Skyscraper for bees by University at Buffalo students

High-rise living is no longer just for people. A team of architecture students from the University at Buffalo has recently constructed a skyscraper for a colony of bees (+ slideshow).

Skyscraper for bees by University at Buffalo students

Erected amongst a desolate group of disused grain silos beside the Buffalo River, the seven-metre tower provides a new hive for honey bees that had formerly taken up residence in the boarded-up window of an old office block.

Skyscraper for bees by University at Buffalo students

The tower is clad with a honeycomb of hexagonal steel panels. Triangular perforations speckle the surfaces, allowing light to filter gently inside.

Skyscraper for bees by University at Buffalo students

The bees are housed in a hexagonal wooden box suspended near the top of the tower. The base of the box is glazed so visitors can enter the tower and look up into the hive.

Skyscraper for bees by University at Buffalo students

The box is also attached to a system of pulleys so that beekeepers can bring it safely down to ground for maintenance tasks. University at Buffalo students Courtney Creenan, Kyle Mastalinski, Daniel Nead, Lisa Stern and Scott Selin named the project Elevator B, as a reference to this mechanism.

Skyscraper for bees by University at Buffalo students

The tower represents the winning entry of the university’s Hive City competition, which asked students to design a habitat for the bees. Other entries included a wooden cube and a geodesic dome.

Skyscraper for bees by University at Buffalo students

Other stories on Dezeen relating to bees include conceptual proposals for artificial bees and a series of honeycomb vases constructed by bees. See more stories about insects on Dezeen.

Here’s a statement from the design team:


Elevator B

Elevator B is an urban habitat for a colony of honeybees, which originally occupied a boarded window in an abandoned office building in Buffalo, NY. Although not created for a specific client organization per se, the project has generated a great deal of public curiosity because of the combination of the colony of honeybees, an interesting and until very recently, a restricted-access site, and a well-designed object. The site, Silo City, is a group of largely abandoned grain elevators and silos on the Buffalo River. Elevator B is intended as a symbol of the site’s environmental and economic regeneration.

Skyscraper for bees by University at Buffalo students

The 22′ tall tower is a honeycombed steel structure designed and built utilizing standard steel angle and tube sections. It is sheathed in perforated stainless steel panels that were parametrically designed to protect the hive and it’s visitors from the wind, and allow for both solar gain in the winter and shading in the summer. The bees are housed in a hexagonal cypress box with a laminated glass bottom through which the bees can be observed.

This “beecab” provides protection, warmth and separates entry access between bees and humans. Visitors are able to enter the tower, stand below the cypress beecab and look up to view the colony of bees behind glass, similar to an ant farm, as they build their hive. Beekeepers gain access to the hive by lowering it, allowing them to ensure the health and safety of the bees. This feature also caters to the school groups that visit the site, encouraging children to get a close up view.

Visitors to the site have ranged from school groups discussing the natural ecosystems of Western New York and the Great Lakes, to adult photography classes using Elevator B and the site as a subject. A nearby nature preserve has also led several field trips to the project and is in the process of developing a formal education program centered on the bees and on colony collapse disorder, which threatens the species. Interpretive signage about honeybees and the site is currently under development and will be part of the larger redevelopment plan for Silo City.

Skyscraper for bees by University at Buffalo students

The questions asked by visitors range from the simple to the complex, but they would never have been asked in the first place if the visitor did not have the access to bees that is fostered by Elevator B. This is a clear demonstration that architecture can and does do more than serve aesthetic or structural purposes. In Elevator B’s example, it sparks children to learn and adults to reconsider what they thought they knew. This includes the designers themselves, who have not only designed for the needs of their clients but have become inspired to become advocates for them as well.

Location: Silo City in Buffalo NY
Firm Name: Hive City
Team: Courtney Creenan, Kyle Mastalinski, Daniel Nead, Lisa Stern, Scott Selin
Project Sponsors: University at Buffalo School of Architecture and Planning, Rigidized Metals Corporation

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Tiny robotic insect takes flight

News: a tiny robotic insect that hovers in the air like a fly has been built by scientists at Harvard University (+ movies).

The robot, which weighs just 80 milligrams and is the size of a small coin, can hover in the air for up to 20 seconds.

Its Harvard University developers modelled the robot’s movement on real flies, which flap their wings around 120 times per second.

The researchers made the wings with piezoelectric material, which contracts when a small electrical charge is passed through it.

Tiny robotic insect takes flight

Switching the voltage on and off at high speeds produces a rapid contracting effect that mimics the movement of a fly’s tiny wing muscles.

For now, the robots have to be tethered to thin copper wires that provide electric power and navigation information, but the researchers hope that a battery will one day be lightweight enough to be attached to the robot itself.

The team suggests the robots could be used for search-and-rescue operations, monitoring environmental damage, tracing chemicals or pollinating crops, while their discreet size could also make them suitable for military surveillance.

The RoboBee project was reported in the journal Science this week by Dr Robert Wood and his team at Harvard’s Wyss Institute for Biologically Inspired Engineering at Harvard.

Tiny robotic insect takes flight

Last year we reported on robot helicopters programmed to lift and stack polystyrene bricks into a six metre-high tower, while other machines we’ve featured include a duo of robotic bartenders and a robotic 3D printer that builds architecture from sand  – see all robots.

Photographs are by Kevin Ma and Pakpong Chirarattananon.

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Meow Meow Tweet All Natural Herbal Insect Repellent: An organic bug spray “powerful enough to combat prehistoric mosquitoes”

Meow Meow Tweet All Natural Herbal Insect Repellent


A stealth blend of all natural ingredients, each bottle of Meow Meow Tweet’s herbal insect repellent is created by the capable hands of Jeff Kurosaki and Tara Pelletier, the creative duo behind the Bushwick-based artisanal apothecary….

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Taxi-Dermy Lenticular Prints by Joe Jin

Taxi-Dermy Lenticular Prints by Joe Jin

Insects including a weevil and a wasp transform into cars and motorbikes in these lenticular prints by Canadian design studio Joe Jin.

Taxi-Dermy Lenticular Prints by Joe Jin

The Taxi-Dermy lenticular prints change depending what angle they’re viewed from and are inspired by the way aerial views have become commonplace in high-rise cities such as Toronto, where Joe Jin is based. “From above, automobiles that dot the city streets below begin to resemble insects,” explains the designer.

Taxi-Dermy Lenticular Prints by Joe Jin

The collection includes a wasp turning into a BMW motorbike, a weevil becoming a Formula 1 racecar and a praying mantis turning into a Kawasaki motocross bike.

Taxi-Dermy Lenticular Prints by Joe Jin

There’s also a beetle that turns into a Mini Cooper Clubman, the ‘stretch’ version of the Mini, which we featured in 2007.

Joe Jin studied architecture at the University of Toronto and worked as an architect for several years before setting up his own design studio in 2012.

We previously featured lenticular prints used to create maps of Beijing’s disappearing ancient alleyways as part of Beijing Design Week.

We also featured several projects involving insects on Dezeen, including porcelain containers based on insect eggs and posters based on the movement patterns of woodlice and crickets – see all our stories about insects.

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See all our stories about design »

Here’s some more information from the designer:


With over 150 residential high-rises and skyscrapers currently under construction, Toronto, Canada is experiencing unprecedented growth in the history of the country’s largest populated city. As apartments and condominiums become synonymous with city living, from several storeys up, city residents are privy to a view that was once less accessible but has now become commonplace – the aerial view. From above, and at a height of 150-240m (or 50-80 storeys; the new standard in Toronto condominium development heights), automobiles that dot the city streets below begin to resemble insects. Taxi-Dermy lenticular prints were designed as a playful acknowledgement of this new reality that we, along with the residents of most other major metropolitan cities, now find ourselves in.

Taxi-Dermy (pun intended) lenticular prints playfully merge two objects, one living and the other man-made – the insect and the automobile; seemingly different but eerily alike when scales are blurred. Aerial stock photos combine with lenticular lens printing to create artwork that appears as a taxidermy insect at first glance, then morphs into an automobile when viewed from different angles. Four 3D transforming prints to collect – Heterorrhina elegans (beetle) to Cooperrhina clubmans (Mini Cooper Clubman); Vespula vulgaris (wasp) to Vesportbike bimmeris (BMW sportbike); Mantis religiosa (praying mantis) to Motocross kawigiosa (Kawasaki motocross); and Eutrachelus temmincki (weevil) to Racetrackelus grandprix (Formula One). Each lenticular print comes framed in a shadow box and ready-to-mount.

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Tribute to Hieronymus Bosch in Congo: Jan Fabre’s bug-based series tackles King Leopold II’s Congo

Tribute to Hieronymus Bosch in Congo

Sponsored content: One of the most captivating artists at Miami Art Week, Belgian artist Jan Fabre painstakingly creates massive allegorical works entirely out of naturally shedded jewel beetle wings. In the series “Tribute to Hieronymus Bosch in Congo,” he uses the biological emerald detritus to comment on the gruesome history…

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Laura Zindel Ceramics

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Drawn with careful, scientific precision, Laura Zindel‘s insect imagery adds a creepy Victorian-era touch to her expertly-crafted ceramics. The highly detailed, all-black renderings of spiders on dinner plates and scarab beetle on saucers show her gifts for illustration and well-made tableware alike.

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Incorporating an array of animals and plants, Luna moths, bees, tarantulas, dragonflies, ladybugs and birds all get her painstakingly loving treatment. Zindel’s taste for symmetry also lends refined complexity; on a large pasta bowl adorned with snakes, their mirrored curving bodies create a gorgeously ornate pattern.

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Like the Harvard Museum of Natural History‘s collection of biologically exacting glass flower specimens, made with breathtaking detail, Zindel’s work makes the audience rethink both the subject and material.

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Seattle shop Blackbird now carries Zindel’s work at their recently-opened The Field House (the general store of the 21st century). Zindel’s work can also sells from Blackbird’s online shop and a selection of prints reflecting her insect sensibilities are available from her site.


Tomás Saraceno: 14 Billions

SpidersFull1.jpg

In a triumph of art, science and architecture, Argentine artist Tomás Saraceno‘s site-specific exhibit “14 Billion” scales a Black Widow’s web up to magnificent proportions. Currently on display at Stockholm’s Bonniers Konsthall, 14 Billion is an extension of the work he showed at the 2009 Venice Biennale called “Galaxy Forming along Filaments, like Droplets along the Strands of a Spider’s Web.”

SpidersFull2.jpg

The Frankfurt-based artist worked in collaboration with astrophysicists, architects, engineers and spider researchers to create a stimulating series of installations with 14 Billions as the focal point. A massive undertaking, the project took two years to complete with the black rope spanning 400 cubic meters, consuming much of Bonniers Konsthall main gallery.

Saraceno’s work looks to scientific study which uses the imagery and structure of spider webs to map the origin and structure of the universe. Referencing these studies, the sculptural pieces explore the delicate balance between ourselves and the earth.

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To compliment the installation, Saraceno also exhibits essays and research texts that reveal the development behind 14 Billions and other key pieces from the series, including “Garden/Air-Port-City/Iridescent” and “Cloudy House” among the 15 additional artworks.

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While deeply philosophical and laden with scientific study, Saraceno softens the academia with interaction—encouraging viewers to participate with his discoveries. Nimble visitors can explore the web installation, while children and adults alike can create their own additions to his Cloudy House.

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A fantastic exhibit—igniting the same level of curiosity which inspired it in the first place—the show remains on display through 20 June 2010.