House with Concrete Louvers by StudioGreenBlue

House with a Concrete Louver by StudioGreenBlue

Japanese architects StudioGreenBlue have inserted concrete bars behind the glazed wall in this family home in Fukaya, Saitama Prefecture, Japan.

House with a Concrete Louver by StudioGreenBlue

Called House with Concrete Louvers, the house has been designed in accordance with the weather conditions of the area and features a long floor plan and a walled garden.

House with a Concrete Louver by StudioGreenBlue

The architects decided upon concrete as a material for its thermal capacity because the site, located in the Kantō Plain, is thought to be the hottest area in Japan, as well as suffering harsh winds during the winter.

House with a Concrete Louver by StudioGreenBlue

The louvres also act as a shading device.

House with a Concrete Louver by StudioGreenBlue

More residential architecture on Dezeen »

House with a Concrete Louver by StudioGreenBlue

The following information is from the architects:


House with a concrete louver

Now environmental problems are the most important issue on the Earth.

House with a Concrete Louver by StudioGreenBlue

However, in the other side almost of all people prefer the house using a lot of glasses for the spread of the space and depends on the air conditioner.

House with a Concrete Louver by StudioGreenBlue

Therefore we think to make the comfortable house which has a large opening to get a refreshing feeling.

House with a Concrete Louver by StudioGreenBlue

Using the energy of the nature, the warmth of the sunlight and the winds, we make a comfortable place, cool in summer, warm in winter.

House with a Concrete Louver by StudioGreenBlue

The site is an inland area in the kanto-plain where is the hottest place in Japan.

House with a Concrete Louver by StudioGreenBlue

The ground is surrounded by the field of spring onion, sandy north wind blow in through the gap of sash in winter.

House with a Concrete Louver by StudioGreenBlue

In such a harsh environment, inhabitants of this house, who are extremely sensitive to the cold, hope a room which is a warm and to be able to keep privacy.

House with a Concrete Louver by StudioGreenBlue

We picked on the concrete, that has a big calorific capacity.

House with a Concrete Louver by StudioGreenBlue

Storing the heat, bringing the light, bearing the horizontal power, operation of sight, guiding the flow of the man, reducing the cold draft by using the concrete as the louver.

House with a Concrete Louver by StudioGreenBlue

Making the house as the concrete louver primary, it indicates us a new possibility between a man and house.

House with a Concrete Louver by StudioGreenBlue

The house has the opening, like a gate, to shut out the sunlight and take more wind in.

House with a Concrete Louver by StudioGreenBlue

The space between each concrete louver contracts toward the bottom for blocking the sunlight, widens toward the top for seeing the sky.

House with a Concrete Louver by StudioGreenBlue

That easy turn becomes a sociable screen considering the privacy and temper.

House with a Concrete Louver by StudioGreenBlue

The gradation of the sunlight accompany time gives a gaily life.

House with a Concrete Louver by StudioGreenBlue

Japanese house has had “central pillar” and has supported the houses and the family’s minds since a long time ago.

House with a Concrete Louver by StudioGreenBlue

But in the present age when an environmental problem became the most important problem the concrete louver furnishes protection of the privacy and main role on the space of structure, the construction and energy saving.

House with a Concrete Louver by StudioGreenBlue

That shoulders the role of new central pillar.

House with a Concrete Louver by StudioGreenBlue

House with a Concrete Louver by StudioGreenBlue

Click for larger image

House with a Concrete Louver by StudioGreenBlue

House with a Concrete Louver by StudioGreenBlue


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Distance of Fog by StudioGreenBlueMole by
Ninkipen!
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Yoshichika and Sekkei-Sha

housek4

Beautiful house design by Japanese architectural firm, Yoshichika and Sekkei-Sha.

They’ve done a really interesting job at dividing space in this award-winning house, named ‘House K’. It was built this year in Hokkaido, Japan. See more photos on their site.

Via: Spoon + Tamago

Katsumi Hayakawa

Retour sur les tableaux en 3 dimensions par l’artiste Katsumi Hayakawa, basée à Tokyo au Japon. Des créations et réalisations étonnantes avec cette série composée uniquement en bouts de papiers découpés. Plus d’images de son travail dans la suite de l’article.



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Previously on Fubiz

New World Transparent Specimens

A Tokyo artist combines man-made design with aquatic creatures for a series of vibrant displays of science

by Meghan Killeen

transspec1.jpg

Japanese artist Iori Tomita takes a colorful approach to highlighting the complex compositions of marine life creatures with his collection entitled “New World Transparent Specimens.” Tomita was first introduced to the creation of transparent specimens for the scientific purpose of examining minuscule bone structure as an undergraduate student majoring in fisheries. The specimens’ flesh is made translucent by a method that dissolves the creatures’ natural proteins. The artistry of nature and man-made design converge when vibrant dyes are introduced to the delicate skeletal system. Selectively injecting red dye into the hard bones and blue into the softer bones, Tomita underscores the other worldliness of aquatic life.

transspec2.jpg transspec3.jpg

Calling upon his experience as a fisherman, Tomita continues to maintain a rapport with the fishing community by bartering his assistance in exchange for new marine creatures. Depending on its size, the process averages between four and six months to create each specimen, which are like a psychedelic version of Danish artist Stefan Dam‘s gorgeously creepy organisms.

transspec4.jpg

Recently exhibited at Design Festa in Tokyo and celebrated at the Tokyo Institute of Technology’s Makezine event, Tomita’s work will soon be on display again at the “Tokyo Mineral Show” from 10-13 December 2011 at Sunshine City.

“New World Transparent Specimens” are available for purchase through the the Japanese-based store Tokyu Hands for ¥2,000 to ¥20,000. To commission a specific aquatic animal, visit the New World Transparent Specimens website.


132 5. Issey Miyake by Tokujin Yoshioka

132 5. Issey Miyake by Tokujin Yoshioka

Japanese designer Tokujin Yoshioka designed this boutique to display fashion designer Issey Miyake’s 132 5. collection of garments, which fold from two-dimensional geometric shapes into structured clothes (see our earlier story).

132 5. Issey Miyake by Tokujin Yoshioka

Taking the same name as the collection, the shop displays each garment on a transparent mannequin suspended from the ceiling, with folded versions laid alongside and an iPad to explain the construction process.

132 5. Issey Miyake by Tokujin Yoshioka

Photographs are © Yoshinaga Yasuaki.

132 5. Issey Miyake by Tokujin Yoshioka

See all our stories about Tokujin Yoshioka »
See all our stories about Issey Miyake »

132 5. Issey Miyake by Tokujin Yoshioka

The information below is from Yoshioka:


Tokujin Yoshioka x 132 5. ISSEY MIYAKE

The first store for “132 5. ISSEY MIYAKE” designed by Tokujin Yoshioka has been launched.

132 5. Issey Miyake by Tokujin Yoshioka

“132 5. ISSEY MIYAKE” is a new label and a new evolution of “A piece of Cloth” by Issey Miyake, based on the ideas of “Regeneration and Re-creation.”

132 5. Issey Miyake by Tokujin Yoshioka

“Way of selling” is the concept of this space rather than the superficial interior design.

132 5. Issey Miyake by Tokujin Yoshioka

The clothes are displayed on five transparent torsos, which are strung down from the ceiling.

132 5. Issey Miyake by Tokujin Yoshioka

Customers can access freely to the computer graphic images of the complicated process on the iPad installed in the store.

132 5. Issey Miyake by Tokujin Yoshioka

The display of the process from 2D to 3D is as if it is of the Japanese Kimono store.

132 5. Issey Miyake by Tokujin Yoshioka


See also:

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More about 132 5.
by Issey Miyake
24 ISSEY MIYAKE Shop
by Nendo
Pleats Please Issey Miyake
by Tokujin Yoshioka

Habitat Antique by Facet Studio

Habitat Antique by Facet Studio

Facet Studio have completed the interior of a vintage shop in Osaka, Japan, using cedarwood, rice paper and linen.

Habitat Antique by Facet Studio

Called Habitat Antique, layers of timber have been stacked to form pillars, with shelves slotted in between them to create display units.

Habitat Antique by Facet Studio

Photographs are by Tomohiro Sakashita.

Habitat Antique by Facet Studio

Here’s a bit more information from the architects:


HABITAT ANTIQUE

Located at a residential area in Japan is a small shop which sells antiques. “Antiques” are objects which are, different from manufactured products, becoming increasingly charming together with the passing of time.

Habitat Antique by Facet Studio

Furthermore, it is also dependant on the location and era of collection that the objects possess their own individuality.

Habitat Antique by Facet Studio

The characteristic of this shop is that there is only one of each item, honouring their individuality.

Habitat Antique by Facet Studio

Timber is a living material. The section of this material records the passing of time in the form of growth rings.

Habitat Antique by Facet Studio

Also, the expression of the material is created by the different patterns formed by growth rings.

Habitat Antique by Facet Studio

In order to extract the charm of this material, we layered the sections of timber, to allow the timber sections to create the “pattern of time” for us.

Habitat Antique by Facet Studio

To enjoy the charm of changing with time; to adore the expression of individualism… This material of timber calmly expresses the secrete pleasure of antique lovers.

Habitat Antique by Facet Studio

PROJECT DATA

PROGRAM: Retail Fitout
LOCATION: Osaka, Japan
AREA: 25m2
MAIN MATERIAL: cedarwood, rice paper, linen fabric

Habitat Antique by Facet Studio

Click for larger image


See also:

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Dressler Papeterie und Accessoires by eins:33Brandbase Pallets by
Most Architecture
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Stairs-House by y+M Design Office

Stairs-House by y+M Design Office

Japanese architects y+M Design Office have completed this family house in Japan, with a façade that forms a staircase to the roof.

Stairs-House by y+M Design Office

Called Stairs-House, the building can be climbed from the garden at the bottom, up to the roof.

Stairs-House by y+M Design Office

Glass slits in between the treads allow sunlight to filter into the house.

Stairs-House by y+M Design Office

Inside the house, the stair structure has been left exposed, making the most of the unusual feature.

Stairs-House by y+M Design Office

Here’s some more information from the architects:


Concept

The owner of this house are young couple in their 30’s. They are both teachers and have twins.

Stairs-House by y+M Design Office

When they asked us to design their dream home, they had three key themes in mind.

Stairs-House by y+M Design Office

One is “people gathering” as they love their students visiting them, another is “warm and bright”,and the other is “protect their privacy”.

Stairs-House by y+M Design Office

The land is located at seaside. In winter, it suffers from the strong, cold sea wind and a short number of daylight hours.

Stairs-House by y+M Design Office

To the south of the land there is a 3-metre wide road and a 4-metre high bank leading to open ground.

Stairs-House by y+M Design Office

From the West is a combination of strong direct sunshine and sea wind.

Stairs-House by y+M Design Office

To the North is a road to the local village and to the East is a two-storey house closely.

Stairs-House by y+M Design Office

Taking into consideration the owner’s three key requests and the location of the land, we designed this “Stair-Shaped” House as a solution.

Stairs-House by y+M Design Office

To allow sunlight into the house, there are a number of glass slits in-between the steps on the south side.The glass slits not only make them feel liberating but also keep their privacy at the same time.

Stairs-House by y+M Design Office

The “Stair-Shaped” House makes people automatically look upside. It gives them no oppressing feeling. The stair shaped wall is made of porcelain tiles and, therefore, maintenance free.

Stairs-House by y+M Design Office

The outside structure links the garden to the rooftop, and the inside of the house links a private porch/reception/lounge area to the bedrooms. The windows are designed and situated to allow in as much sunlight as possible, whilst retaining privacy.

Stairs-House by y+M Design Office

Additionally, the “Stairs-House” achieves the aim of allowing in both daylight and ventilation very efficiently.

Stairs-House by y+M Design Office

In summer, the house has a nice breeze blowing through the small garden situated on the south side and removes heat through both opening and ventilation fan on the north side.

Stairs-House by y+M Design Office

Also, the slit windows stop the strong, direct sunshine, whilst allowing the indirect reflected light into the house.

Stairs-House by y+M Design Office

Click for larger image

In winter, this design keeps the house warm by allowing the maximum amount of sunlight into the house, in addition to the comforting warmth from the under floor heating and a wood-fire.

Stairs-House by y+M Design Office

Click for larger image

The “Stairs-House” is a perfect solution that can be adapted to any type of climate!

Stairs-House by y+M Design Office

Location:Oda-City, Shimane-Pref, Japan
Main Use:House
Site Area:417.80 ㎡

Stairs-House by y+M Design Office

Building Floor Area:98.22 ㎡
Total Floor Area:142.66 ㎡
Client : Koichi Iwatani & Masae Iwatani

Stairs-House by y+M Design Office

Architect : Masahiro Miyake (y+M design office Co.)
Director : Hidemasa Yoshimoto (y+M design office Co.)


See also:

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Residence in Kurakuen by
NRM-Architects Office
Opera House Oslo
by Snøhetta
All our stories
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Mint by Epitaph

Mint by Epitaph

Japanese studio Epitaph have remodelled the interior of this bungalow in Iwate, Japan, by removing internal walls and exposing the roof truss structure.

Mint by Epitaph

Called Mint, the 35-year-old, steel-framed building has been transformed into an open-plan home.

Mint by Epitaph

Exposing the roof structure creates height, opening up the space even more.

Mint by Epitaph

A sliding door partitions the bedroom from the rest of the space.

Mint by Epitaph

A strip of wooden cupboards and flooring on one side of the space provides a contrast to the predominantly white interior.

Mint by Epitaph

Here’s a bit of text from the designers:


“ mint ”

This project is a reform of the house of 35 years old. This house is an one-storied house. The structure is a light gauge steel.

Mint by Epitaph

The owner hoped to us for removing the partition wall that became unnecessary by the change in the family structure, and making one big room.

Mint by Epitaph

We secured a bigger space by exposing the truss of the ceiling with the removal of the partition wall.

Mint by Epitaph

The finish material of the space that became one was changed according to the layout of old times.

Mint by Epitaph

However, neither the structure nor the window have been changed. Because we tried to tie the past of the owner and a new space.

Mint by Epitaph

Sunlight from the window and the light of the lighting obscure the boundary. It help the connection of time and the connection of the space.

Mint by Epitaph

Toilet and lavatory and bathroom and hall are walled. All other spaces are connecting but the bedroom can be partitioned with the sliding door.

Mint by Epitaph

Above: plan before renovation

Project name:mint
Architect::epitaph (naoki horiike and norihisa asanuma)
Use::Private house
Area::77sqm
Location::Iwate, Japan

Mint by Epitaph

Above: plan after renovation


See also:

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AZB by
Geneto
Fiat Lux by
Label Architecture
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on Dezeen

Lost in Sofa

Un fauteuil très original pensé par le japonais Daisuke Motogi et sobrement intitulé “Lost in Sofa”. Une conception qui permet alors de ranger des objets entre les coussins et les plis, comme par exemples un téléphone, des télécommandes ou des livres. Plus de visuels dans la suite.



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sukima_01





Previously on Fubiz

Ceramics by Jaime Hayón for Kutani Choemon

Ceramic tableware by Jaime Hayón

Tokyo 2010: Spanish designer Jaime Hayón has designed a range of objects for traditional Japanese ceramics company Choemon.

Ceramic tableware by Jaime Hayón

Each piece in the collection features unique artwork created by Hayón and inspired by Japanese culture, in particular that of the dinner table.

Ceramic tableware by Jaime Hayón

The pieces were created in collaboration with Japanese product design brand Maruwakaya.

Ceramic tableware by Jaime Hayón

The collection was presented at DesignTide Tokyo 2010 last week.

Ceramic tableware by Jaime Hayón

See all our stories on Jaime Hayón in our special cateogory.

Here is some more information about the collection:


The story begins when Maruwakaya, a neo-traditional Japanese product design brand and the world renowned Spanish designer, Jaime Hayon, met at DESIGNTIDE TOKYO 2009, one of the biggest autumn design festivals in Asia. Hirotoshi Maruwaka, the producer of Maruwakaya, asked Hayon a question with a strong intention in mind, that if he was interested in working with Kamide Choemon-gama, a pottery of one of Japan’s most acclaimed traditional porcelain crafts, Kutaniyaki.

Ceramic tableware by Jaime Hayón

Maruwaka told Hayon that he wanted to produce new ceramic crafts combining Hayon’s creativeness in design with Choemon-gama’s craftsman skills. Hayon, having been inspired with the worlds of Choemon-gama at previous Designtide, agreed at once. This was the start of this fateful cross-cultural relationship between one of the most outstanding designers of today, taking his first challenge to work with Japanese crafts and Japanese traditional craftsmen without any experience with other designers ever before.

Ceramic tableware by Jaime Hayón

Though their backgrounds differ in many ways, they felt confident that they could create something they would be proud of. One keyword that tied them together was ‘Tsunagari (meaning relationships)’, which also was the title of the exhibition by Keigo Kamide, the sixth Kamide Choemon-gama, in January 2010.

Ceramic tableware by Jaime Hayón

It is believed that they key ideas in traditional Japanese culture, especially ones at the dinner table, are based upon relations and links between the people at the table, food, seasons and table wares. Thus the goal was to create pieces that help people recognise these relationships.

Ceramic tableware by Jaime Hayón

In order to Hayon to understand this keyword from heart, they have decided to go on a journey finding ‘Tsunagari’ in Japanese culture.
This search took place in Asakusa town sceneries, traditional performing arts such as Kabuki, a fish market in Kanazawa, Kaiseki ceremonial meal, long established soba restaurants and many more.

Ceramic tableware by Jaime Hayón

One night at a traditional dinner in a ryokan, a Japanese style inn, Hayon was really fascinated with the wide varieties of Japanese tableware each serving for different purposes. This night, he felt and experienced the real ‘Tsunagari’ in Japanese culture.

Ceramic tableware by Jaime Hayón

What is most important is not the knowledge, but is what you feel in the heart. At the pottery, Hayon surprised the craftsmen by introducing very unique and original ideas but also keeping the traditional feel of Kutaniyaki. Kamide Choemon-gama was fully trusting Hayon to take this new challenge. There was an exchange in souls between the two to achieve their goal.

Ceramic tableware by Jaime Hayón

Their creative souls had bonded together as they spent time communicating, checking, making things work and sharing joys together.
Though Hayon came from a different part of the world, what they have created stands proudly as genuinely Japanese with Japanese spirit. Spending hours and days at the pottery, Hayon and Maruwakaya became a part of the family of the craftsmen of Kamide Choemon-gama.

Ceramic tableware by Jaime Hayón

This is the story of Tsunagari and the pieces we’ve created are the message of the story. We hope you could hold the pieces in your hands and feel the message from our heart. For us, it is never about simplubringing in what is “in” into traditional crafts. Of late, we hear people saying “Japanese traditional culture is great” but the fact is we find a lot more imported DC brands or “Japanese-ish” products without actual identitied or meaning.

Ceramic tableware by Jaime Hayón

This is the kind of Japan, we live in right now. Our aim is to make more appealing products with the traditional and authentic Japanese aesthetic sense. With this project, we felt as if Jaime was telling us Japanese to have more pride in our crafts and cultures.

Ceramic tableware by Jaime Hayón

“Over the next few years, we plan to present our achievement of this project, which we hope it would inspire lot of people including traditional craftsen allover Japan to challenge new things.” Hirotoshi Maruwaka, head of Maruwakaya

Ceramic tableware by Jaime Hayón

“We were able to sympathise very much to the fascinating ideas rom Jaime Hayon and his attitude towards creations. In the old days, Kutaniyaki establish its reputation by inviting numerous artists and potters. The creative process on this project with Jaime was no different from the way our proud predecessors worked. We are pleased to feel as if we were back in the days when Kutaniyaki originated 350 years ago.”

Ceramic tableware by Jaime Hayón

“To work with Choemon and the team has been a great experience. I’ve worked with porcelain with high scaled people and companies for a decade, but this felt like and tradition, it was a great challenge.” Jaime Hayon

Ceramic tableware by Jaime Hayón

Jaime Hayon

Born in Madrid, Spain in 1974. At age of 23 he was promoted to head of Design Department of Fabrica, the Benetton-funded design and communication academy. His works for global brands includes Lladro, Baccarat, SWAROVSKI, CAMPER, Established & Sons, and moo. Jaime is one of the most symbolic creators of this decade. He has won numerous awards. Most recently, he was guest of honour at the 2008 Interieur Biennial in Belgium, the youngest person ever to receive the accolade.

Ceramic tableware by Jaime Hayón

Kamide Choemon-gama

Established in 1879 at Terai Mura, Nomi-gun, Ishikawa Prefecture as a pottery of Kutaniyaki. For over 130 years, they make tableware to tea sets with hands using the original traditional technique which is passed on from generation to generation. Their pieces features very fine art work with deep colours and sturdy and beautiful porcelain.

Ceramic tableware by Jaime Hayón

Maruwakaya

A creative product producer team and a Japanese style product brand, headed by Hirotoshi Maruwaka, established in 2007.
“Where should Japanese crafts go?” as their fundamental question, Maruwakaya works and collaborates with many craftsmen and companies all over Japan to lead the direction of Japanese crafts. One of their popular products is “otsuriki” iPhone cover, which uses traditional craft “inden”, presented at DESIGNTIDE 2009.

Ceramic tableware by Jaime Hayón

Production: Kamide Choemon-gama
Design: Jaime Hayon (hayonstudio)
Produce: MARUWAKAYA co., Ltd.

Coordinate: Yoshizo Yoshimura (DEVILROBOTS Inc.)
Press: Miki Koike (HOW INCORPORATED)
Translation: Kotohiro Nishiyama (DEVILROBOTS Inc.)

Ceramic tableware by Jaime Hayón

Catalogue
Art direction: Jaime Hayon (hayonstudio)
Design: Atsushi Umezawa (Glam Beast Co., Ltd.)
Photo: Nienke Klunder, Koichiro Kutsuna
Text: Keita Fukasawa
Translation: Wataru Igarashi

Ceramic tableware by Jaime Hayón

Cooperation
DNP Fotolusio Co., Ltd.
Fukumitsuya Co., Ltd.
Miyamoto Unosuke Co., Ltd.
Daishouji
Kazuki Hasegawa (KOUJIN)
Hiroyuki Matsumoto (UNIT.DESIGN)
E.N.N Co., Ltd.

Ceramic tableware by Jaime Hayón


See also:

.

See all our stories on
Jaime Hayón
Flying City Tableware by Carsten Höller More tableware
on Dezeen