Y. Di Cassanova by Van Halewyck & Marco

Y. Di Cassanova by Van Halewyck & Marco Architects

This boutique in Antwerp by Van Halewyck & Marco Architects features glossy white surfaces in a raw concrete shell.

Y. Di Cassanova by Van Halewyck & Marco Architects

Called Y. Di Cassanova, the shop at the base of two towers has white backlit shelves to display stock and a tree in the middle of the space.

Y. Di Cassanova by Van Halewyck & Marco Architects

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Y. Di Cassanova by Van Halewyck & Marco Architects

The following details are from Van Halewyck & Marco Architects


The new shop Y. Di Cassanova is located under the recently built towers of Diener & Diener Architects on “t’ Eilandje”. The semi-transparent aspect of the building is subtly mirrored in the interior with white glowing translucent panels.

Y. Di Cassanova by Van Halewyck & Marco Architects

The concept of a softer layer within the rough concrete concrete shell continues the white effect in the overall materialization. Under the white veil one finds surprising textures like coarse-grained wood and fiber board. Through careful manipulation of the different interconnected volumes a varied “parcours” is created with both intimate corners and free open space.

Y. Di Cassanova by Van Halewyck & Marco Architects

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Clothes store Y. Di Cassanova
Location: Westkaai 45, Antwerp, Belgium
Client: Joli bvba
Stage: built (1st phase)
Date: 2010

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Aesop Aoyama by
Schemata Architecture Office
9 Department Store and Gallery
by Case-Real
Ahoti by
Studio Lama

Restaurant at the Royal Academy by Tom Dixon

New Royal Academy Restaurant by Tom Dixon

British designer Tom Dixon has completed the interior of the new restaurant at the Royal Academy of Arts in London.

New Royal Academy Restaurant by Design Research Studio

Created for restauranteur Oliver Peyton of Peyton & Byrne, the dining area features a free-standing metal-framed glass unit to house sculptures that were previously hidden away in the Academy’s archives.

New Royal Academy Restaurant by Design Research Studio

A bar made of lava stone and handmade bricks lines one end of the room, while the dining area has been divided into zones each inspired by an architect or artist key to the Academy’s history, including John Soane and J.M.W Turner.

New Royal Academy Restaurant by Design Research Studio

Furniture and lighting designed by Dixon also features, including a new range of chairs and the perforated Etch lamps (see our earlier story), which hang in clusters.

New Royal Academy Restaurant by Design Research Studio

Dixon oversaw the project as creative director of interior design firm Design Research Studio.

New Royal Academy Restaurant by Design Research Studio

More projects by Tom Dixon »
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New Royal Academy Restaurant by Design Research Studio

Here’s some more information from Design Research Studio:


Interior design practice, Design Research Studio, under the direction of British designer Tom Dixon, are creating the interior for the new restaurant at the Royal Academy of Arts. This is the latest project for renowned restaurateur Oliver Peyton of Peyton and Byrne. The 150 cover restaurant will open to the public 18th January 2011.

The 250 m2 refurbishment references the long and illustrious history of the Royal Academy of Arts with materials chosen to complement the existing fabric of the Regency building including marble, brass and velvet.

The dining area is divided into different zones, with each area inspired by the work of a different Royal Academy Great such as Turner and Sir John Soane. To extend the gallery experience for diners, Design Research Studio has designed a dramatic free-standing unit in the centre of the space. Consisting of a number of glass cubes, the structure will house an extraordinary selection of sculptures and busts dating back to 1897. The pieces belong to the Royal Academy of Arts permanent collection but have long been stored out of public view.

The new bar is set to be a key focal point in the restaurant made from Mount Etna lava stone and hand-made glazed brick. Designed as a robust, sculptural object, its grandeur is enhanced by a dramatic cast glass chandelier suspended above. Other interior highlights include digitally etched brass pendant lights and injection-moulded foam seating.


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Paramount by
Design Research Studio
Shoreditch House by
Design Research Studio
Flash Factory by
Tom Dixon

Google office by Scott Brownrigg

Google office by Scott Brownrigg Interior Design

Architecture firm Scott Brownrigg have completed the London office of internet search engine Google, with a giant logo in the lobby forming doorways through the two Os.

Google office by Scott Brownrigg Interior Design

Designed with a Brighton beach theme, the interior is filled with dodgem cars used as work spaces, red telephone booths, beach huts and giant dice.

Google office by Scott Brownrigg Interior Design

Wallpaper in the meeting rooms and video conference booths is printed with seaside imagery.

Google office by Scott Brownrigg Interior Design

The space also includes a gym, spa centre and restaurant offering free meals for the 300 strong staff.

Google office by Scott Brownrigg Interior Design

More office interiors on Dezeen »

Here’s some more information from Google:


SCOTT BROWNRIGG INTERIOR DESIGN COMPLETES PHASE ONE OF GOOGLE’S NEW LONDON OFFICE

Scott Brownrigg Interior Design has created a new 40,000 sq ft office for Google at 123 Buckingham Palace Road, London to accommodate over 300 staff.

Google office by Scott Brownrigg Interior Design

The new office is designed to create a dynamic and collaborative work environment that supports the growing number of Google staff in London. As with many other Google offices worldwide, the office has a strong local theme. Joe Borrett and Jane Preston from Google, working with the Scott Brownrigg Interior Design team chose a theme of London-Brighton and as a result many iconic elements of both are incorporated into the office design.

Google office by Scott Brownrigg Interior Design

For example, brightly coloured timber beach huts are meeting rooms and giant colourful dice accommodate individual video conference booths, original dodgem cars and traditional red telephone booths are all work spaces available to staff and visitors. Open plan workstations for all staff are mixed with a few offices, meeting rooms and open break out seating areas and support spaces for printing and IT technical support. Google look after the health and welfare of their staff in an exceptional way and Scott Brownrigg Interior Design has designed a fully fitted out gym/shower facility, massage and spa treatment centre, and an Asian Fusion/Sushi restaurant that is free for all staff.

Google office by Scott Brownrigg Interior Design

Ken Giannini, Interior Design Director of Scott Brownrigg stated: “It is little wonder that Google is one of the most desirable places to work in the UK. We have enjoyed every minute of this exciting project. All the Google staff are up for innovation, brilliant ideas and they like to be challenged. We also recognise that Google is a serious business and demands efficiency, value and solutions that can support their business practices. This project has it all – a fun working environment that also incorporates lots of practical solutions.”

Google office by Scott Brownrigg Interior Design

Joe Borrett, Head of Real Estate and Construction for Google commented that: “The office was designed and delivered in a very fast timescale (4 months) and the team of consultants and the contractor pulled out all the stops to get it done. It was an impressive effort.”

Google office by Scott Brownrigg Interior Design

Jane Preston, UK Facilities Manager at Google said: “The first impressions by visitors and our staff has been very positive. The project fits well with our real estate and HR strategy and will definitely help support our growth plans. We see the work environment as a major recruitment factor for us to compete for the best talent and this new office certainly does that.”

Client: Google
Interior Designers/Planning: Scott Brownrigg Interior Design
Programme Managers: CBRE
Project Managers and Cost Consultants: MottMacDonald
M&E Consultants: TBA
Main Contractor: Cameron Black
Size/floor space: 40,000 sq ft
Timetable: 16 weeks
Furniture: Desking System: Bene, Task chairs: Herman Miller, Knoll, Vitra, Hitch Mylius, Wiesner Hager, Arper, James Burleigh
Flooring: Interface Floor, Object Carpet, Dalsouple

Completion of phase one was November 2010 and phase two (10,000 ft2) completes March 2011.


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KK Outlet by
Fashion Architecture Taste
Cheap Monday Office by UglycuteA Red Object by
3Gatti Architecture Studio

Study Finds Ikea’s Retail Floor Design Maze-Like (And Then Some)

It’s a very familiar and widely acknowledged fact that large retail chains, shopping centers and casinos design their floor layouts to intentionally try and guide consumers along a somewhat confusing path in order to keep them away from the exit and get them to see as much of their merchandise (or slot machines, in the casino’s case) as possible. They’re are varying degrees of this general irritation, but a team of researches at the Virtual Reality Centre for the Built Environment at University College London has discussed a study they’re working on that has found that Ikea is perhaps the worst offender. Exits are hard to spot, the only easy-to-navigate paths push customers through every inch of the store, and because the layouts are so confusing, consumers fear they won’t be able to find an object again and wind up buying it just so it won’t disappear. While, again, there’s nothing altogether new there, particularly if you’ve ever spent any time at an Ikea, Alan Penn and his colleagues at the Centre have established that Ikea pushes the maze-like design to levels significantly above the average, having one of the most difficult sets of floorplans in the business. In their defense, a spokesperson for the company told the Daily Mail that they’re just trying to give consumers options and for those who already know what they want, they” have created shortcuts.”

New Career Opportunities Daily: The best jobs in media.

Digital Kitchen Designs Video Columns for Las Vegas’ Cosmopolitan Hotel

Back in December, to mark the debut of the newly-opened Cosmopolitan Hotel in Las Vegas, IFC Films was hired to make six short films/commercials profiling some of people and firms involved in the lavish luxury hotel’s development. We were particularly keen back then to talk up the first of them, which featured celebrated designer David Rockwell, who handled the design of many/most of the room interiors. Now we’re back to being keen again, with the fourth in the series, which profiles the work of production house Digital Kitchen in creating a number of video-based columns in the hotel’s lobby. They’re absolutely stunning, and we say that not just because we’re pals with the guy being interviewed about them (full disclosure: this writer has known him for years and now works at the same place he used to work). DK has put up some behind-the-scenes info on the project, as well as watchable versions of each of the panels. And here’s the IFC-produced video:

New Career Opportunities Daily: The best jobs in media.

Obata Clinic by Hayato Komatsu Architects

O-Clinic by Hayato Komatsu Architects

Japanese architect Hayato Komatsu has completed the interiors for this clinic in Hiroshima, Japan, which is located within a shopping centre.

O-Clinic by Hayato Komatsu Architects

Due to the height of the original space, the architect has inserted a gabled ceiling to create a more intimate atmosphere and has left the walls of the treatment rooms slightly shorter, making a feature of the sloping ceiling.

O-Clinic by Hayato Komatsu Architects

The interior walls and ceiling are clad in strips of wood with an array of fluorescent tube lights on the sloping planes.

O-Clinic by Hayato Komatsu Architects

The clinic’s storefront façade provides passer-by’s with clear views into the clinic.

O-Clinic by Hayato Komatsu Architects

The treatment rooms are located at the rear of the space, carefully partitioned to prevent any direct views into them.

O-Clinic by Hayato Komatsu Architects

More clinics and medical facilities on Dezeen »
More interiors on Dezeen »

O-Clinic by Hayato Komatsu Architects

Here’s some more information from the architect:


[O-clinic by Hayato Komatsu Architects]

This project is a plan for moving and reopening an internal clinic in a shopping mall on the outskirts of Hiroshima. The shopping mall has a high ceiling and, therefore, so does the clinic that occupies space within it.

O-Clinic by Hayato Komatsu Architects

The clinic’s surrounding corridors are bustling with shoppers. The client requested to make good use of the high ceiling. However, keeping the open space increases the risk of heating/cooling and ventilation problems.

O-Clinic by Hayato Komatsu Architects

So we inclined the ceiling to intonate the height, and we controlled the room space to adjust the volume of the room.

O-Clinic by Hayato Komatsu Architects

Furthermore, we made all the walls the same height and created space in between the walls and the ceiling like a partition style.

O-Clinic by Hayato Komatsu Architects

This showed the ceiling as “a big roof” spanning all rooms and so giving the space depth, brightness and a comfortable feeling.

O-Clinic by Hayato Komatsu Architects

In considering the privacy of people coming into the clinic, we managed, without closing the facade, to arrange each room to allow in light but yet in such a way to stop the direct view of outsiders.

O-Clinic by Hayato Komatsu Architects

In total, it looks like a wooden Kura (a traditional Japanese storehouse), but we feel that this magnanimous space gives people repose and comfort.

O-Clinic by Hayato Komatsu Architects

Site: Hiroshima,JPN
Principal use: Clinic
Floor area: 174.58m²
Completion: Dec.2010


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GKK Dental Ambulatory by XarchitectenD.Vision Dental Clinic by A1ArchitectsBe Clinique by
Openlab Architects

Information Centre at the Groninger Museum by Jaime Hayón

Information Centre at the Groninger Museum by Jaime Hayon

Here are some more photos and sketches of the information centre by Spanish designer Jaime Hayón for the newly renovated Groninger Museum in the Netherlands (see our earlier story)

Information Centre at the Groninger Museum by Jaime Hayon

The space features long pendant lights hanging from a circular mirrored panel on the ceiling.

Information Centre at the Groninger Museum by Jaime Hayon

In the middle of the room, desks with hoods covering computers create private booth-like spaces for browsing.

Information Centre at the Groninger Museum by Jaime Hayon

Many of the pieces have been custom-made for the space, including the furniture, magazine stands, mirrors and a bespoke handmade vase.

Information Centre at the Groninger Museum by Jaime Hayon

See all our stories on Jaime Hayón in our special category »

Information Centre at the Groninger Museum by Jaime Hayon

The following information is from the designer:


The Info Center

The idea behind the info center was to come up with a new approach for this sort of space that is traditionally cold and impersonal. Our aim was to integrate the latest technology into it without making this visible.

Information Centre at the Groninger Museum by Jaime Hayon

The center would retain a homey feel to it and would be functional as well as flexible. The table with niches allows for privacy and concentration and it also provides plenty of traditional table surface for any other use.

Information Centre at the Groninger Museum by Jaime Hayon

The concept had to be as special and different as this museum so most furniture elements were custom designed and manufactured for the center.

Information Centre at the Groninger Museum by Jaime Hayon

A few of the custom furniture elements include the multitable, the magazine stands, the mirrors and vases as well as many other features. The space stands out with its bespoke residential feel and the quality of craft visible in every element.

Information Centre at the Groninger Museum by Jaime Hayon

Surely, the visitor will feel they have entered a special place. There is a special art piece in the center and it is a gigantic hand made and hand painted vase that is one of a kind. It is dedicated to the Netherlands, my loved one and her loved ones.

Information Centre at the Groninger Museum by Jaime Hayon

The marble floors are cut in hexagon shapes and give a royal feel to the public space. The copper lights, custom cinema and display cases around the room create a warm atmosphere, filled with light and energy.

The media center is a very special room for a very special museum…


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Groninger Museum
renovation
Octium Jewelry shop by
Jaime Hayón
Porcelain by Jaime Hayón for Kutani Choemon

OAK bar by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Irish studio dePaor Architects have inserted this oak grid-shell structure into the café area of Dublin Airport‘s Terminal 2, which opened late last year.

Landslide Bar .OAK by dePaor Architects

The undulating structure sits in the centre of the OAK bar and provides a canopy over the space.

Landslide Bar .OAK by dePaor Architects

It’s made from strips of veneered plywood that slot into one another.

Landslide Bar .OAK by dePaor Architects

Perforated wooden vaults frame the entrance into the café-bar.

Landslide Bar .OAK by dePaor Architects

More restaurants and bars on Dezeen »

Landslide Bar .OAK by dePaor Architects

Photographs are by Alice Clancy.

Landslide Bar .OAK by dePaor Architects

Here’s a tiny bit of text from the architects:


Dublin Airport Landside bar.OAK

The landside bar and cafe in the new terminal at Dublin airport is a n 84mm oak veneered plywood deformed grid shell as a baldacchino over bar and server.

Landslide Bar .OAK by dePaor Architects

It stands on three stainless steel shoes on the limestone terrace and suspend a murano glass at the limestone stone bar.

Landslide Bar .OAK by dePaor Architects

The snug is excavated as a series of parallel vaults with service strips between.

Landslide Bar .OAK by dePaor Architects

These oak veneered vaults are slot perforated to achieve a smoke reservoir.

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects

Landslide Bar .OAK by dePaor Architects


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Swoosh Pavilion at the Architectural AssociationLabyrinth of Woods by
Point
4am by
dePaor Architects

Dissecting the Dandy by Form Us With Love

Dissecting the Dandy by Form Us With Love

Swedish design studio Form Us With Love have completed the interior for an exhibition celebrating dapper gentlemen at Nordiska Museet in Stockholm, Sweden.

Dissecting the Dandy by Form Us With Love

Called Dissecting the Dandy, the space is filled with dismembered mannequins displayed in grey MDF boxes with wooden supports.

Dissecting the Dandy by Form Us With Love

The designers have suspended their Work Lamp (see our earlier story) from rows of connected metal frames at different heights to illuminate the pieces on display.

Dissecting the Dandy by Form Us With Love

The mannequins are dressed in typical ‘dandy’ attire – fashioned blazers, waistcoats, shirts, shoes and accessories.

Dissecting the Dandy by Form Us With Love

The Dandy exhibition is on show at Nordiska Museet, Stockholm, until May 2011.

Dissecting the Dandy by Form Us With Love

More exhibition design on Dezeen »
More projects by Form Us With Love »

Dissecting the Dandy by Form Us With Love

The following information is from the designers:


Dissecting the Dandy
Form Us With Love has designed the exhibition architecture for the exhibition “Dandy” at Nordiska Museet, Stockholm.

What is a dandy? What does he look like? Some say a dandy is a particular person. Others say a dandy is a way of life. The architecture of the exhibition dissect the dandy into pieces. “We wanted to expose the details that makes the Dandy” says John Löfgren, Jonas Pettersson and Petrus Palmér of Form Us With Love.

Dissecting the Dandy by Form Us With Love

The architecture consists of dismembered mannequins, fused with MDF boxes which then has been laqcuered in a slate grey, giving the illusion that a stonecutter has started working on sculptures, but only finished the parts essential for the exhibition pieces.

Dissecting the Dandy by Form Us With Love

The exhibition gives examples of how a contemporary Dandy could look. Tailor Frederik Andersen, fashion researcher Rickard Lindqvist, journalist Olaf Enckell, stylist Lalle Johnson, author Björn af Kleen, designer Göran Sundberg and shop owner Christian Qua- glia have all given their suggestions on the modern style dandy.

The exhibition is on display until May 1, 2011. Nordiska museet is situated on Djurgården.


See also:

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Maritiem Museum exhibition by Tjep.Drawing Fashion exhibition
by Carmody Groarke
Constructive by
Form Us With Love

NE by Teruhiro Yanagihara

NE by Isolation Unit

Here’s another hair salon by Japanese designer Teruhiro Yanagihara, this time located in central Osaka, Japan, featuring free-standing mirrored boxes.

NE by Isolation Unit

Called NE, the project hides different areas of the salon so as not to reveal the function of the space.

NE by Isolation Unit

A hair washing area is located inside a brick room with concrete steps sitting in front of it.

NE by Isolation Unit

The steps double up as a waiting area, providing seating and display surfaces.

NE by Isolation Unit

Lights and doors to the storage rooms are flush with the walls and fold out to reveal their functions.

NE by Isolation Unit

Photographs are by Takumi Ota.

NE by Isolation Unit

More salons on Dezeen »
More projects by Isolation Unit/Teruhiro Yanagihara »

NE by Isolation Unit

The following information is from Yanagihara:


NE, located in central Osaka, is a hair dressers shop for a young couple that started up their own business.

NE by Isolation Unit

The small space doesn’t reveal it’s actual purpose and is conceived as a narrative sequence of abstracted objects and volumes.

NE by Isolation Unit

An iconic stair, that contains the wash- and backroom, marks the waiting area and serves as seating accomodation and display.

NE by Isolation Unit

Free-standing mirrored screens are positioned in the otherwise empty cutting area like sculptures.

NE by Isolation Unit

The lights and doors to the storage fold our of the walls and let them appear like made of sheets of paper.

NE by Isolation Unit


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KIZUKI + LIM by
Teruhiro Yanagihara
Isolation Unit completes
Tokyo hair salon
Ricort by
Isolation Unit