Mat Cook’s ASCII art sleeves for Howie B

Graphic designer Mat Cook has created a striking ASCII art-style record sleeve for electronic DJ Howie B’s new album Down With the Dawn.

The album is Howie B’s first in five years and the inaugural release from his new record label, HB Recordings. Cook has designed the album’s cover using ASCII code manipulated in Photoshop and Quark, and a website mimicking monochrome monitor displays from the 1970s and 80s.

Cook says the album art is both a “graphic gag celebrating…a master of the electronic returning” and a visual reflection of Howie B’s music, which he creates using old electronic instruments and new production equipment.

While the artwork features ASCII (a coding system used in the early days of computing when data was input manually using punch cards) it was generated by a modern programme and corrupted in Photoshop to create a portrait of the DJ that features hidden codes and symbols, says Cook.

The first single release from the album, Frankie’s City, also features ASCII style graphics:

And the cover of follow up single Night Nice features what looks at first glance like randomly generated code, but in fact relays the story of the song: different times of night and a series of heart symbols tell the story of the track’s subject, a man who goes out, gets drunk and has a one night stand.

Subsequent releases will feature more modern coding styles, reflecting the development of computer code and technology, and all will feature hidden details and phrases, says Cook.

“I’ve always been a big fan of making [record sleeves] quite dense – on the top level you see a face but when you look closer, you reveal different narratives, phrases and lyrics,” he adds. “Hopefully, it captures the ethos of the record, which has a retro feel, but could only have been created using today’s equipment.”

Down with the Dawn is released in April – see howieb.com for details.

Playful Illustrations Make It Easy to Learn Chinese

L’entrepreneuse et auteur ShaoLan Hsueh, basée à Londres, a écrit le livre « Chineasy » qui permet d’apprendre de manière ludique les 20,000 signes chinois à partir d’illustrations de la signification du mot. Les illustrations sont colorées et le signe est formé avec des traits noirs. Quelques mots à découvrir dans la suite.

Door.

Moon.

Friends.

Mountain.

Wave.

Drop.

Woman.

Adultery.

Le site de ShaoLan Hsueh.

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Chinese 21 Adultere
Chinese 20 Woman
Chinese 19 Goutte
Chinese 18 Vague
Chinese 17 Mountain
Chinese 16 Friends
Chinese 15 Moon
Chinese 14 Door
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The ABC’s of Beyoncé

Pour un projet d’études, l’illustrateur Vivian Loh a conçu un alphabet original et amusant en hommage à l’icône pop qu’incarne Beyoncé. Les lettres de l’alphabet se forment d’elles-mêmes à partir des poses contorsionnistes de Beyoncé dans ses clips. L’alphabet complet est disponible dans la suite.

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Y
X
W
V
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Q
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Stephan Walter at The Coningsby Gallery

Zurich-based typographer and illustrator Stephan Walter has launched his first solo show at London’s Coningsby Gallery.

Named an ADC Young Gun in 2009, Walter studied graphic design at the F&F School in Zurich and has since produced intricate typographic illustrations for cultural venues, construction companies, newspapers and magazines. He also interned at Stefan Sagmeister’s studio in New York, where he worked on the artwork for Brian Eno and David Byrne’s album, Everything That Happens WIll Happen Today.

The exhibition features personal and commissioned work from throughout Walter’s career, including posters for gigs and festivals, editorial illustrations for Varoom, Wired and Time Out, an A-Z of urbanisation for a construction company, and work from his degree project, Dos Santos – a series of illustrations presenting a fictional town with attractions kitted out in Vegas-style signage.

 

Walter creates illustrations using 3D animation software, and often designs an object in its entirety to use an image of it from just one angle. He describes his work as ‘typo-tecture’, and believes type should be an integral part of any design rather than a super imposed after-thought, often building letters into the structure of buildings or objects.

 

Architecture is a major influence on Walter’s work, and he counts Edward Hopper and Robert Venturi among his biggest inspirations. His illustrations have featured hotels, houses, diners and ferris wheels, and in this design for Zurich arts centre Rote Fabrik, he created a resort out of the name of the venue:

Walter’s early work is almost exclusively black and white but his later illustrations feature colourful letterforms and backgrounds, and he says he likes to add small details – such as witty phrases or slogans – to make people smile.

How to Cook Panda Bears Without Losing Your Soul is open at the Coningsby Gallery until February 7 – for details, click here.

Dangerdust’s inspirational chalk art

Since September last year, an anonymous duo at Ohio’s Columbus College of Art and Design has been transforming chalk boards into typographic artworks under the cover of darkness. We spoke to the pair, known as Dangerdust, about their creative acts of campus vandalism…

Both members of Dangerdust study advertising and graphic design at CCAD. Each week, the students work through the night to decorate a black board with an inspirational quote about life, design or creativity. Those quoted so far include Nelson Mandela, Stefan Sagmeister and Ellen Lupton, and Dangerdust often draw detailed portraits of the speakers alongside their words of wisdom.

The project started as a way to relax in between course work, but Dangerdust’s art has since been viewed more than 9,000 times on Behance and the pair plan to release a new design each week for the rest of the school year.

“Working on class assignments all year can become tiring, and this was an opportunity to create work just for the fun of it,” they say. “We wanted to get away from the computer and do something that made us feel physically tired at the end of the day. We had never used chalk as a medium before we started…it was just something that was accessible, cheap and if we messed up we could always wipe away,” they add.

Each board takes between four and eleven hours to complete and requires careful planning and sketching, say Dangerdust.”Our process usually starts the night before. We spend a long time agreeing what quote we want to use. After that, we design the board by hand and eventually on the computer. [Then] we sneak into school…wipe last week’s board off and print any references we need. We grid it out, sketch it out and slowly build up the chalk, and after we think we’ve got it, we’ll wheel it out and spend a good thirty minutes squinting at it from all angles until we’re sure we’re done,” they explain.

While some might feel sad about having to wipe away hours of hard work, Dangerdust say starting anew each week is refreshing. “We love to see what we can do next. What’s really fun is that while we are erasing the board, sometimes we can see shadows of chalk from a totally different one, [which] gives the board more meaning to us.”

It’s a long and tiring process, but Dangerdust say creating each board is cathartic – and both students say the response to their designs around campus has been “wonderful”.

“We’ve always loved to work with our hands…it gives us great satisfaction to manipulate something as ordinary as a stick of chalk into something extraordinary.”

See the full set of designs here.

ListenUp: Mary J Blige joins Disclosure, Young Turks’ new imprint, Damon Albarn’s first solo album and more music we tweeted this week

ListenUp


King Dream Chorus: King Holiday On Monday, the US celebrated the legacy of civil rights activist Dr Martin Luther King Jr—and his dream of freedom for all. The day was declared an official holiday in 1986, and to mark the occasion several musicians…

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Transport for London Campaign

Le designer et illustrateur anglais Chris LaBrooy, dont nous avons déjà parlé sur Fubiz avec le projet Auto Aerobics, a été sollicité par Transport for London pour créer des affiches de publicité. Le projet a été conçu avec l’agence M&C Saatchi basée à Londres, sous la direction artistique de Will Bates.

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Stefan Bucher Creates Cellular Valentines

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It’s January 24th. Do you know where your Valentines are? Swap those chalky candy hearts and flimsy greetings for a microscopic approach with “Love Cells,” a pack of whimsical Valentine postcards created by Stefan Bucher for Moo’s Luxe Project. Each of the hand-drawn designs is a pattern of tiny, almost-hidden hearts: lay out all ten cards to form one large pattern that can be rearranged into several configurations. All oroceeds from the $29 packs of sturdy postcards (with matching envelopes) go to ShelterBox USA. Says Bucher, “Their mission to provide shelter, warmth, and dignity to disaster and conflict survivors also comes with an edict to provide transparency to their donors, a value I hold in high regard.”

New Career Opportunities Daily: The best jobs in media.

Musical Gifs from Dent De Cuir

Inspired by toys and board games from their childhood, directing duo Dent De Cuir have produced a musical Gif site playing animations timed to a custom track by French DJ SebastiAn.

An odd but highly entertaining site, PLAY displays a sequence of 17 Gifs designed to match SebastiAn’s 48-second composition.

Each features a cover image or advert for a classic game or toy brought to life with hand drawn animations: Hungry Hippos become man-eating Angry Hippos and GI Joe, a soldier blasting hearts and rainbows. Guessing game Guess Who has also been given a sinister makeover, and Battleships is now a picture of friendship.

Dent de Cuir – Jean-Philippe Chartrand and Benjamin Mege – came up with the idea after being commissioned by fashion trade show Who’s Next to create a video about the theme of this year’s show, toys.

“We decided to approach it as a mini music video. We collaborated with SebastiAn and asked him to create a custom track based on sound samples from toys. On completion, however, we felt like [it] wasn’t properly suited to that media, and came up with the idea of an interactive web platform with musical Gif sequences,” they say.

SebastiAn was given “full creative freedom” to produce the track and after receiving the final edit, Chartrand and Mege selected visuals and created animations based on the sounds and toys sampled.

The pair have directed several music videos for electronic acts, including Evil Twin for Modeselektor which made the official selection at last year’s SXSW festival and one for electronic duo Neosignal featuring Barbie dolls and Star Wars figurines.

They met while working as graphic designers and describe their process as a mix of “hands-on creativity and experimentation.”

“We are very inspired by popular culture…being both kids from the eighties, it was a treat for us to go back to our childhood toys chests and have a second thought about these objects we were raised with,” they add.

CR February 14 issue: illustration special

Our February issue is an illustration special including our pick of this year’s Pick Me Up artists (the work of one of whom, Carine Brancowitz, features on our cover), BBH’s Mark Reddy on illustration in advertising plus what an agent can do for you. And: designing sounds for cars, the future of news and what we can all learn from the marvellous Mr Paul Smith

 


The February issue of Creative Review is available to buy direct from us here. Better yet, subscribe to make sure that you never miss out on a copy – you’ll save money, too. Details here.


February’s focus on illustration kicks off with a discussion with four leading illustrators’ agents on the state of the industry, how illustrators can develop their career and what agents look for in new talent

 

Then we profile four up-and-coming illustrators from those selected to exhibit at this year’s Pick Me Up graphic art fair

 

And BBH head of art Mark Reddy reveals why illustration can sometimes be a hard sell to advertising clients and the advantages it can bring when done well

 

Too busy to keep up with everything online? Our new Month in Review section brings together all the main creative talking points and our pick of work from the previous four weeks along with your favourite columnists

 

Plus, amazing ‘pareidolic’ (look it up!) imagery from Graham Fink’s show at the Riflemaker gallery

 

Five things our columnist Gordon Comstock learned from his former employer Paul Smith, a master of branding

 

What should an electric car sound like and what effect will that have on our cities? We report on the efforts of a group of designers to re-engineer the sounds of our streets

 

France is to have its first ever festival of graphic design – will it help improve the standing of the industry?

 

US adman Gerry Graf (creator of the genius Skittles campaign) shares his tips on creative success

 

How much do we need to know about designers’ personal lives? Rick Poynor argues that an exhaustve new study of the ‘multi-active’ Dutch master Jurriaan Schrofer takes the design monograph to a whole new level of biographical detail

 

While Andy Cowles reviews Francesco Franchi’s timely examination of the future of editorial design, Designing News

 

 

And our Monograph this month documents the extraordinary graffiti-covered Magasins Généraux building in Paris, soon to become the new home of ad agency BETC


The February issue of Creative Review is available to buy direct from us here. Better yet, subscribe to make sure that you never miss out on a copy – you’ll save money, too. Details here.