SN.House by atelierA5

SN.House by atelierA5

Japanese architects atelierA5 have completed this four-storey house in Tokyo enclosed by a perforated metal screen.

SN.House by atelierA5

The SN. House is located on a narrow side street in a dense residential area of the city.

SN.House by atelierA5

The first two storeys are screened by perforated metal sheets, which form the entrance hall and service corridor on the ground floor.

SN.House by atelierA5

The roof of the service corridor creates a terrace for the first floor living space.

SN.House by atelierA5

The  top two floors are set back to adhere to local regulations and create terraces for each level.

SN.House by atelierA5

More Japanese houses on Dezeen »

Photographs are by Ken’ichi Suzuki Photography Studio.

The following is from the architect:


SN. House by atelierA5

SN. House is located in a dense residential area in Tokyo. The building site is 80 m2 big facing to a narrow side street. To use a small site like this in an effective way it was important to consider the way of placing a building volume in the site. If the distance between the outside wall and the site boundary is narrow it produces an unusable gap. If the distance is wide enough the outside space can be useful but it reduces the inside space.

Our focus for the design was to create an optimal living condition and maximal usable areas within a small site by redefining the relation between the outside walls and the site boundary.

SN.House by atelierA5

In order to keep the privacy for the ground floor and the 1st floor we encased the site with a two storey high screen on the site border instead of having a big distance to the neighbors and lose too much area.

This screen is made of punched metal sheets creating a semi-interior space by keeping a little distance to the actual building. The semi-interior space on the ground floor is used as an entrance hall and a service corridor covered with a steel-grating roof. The roof is the terrace of the 1st floor, which extends the space of the living room. The combination of the screen with the semi-interior space brings not only privacy but also filtered sunlight, wind and views. The outside walls of the 2nd and penthouse were set back, so that it created nice terraces for each floor and solved strict setback regulations at the same time.

SN.House by atelierA5

Credits
Architect: Sadahiro Shimizu, Masatoshi Matsuzaki, Yuko Shimizu /atelier A5

SN.House by atelierA5

Structural planning: Hayata Matou

SN.House by atelierA5

Location: Minamikarasuyama Setagaya-ku Tokyo Japan

SN.House by atelierA5

Completion year: 2010

SN.House by atelierA5

Total area

  • site area; 80.30sqm
  • building area; 47.99sqm
  • total floor area; 126.61sqm

Structure: Wood Structure


See also:

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Inside Out by
Takeshi Hosaka Architects
House I by
Yoshichika Takagi
House in Ise by Takashi
Yamaguchi & Associates

Office building by Takeshi Hosaka

Office Building by Takeshi Hosaka

Japanese architects Takeshi Hosaka have completed this office building in the Tokyo suburb of Yoyogi.

Office building by Takeshi Hosaka Architects

Located in a low rise, high density area, the Yoyogi Office Building is clad in white glass-fibre reinforced concrete panels.

Office building by Takeshi Hosaka Architects

Earthquake-resistant structures are hidden within a staircase and service core on the north side of the building, leaving each floor with an open plan to be divided up by tenants as necessary.

Office building by Takeshi Hosaka Architects

Strips of hand sand-blasted glazing round the top of each storey allow walls to be used for storage space, while eight full-height opening windows provide views over the surrounding garden and neighbourhood.

Office building by Takeshi Hosaka Architects

An apartment for the owner of the building is located on the top floor.

Office building by Takeshi Hosaka Architects

More about Takeshi Hosaka on Dezeen »

Office building by Takeshi Hosaka Architects

More Japanese architecture on Dezeen »

Office building by Takeshi Hosaka Architects

Photographs are by Koji Fujii/Nacasa & Partners

The following is from the architect:


Office Building in Yoyogi

This office building faces Minami-Shinjuku Station. In this district, a dense cluster of low-rise residences and mid-size buildings constitutes a traditional neighborhood, with skyscrapers standing a little distance away. To me, this site conjured up an image of a valley consisting of swarms of building masses.

Office building by Takeshi Hosaka Architects

I wanted to make the rental office building, which would be constructed on this site, blend in naturally with the surrounding environment. On its premises, the building has a square-shaped garden measuring 15 m on each side.

Office building by Takeshi Hosaka Architects

As for the floor planning, I realized an expansive construction with no visible earthquake-proof elements around the circumference by placing quake-resistant structures including a staircase, plumbing and other piping spaces to the north end. With one or two companies scheduled to occupy each floor, I prepared five different positions for partitions in order to accommodate tenants with varying sizes.

Office building by Takeshi Hosaka Architects

Taking into consideration the fact that many objects would be placed on the wall sides of small rental offices, I constructed the basic façade structure so that the walls would measure 180 mm above the floors, with the high-side structure being double-skin glass.

Office building by Takeshi Hosaka Architects

Furthermore, in consideration of the positional relationship with its perimeter and ventilation paths, the building provides eight vertical glass windows extending between the first and third floors.

Office building by Takeshi Hosaka Architects

The high-side glass was unevenly sandblasted through manual labor, thereby creating irregular texture with a cloudy/hazy touch. This generates a perspective that makes the neighboring buildings look a little more distant than they really are on the crowded premises, in addition to letting in the offices soft diffused light converted from direct sunlight. Moreover, through the uneven sandblasted glass, the weather and views outside appear slightly different from their usual selves.

Office building by Takeshi Hosaka Architects

This offers curious enjoyment indoors, loosely connecting the indoors and outdoors. Having the vertical glass windows extending from the first floor to third floor means that they stretch from the floor to the ceiling, thus enabling sufficient natural ventilation and an air-conditioner-free office environment in the middle period.

Office building by Takeshi Hosaka Architects

The white surface on the façade is a GRC panel. Overshadowed by a valley of buildings, the premises and their vicinity are dark. Therefore, I attempted to lighten up the surrounding by adding a white surface. In addition to trees passed down from the generation before last, the garden is planted with as many plants as possible to provide much greenery. Also, the ground outside is left unpaved as much as possible, with earthy surfaces reintroduced, in an attempt to pursue pleasant coexistence with soil and plants even in the urban area.

Office building by Takeshi Hosaka Architects

For small office buildings in metropolitan areas, it is a common practice to construct homogeneous and functional buildings that place priority on efficiency based on the economic principle. However, I believe that it is high time for us to think about building novel office structures as places where people can harmonize with environment based on a mixture of themes such as a new relationship between the outdoors and indoors, while still maintaining efficiency and functionality.

Office building by Takeshi Hosaka Architects

Through attempts that could be made on the premises such as setting aside a little space for plantation, securing earthy grounds, and applying uneven sandblast on glass surfaces, I tried to give birth to an office building with a varying degree of environmental latitude as a place where people stay instead of an artificially-controlled homogeneous construction.

Office building by Takeshi Hosaka Architects

Building Details

Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno
Photographer: Koji Fujii / Nacasa&Pertners Inc.

Office building by Takeshi Hosaka Architects

Client: Masanori Yoshida
Name: Yoyogi Office Building
Location: Yoyogi, Tokyo, Japan

Office building by Takeshi Hosaka Architects

Structure: Steel
Site: 398.88 m2
Building area: 209.13 m2
Floor area ratio: 635.69 m2
Building height: 9991mm
No. of floors: 3F
Building function: Office Building + Owner’s House

Office building by Takeshi Hosaka Architects

Architect Details

(Name) Takeshi Hosaka
Takeshi Hosaka Architects

Office building by Takeshi Hosaka Architects

Planning data
Design: March 2008 – Feb. 2009
Planning start: March  /  2008
Beginning of construction: April   /  2010
Completion: December / 2010

Office building by Takeshi Hosaka Architects


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Hoto Fudo by
Takeshi Hosaka Architects
Inside Out by Takeshi Hosaka ArchitectsMore Offices
on Dezeen

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Rain falls inside parts of this house in Tokyo by Japanse studio Takeshi Hosaka Architects.

Inside Out by Takeshi Hosaka Architects

Called Inside Out, the home for a couple and two cats has an enclosed core of bedrooms and living rooms, surrounded by an outer shell with a quadrilateral plan.

Inside Out by Takeshi Hosaka Architects

Apertures in the outside allow rain, wind and light into the space between the two structures.

Inside Out by Takeshi Hosaka Architects

The inner building can be opened up further by sliding back glass panels.

Inside Out by Takeshi Hosaka Architects

More Japanese houses on Dezeen »

The details that follow are from the architects:


INSIDE OUT

This is a project of a house for a married couple and two cats, located in Tokyo.

Inside Out by Takeshi Hosaka Architects

The project had started based on the idea that humans and cats live in a same house, rather than cats living in a house designed for humans — and finally this idea brought out a concept: “a house inside which you feel being outside.”

Inside Out by Takeshi Hosaka Architects

The shape of the building was decided as an irregular quadrangle in accordance with the irregularly-shaped quadrangular site. The roof and wall sides of the volume have carefully designed openings, through which light, wind or rain could enter into the building.

Inside Out by Takeshi Hosaka Architects

Plants are planted in the ground under the roof opening which allows rain to enter in. The boxes for bedroom and for bathroom are put in the outer volume; and a living room is located above the bedroom box and a deck above the bathroom box.

Inside Out by Takeshi Hosaka Architects

Inside the volume, there is a space in which you would feel yourself being outside: Light, wind or rain could enter in, so that your way of living depends on the weather; but in this house, you would always positively seek to find another images of life.

Inside Out by Takeshi Hosaka Architects

Areas on the floor on which rain falls vary according to the wind direction, so you would seek to find the area where you don’t get wet. As you live longer, you would find out, from your experiences, various things about the relation between the extent to which rain enters in on the one hand, and the location of objects, furniture and yourself on the other. And, there is no air-conditioner in this house.

Inside Out by Takeshi Hosaka Architects

During intermediate seasons or summer, both humans and cats live in natural draft, or, in the other words, they live in the air environment which is almost same as the outside. On windy or chilly days, you could stay in the indoor boxes or the living room with glass sliding doors closed.

Inside Out by Takeshi Hosaka Architects

Figures and other many items which had been collected are located not only indoors, but many of which are also put on the outdoor shelves to the extent that it is possible. Cats walk on the thin line on which rain doesn’t fall and find places in the sun to take a nap.

Inside Out by Takeshi Hosaka Architects

The couple stay in the living room upstairs with glass doors open, sometimes even on rainy days; they often live a life in which they feel themselves being outside even while being inside.

Inside Out by Takeshi Hosaka Architects

People living in the modern era attempt in the modern way to reduce energy consumption and to coexist with nature — this is also a positive attempt to find what ways of life are possible beyond energy problems and this, in turn, beyond way of life, leading to the important themes about human mental activities.

Inside Out by Takeshi Hosaka Architects

The couple and cats who had lived in an apartment are now pioneering the new images of life every day in the weather-dependent house inside which they feel being outside.

Inside Out by Takeshi Hosaka Architects

INSIDE OUT
Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno

Inside Out by Takeshi Hosaka Architects

Photographer: Koji Fujii / Nacasa&Pertners Inc.
Client: Masayoshi & Yoko Matumoto

Inside Out by Takeshi Hosaka Architects

Name of the project: INSIDE OUT
Exact definition of the building: a couple and two cats
Location of the project: Kastushika-ku , Tokyo , Japan

Inside Out by Takeshi Hosaka Architects

Construction: wooden-structure
Site: 149.59 m2
Building area: 59.23 m2
Floor area ratio: 91.15 m2
Building height: 5859 mm
No. of floors: 2
Building function: House
Planning data
Design: August 2009 – April 2010
Planning start (M/Y): August / 2009
Beginning of construction: May / 2010
Completion: September / 2010

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects


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House I by
Yoshichika Takagi
Duplex House in Tokito by
Hidehiro Fukuda Architects
House in Hieidaira
by Tato Architects

14 Japanese Electricity conservation posters

Il collettivo di grafici giapponese Setsuden ha indetto questa iniziativa per salvaguardare l’uso di energia nel territorio dopo il disastro delle ultime settimane. Tutti gli altri poster li trovate qui.

Sorayumebako by Yukio Kimura

Sorayumebako by Yukio Kimura

Japanese interior designer Yukio Kimura has created this combined cafe, gallery and second-hand book shop in Osaka, Japan.

Sorayumebako by Yukio Kimura

Called Sorayumebako, the interior is lined with a wooden grid supporting shelves for the books and frames for the artwork.

Sorayumebako by Yukio Kimura

The whole space is painted in orange, including walls, ceiling, floor and all the furniture.

Sorayumebako by Yukio Kimura

Photographs are by Kiyotoshi Takashima.

Sorayumebako by Yukio Kimura

Here is more information from the designer:


Sorayumebako

It is located in the area where locals live in, far away from the busy commercial centre. I designed the shop with the concept of “not to blend in the surrounding”, following my client’s request to reflect the meaning of “Sorayumebako” to the actual design.

Sorayumebako by Yukio Kimura

“Sorayume” is a Japanese word meaning “a fabricated dream” to tell people as if you actually dreamed it. Having this concept in mind, I tried to create space where visitors feel as if they stepped into another world, a dream.

Sorayumebako by Yukio Kimura

The key colour of orange interprets the time between day and night, summer and winter, and yin and yang. It reveals that this is a place for visitors to change their mind from yang “daily life” to yin “private life”. I only used one colour in order to enhance visitor’s awareness through the shop from within and without.

Sorayumebako by Yukio Kimura

For letting visitors associate “bako” (the variant form of “hako”) meaning “a box” in English, I lined a series of portal frames from the entrance to the shop. Using this unique structure, I had tables, bookshelves, exhibition panels and projector panels built-in, in order to make use of space for many different occasions.

Design: kraf•te, Yukio Kimura
Sign Graphics: kraf•te, Yukiko Yamamoto
Collaboration / Lighting: Fukunishi Electric Corporation, Yoshino Higashi
Constructi+on: Up Life


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Shelf-Pod by Kazuya Morita
Architecture Studio
Near House by Mount Fuji
Architects Studio
Tree House by Mount Fuji
Architects Studio

Images Can Shock

Un impressionnant montage d’images par le réalisateur français Gioacchino Petronicce. Une idée venue en regardant la télévision, durant les catastrophes et problèmes actuellement au Japon et en Libye. Des séquences poignantes à découvrir en vidéo, sur une bande son de Max Richter.



shock1

shock2

shock4

shock5

Previously on Fubiz

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One Thousand Cranes for Japan by Anomaly and Unit9

One Thousand Cranes for Japan by Anomaly and Friends

London studios Anomaly and Unit9 are collating patterns donated by artists, which users can print out with instructions to make origami cranes in exchange for a donation to disaster relief in Japan.

One Thousand Cranes for Japan by Anomaly and Friends

Top: Zeitguised
Above: Matt Lyon

Called One Thousand Cranes for Japan, the project draws on Japanese legend that a person who folds 1000 origami cranes will be granted a wish.

One Thousand Cranes for Japan by Anomaly and Friends

Above: Laura Quick

Artists involved so far include Zeitguised, Tokyo Plastic and Matt Lyon, with new artists added each day.

One Thousand Cranes for Japan by Anomaly and Friends

Above: Hennie Haworth

Join in here:

www.onethousandcranesforjapan.com
www.facebook.com/onethousandcranesforjapan

One Thousand Cranes for Japan by Anomaly and Friends

Above: Actop

More about Japan »

One Thousand Cranes for Japan by Anomaly and Friends

Above: Todd Selby

The information that follows is from the designers:


As the aftermath of the tsunami continues to cause serious disruption throughout northern Japan, we need to bring aid and support to the area as quickly as possible. Although financial donations will be greatly appreciated, it is also important that the people of Japan to know that we are contributing in a way that transcends monetary worth.

One Thousand Cranes for Japan by Anomaly and Friends

Above: Tokyo Plastic

An ancient Japanese legend promises that anyone who folds a thousand origami cranes will be granted a wish. Today, the Japanese still respect this custom and use it to help loved ones recover from illness or injury.

One Thousand Cranes for Japan by Anomaly and Friends

Above: Tom Uglow

One Thousand Cranes for Japan takes this tradition and expands it across the globe in a unified display of goodwill. Anomaly London has together with Unit9 created a project where in exchange for a donation you can print a specially designed pattern to fold into an origami crane in support of Japan.

One Thousand Cranes for Japan by Anomaly and Friends

Many famous artists have donated patterns for the initiative. We launch with designs from animators Zeitguised, photographer Todd Selby, artist Paul Slater, creative collective Actop, illustrators Brian Grimwood, Hennie Haworth, Laura Quick, Matt Lyon and directors Tokyo Plastic.

We will add designs as they come in day by day: we are expecting submissions from Diane von Furstenberg, Brian Grimwood, Andy Gilmore, James Joyce, Mr Bingo and Jody Barton.

A donation to the Japan Earthquake and Tsunami Relief Fund allows you to download and print off one of these illustrations, complete with instructions on how to make your own origami crane.

We are hoping many thousands of people will make a crane and in doing so focus their wishes of hope and recovery for those in the grip of this tragedy.


See also:

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Help Japan Poster by
Wieden + Kennedy
“Please help Japan”
– Tokujin Yoshioka
Heart for Japan by
Delphine Perrot

Earthquake movie filmed inside Sendai Mediatheque by Toyo Ito


Dezeenwire:
here’s a movie filmed inside the Toyo Ito-designed Sendai Mediatheque during last Friday’s earthquake in Japan.

Can’t see the movie? Click here.

Found via Los Angeles Times – more context in their story.


See also:

“Please help Japan” – Tokujin Yoshioka »
Help Japan Poster by Wieden + Kennedy »
All our stories about Japan »

“Please help Japan” – Tokujin Yoshioka

"Please help Japan" - Tokujin Yoshioka

Japanese designer Tokujin Yoshioka has sent this letter and video asking for donations to the Red Cross for disaster relief following the earthquake and subsequent tsunami in Japan.

Can’t see the movie? Click here

Here’s the letter in full:


Dear friends,

As you may already have known, Japan was hit by the largest earthquake ever recorded on Friday, March 11th.

The huge quake and devastating tsunami has left the overwhelming damage to the country and we are still facing this terrifying conditions.

As I have received the message from all over the world, I would like to take this opportunity to extend my sincere appreciation for your warmest concerns.

This is the time for us to think what we can really do. I have thought what I could do now, at this moment.

I believe that there would be more than just watching the situation of this disaster on television to help the lives of people there. I know I am not in place to ask such thing, yet one of the thing that we can do for the people in the afflicted area is to donate for their relief and recovery.

There are babies in need of milk, people who has lost their families, and houses.

Here are links to the donation for the relief and recovery of the Japanese earthquake and Pacific tsunami afflicted region:

Japan Red Cross Society »
American Red Cross »

We truly appreciate your support, even the very small support from your pocket, for the relief and recovery of my country.

Deepest regards,
Tokujin Yoshioka


See also: Help Japan Poster by Wieden + Kennedy

Help Japan Poster by Wieden + Kennedy

Help Japan Poster by Max Erdenberger

Graphic designer Max Erdenberger of Wieden + Kennedy has designed this screen-printed poster to raise money for disaster relief following the earthquake and tsunami that hit Japan at the end of last week.

Help Japan Poster by Wieden + Kennedy

The single colour handmade screen-print is available from Wieden + Kennedy’s online shop in exchange for a donation.

Help Japan Poster by Wieden + Kennedy

Get one here.

Help Japan Poster by Wieden + Kennedy

Here are some more details from Wieden + Kennedy:


To raise relief funds for the the devastating 8.9 earthquake and subsequent massive tsunami that struck Japan March 11, 2011.

%100 of the proceeds go to the Japanese earthquake and tsunami relief.

Max Erdenberger, a designer at Wieden + Kennedy in Portland, Oregon, created this simple 1 colour hand screen-printed poster to help send Japan in this time of need. You can choose how much you want to donate in exchange for the poster, starting at $25.

W+K Tokyo has set up this person finding aggregator: http://buji.me

Designed by Max Erdenberger
Printed by Steve Denekas and Walker Cahall

40″x26″ 1-color screenprint on Neenah Environment Ultra Bright White 80# Cover.


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Joy of Living at
Somerset House
Cardon Copy by
Cardon Webb
Wieden + Kennedy
London offices