Perles necklace collection by Ronan and Erwan Bouroullec

Product news: French designers Ronan and Erwan Bouroullec have created this range of necklaces for a Parisian gallery.

Ronan and Erwan Bouroullec - Perles for Galerie Kreo

On display at the Galerie Kreo in Paris, the Perles necklaces by the Bouroullec Brothers consist of simple repeated stone modules.

Ronan and Erwan Bouroullec - Perles for Galerie Kreo

Bell-shaped pieces sit inside each other to form a ridged band akin to prehistoric jewellery. “We had a profound desire to use stone in relation to our fascination with primitive jewellery,” said the duo. “Something direct but searching as well for delicacy in its fall and the relation to the body.”

Ronan and Erwan Bouroullec - Perles for Galerie Kreo

The necklaces are made from blood jasper, black onyx and Carrara marble in a matte or shiny finish, and the collection includes three sizes.

Ronan and Erwan Bouroullec - Perles for Galerie Kreo

Earlier this year the Bouroullecs added three new colours to their Corniches shelves a couple of months ago and their suspension lamps that look like climbing plants went into production.

Ronan and Erwan Bouroullec - Perles for Galerie Kreo

Other jewellery we’ve featured includes necklaces made from delicate paper patterns and bracelets in the shapes of cod fish bones.

See more design by Ronan and Erwan Bouroullec »
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Interview: Welfe Bowyer: The Melbourne-based designer of Welfe Jewellery creates bespoke jewels using locally-sourced leather and stones

Interview: Welfe Bowyer


It’s the little details that matters when it comes to good design, and this Kiwi designer is all about the details. We caught up with Welfe Bowyer, a New Zealand native making a name for himself…

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The Aesthetic of Fears by Dorry Hsu

This collection of 3D-printed jewellery by Royal College of Art student Dorry Hsu was inspired by the designer’s own fear of insects.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

Dorry Hsu 3D-printed The Aesthetic of Fears collection in clear resin using stereolithography (SLA) before attaching latex straps.

The Aesthetic of Fears by Dorry Hsu

She then coloured each piece by dipping it into boiling dye, adding one hue at a time.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

The forms of the jewellery are based on insects with lots of legs.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

“My collection is about the aesthetic and the attraction of fears,” she explained. “In many cultures people wear masks to scare evil away, so the masks are decorated with frightening images from the wearer’s own fears.”

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

“I recorded and wrote down my fears in 40 days, and the bug with many legs was one of the fearful objects on my list,” she told Dezeen.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

To create the 3D files to be printed, Hsu used a tool called a haptic arm that allowed her to draw the shapes as though sculpting in clay.

The Aesthetic of Fears by Dorry Hsu

“It’s a way of drawing in 3D, like building up clay in a computer program,” she explained. “The haptic arm functions as a computer mouse and you can feel the tension of dragging clay.”

The Aesthetic of Fears by Dorry Hsu

“It’s more like hand-drawing or hand-building clay and is really different to traditional computer drawing like Rhino,” she added.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

Dorry Hsu is studying an MA in Goldsmithing, Silversmithing, Metalwork & Jewellery at the Royal College of Art in London and developed the project with the college’s RapidformRCA digital design, prototyping and manufacturing department.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

She was one of four finalists in the International Talent Support awards last month.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

Other 3D-printed fashion on Dezeen includes jewellery made up of ball-and-socket joints3D-printed sunglasses by Ron Arad and sculptural pieces by Iris van Herpen.

The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

More jewellery design »
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The Aesthetic of Fears 3D-printed jewellery by Dorry Hsu

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Buttons by Studio Swine

London-based Studio Swine has produced a set of gold and silver clip-on buttons inspired by the textures and shapes of modernist architecture (+ movie).

Buttons by Studio Swine

Studio Swine designed the accessories to clip over standard shirt buttons so they’re easy to transfer to different outfits.

Buttons by Studio Swine

“We felt that men’s accessories were quite limited,” the studio told Dezeen. “We wanted to create some that are accessible and make it easy to customise your clothes into a special piece.”

Buttons by Studio Swine

The seven designs are largely based on patterns of modernist concrete buildings, like the ones in São Paulo that feature in the movie above. “We wanted to make buttons that would carry tactile information; wearable architecture.”

Buttons by Studio Swine

Shapes include a perforated gem, square gem, cloud, triangle, factory, star and special-edition pixel.

Buttons by Studio Swine

Ranging from seven to twelve millimetres in diameter, the hand-finished buttons are available in 18-carat gold or silver plate.

Buttons by Studio Swine

They have recently launched on crowd-funding website Kickstarter.

Buttons by Studio Swine

Our last story about Studio Swine featured a movie about an open source chair made from plastic salvaged from the sea.

Buttons by Studio Swine

More jewellery posts on Dezeen include a ring made from human leather and body jewellery inspired by Japanese baskets.

Buttons by Studio Swine

See all our stories about design by Studio Swine »
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Timed Ring

The Ring Clock is a simple approach to marry two of the biggest and much needed accessories that we use. Yes, we wear rings and we wear watches, and it’s not the first time that the two have been integrated. What I really like about the Ring Clock is that it is designed simple, with the clock aspect integrated into the ring’s band. The ring rotates as time goes by, and thus showing the current time.

Designer: Szikszai Gusztáv


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Timed Ring was originally posted on Yanko Design)

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Forget Me Knot by Sruli Recht

Forget Me Knot by Sruli Recht

Icelandic fashion designer Sruli Recht had a slice of skin surgically removed from his own belly to make this ring.

After the operation, the 110 by 10 millimetre strip of skin was salted and tanned, then mounted on a 24 carat gold band to create the piece of jewellery, which can be purchased for €350,000.

Forget Me Knot by Sruli Recht

Sruli Recht created a short documentary with graphic scenes of the operation, performed by a plastic surgeon, which can be watched here if you have a strong stomach.

The anthropodermic leather ring forms part of Recht’s Autumn Winter 2013 collection, to be presented in Paris tomorrow.

Recht creates garments and accessories from unconventional materials at his Reykjavik studio, and his previous collections have included stillborn lamb leather and silk extracted from a spider’s gland implanted in a goat.

Other unusual jewellery we’ve written about include a collection made from the hair of a deceased loved one and pieces made of animal and fish remains.

See all our stories about jewellery design »
See all our stories about designs by Sruli Recht »

Credits

Editor: Stefanía Thors
Sound: Helgi Svavar Helgason
Camera 1: Rúnar Ingi
Camera 2: Þórsteinn Magnússon
Photo: Marino Thorlacius

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Georg Jensen sold to Investcorp for $140 million

Georg Jensen sold to Investcorp

News: Bahrain-based investment bank Investcorp has agreed to pay $140m to buy luxury design brand Georg Jensen, the Danish luxury brand famous for its silverware and jewellery, from Danish private equity group Axcel.

Investcorp hopes to expand the company, founded by silversmith Georg Jensen in Copenhagen in 1904, into the growing luxury markets of Asia and particularly China.

Georg Jensen stands to become one of the leading hard luxury brands of the 21st century, leveraging a brand legacy going back more than 100 years and a unique Danish design DNA,” said Hazem Ben-Gacem, head of European corporate investment at Investcorp.

Ulrik Garde Due, CEO of Georg Jensen, said it had been necessary to take a long-term view of the company’s development. “Investcorp’s commitment to developing the brand will ensure we can further strengthen Georg Jensen’s unique position globally as the leading Danish luxury lifestyle brand,” he said.

Investcorp’s takeover of Gucci in 1988 and the subsequent appointment of Tom Ford as creative director helped the failing Italian fashion brand to turn its fortunes around and become a huge global business, while its ownership of Tiffany in the 1980s saw the launch of the American jeweller’s first outlet in Europe.

Axcel acquired Georg Jensen in 2001 when it was part of the Royal Scandinavia group.

See all our stories about jewellery »

Photograph is from Shutterstock.

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Body Jewellery by Stephanie Bila

Body jewellery by Stephanie Bila

Designer Stephanie Bila used bent wood and crystals to create this body jewellery inspired by Japanese baskets for her Central Saint Martins graduate collection.

Body jewellery by Stephanie Bila

Bila used a flexible beech timber to create the ribbed forms, which recall organic structures like shells and skeletons. Swarovski crystals also line the thin edges of some of the pieces.

Body jewellery by Stephanie Bila

“The collection is an exploration of the ability of jewellery to enhance our perception of the human form,” Bila told Dezeen. “Linear sculptures extend, encase, rest upon and surround the body creating a new human architecture.”

Body jewellery by Stephanie Bila

Bila received a scholarship from Swarovski for the final year of her degree at Central Saint Martins and was also selected to participate in this year’s International Jewellery London show as part of the Bright Young Gems initiative for new designers.

Body jewellery by Stephanie Bila

This week we’ve also featured a jewellery collection made from silicone rubber flaps that look like skin and nipples.

Body jewellery by Stephanie Bila

See all our stories about jewellery »

Body jewellery by Stephanie Bila

See all our stories about Central Saint Martins »

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Skin Secret by I-Ting Ho

Flaps of dimpled silicone rubber are stitched together to form fleshy earrings, nipple brooches and sanitary pads in this jewellery collection by Taiwanese designer and recent graduate I-Ting Ho.

Skin Secret by I-Ting Ho

The Skin Secret collection is made from silicone rubber cast in a mould to look like dimpled skin before being sewn together or attached to metal parts to form each piece.

Skin Secret by I-Ting Ho

Among the collection is a pair of earrings with circles of skin dangling off black needles and a brooch covered in nipples.

Skin Secret by I-Ting Ho

There’s also a necklace on a long chain, a mask that’s held up like a mirror and a pair of glasses with skin acting as a blindfold.

Skin Secret by I-Ting Ho

I-Ting created imperfect, blemished skin to prompt feelings of fascination as well as disgust in the viewer. “I want to create a challenging situation, a conflicting dialogue with the audience,” she explains. “People just cannot move their eyes away from those disgusting scenes that grab their attention.”

Skin Secret by I-Ting Ho

The Taiwanese designer completed her MA at Birmingham City University’s School of Jewellery this year.

Skin Secret by I-Ting Ho

Earlier this year we featured a collection of silk shrouds printed with faces and bodies to disguise the wearer as someone else.

Skin Secret by I-Ting Ho

See all our stories about jewellery »
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Here’s some more information from the designer:


My work demonstrates a long journey of self-exploration. By peeling the skin layer by layer I get to the core of myself; I try to express what I explored and interpreted through my experiments in materials.

The feelings I want to achieve in my pieces are quirky, fantastical, and surreal. I focus on human skin, which is my main inspiration because it has many different and unique textures, several layers, and tells even some stories behind the scars and marks on its surface. “Skin Secret”, the title of my project, is about the “id” and “ego”. People usually use products or accessories to beautify themselves, or want to create an identity so that other people perceive them in a different way. Therefore, these possessions they hold or wear are like the “second skin”. Based on the main concept, I developed two bodies of work. The first one is constructed by using representations of body organs, which are reconstructed elements of organs and skin. While in the serial work, there are dialogues between people and daily objects; in this way, the creative work offers a thinking method to discuss human behaviors.

In my view, skin is soft but not as fragile as we think. Therefore, in “Skin Secret” one of the characteristics is juxtaposing the skin texture with metal structure, in order to create a conflicting image – hard and soft.

Inspiration

Skin, the largest organ on human body, spread on every corner outside to protect us; it is changeable, and has various unstable factors inside. I found these symptoms and some imperfect parts of skin, such as allergy, keloid, vitiligo, and other skin problems, by my own and other people’s experiences. These symptoms, especially allergy, did bother me every night since I came abroad. But once I looked at them closely, there was something attracted my attention. An idea came to my mind – to change the role of skin, recompose its definition, and challenge people’s thinking.

Concept

Self-awareness, one of the important human behaviours, reflects one’s personality. Based on this, people usually use objects to present their thinking, or taste. However, sometimes, people desire to build another personality with other items, or to strengthen their identity, especially for social reasons. In Buddhist’s philosophy, human body is just a skin shell, which is like a dressing of your mind. Therefore, in my explanation, all those apparels, accessories, make up, purses, shoes, and anything that could beautify people or improve their identity are the second skin to us.

While talking about the main element used in my project – skin, it is a debatable issue for most people since the point I focus on is about the imperfect skin, not as flawless as people desire to have. The reason why I choose this kind of blemish is want to create a challengeable situation, conflicting dialogue with the audience. People just cannot move their eyes away from those disgusting scenes that powerfully grab their attention. In the project, my work will not be viewed just like ordinary jewellery that is shiny or attractive, but will encourage people to think differently.

Making

The focal point in my project is to use a different medium to convey some fantastic images that people usually want to ignore. Therefore, I focus on modeling, casting, and colouring. In the modeling production, having basic knowledge about the parting line, and how to set the modeled objects in a specific position are very important; while in the casting process, mixing with appropriate proportion of the chemical compound and experimenting with an accurate cure time are what needs to be the main focus; In addition, it took me a long time to get the colour I want, which looks real, and also pinky like a girl.

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Bejeweled And Bedazzled

The elegant PIPETTE is a beautiful functional jewelry that should be in every woman’s collection. It features a pipette-shaped bottle that is filled with a gel perfume. Crafted from materials that make it bedazzling and sexy, I can’t wait to get my hands on one of these.

Designer: Danica Skriniarova


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(Bejeweled And Bedazzled was originally posted on Yanko Design)

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