s annual off-site Lazarides exhibition is brutal by name and by nature; hosted in a derelict modernist building in central London. The basement of 180 Strand has reached a state of dilapidation that requires navigating…

Continue Reading…

David Reuben: “Kings & Corpses”: The British painter’s colorful yet macabre US gallery debut

David Reuben:


On 22 October, fine artist and filmmaker David King Reuben will make his US debut at 532 Gallery Thomas Jaeckel in Chelsea,…

Continue Reading…

Studio Visit: Crispin Finn: Classic ephemera screen-printed in red, white and blue by a pair of convivial creatives

Studio Visit: Crispin Finn


The fun-loving, low maintenance duo working as London-based design studio Crispin Finn are undoubtedly passionate about red, white and blue. Their signature tricolor formula originally evolved from wanting to simplify…

Continue Reading…

iQ Shoreditch by Naomi Cleaver

Designer and TV presenter Naomi Cleaver included a map of flight paths over Heathrow and a stuffed deer in the shared facilities at this student housing development in Shoreditch, east London (+ slideshow).

iQ Shoreditch by Naomi Cleaver

Naomi Cleaver was tasked with creating different identities for all 24 public spaces and common areas at iQ Shoreditch, which is housed in a new building designed by London firm Lifschutz Davidson Sandilands close to Old Street station.

iQ Shoreditch by Naomi Cleaver

Cleaver mixed antique furniture with contemporary designs to give each of the common rooms a unique character. “With competitors’ projects having a particularly corporate feel I chose to characterise the spaces by drawing on the locale, while aiming to create a comforting home from home for an international community,” she told Dezeen.

iQ Shoreditch by Naomi Cleaver

The flight paths across London during a 24-hour period are depicted using black string on the wall of the twelfth-floor common room. TV rooms filled with beanbags have giant murals of football players or Pop Art graphics on the walls.

iQ Shoreditch by Naomi Cleaver

The dining areas are furnished with brightly coloured chairs to accompany long wooden tables and each room has different pedant lights over the surfaces.

iQ Shoreditch by Naomi Cleaver

A taxidermy deer set amongst ferns and a barbed wire fence is mounted in a box above the bar in the conservatory. In the reception, computers are housed in brass cages and a tree protrudes from the centre of a circular seat.

iQ Shoreditch by Naomi Cleaver

Earlier this year a student housing project in London with a fake facade was voted the worst building in the UK. We’ve recently featured a wooden house for students that has a floor area of just ten square metres.

See more student housing design »
See more architecture and design in London »

Read on for more information sent to us by the designer:


Developer raises the bar on London student accommodation with a flagship £120m development given a first-class celebrity makeover.

From the stuffed deer in the conservatory to a copper studded, Northern Lights-inspired rooftop lounge and old school desks surrounded by walls pasted with Shakespeare quotes, it’s clear iQ Shoreditch is student accommodation like no other.

Not only have the 24 common rooms and public spaces here been intelligently created by celebrity interior designer, Naomi Cleaver, this state-of-the-art development is the first of its kind for developer, Quintain.

iQ Shoreditch by Naomi Cleaver

The company, behind the nationwide iQ student accommodation provider, are aiming to set a new standard of student quarters in the capital, driven by fierce competition in the sector and demands from increasingly discerning international students.

“We are setting a new baseline for quality student accommodation within central London,” said developer James Crow. And to do so, he drafted in the help of Naomi, made famous for presenting many of Channel 4’s ratings-busting, home interest shows such as “Honey, I Ruined the House” and “Grand Designs: Trade Secrets”.

“There have been numerous new entrants into the student accommodation market in recent years, with the quality of the products now available increasing with the greater levels of competition, but this is also being driven by students’ expectations and the willingness for some students to pay for higher levels of quality and amenity, particularly the international market,” he said.

To give the development that extra edge in the market, Naomi was commissioned to bring a “fresh” take to the development, maximising a “blank canvas brief” to draw the trendy Shoreditch factor from the outside in.

iQ Shoreditch by Naomi Cleaver

“Naomi demonstrated genuine enthusiasm and excitement for the project and maximised the blank canvas brief we gave her to capture the ‘Shoreditch factor’ within the building,” said James.

The location remains key here, including the peculiarly maverick spirit of Shoreditch and its associations with celebrated “YBAs”. The building also sits in the thick of the city in Zone 1 with excellent transport links, including Old Street tube station and several bus routes on the doorstep; a location which played an important role in inspiring Naomi’s designs.

“Our strategy was to celebrate the famously vibrant character of the location as well as creating a sense of home for a community of students from across the world,” said Naomi.

Naomi was involved in deciding on the use, as well as the look and feel of the rooms and commissioned young designers and artists to realise some of her ideas, which were inspired by flight paths above London, traditional Oxbridge colleges, the confessional and the shed to astronomy and primitivism.

iQ Shoreditch by Naomi Cleaver

“We were briefed, I made a series of presentations for sign off, and then we organised ourselves to complete works in a limited timescale which meant ordering everything and putting it into storage in one of my buildings in Devon.

“When the time came we shipped everything up and I have a brilliant project manager who oversaw the bulk of the implementation while I actually moved into the building during the last week to oversee final details,” she said.

Naomi had only five weeks on-site to implement her schemes. But her experience as a Channel 4 presenter equipped her well for the challenge.

“Working to the limited budgets and crazy time schedules of the television shows I have worked on certainly gave me an edge in this project and it was one of the most satisfying projects for me to do because, while the budget was limited and the timescale even more so, my client gave me the liberty to be very conceptual. I like design that makes sense of ideas.”

iQ Shoreditch by Naomi Cleaver

Examples of where the context provided inspiration for Naomi abound here at iQ Shoreditch. The 12th floor common room, the Star Lounge, features a depiction of the accumulation of flight paths across London during 24 hours in string art, where what you see out of the window at that height is brought inside.

The “visual anarchy” of Shoreditch inspired the scheme for the main common room, a subverted Oxbridge or Ivy League University Common Room, while the “pavementscape” designed by local architects Tonkin Lui was the reference point for the Reception area, which neatly ties into some of the motifs designed by the architects Lifschutz Davidson Sandilands, such as green walls in the adjacent courtyard.

“As the brief required the location of computer monitors in the Reception I designed pods made out of brass grille, the type that sits in front of radiators, inspired by the privacy of the confessional and the phone booth.

“I was also keen to develop both the language of learning and the idea of just being young. The Study Rooms for example are furnished with desks and chairs reclaimed from a Manchester college and papered with misprinted sheets of a Shakespeare play,” said Naomi.

iQ Shoreditch by Naomi Cleaver

The television rooms are papered with murals and furnished with bean bags. “And then there is the role of whimsy,” added Naomi. “For the Games Rooms I conceived an inside out shed, lining the walls with waney-edged boards. And for what’s called The

Link, a space adjacent to the Main Common Room, I continued the idea of the subversion of tradition as well as inside-outside space to create a modern conservatory, complete with hanging baskets and a stuffed deer.”

From antique leather sofas and chairs, layered Persian carpets and dining tables made out of reclaimed scaffolding planks, plus computer counters made from reclaimed lab tops and table-tops made from recycled yoghurt pots, 100% of the materials used in implementing Naomi’s designs at iQ Shoreditch were either reclaimed or environmentally sustainable.

“Resourcefulness is key to my practice, as is UK manufacture, where possible,” said Naomi, who commissioned Stuart Scott in Wiltshire to make the circular leather seating in the Reception; British design team Hendzel and Hunt to produce panelling and fireplaces in the main common room from reclaimed hardwoods; Debbie Smyth to make string art; Oval Workshops to build the zinc and hazel bar in The Link; and in the meeting room Naomi designed a table which could be split apart to create individual “stations” or wheeled together to make one large table, which was made in the Cotswolds by Forgeability, with the tops made out of recycled yoghurt pots.

iQ Shoreditch by Naomi Cleaver

The concept of “home” also played an important part in Naomi’s designs: “Student Accommodation is as much an expression of home as anywhere else but much of the student accommodation I had researched looked corporate to me. While security and efficiency are important so is nurture and play.

“And so is the fact that students study very different subjects. I designed an Art Room with large tables for art, fashion and design students to work on, with the walls lined with pinboard material and a music room which one music student has told us is the best practice room in any educational building in London.”

For Naomi, what really sets iQ Shoreditch apart however is the 12th floor common room and its specially commission original wall art: “I love the chance to commission art from a young artist. It is a cherished opportunity,” said Naomi.

For the developer: “If I were a student, I’d be drawn to live here by the location, combined with the quality of product and service in a fun and exciting setting,” said James.

iQ Shoreditch by Naomi Cleaver

“The variety and quantum of common and social spaces for the students to congregate and socialise in is also unusual for student accommodation.”

For student, Amani Soboh: “I love the television lounge on my floor. When my friends come here I take them to every single common room and we go up to the 12th floor and come down the stairs. They are always shocked and say “it’s pretty much the best student accommodation I think I’ve seen.”

From developer: “iQ’s reputation is largely built on customer service, we offer an enhanced level of service to most of our competitors, e.g. we have the reception & office open 7 days a week, a 24/7 presence on site with security all through the night, on site maintenance team, parcel collection etc. that all differentiate us from our competitors.

iQ Shoreditch is a 100% studios (self-contained unit with kitchen), which is only really viable in London. As before, it offers greater variety of common spaces – but that has been driven by the 100% studios as the more typical model of student accommodation has student bedrooms arranged around a shared kitchen/living space that provide the social function.

The post iQ Shoreditch by
Naomi Cleaver
appeared first on Dezeen.

AHMM to design London police headquarters

News: London firm Allford Hall Monaghan Morris has won a competition to design the new Scotland Yard headquarters for the London Metropolitan Police.

Allford Hall Monaghan Morris (AHMM), who are currently also working on Google’s new London headquarters, will renovate the riverside Curtis Green building in Whitehall – a former police station – to replace the existing New Scotland Yard building in Westminster.

The architects propose “a police headquarters that will be more open and accessible, and will help the Met reconnect with the public.” It will feature a new public entrance pavilion, extensions to the existing building and a series of public spaces, designed in collaboration with specialist architects Haverstock.

The well-known revolving sign will be retained and relocated, as will the Eternal Flame and Roll of Honour.

AHMM wins Scotland Yard HQ
The old revolving sign will be retained and relocated to the new building

Paul Monaghan, a director at AHMM, said: “This is a very important project for AHMM with the opportunity to work with one of the most significant and longest established law enforcement bodies in the world. We look forward to working with the Metropolitan Police Service to develop a building that supports them in their changing role within the city.”

The police will move into the new building in 2015, while the old building will be sold to raise funds that will be reinvested in frontline policing.

AHMM saw off four other shortlisted practices including Foster + Partners and Allies and Morrison to win the competition, which was organised by the Royal Institute of British Architects (RIBA).

“Through the careful extension of the public realm across the site and consideration of its neighbours in massing and materiality terms, these proposals will serve to strengthen this cohesion,” said RIBA competitions adviser Bill Taylor.

“Weaving the heritage and culture of the Metropolitan Police into the fabric of the building and the spaces that surround it, the proposals strike a balance between respect for what already exists and the desire of the client to present a new, open and progressive face to the community they serve,” he added.

AHMM presented proposals for a Google campus in London’s King’s Cross earlier this year and also recently completed a London hospice designed to look like an oversized house.

See more architecture in London »

The post AHMM to design London
police headquarters
appeared first on Dezeen.

Tree House by 6a Architects

London studio 6a Architects has extended the home of architecture critic Rowan Moore and his family by adding a timber structure that curves around a tree (+ slideshow).

Tree House by 6a Architects

The extension was designed by 6a Architects to provide a new ground-floor bedroom and bathroom for the London house, which is an amalgamation of two cottages constructed in the 1830s.

Tree House by 6a Architects

A ramped corridor runs parallel to the existing house, negotiating a gentle change in level and allowing access for the mother of the family, who uses a wheelchair.

Tree House by 6a Architects

This corridor connects the house’s living room with the new bedroom suite, which extends out into the garden.

Tree House by 6a Architects

The exterior of the structure is clad with reclaimed timber, while white-painted timber panels line the interior walls.

Tree House by 6a Architects

Glazed doors open the space out to a curving timber deck that surrounds the sumac tree and steps down to the garden.

Tree House by 6a Architects

London studio 6a Architects also recently completed an extension of Paul Smith’s Albemarle Street store and previously designed the expansion of the South London Gallery. See more projects by 6a Architects »

Tree House by 6a Architects

Other London housing extensions include a one made up of tapered volumes in north London and a glazed kitchen and dining room added to a house in east LondonSee more residential extensions »

Tree House by 6a Architects
Axonometric diagram – click for larger image

Here’s a project description from 6a Architects:


The Tree House is a timber framed and reclaimed timber clad construction on reversible timber foundations.

Tree House by 6a Architects
Site plan – click for larger image

It sits within the luxuriantly overgrown garden of two tiny knocked together 1830’s weavers cottages shaping itself around the central sumac tree.

Tree House by 6a Architects
Floor plan – click for larger image

Its ramped interior absorbs the ½ storey difference between the cottages and its new master bedroom and wetroom nestled under the eucalyptus tree.

Tree House by 6a Architects
Cross section detail – click for larger image

The family home has been re-orientated so that the mother of a busy family remains central to all the activity whether resting in the garden, eating with her children or entertaining as she becomes more reliant on her wheelchair.

Tree House by 6a Architects
Long section- click for larger image

Architect: 6a architects
Structural Engineer: Price & Myers.
Contractor: John Perkins Projects Ltd
Building Control: MLM
Lighting: Izé (Veranda lights)
Exterior Cladding Ashwell Recycled Timber Products
Blinds Ace Contracts (London) Ltd
Garden design Dan Pearson Studio / Mark Cummings Garden Designs

Tree House by 6a Architects
Elevation – click for larger image

The post Tree House by
6a Architects
appeared first on Dezeen.

Rapha City Cycling Guides: Explore eight European cities by bike with rich illustrations, maps and plenty of insider knowledge

Rapha City Cycling Guides


Seeing a city by bike undoubtedly lends to experiences not found on motorized transportation. Rapha, global purveyors of stylishly functional cycling gear, understand this and are launching a series of bike-based );…

Continue Reading…

“London is a crossroads for great creative people”

Dezeen and MINI World Tour: in this movie filmed during London Design Festival, leading figures from London and abroad explore the pros and cons of working in the city and discuss the threats to its status as one of the major design centres of the world.

"London is a crossroads for great creative people"
Spanish designer Jaime Hayon

“London is the most international and vibrant city there is, probably worldwide,” says Spanish designer Jaime Hayon, who lived in London for three years.

"London is a crossroads for great creative people"
Eero Koivisto of Claesson Koivisto Rune, Sweden

Eero Koivisto of Swedish studio Claesson Koivisto Rune agrees. “It’s truly multicultural in the same way New York is,” he says.

"London is a crossroads for great creative people"
Patrizia Moroso, creative director of Moroso, Italy

Patrizia Moroso, creative director of Italian brand Moroso, describes the city as “a sort of belly of the world.”

She explains: “Many young people, people from all over the world, are attracted [to the city] because London is open.”

"London is a crossroads for great creative people"
Kieran Long, senior curator of contemporary architecture, design and digital at the V&A

Being an open city is one of the key reasons for its success, argues Kieran Long, senior curator at the V&A Museum.

“London has always been a place that is incredibly tolerant of new things,” he says. “The city is based on immigration.”

"London is a crossroads for great creative people"
Deyan Sudjic, Design Museum director

Design Museum director Deyan Sudjic agrees. “London is a remarkably successful place for attracting really smart, bright, gifted young designers,” he claims.

However, Sudjic warns that it can also be a difficult place for young designers to start up: “London is a very expensive place to be. You might find yourself migrating right out to the external edges of the city.”

“Production is not the most amazing,” adds Hayon. “You’ve got to travel a lot when you’re based in London and that’s costly and it’s complicated if you’re setting up a business.”

"London is a crossroads for great creative people"
Mimi Lindau, marketing director at Blå Station, Sweden

“Many young, fresh designers come from London, but you don’t have many strong brands,” observes Mimi Lindau of Swedish furniture brand Blå Station.

Sudjic agrees: “London has based its success on 150 years of having great art schools,” he says. “[Designers] come to study here and lots of them stay and build a practice, not necessarily based on clients here, but on clients around the world.”

"London is a crossroads for great creative people"
Alex de Rijke, co-founder of dRMM

London’s schools are one of the major reasons for the proliferation of architects based in the city, claims Alex de Rijke, co-founder of architects de Rijke Marsh Morgan and dean of architecture at the Royal College of Art.

“We’re spoilt for good schools for architecture here,” he says. “The overly large proportion of architects in London is obviously because the education system has been strong here.”

However, he adds a note of warning: “Schools are coming under threat from a lack of government funding.”

"London is a crossroads for great creative people"
Central Saint Martins in Kings Cross, London

In September, the UK government announced changes to immigration rules that make it more difficult for international students to extend their leave to remain in the country once their course ends.

Long claims the move could endanger London’s status as one of the world’s leading design centres.

“Any political agenda that tries to limit the influx of international students to the UK is a disaster,” he says. “It’s a disaster for the schools, it’s a disaster for design culture here because, let’s face it, there’s no manufacturing here, there’s nothing else. What we are is a crossroads for great creative people.”

He continues: “We should keep London as open a city as it can be.”

See our earlier story on how the UK’s new immigration laws will affect design »

"London is a crossroads for great creative people"
Architectural Association School of Architecture, London

Sudjic agrees that London should not take its position in the design world for granted. “Design is a very competitive process, lot’s of places want to be the design capital of the world,” he says.

“London is a great place to be, but it can’t be complacent. It has to go on being interesting and attracting new people, smart people, and getting them to stay.”

"London is a crossroads for great creative people"

We travelled around London in our MINI Cooper S Paceman. The music featured in the movie is a track called Temple by London band Dead Red Sun.

See all our Dezeen and MINI World Tour movies »
See all our stories about London Design Festival 2013 »

The post “London is a crossroads for
great creative people”
appeared first on Dezeen.

“Sunflowers” by Rob and Nick Carter: A 3D bronze reinterpretation of Vincent van Gogh’s 1888 painting




by Gavin Lucas Inspired and informed by Vincent van Gogh’s 1888 “Sunflowers” painting (housed in London’s National Gallery), artist duo Rob and Nick Carter’s bronze interpretation of the iconic post-impressionist…

Continue Reading…