Ryusenji House by Tomoaki Uno Architects

Daylight funnels into this dark concrete house in Japan through two narrow light wells in the roof.

Ryusenji House by Tomoaki Uno Architects

Designed by Japanese studio Tomoaki Uno Architects, the two-storey house in Nagoya contains just three rooms; a living room and bathroom on the ground floor and one bedroom on the half-sized first floor.

Ryusenji House by Tomoaki Uno Architects

Aside from the skylights, the building has no windows in the double-height living room, creating a space that is dimly-lit.

Ryusenji House by Tomoaki Uno Architects

Despite this, architect Tomoaki Uno told Dezeen he “values sunlight” most of all. “The inside is dark in these photographs, but that expression varies from one day to another,” he said.

Ryusenji House by Tomoaki Uno Architects

The interior walls are left as stark concrete.

Ryusenji House by Tomoaki Uno Architects

This theme continues on the exterior, where the only relief from the bare concrete walls is a metal door that reveals an entrance on the side of the building.

Ryusenji House by Tomoaki Uno Architects

Uno described the project as a once-in-a-lifetime opportunity. “I do not make such an architecture all the time,” he said.

Ryusenji House by Tomoaki Uno Architects

Other houses in Japan we’ve published this week include a residence with sheds on the roof and a house with courtyards punching through its walls.

Ryusenji House by Tomoaki Uno Architects

See more Japanese houses on Dezeen »

Ryusenji House by Tomoaki Uno Architects

See more stories about concrete »

Ryusenji House by Tomoaki Uno Architects

Here’s a few extra project details from the architect:


House at Ryusenji

Location: Nagoya, Aichi
Prinicpal use: residence

Ryusenji House by Tomoaki Uno Architects

Site area: 118.33 sq m
Total floor area: 69.94 sq m
Structure: wall reinforced concrete
Scale: 2 storeys

Ryusenji House by Tomoaki Uno Architects

Above: plans and section – click above for larger image

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Tomoaki Uno Architects
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Zaha Hadid to design Japan National Stadium

News: UK firm Zaha Hadid Architects has been selected to design the new national stadium for Japan.

Japan National Stadium by Zaha Hadid Architects

The new 80,000-seat stadium will replace the existing Kasumigaoka National Stadium in Tokyo and could become the main sporting venue for the 2020 Olympic Games if Japan is successful in its bid to host the event.

Japan National Stadium by Zaha Hadid Architects

The arena is also earmarked to host the 2019 Rugby World Cup and will be offered to FIFA as a possible venue for future World Cup football matches.

Japan National Stadium by Zaha Hadid Architects

Zaha Hadid Architects has seen off ten other finalists to win the competition, which was organised by the Japan Sport Council.

The new building is scheduled for completion in 2018.

Also this week, the Zaha Hadid-designed Eli and Edythe Broad Art Museum opened to the public at Michigan State University.

See more stories about Zaha Hadid Architects, including the recently completed Galaxy Soho, a 330,000-square-metre retail, office and entertainment complex in Beijing.

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Japan National Stadium
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Art From Salt

Voici une vidéo belle et émouvante sur le travail de Motoi Yamamoto qui compose des installations magnifiques en utilisant du sel. Réalisée pour The Avant/Garde Diaries, cette vidéo donne la parole à cet artiste qui utilise le symbole funéraire du sel afin de guérir le chagrin qu’il a connu à la mort de sa soeur.

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House Yagiyama by Kazuya Saito Architects

Courtyards punch through the walls and roof of this bungalow that Japanese studio Kazuya Saito Architects designed for an elderly couple in Sendai (+ slideshow).

House Yagiyama by Kazuya Saito Architects

Architect Kazuya Saito designed the single-storey building with a square-shaped plan and created the terraces within recesses on three different elevations.

House Yagiyama by Kazuya Saito Architects

A double-height dining room is positioned at the centre of the house and the terraces stretch back to meet it on three sides, while a bathroom occupies the same space on the fourth side.

House Yagiyama by Kazuya Saito Architects

There are no corridors, so rooms just lead into one another. ”I designed the house to be used for a variety of purposes, so it has various routes plus inside and outside spaces,” Saito told Dezeen.

House Yagiyama by Kazuya Saito Architects

Windows are positioned within the recesses and on the sloping roof, rather than on the galvanised steel exterior walls. “I designed the exterior to look like a fortress or spaceship, but with a bright space inside,” said Saito.

House Yagiyama by Kazuya Saito Architects

Surfaces inside the house are finished with wood panels and grey tiles, or are simply painted white.

House Yagiyama by Kazuya Saito Architects

This is the fifth house we’ve featured from Japan in the last week, following one with sheds on its roof and one inspired by animals’ nests.

House Yagiyama by Kazuya Saito Architects

See more Japanese houses » 

House Yagiyama by Kazuya Saito Architects

Photography is by Yasuhiro Takagi.

Here’s some more information from Kazuya Saito:


House Yagiyama

This one-storey house is for an old couple will spend their rest of life after retirements.

The house is located in Yagiyama hilly district which lies south of a Hirosegawa river terrace. It is a historical residential area developing from the beginning of showa era 1960 by scraping off bedrock. The site is surrounded by houses, apartment, and a nearby house which client’s son family is living, so the clients requested living in privacy, but a sunny and breezy house while considering connection with the nearby house.

House Yagiyama by Kazuya Saito Architects

To take appropriate distances from the surroundings, first I decided to put volume at the middle of the site. Instead of no window at outer walls, I took out four spaces as terraces from the volume: the entrance, a side door connecting to main house, a bright wash room, and a garden space softly divides living room and bedroom.

House Yagiyama by Kazuya Saito Architects

Then setting high or small windows in those spaces allows daylight in with good ventilation while keeping privacy. As for the roof, I cut off the slope at the four corner of central volume to adjust to surrounding houses; besides, there is a skylight to release hot air and prompt natural ventilation.

House Yagiyama by Kazuya Saito Architects

Above: site plan – click above for larger image

The flat shape formed by equivalently arranged rooms including exterior terraces gives an impression that the space is unending. On the other hands, the space expression is ever changing since each room has various specifications; exterior to interior; woody color to inorganic white color; and flat ceiling to inclined ceiling. It is like African music which has a unique sound by playing various rhythm at the same time, that is to say, Yagiyama house is created as architecture by combining individual rhythm of each space.

House Yagiyama by Kazuya Saito Architects

Above: floor plan – click above for larger image

This kind of architecture is producing various time and space from moment to moment, so every day each client can find the place where each of them feels comfortable; such as the moment their grandchildren happily running around, family dinner with feeling a breeze, reading under the sunshine, or bath time under the star-filled sky. I hope this architecture achieved “fluctuation” of space which allows creative and fascinating life.

House Yagiyama by Kazuya Saito Architects

Above: section – click above for larger image

Architect: Kazuya Saito Architects
Location: Sendai, Miyagi, Japan
Structural Design: Atsuhiro Nakahata + Yasushi Moribe
Structural System: Wooden
Storeys: 1 Storey
Maximum Height: 5,330 mm
Site Area: 468.96 sqm
Building Area: 137.47 sqm
Total Foor Area: 137.47 sqm
Project Year: 2011-2012

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Kazuya Saito Architects
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House in Yamasaki by Tato Architects

The top floor rooms of this house in Japan by Tato Architects are contained inside sheds that sit on the roof (+ slideshow).

House in Yamasaki by Tato Architects

Located in a residential area in Hyogo Prefecture, the house was designed for a family with two children. “The residents requested that, as the area has short hours of sunlight in winter, they’d like to bring in as much light as possible,” architect Yo Shimada of Tato Architects told Dezeen.

House in Yamasaki by Tato Architects

To achieve this, the architect designed two of the rooftop sheds like greenhouses with translucent polycarbonate walls that let light through into the study room and bathroom contained inside, as well as down to the ground floor spaces below.

House in Yamasaki by Tato Architects

A layer of translucent insulation prevents the bathroom walls becoming too transparent. “There is no problem because they are not clear enough to expose more than the silhouettes,” explained Shimada.

House in Yamasaki by Tato Architects

The third shed has opaque walls to create more privacy for a guest bedroom.

House in Yamasaki by Tato Architects

Ladders and a staircase connect the upstairs rooms with the living room and kitchen on the lower floor, which is slightly sunken into the site.

House in Yamasaki by Tato Architects

This reduces the height of the building and also brings the rooftop courtyard closer to the ground. “It was expected that the whole site could be used like a garden,” said the architect.

House in Yamasaki by Tato Architects

Two bedrooms are also located on the ground floor and were designed with wooden walls so that they would look like storage crates.

House in Yamasaki by Tato Architects

Other recent projects by Tato Architects include a house with stairs in its lightwell and a house that comprises a metal barn on top of a glass box.

House in Yamasaki by Tato Architects

See all our stories about Tato Architects or see more Japanese houses on Dezeen.

House in Yamasaki by Tato Architects

Here’s some more information from Yo Shimada:


Looking for the stable climate in the room

This is a house in the northern part of Hyogo Prefecture for a couple and their two children. The construction site is a part of a place surrounded by mountains and the sky is overcast most of the days.

House in Yamasaki by Tato Architects

I wanted to create light, stable indoor climate and came up with a plan of three sheds of house type arranged on a 1.8 m high, grey foundation platform.

House in Yamasaki by Tato Architects

The level of the first floor was lowered by 760 mm below the ground to get firm basement, as the site was slant before the development, and to get more stable performance of the floor heating system of foundation heat condensing type utilizing the terrestrial heat.

House in Yamasaki by Tato Architects

It was also expected that the whole site could be used like a garden as the rooftop neared the ground thereby.

House in Yamasaki by Tato Architects

The site is at the corner entering the residential area and I thought that lowering the rooftop would leave wide visibility to the surroundings of the mountains and the sky, and that it would be beneficial to the whole residential area.

House in Yamasaki by Tato Architects

Overhead courtyard

On the foundation platform I arranged three – for a bathroom, for a sunroom and for a guestroom.

House in Yamasaki by Tato Architects

The bathroom shed and the sunroom shed provide lighting and ventilation for the lower floor. They form a overhead courtyard in a sense. Especially the sunroom collects heat in winter, and exhausts heat in summer by the breeze through the five motor-operated windows.

House in Yamasaki by Tato Architects

The three sheds do not actually provide spaces for usual staying but cover the living floor on the foundation platform.

House in Yamasaki by Tato Architects

This resulted in keeping away from neighboring eyes and keeping in touch with eyes of children playing in the garden or nearby.

House in Yamasaki by Tato Architects

Accordingly, I think, both delicate closeness and distance to the surroundings have been realized.

House in Yamasaki by Tato Architects

The residential area including the site was developed in recent years and is the front for the fields to change further to building lots. It was anticipated that brand-new commercialization houses would be built one after another.

House in Yamasaki by Tato Architects

By constructing a house looking as small as a peasant’s work shed of such material as vernacular as corrugated panels in an agricultural area I expected for this house to be a tie for the prospective rows of such new houses and the rural landscape still existing.

House in Yamasaki by Tato Architects

For free behavior of things

Some box-shape volumes, such as storages and a lavatory were required in the house, and they were made to resemble boxes for packing. Through studying the method of fixing the balustrade onto the rooftop without damaging the waterproofing membrane benches were mingled with the balustrade.

House in Yamasaki by Tato Architects

A washstand is fixed to the stairwell serving as handrail as well. The sunroom is a greenhouse itself, where various elements are misused as reference elements. Construction elements, such as handrails and top lights, are mingled together with conventional things for dual serving.

House in Yamasaki by Tato Architects

The reason for such elaboration is that I wanted to give the indoor scenery a kind of freedom using everything happened to be there as bricolage. Various things the residents carry in are expected to behave freely.

House in Yamasaki by Tato Architects

About material

Corrugated polycarbonate panels are used for outer walls of bathroom shed and sunroom shed among the three sheds to take in solar radiation. Moisture and water absorbing and heat-retaining sheets of greenhouse use are inserted in between the corrugated panels and structure.

House in Yamasaki by Tato Architects

The inside of the walls are formed with heat insulating layer of polycarbonate clear hollow sheet. The ceiling and walls of bathroom are further filled up with light transmitting thermal insulation material of reproduced PET bottles.

House in Yamasaki by Tato Architects

To bring the second floor close to the first floor 50 mm square pipes are laid around the opening connecting both floors. They are sandwiched by the flooring material and the ceiling material to come up to 80 mm thickness. This opening is to be closed with a shade during extremely hot hours in summer and extremely cold nights in winter.

House in Yamasaki by Tato Architects

The outer walls of a foundation platform are covered with fiber reinforced cement board leaving space a little to make rainwater drops easily off the edges and also to provide shading. The RC part is provided with external heat insulation and broken cobblestones are laid all around it for drainage of rainwater and heat insulation.

House in Yamasaki by Tato Architects

Project name: House in Yamasaki
Location of site: Hyogo, Japan
Site area: 231.72m2
Building area: 93.68m2
Total floor area: 119.11m2
Type of Construction: Wooden
Program: house
Project by: Tato architects
Principal designer: Yo Shimada
Design period: Oct.2010 -Aug. 2011
Construction period: Oct.2011 – Feb.2012

House in Yamasaki by Tato Architects

Above: ground floor – click above for larger image

House in Yamasaki by Tato Architects

Above: first floor – click above for larger image

House in Yamasaki by Tato Architects

Above: long section – click above for larger image

House in Yamasaki by Tato Architects

Above: cross-section – click above for larger image

House in Yamasaki by Tato Architects

Above: north elevation – click above for larger image

House in Yamasaki by Tato Architects

Above: east elevation – click above for larger image

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MYZ Nest by no.555

Our second story this week about Japanese architects no.555 features a low-budget house inspired by animals’ nests beside a rice field in Matsumoto (+ slideshow).

MYZ Nest by no. 555

Architect Takuya Tsuchida of no.555 explains how he wanted to “capture the feeling of the surrounding natural environment” by designing a house that copies some of the characteristics of a bird or animal’s home.

MYZ Nest by no 555

In keeping with this, the small tunnel-like house is slightly sunken into the ground with excavated soil built up around one side for insulation, similar to a rabbit’s warren.

MYZ Nest by no 555

“By taking inspiration from nature and following a strict building logic, I was able to recreate elements of nature in an abstract manner,” said Tsuchida.

MYZ Nest by no 555

Inside the house, walls are lined with boards of cement-bonded wood chip that alludes to the compacted twigs of a bird’s nest.

MYZ Nest by no 555

There are no floor-to-ceiling interior walls, as the architect wanted to let residents create their own spaces using furniture and screens.

MYZ Nest by no 555

Our first story this week about no.555 featured a house with a multi-tonal concrete facade.

MYZ Nest by no 555

See more Japanese houses »

MYZ Nest by no 555

Photography is by Koichi Torimura.

MYZ Nest by no 555

Here’s a project description from the architect:


The site of the house is surrounded by rice paddies, with mountains in the distance. The goal of the project was to build a small house for a husband and wife within a tight budget of $180,000.

MYZ Nest by no 555

My initial instinct was to build a structure that captured the feeling of the surrounding natural environment. Architecture being an artificial construct made this a challenge. Rather than simply imitating forms found in nature I tried to create an abstract representation that still imparts a feeling of nature.

MYZ Nest by no 555

In the natural world, there is expression that is algorithmic and beautiful. For example, the way the birds weave nests out of leaves and twigs, or the holes and patterns of displaced earth created by animals burrowing into the ground.

MYZ Nest by no 555

By abstracting these ideas, it is possible to use them as a starting point for creating architectural models. In doing so, I believe it is possible to create an architecture that is both rational and organic.

MYZ Nest by no 555

Although the budget for the project was low, we decided to use reinforced concrete for three reasons:

1) Reasons the groundwater level is high, because we can ensure reliably waterproof.
2) By studying the details, there was a possibility of finding a reasonable way to eliminate the secondary member.
3) We knew because it can be used as insulation materials and finishing materials.

MYZ Nest by no 555

By it, we were able to reduce the cost of materials and artificial. Bysimplifying the building process we were able to complete construction in 3 months. The soil that has been discharged by it was used as embankment around the building. It is to reduce the cost of disposal of the soil. In addition, the building insulation has been improved by surround soil.

MYZ Nest by no 555

Despite the difference between the exterior and interior materials, the experience inside the home distinctly nest-like. Also, the shape of the house brings to mind an animal nest with the displaced earth piled around the exterior of the structure.

MYZ Nest by no 555

The house was constructed without discrete rooms, inviting its occupants to define interior spaces and level of privacy through the placement of furniture. Once furnished, the building is complete.

MYZ Nest by no 555

MYZ _ “NEST”, single family house,
Location: Matsumoto-city, Nagano, Japan
Architect: no.555 _ Takuya Tsuchida
Structural frame works: Megumi Akimoto
Design period: 2009.05 – 2011.03
Construction period: 2011.05 – 2011.08
Site area: 335.96 sq m
Floor Area: 97.39 sq m

MYZ Nest by no 555

Above: site plan – click above for larger image

MYZ Nest by no 555

Above: ground floor plan – click above for larger image

MYZ Nest by no 555

Above: cross-section – click above for larger image

MYZ Nest by no 555

Above: long section – click above for larger image

MYZ Nest by no 555

Above: side elevation – click above for larger image

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by no.555
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Keisuke Saka: Warmed-up penguins, moving monkeys and entire cities in traditional Japanese paper models

Keisuke Saka

by Lauren Kilberg When art grabs the interest of children and adults alike then mixes in a little physics, the outcome is both fun and captivating. The Japanese have a more eloquent word for it—”Karakuri”, which translates literally to “mechanism”, refers to the art of creating paper automata. Japanese-designer Keisuke…

Continue Reading…


Onjuku Surf Shack by BAKOKO

Black-stained cedar clads this weekend house at the beach in Chiba, Japan, by Tokyo studio BAKOKO (+ slideshow).

Onjuku Surf Shack by BAKOKO

Architects Kayoko Ohtsuki and Alastair Townsend of BAKOKO designed the house for a Tokyo-based couple that wanted a second home by the sea. “He envisioned a rustic retreat where he can throw parties on deck and she wanted a high-spec kitchen, a luxurious bath with a view and her own hobby room for sewing projects,” explained Townsend. “We developed a compact design to accommodate their varied interests with the flexibility to informally sleep five or six guests.”

Onjuku Surf Shack by BAKOKO

The entrance to the house is tucked inside a traditional Japanese genkan; a porch where residents can take off their shoes.

Onjuku Surf Shack by BAKOKO

Most of the ground floor is taken up by a double-height living and dining room, which opens out to the sheltered deck that stretches across the facade. “To maximize solar exposure, the glazed facade is angled south, shaded by a projecting eave during hot summer months,” said Townsend.

Onjuku Surf Shack by BAKOKO

Stairs lead up from the living room to a spruce-clad mezzanine that is used as both a guestroom and a home office.

Onjuku Surf Shack by BAKOKO

From here, a ladder leads up through a pivoting skylight so that residents can climb up onto the roof and survey their surroundings.

Onjuku Surf Shack by BAKOKO

The bathroom is at the corner of the ground floor, beside a window that faces out onto a small walled garden.

Onjuku Surf Shack by BAKOKO

The house also features an outdoor shower, as one of the residents is a keen surfer.

Onjuku Surf Shack by BAKOKO

Townsend told Dezeen how the project was “almost aborted after the March 2011 earthquake,” as the disaster forced the clients to rethink what the house might have to withstand. He explained how the house was designed with earthquake and typhoon-proof foundations and in the end the clients chose to proceed with the construction.

Onjuku Surf Shack by BAKOKO

Other Japanese weekend houses we’ve featured include a woodland summerhouse and a house of two blocks beside Tokyo Bay.

Onjuku Surf Shack by BAKOKO

See more stories about holiday homes or see all our stories about Japanese houses.

Onjuku Surf Shack by BAKOKO

Here’s some extra information from BAKOKO:


Onjuku Surf Shack
2012 Onjuku, Japan

Onjuku is a popular seaside resort and fishing town on Chiba’s Pacific coast, about an hour and a half by train from Tokyo. The beach house is sited behind a bluff, 300 meters from Onjuku’s famous white sand beach. Built for an international couple (the husband is a lifelong surfer who live and work in Tokyo), this weekend getaway may become a permanent residence once they reach retirement.

Onjuku Surf Shack by BAKOKO

The home’s concealed entrance is served by a Japanese genkan, a porch separating the home proper from a built-in shed for stashing surfboards and bicycles. This tunnel-like outer porch connects the gated rear entryway and the wooden deck which incorporates a built-in seat and planter. Timber shutters slide across the entire southern eave, securely locking-down the home to protect it from the seasonal typhoons.

Onjuku Surf Shack by BAKOKO

From the road, the home maintains an intentionally low profile. Its austere stained tongue and groove cladding is sourced from native Japanese cedar.

Onjuku Surf Shack by BAKOKO

Returning from the beach, a private outdoor shower leads directly into the tiled bathroom. An intimate garden provides a tranquil backdrop to the sunken bathtub.

Onjuku Surf Shack by BAKOKO

The home’s dark exterior skin contrasts with its light and airy interior. The double-height living space is occupied by a spruce-clad box that supports a loft space above and contains the master bedroom, WC, and bathroom below. Careful detailing has incorporated the staircase and doors that close flush to conceal these private rooms.

Onjuku Surf Shack by BAKOKO

Sitting at the built-in desk upstairs, one can gaze out the sea for inspiration. The shallow pitched roof is accessible via a ladder extending into a large pivoting skylight.

Onjuku Surf Shack by BAKOKO

Since the home is intended for casual entertaining, the loft spaces and a timber-lined lower study double as occasional guest rooms.

Onjuku Surf Shack by BAKOKO

The home is predicated on passive design principles. Generous south-oriented glazing is shaded by the eaves in summer. Cross ventilation captures cool sea breezes. Slotted perforations milled into the wooden balustrade promote air circulation and cleanly conceal mechanical air conditioning units. In winter, the wood-burning stove provides renewable heat energy.

Onjuku Surf Shack by BAKOKO

Above: ground floor plan – click above for larger image

Onjuku Surf Shack by BAKOKO

Above: first floor plan – click above for larger image

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by BAKOKO
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NDA Planter by no.555

Plywood boards in a variety of colours generated the multi-tonal concrete facade of this house in Yokohama by Japanese architects no.555 (+ slideshow).

NDA Planter by no 555

The house is located at the top of a hill in the Yamate Bluff neighbourhood, a popular tourist area filled with western-style houses from the late nineteenth and early twentieth century. However, architect Takuya Tsuchida of no.555 didn’t want to reflect the appearance of these buildings too closely. ”I believe that building design should both respect and challenge the potential of an area and the direct environment,” he said.

NDA Planter by no 555

The concrete walls of the house were cast in-situ and took up pigments from the different plywood panels, which were arranged in a stretcher pattern to create the impression of over-sized brickwork.

NDA Planter by no 555

Large rectangular openings puncture each elevation, revealing plant-filled terraces on each floor of the three-storey house.

NDA Planter by no 555

On the upper floors these terraces offer views over the city, while on the ground floor one of the openings is used as a driveway.

NDA Planter by no 555

Residents can enter the house on the first floor as well as the ground floor, as a metal staircase climbs up to one of the terraces.

NDA Planter by no 555

An open-plan kitchen and living room benefit from the views on the top floor, while bedrooms are at ground level.

NDA Planter by no 555

Other houses we’ve featured from Japan recently include one with a boat-like living room and one with a skewed upper storey.

NDA Planter by no 555

See more stories about Japanese houses »

NDA Planter by no 555

Here’s a project description from the architects:


The project NDA (Planter) is located on top of a steep slope in “Yamate Bluff”, Yokohama, Japan. This area offers panoramic views over the city and the Mount Fuji.

NDA Planter by no 555

In the vicinity there is a small but beautiful park that has many preserved houses and is popular among tourists.

NDA Planter by no 555

The “Yamate Bluff Load” is an area featuring many retaining walls. The texture and the facades’ overall appearance is inspired by this particularity.

NDA Planter by no 555

Reducing the standard size of the concrete panels affected the amount of mortar joints, thus creating a somehow more busy pattern.

NDA Planter by no 555

Another intention was to accentuate the “handmade feel” with a rich variety of concrete hues and a random layout of the concrete panels.

NDA Planter by no 555

Several plywood colors were used for the moulds in order to “transfer” the diversity of the hues onto the concrete panels. This technique could be considered as a natural counterpart of the application of lye.

NDA Planter by no 555

In addition the project’s goal was to combine the conflicting client’s requests: offering large openings to enjoy the magnificent views, while having some privacy from neighbours.

NDA Planter by no 555

The building is a wrapped cube where the only necessary voids are cut off to allow light and air to flow inside.

NDA Planter by no 555

A sense of openness is given thanks to the big outdoor terraces. The building itself is almost like a planter.

NDA Planter by no 555

The layout of the openings follows a vertical and horizontal imaginary grid.

NDA Planter by no 555

The cutouts of the facade welcome “plants gardens” on each floor.

NDA Planter by no 555

Time alters things, seasons weather stones. Architecture is a part of that natural process.

NDA Planter by no 555

Nevertheless I am convinced that architecture can survive for a long time and co-exist with the surrounding environment.

NDA Planter by no 555

NDA _ “Planter”
Location: Yokohama , Japan
Architect: no.555 _ Takuya Tsuchida
Structural design: frame works _ Megumi Akimoto
Purpose: single family house

NDA Planter by no 555

Design period:2010.08 – 2011.03
Construction period: 2011.05 – 2012.05
Site area: 494.14 sq m
Floor Area: 188.00 sq m

NDA Planter by no 555

Above: timber formwork during construction

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by no.555
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Tunnel of Light

Voici la nouvelle exposition « Winter Light » au parc d’attractions Nagashima Resort situé au Japon, jusqu’au 31 mars 2013. Une installation incroyable composée de millions de lumières LED dans le jardin botanique pour toute la saison hivernale. A découvrir en images dans la suite de l’article.

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