Four Emerging Photographers

Inspired by budding French fashion photographer Sandrine Castellan’s passion for oddly composed photos, CH asked the up-and-comer who currently inspires her work. While the three that top her list reflect her interest in unusual poses and unconventional settings, each photographer has their own distinct style and compelling way of visually crafting a story. We caught up with each of them to get a fuller understanding of their approach.

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Sandrine Castellan

Raised in Aix-en-Provence, Montreal-based photographer Sandrine Castellan has been working her way around the camera since her grandfather gave her first one nearly 15 years ago. Castellan considers collaboration her “biggest thrill,” finding inspiration in unexpected ideas and people but recognizes that it begins with a meticulously-selected team.

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After switching her focus from still to motion pictures during college, Castellan returned to the medium upon graduation. She is continuously pushing herself, finding her most interesting project is “the next one.”

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Jonathan Waiter

Known for creating photos that show a model’s vulnerability, Jonathan Waiter‘s stunning black-and white-images simultaneously reflect both sensitivity and empowerment. Intent on creating as visceral a feeling as possible, the Netherlands-based photographer’s images are a raw interpretation of beauty.

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Waiter essentially considers photography a predatory form that, by seizing the scene from reality, ultimately transforms the meaning.

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David Aaron Morett

NYC-based photographer David Aaron Morett has been obsessed with taking pictures ever since the night a “guy named Hwa” gave him a “wonky old Nikon with a broken light meter.”

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The style of Henri Cartier-Bresson sparked Morett’s interest in photography—making him determined to find those indescribably beautiful moments in time and “capture them like rare butterflies.” After years assisting, printing and retouching, more recently Morett has become focused on the craft of photography, finding nuances in lighting techniques and well-conceived projects.

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Red de Leon

Preferring an “invisible” style of photography, NYC-based Red de Leon successfully depicts models in awkward poses using understated lighting and simple framing. His contemplative nature shows up in each image, and, while he finds the industry limiting in regard to full creative potential, his resulting thought-provoking photographs are full of energy.

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Inspired by Michael Haneke’s film “The White Ribbon,” de Leon regards transitional periods in history as a relevant interest. Concerned with highlighting essential human elements, he hopes to explore an anachronistic story that teaches him about “design, human nature, fashion and progress.”


Ron Arad: Restless: “This piece sucked me into the world of design”

In our second of four films made to coincide with the Ron Arad: Restless exhibition at the Barbican in London, we asked Ron Arad (above, pictured while studying at the Architectural Association) about his upbringing in Israel and how he found himself working as a furniture designer in London. (more…)

Matt Mullenweg talks at SVA

MFA Interaction Design Fall Lectures: Matt Mullenweg from MFA Interaction Design on Vimeo.

The MFA Interactive Department at SVA brought in Matt Mullenweg, founder of Automatic to share his insights on design, entrepreneurship, and open source. It runs over an hour, but is worth it.

Super Contemporary interviews: Daniel Weil

In this video interview filmed by Dezeen for the Design Museum in London, designer Daniel Weil of Pentagram talks about the design community in London through the decades (see movie below). (more…)

Super contemporary interviews: Zeev Aram

In this video interview filmed by Dezeen for the Design Museum in London, designer Zeev Aram talks about the transformation of Chelsea during the 1960’s and why the endless supply of creative talent makes London so unique (more…)

The reasons for lists

Italian author Umberto Eco was interviewed last week by the German publication Spiegel. The interview ‘We Like Lists Because We Don’t Want to Die’ discusses Eco’s recent involvement with curating an exhibition at the Louvre in Paris. The exhibition, as the title of the interview suggests, is all about lists.

I think that many unclutterers rely on lists — to-do lists, home inventories, calendars, project management timelines — to stay organized. Personally, lists keep me from worrying about forgetting things. I’d rather think about things I’m passionate about instead of having a constant stream of to-dos bouncing around in my brain.

Eco’s thoughts about lists are much more esoteric than mine. I found his interview on the subject matter to be thought-provoking and worth reading. From the interview:

Umberto Eco: The list is the origin of culture. It’s part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order — not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries. There is an allure to enumerating how many women Don Giovanni slept with: It was 2,063, at least according to Mozart’s librettist, Lorenzo da Ponte. We also have completely practical lists — the shopping list, the will, the menu — that are also cultural achievements in their own right.

From later in the interview:

Eco: … We have always been fascinated by infinite space, by the endless stars and by galaxies upon galaxies. How does a person feel when looking at the sky? He thinks that he doesn’t have enough tongues to describe what he sees. Nevertheless, people have never stopping describing the sky, simply listing what they see. Lovers are in the same position. They experience a deficiency of language, a lack of words to express their feelings. But do lovers ever stop trying to do so? They create lists: Your eyes are so beautiful, and so is your mouth, and your collarbone … One could go into great detail.

SPIEGEL: Why do we waste so much time trying to complete things that can’t be realistically completed?

Eco: We have a limit, a very discouraging, humiliating limit: death. That’s why we like all the things that we assume have no limits and, therefore, no end. It’s a way of escaping thoughts about death. We like lists because we don’t want to die.

What do you think of Eco’s thoughts on lists? Anyone else surprised by his statements or conclusions? Share your reactions in the comments.

(Thanks go to David Allen and Marginal Revolution for bringing this article to our attention. Image of Umberto Eco from the article.)


Tokyo Designers Week interviews: Nigel Coates

Tokyo Designers Week 09: architect and designer Nigel Coates describes the “complete chaos” of Tokyo in this final installment in our series of short interviews commissioned for the Tokyo Desigers Week official guide, which was produced by Dezeen. (more…)

Dezeen Podcast: ExperimentaDesign 09


Dezeen podcast: designers including Konstantin Grcic, Michael Young, Nacho Carbonell and Studio Glithero talk about their response to the theme It’s About Time in this podcast report on design event ExperimentaDesign 09 in Lisbon. (more…)

Tokyo Designers Week interviews: Gwenael Nicolas

Tokyo Designers Week 09: in this short interview commissioned for the Tokyo Designers Week guide, designer Gwenael Nicolas asserts that anything is possible in Tokyo. (more…)

Tokyo Designers Week interviews: Jaime Hayón

Tokyo Designers Week 09: designer Jaime Hayón describes his love of detail in this short interview commissioned for the Tokyo Designers Week guide. (more…)