Ring Osaka by Ninkipen!

Garments hang from a wall-mounted wooden grid inside this Osaka fashion boutique that Japanese studio Ninkipen! has recently completed (+ slideshow).

Ring Osaka by Ninkipen!

The store for Japanese fashion brand Ring has an L-shaped plan and the wooden structure wraps the prominent inside corner to create a flexible display hanger.

Ring Osaka by Ninkipen!

“We tried to create uniqueness in this shop by maximizing the potential of the given space,” said Ninkipen! founder Imazu Yasuo.

Ring Osaka by Ninkipen!

Cement boards line the two walls behind this grid, contrasting with the white-painted surfaces of the remaining walls.

Ring Osaka by Ninkipen!

Fluorescent lighting tubes hang from the ceiling on wires to illuminate the space from above. “Utilising the high ceilings, they light the whole space uniformly,” explained Yasuo.

Ring Osaka by Ninkipen!

Additional garments are presented on glass tabletops and within recesses in the walls.

Ring Osaka by Ninkipen!

Ring Osaka is located in the Herbis Plaza shopping centre.

Ring Osaka by Ninkipen!

Ninkipen! have previously worked on various shop fit-outs, including a clothing shop with fake doors and a bakery where bread is displayed on a wooden sleeperSee more stories about design by Ninkipen! »

Ring Osaka by Ninkipen!

Above: floor plan

Photography is by Hiroko Kawata.

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by Ninkipen!
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House of Silence by FORM/Kouichi Kimura Architects

Japanese studio FORM/Kouichi Kimura Architects designed this concrete house in Shiga to be deliberately alien to its neighbours (+ slideshow).

House of Silence by FORM/Kouichi Kimura Architects

Named House of Silence, the two-storey building contains rooms with split levels and varying ceiling heights, creating a segmented structure with overlapping volumes and protruding walls. “The client wanted to have a house which is not influenced by the environment of its location,” explains architect and studio founder Kouichi Kimura.

House of Silence by FORM/Kouichi Kimura Architects

“This house will give you the experience of going through a variety of sequences, like going through cloisters with the light,” he adds.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

The roof staggers up to its highest point in the north-west corner, creating a tower that Kimura refers to as a belfry.

House of Silence by FORM/Kouichi Kimura Architects

Unlike the surrounding houses, most of the building’s walls and ceilings are concrete and the architect has also picked out a few surfaces with textured ceramic tiles.

House of Silence by FORM/Kouichi Kimura Architects

A small courtyard contains seating areas slotted into horizontal recesses.

House of Silence by FORM/Kouichi Kimura Architects

Some furniture inside the house uses the same materials as the architecture, so tiled worktops appear to extend from the walls and a glass dining table rests upon a precast concrete base that matches its backdrop.

House of Silence by FORM/Kouichi Kimura Architects

One long concrete wall extends along the north-west facade, enclosing a large parking area for residents.

House of Silence by FORM/Kouichi Kimura Architects

Japanese architect Kouichi Kimura set up his studio in Shiga in 1991 and other projects he’s completed include the House of Representation that features a large light chimney and the House of Integration based on traditional folk houses.

House of Silence by FORM/Kouichi Kimura Architects

See more stories about FORM/Kouichi Kimura Architects »

House of Silence by FORM/Kouichi Kimura Architects

Photography is by Takumi Ota.

House of Silence by FORM/Kouichi Kimura Architects

Here’s some more information from Kouichi Kimura:


House of Silence

The client wanted to have a house which is not influenced by the environment of its location.

House of Silence by FORM/Kouichi Kimura Architects

This architecture, which is composed of a concrete volume, has not got many windows and is closed by walls, but has got a variety of space inside that you will never imagine from outside.

House of Silence by FORM/Kouichi Kimura Architects

The rough concrete finish, shiny tiles and an opening like a belfry will give you a hint of the variation of spaces inside.

House of Silence by FORM/Kouichi Kimura Architects

The inside spaces are divided by the ceiling height, the different levels of floor and type of lights, and are then connected by the circulated line of flow.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

The inner court is cut off from the outside environment and shows a variety of expressions as the light changes.

House of Silence by FORM Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

Moreover, the contrast of the height makes the space even deeper and wider than it actually is.

House of Silence by FORM/Kouichi Kimura Architects

This house will give you the experience of going through a variety of sequences, like going through cloisters with the light.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

It exists as a landmark in the town, but it also has highly secured privacy and variety of spaces inside.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

Architects: FORM / Kouichi Kimura Architects
Location: Shiga, Japan

House of Silence by FORM/Kouichi Kimura Architects

Client: Private
Construction Year: 2012

House of Silence by FORM/Kouichi Kimura Architects

Site Area: 394,42 sq m
Constructed Area: 321,23 sq m

House of Silence by FORM/Kouichi Kimura Architects

Above: ground floor plan

House of Silence by FORM/Kouichi Kimura Architects

Above: first floor plan

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Kouichi Kimura Architects
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Takanawa House by Hiroyuki Ito and O.F.D.A. Associates

This concrete house in Tokyo by Japanese architect Hiroyuki Ito has a glazed stairwell that splits the building into two distinct halves.

Takanawa House by Hiroyuki Ito

Ito, of O.F.D.A. Associates, describes the three-storey house as “two boxes” containing a mix of both rooms and courtyards.

Takanawa House by Hiroyuki Ito

Named Takanawa House, the building accommodates living rooms and bedrooms on both sides of the central divide, while a small single bedroom is suspended above the stairwell on the top floor.

Takanawa House by Hiroyuki Ito

“The staircase landings that connect the boxes are actually bridged by concrete cantilevering floors, which barely touch,” said Ito. “The same gap in the roof forms a thin skylight permitting a sliver of sunlight to help illuminate the circulation space below.”

Takanawa House by Hiroyuki Ito

Walls and ceilings inside each of the rooms are painted white but the interior of the stairwell features the same exposed concrete surfaces as the building’s exterior, with a textured finish that reveals the markings of its wooden formwork.

Takanawa House by Hiroyuki Ito

Two courtyards are located on opposites sides of the ground floor and are orientated to each receive daylight at different times of day.

Takanawa House by Hiroyuki Ito

Windows puncture all four facades, but are relatively small in comparison with the glazed stairwell. “The facade contains minimal openings, in order to have relevant relations with neighbours in this area,” explained Ito.

Takanawa House by Hiroyuki Ito

There are also glazed walls inside the house so residents can look down onto the courtyards from rooms on the upper floors.

Takanawa House by Hiroyuki Ito

Other Japanese houses we’ve featured recently include one with a secluded balcony and one with a sweeping facade.

Takanawa House by Hiroyuki Ito

See more houses in Japan »

Takanawa House by Hiroyuki Ito

Photography is by Daici Ano.

Takanawa House by Hiroyuki Ito

Above: site plan

Takanawa House by Hiroyuki Ito

Above: ground floor plan

Takanawa House by Hiroyuki Ito

Above: first floor plan

Takanawa House by Hiroyuki Ito

Above: second floor plan

Takanawa House by Hiroyuki Ito

Above: section one

Takanawa House by Hiroyuki Ito

Above: section two

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and O.F.D.A. Associates
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House F by Ido Kenji

A secluded balcony surrounded by timber protrudes from the clean white facade of this house in Osaka, Japan, by architect Ido Kenji (+ slideshow).

House F by Ido Kenji

The architect planned the three-storey house to cover two thirds of the site, allowing for a driveway in front and a small garden at the rear.

House F by Ido Kenji

“The client requested a garden on the south side of the site, so I decided to make the building three storeys to secure the required rooms,” said Ido Kenji.

House F by Ido Kenji

There’s no bedroom, but a traditional Japanese room on the ground floor provides a sleeping area that opens out to the garden.

House F by Ido Kenji

The living room occupies a double-height space on the middle floor and a study overlooks it from the level above.

House F by Ido Kenji

Pine is used for flooring, surfaces, doors and bookshelves throughout the house. ”It’s aimed as a quiet, soft space with the wood and the paint-finished walls,” added Kenji.

House F by Ido Kenji

The frame of the house is also timber and structural beams are exposed around the edges of the rooms.

House F by Ido Kenji

Kitchen and bathrooms are located above the car port at the front of the building and lead out onto the balcony.

House F by Ido Kenji

The house was completed in 2010 but was not published at the time.

House F by Ido Kenji

Other houses we’ve featured from Japan include a house in Nagoya with a stretched facade and a house for an elderly couple in Sendai.

House F by Ido Kenji

See more Japanese houses on Dezeen »

House F by Ido Kenji

Photography is by Takumi Ota.

House F by Ido Kenji

Above: site plan

House F by Ido Kenji

Above: ground floor plan

House F by Ido Kenji

Above: first floor plan

House F by Ido Kenji

Above: second floor plan

House F by Ido Kenji

Above: long section

House F by Ido Kenji

Above: cross section

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Ido Kenji
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House H by Mattch

Japanese studio Mattch has completed a family house in Nagoya with a sweeping facade that stretches out towards the corner of its plot (+ slideshow).

While the rear and side walls of House H are straight, Mattch designed the roof of the building as an irregular gable that curves up then down as it runs along the length of the building.

House H by Mattch

“I let the form of the ceiling curve gently to diffuse the light that enters through the slit-shaped top light on the north side of the ridge,” said architect Ryuji Takenaka.

House H by Mattch

The curved elevation frames the outline of a patio at the entrance, while a row of timber rods screens a sheltered deck that could be used for storing bins or bicycles.

House H by Mattch

Glass walls slide back to connect the patio with the interior, where a kitchen, living room and dining room occupy one double-height space at the front of the building.

House H by Mattch

A traditional Japanese room filled with Tatami mats is also located in this space but can be partitioned off when necessary behind folding translucent screens.

House H by Mattch

A mezzanine floor is positioned above the bedroom and bathrooms to provide a multi-purpose room at the rear of the home.

House H by Mattch

The owner of the residence works for a paint company, so the interior was decorated using white paint he supplied. “[He] wanted to make a showroom for visitors,” explained Takenaka.

House H by Mattch

Wooden flooring runs through each room, while exposed wooden columns provide extra support for the concealed steel framework.

House H by Mattch

House H is one of many projects we’ve published that are named after letters of the alphabet and you can see more by catching up with our A-Zdvent calendar, which is counting down one house every day until Christmas.

House H by Mattch

Other Japanese homes we’ve featured recently include one that generates all its own energy and heating.

House H by Mattch

See more houses in Japan »

House H by Mattch

Photography is by Nacasa & Partners.

House H by Mattch

Above: ground floor plan – click above for larger image

House H by Mattch

Above: first floor plan – click above for larger image

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by Mattch
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B House in Shimasaki by Anderson Anderson Architecture

Despite being surrounded by electricity pylons, this hillside cabin in Japan by San Francisco firm Anderson Anderson Architecture generates all its own energy and heating using photovoltaic panels and a ground-sourced heat pump (+ slideshow).

B House by Anderson and Anderson

Named B-House, the single-storey building is positioned on a slope overlooking Kumamoto, so Anderson Anderson added a wall of glazing to the rear facade that gives residents a view out across the city from the living room, study and bedroom.

B House by Anderson and Anderson

The house was built on a tight budget and sustainability was key to the design. “The extremely modest budget required a close collaboration of the architects and builder to achieve a high quality, off-site fabricated timber frame construction meeting high sustainability standards,” explain the architects.

B House by Anderson and Anderson

The edge of the roof is tilted southwards to maximise sunlight to the photovoltaic panels, while integrated channels collect rainwater so that it can be reused.

B House by Anderson and Anderson

There is no air conditioning, so when the temperature increases residents can slide open the glazed north-facing walls.

B House by Anderson and Anderson

There are only clerestory windows on the southern facade, which allow hot air to escape and prevent the unnecessary heat gain that would occur with larger windows.

B House by Anderson and Anderson

The whole house sits on a thick concrete base, while the walls and roof were constructed using locally sourced timber.

B House by Anderson and Anderson

The house was completed in 2009, but hasn’t been widely published.

B House by Anderson and Anderson

Other sustainable houses we’ve featured include a pavilion-like house in Germany that generates all its own power, as well as a concept for a house that is entirely self-sufficient.

B House by Anderson and Anderson

See more stories about houses in Japan, including a concrete residence with barely any windows.

Photography is by Chris Bush.

B House by Anderson and Anderson

Above: floor plan – click to see larger image

B House by Anderson and Anderson

Above: section – click to see larger image

B House by Anderson and Anderson

Above: south elevation – click to see larger image

B House by Anderson and Anderson

Above: west and east elevations – click to see larger image

B House by Anderson and Anderson

Above: north elevation – click to see larger image

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Anderson Anderson Architecture
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Takeo Kikuchi Shibuya by Schemata Architects

The new Tokyo flagship store for Japanese fashion brand Takeo Kikuchi has been specifically designed by Schemata Architects to offer a richer experience than online shopping, with spaces for relaxation as well as display.

Takeo Kikuchi Shibuya by Schemata Architects

“Today we can easily buy clothes online, and we already have enough knowledge and experiences and know how to judge good products from bad ones in our economically maturing society. What is the role of a flagship store then?” questions Schemata‘s principal Jo Nagasaka.

Takeo Kikuchi Shibuya by Schemata Architects

The architects created the new Takeo Kikuchi store within an existing three-storey building in Shibuya, where they upgraded the glazed facade that is typical of most retail buildings by adding timber-framed windows that can be opened individually to let fresh air into different spaces.

Takeo Kikuchi Shibuya by Schemata Architects

“We questioned the fact that most shops and offices are enclosed without natural ventilation throughout the year and usually heavily air-conditioned in summer and winter,” explain the architects.

Takeo Kikuchi Shibuya by Schemata Architects

Inside, wooden boxes create partitions and display cases that look like packing crates, while chairs, stools and benches are dotted around between.

Takeo Kikuchi Shibuya by Schemata Architects

There are no checkouts, so shop assistants wander around the store to take payment from customers, who can enter the store using four different entrance points.

Takeo Kikuchi Shibuya by Schemata Architects

Visitors can also take time out from browsing by visiting a garden at the back of the store or having a seat on one of several concrete stools along the shopfront, which the architects cast inside fabric sacks.

Takeo Kikuchi Shibuya by Schemata Architects

On the first floor, glass walls offer a look into the atelier of brand designer, Takeo Kikuchi. ”We intend to create a mutual relationship between designer and customers,” explain the architects.

Takeo Kikuchi Shibuya by Schemata Architects

Other details inside the store include a concrete wall that appears to be padded, a set of reclaimed Windsor chairs that have been sanded to reveal the grain of the wood and cabinets with leather door panels.

Takeo Kikuchi Shibuya by Schemata Architects

“We want to inspire customers to look at things with fresh eyes and minds by revealing ‘extraordinariness’ in ordinary things,” say the architects.

Takeo Kikuchi Shibuya by Schemata Architects

On Dezeen we’ve also featured a Japanese entertainment store designed in response to the rise of online shopping.

Takeo Kikuchi Shibuya by Schemata Architects

See more projects by Schemata Architects, including a food-photography studio and an office with a mirrored wall and a slide.

Takeo Kikuchi Shibuya by Schemata Architects

Photography is by Nacása & Partners.

Takeo Kikuchi Shibuya by Schemata Architects

Here’s a project description from Jo Nagasaka:


Takeo Kikuchi SHIBUYA

Takeo Kikuchi is one of the most distinguished and long-time popular menswear brand in Japan established in 1984. The brand is opening the long-awaited Global Flagship Store in Shibuya.

Takeo Kikuchi Shibuya by Schemata Architects

The site is a very wide and flat site located along Meiji Douri Avenue. Four entrances are located along the street, so customers can enter from various points and freely stroll around the space, while looking at display furniture that is randomly located across the space like a forest.

Takeo Kikuchi Shibuya by Schemata Architects

We didn’t want to set a singular circulation route, and we prepared multiple circulation routes as if the streets are extending into the store. Customers can freely move around and enjoy unique shopping experience according to his/her taste and mood.

Takeo Kikuchi Shibuya by Schemata Architects

We did not provide any cash register counter, as the key to this new Takeo Kikuchi store is intimate person-to-person communication between shop staff and customers.

Takeo Kikuchi Shibuya by Schemata Architects

So we eliminated cash register counters, which would normally strongly dominate space in typical stores, and encourage direct communication for more joyful shopping experiences.

Takeo Kikuchi Shibuya by Schemata Architects

Above: ground floor plan – click above to see larger image

Completion date: November 2012
Location: Shibuya-ku, Tokyo, Japan

Takeo Kikuchi Shibuya by Schemata Architects

Above: first floor plan – click above to see larger image

Building area: 198.96 sq m
Total floor area: 397.92 sq m(1F+2F)
Floors: 1F 2F
Structure: steel

Takeo Kikuchi Shibuya by Schemata Architects

Above: front elevation – click above to see larger image

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Schemata Architects
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Horikazu + Spiritual Skin : Two new books cover traditional Japanese tattooing, tribal markings and scarification

Horikazu + Spiritual Skin

As one of the oldest forms of body decoration and religious art, tattooing plays a significant role in cultures all over the world. While the custom has been extensively documented, few published works present such detail as Traditional Tattoo in Japan: Horikazu and Spiritual Skin: Magical Tattoos and Scarification,…

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Speedshop Type One by Torafu Architects

Japanese firm Torafu Architects renovated this auto repair shop in Tokyo to make it look as sleek as a car showroom (+ slideshow).

Speedshop Type One by Torafu Architects

Type One, located in the Ogikubo area of Tokyo, was designed by Torafu Architects to function as a display area as well as a body shop. “We designed [it to] look like a showroom in order to welcome clients who visit here to repair their car,” they told Dezeen.

Speedshop Type One by Torafu Architects

The skylights have been tidily boxed in with aluminium panels, which reflect more natural light into the shop, while strip lights travel down the ceiling in two narrow lines.

Speedshop Type One by Torafu Architects

The walls are covered in cement-bonded wood strips, which feel rough to the touch and add to the utilitarian aesthetic. A new partition wall has also been added to conceal a storage space.

Speedshop Type One by Torafu Architects

The two-post car lifts are painted grey to blend in with the muted tones of the walls and ceiling and to set off the colours of the cars.

Speedshop Type One by Torafu Architects

The architects also designed grey push carts and trolleys so that mechanics can easily store and move their parts and tools.

Speedshop Type One by Torafu Architects

“We treated these new elements as equal to the elements that were originally present, by adopting these material and expressive items that are both essential and emblematic to a repair shop,” the architects told Dezeen.

Speedshop Type One by Torafu Architects

We’ve featured lots of projects by Torafu Architects on Dezeen, including a concrete house for a wheelchair user and a desk that looks like a doll’s house.

See all our stories about Torafu Architects »
See all our stories from Japan »

Photographs are by Takumi Ota.

Here’s some more information from the architects:


Speedshop Type One

We designed the renovation of a body shop specialising in Honda vehicles that would function as a repair shop as well as a display floor for visitors. The design calls for maximising the working area by thoroughly sorting out essential and non-essential elements with a focus on servicing functionality.

As elements of the interior design plan, we adopted material and expressive items that are both essential and emblematic to a repair shop, such as gray two-post car lifts, aluminum fittings and tool wagons. Care was given to treat elements that were originally present the same way as new ones, such as the aluminum canopy hanging from the top lights, push carts and the rough-feeling cemented excelsior board walls.

The design highlights the vehicles on display in the repair shop by using desaturated colors and common materials to adjust the tone of the space where the old blends with the new.

The picture of a shop with cars on lifts, exposed engines and tools is aimed at creating a functional yet slick-looking space that can serve as a promotional area.

Principle use: Vehicle repair shop / factory
Production: Ishimaru / Sanraku
Building site: Ogikubo, Tokyo
Total floor area: 458.98 sq m
Design period: 2012.07-09
Construction period: 2012.09-10

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by Torafu Architects
appeared first on Dezeen.

Salaryman Project: Documenting the Japanese everyman in an illustrated planner

Salaryman Project

Part weekly planner, part conceptual documentary, “Salaryman Project” from Bruno Quinquet merges the practical with the artistic. Quinquet’s architectural eye for composition pairs with his subjects, a hard-working mass of faceless, suited men that pepper the streets and subways of Tokyo. A Frenchman who has spent seven years in…

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