Neuw Denim

Vintage-inspired denim with a modern fit falling perfectly between tween and mom jeans
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While selvedge still pretty much rules the conversation in terms of men’s jeans, the denim debate for ladies often boils down to rise. From low-riders that create curves but pose muffin top risk, to seemingly-safer high-waisted silhouettes verging dangerously close to mom jeans, a perfect mid-rise looks current and flatters most body types. Entering the denim game this year is Neuw, an Australian label whose “Vintage Revision” take on denim, based on Swedish co-founder Par Lundqvist’s 2,500-piece archive, updates the styles of decades past with cuts for today.

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The softness of the denim in the Marilyn Skinny from Neuw’s Black Colour range, which I’ve been wearing for the past month, speaks to the brand’s vintage influences, feeling more like a worn-in standby pair than stiff new jeans. While the denim’s pedigree is important, the right fit remains the foremost concern.

When I first pulled them up to my navel, I expected that dreaded elongated rear, but was pleasantly surprised by what I saw. Neuw’s womenswear designer Phoebe Taylor explains the design details were styled so that “your butt looks the perkiest it ever has. The high-retention denim used to complete this fit holds the wearer in, and as a result, it’s going to be très sexy.”

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The advanced approach to fit disguises itself under the line’s decidedly retro-influenced aesthetic. Initially created as a “sharp alternative” to indigo, the Black Colour line expands beyond dark tones with a range of neutrals and bolder hues like red and pink. While candy colors continue as a staple denim look these days, Neuw’s approach incorporates a black weave on the inner layer, instead of the usual white—a method not typically used since the ’50s—to create the perfect patina over time. Another distinguishing detail: Neuw brings premium Japanese and Turkish denim into a more accessible price range, hovering around $150.

Taylor tells us they work to improve upon the timeless style by culling the best details from their extensive vintage stock. “We reminisce about the years of the depression in the 1930s, and ogle the beautiful care that was taken in repairing garments and getting the most out of what was available,” Taylor describes. “We have taken this appreciation on board when creating new styles in this climate. It’s the days of the DIY culture.”

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Neuw, in working with the challenges of designing for different body types, while also competing in the over-saturated denim market, earns the rare distinction of bringing a fresh perspective to women’s jeans. The collection sells at their Melbourne flagship, Stockholm Syndrome, and in stores around the world.


Levi’s® ‘Go Forth’…

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Some really beautiful and revitalizing brand work for the new Levi’s “Go Forth” campaign by Wieden+Kennedy.

Click here to view the embedded video.

“Ready to Work” appears to promote the Levi’s workwear line, this time portraying the situation of workers and women of Braddock, Pennsylvania, which has experienced serious financial difficulties in recent times. Its mayor, John Fetterman, received national attention for his attempts to help rebuild and revive the town by enlisting the help of modern pioneers – artists, craftsmen, musicians and business owners.

Read the press release and full back story here.

Watch other short films & content here.

The ‘Anti Sweden in Jeremyville’ denim collab!

Nel panorama delle collaborazioni fra moda e arte, il brand norvegese Anti Sweden lancia una collezione customizzata dall’artista Jeremyville.
Il contrasto è forte. Atmosfere oscure e truculente, visioni surreali di distruzione e dolore, ma in colori fluo e pop. Un connubio davvero insolito…di sicuro effetto.
[Via]

Bianchi & Acne Jeans

Another cultural/counter-cultural zeitgeist collaboration: the Italian bicycle manufacturer Bianchi and the Swedish high-end fashion house Acne teamed up to produce some track bikes in great colorways with some typography from deep in the archives.


Acne x Bianchi Bicycles


The bicycle itself looks to be identical to a Bianchi Pista with respect to geometry and components. As a bicycle, the Pista doesn’t do much for me. The geometry doesn’t make any sense, particularly because Pista riders typically ride in the streets and typically don’t ever see a velodrome. Why, then, cling to the 28mm fork rake? Your feet most certainly get in the way of turning the front wheel. The Pista fork is actually hideous in all respects. Acne just put lipstick on the pig, but it works well visually. I could see myself ordering one of these frames.