Forscherkindergarten Apfelbäumchen by Winkens Architekten

Forscherkindergarten Apfelbaumchen by Winkens Architekten

German studio Winkens Architekten have completed a kindergarten in Berlin that has sheltered terraces at each end.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The symmetrical building accommodates a kindergarten on one side and a crèche on the other, both of which are accessed from a central foyer.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The exterior walls of the single-storey building are brickwork, while walls and ceilings surrounding the decked terraces are clad in timber.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

A square hole in the canopy of one terrace will allow a newly planted tree to grow through.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

Door and window frames are painted in bright shades of red and orange.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

Winken Architekten previously designed a copper-clad extension that loops around an existing house – see the story on Dezeen here.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

Photography is by Marcel Klebs and Jirka Arndt.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

Here are some more details from Winkens Architekten:


For a replacement building of a Kindergarden in the Waltersdorfer Street 94, 12526 Berlin.

The evangelistic Churchcomunity Berlin Bohnsdorf-Grünau provided a plot at the corner of Neptun Street to Schulzendorfer Street in Berlin, Germany.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The plots level is even and partly settled with big trees. The border to the Neptun Street is marked by a small hill which is surrounded by trees.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The architectonic concept relies on the base of the educational concept of the Kindergarden “Apfelbäumchen”.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

By considering the Spacial conditions of the small hill and the trees the linear one floor building was set orthogonal to the Neptun Street along the east border of the plot.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The linear building is central opened over a row of secondary rooms. The Entry is followed by a Foyer and a multipurpose room which opens to the garden.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The Kindergarden and the creche work like apartments and each have a entry from the foyer. This strengthens the individuality of the two functions.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The arrangement of the homerooms and the multi purpose room underlines the linearity of the building.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The direct connection to the garden is one of the main focus. The multi purpose room in the center functions as a pedagogical connection of the Kindergarden.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The kindergarden and the creche have both a terrace at the end of the building which opens to the garden and helps to connect the rooms to the outside.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

The facade is made in brick, and the terraces are made of wood. Natural materials are characterizing the appearance. The roof is extensively greened and partially used for solar energy gain. The building is heated with gas.

Forscherkindergarten Apfelbaumchen by Winkens Architekten

Project: New building Kindergarden
Name: Forscherkindergarten Apfelbäumchen
Location: Neptunstraße 10, 12526 Berlin, Germany
Client: Evangelische Kirchengemeinde Bohnsdorf-Grünau
Architect: WINKENS Architekten, Berlin, Germany
Team: Karl-Heinz Winkens, Marcel Klebs

Places:
Under 3 years: 22 childrens
Over 3 years: 23 childrens


See also:

.

Fagerborg Kindergarten
by RRA
Kindergarten Terenten
by Feld72
Leimondo Nursery by
Archivision Hirotani

GFA: 550 sqm
Plot Area: 6500 sqm
Building time: October 2010 – July 2011

House F11 by (se)arch

House F11 by (se)arch

Stuttgart architects (se)arch have completed a house in Germany with an exposed concrete base and cedar shingle-clad upper walls (photographs by Zooey Braun).

House F11 by (se)arch

The sloping landscape steps up around the two lower floors of the three-storey House F11, which is situated outside the city of Aalen.

House F11 by (se)arch

Two sheltered terraces nestle against the house at first floor level and two rooftop courtyards are located on the second floor.

House F11 by (se)arch

Concrete walls are exposed inside the house, while large sliding doors and windows are framed by timber.

House F11 by (se)arch

Timber shingles can more often be found on Dezeen on the exteriors of woodland hideaways – see our earlier stories about a diamond-shaped cabin on legs and three wooden classrooms on stilts.

House F11 by (se)arch

Another recent project photographed by German photographer Zooey Braun is a converted loft in a 1930s primary school – see all our stories about architecture photographed by Zooey Braun here.

House F11 by (se)arch

Here are some more details from (se)arch:


House F11

House F11 lies on a gentle slope in the outskirts of Aalen.

House F11 by (se)arch

Above the entrance floor of reinforced concrete, which cuts into the north-facing slope, rises a wood frame construction volume cladded with cedar shingles.

House F11 by (se)arch

From this volume four volumetric pieces are cut out, each of them forming independent, protected areas – ‘green rooms’.

House F11 by (se)arch

Following this principle, the materiality of the outer part of the shingle facade distinguishes itself from the white interior of the building, where the four volumetric cuts occur.

House F11 by (se)arch

The interior walls and ceilings of the house are painted white, which promotes the feeling of space inside and highlights the interplay between interior and exterior.

House F11 by (se)arch

The ground floor plan is flexibly organized, with a central hall and glass walls dividing the dining, living, eating and playing areas.

House F11 by (se)arch

It is a residential building for low-energy consumption(kfw-40, EnEV 2006), using CO2 neutral heating.

House F11 by (se)arch


See also:

.

NEU 31 by
Superblock
Forest School by
Robert Gaukroger
Feral House Nichoir
by Matali Crasset

Glore Store by Markmus and Neoos Design

Glore Store by Markmus and Neoos Design

Garments hang from the recycled parts of four bicycles inside a sustainable clothing shop in Stuttgart.

Glore Store by Markmus and Neoos Design

German designers Markmus and Neoos Design dismantled the bicycles to construct both stationary and rotating display rails at the store for retailer Glore.

Glore Store by Markmus and Neoos Design

Unused wheels and frames are attached to walls and other furniture around the shop for decoration.

Glore Store by Markmus and Neoos Design

Lampshades are made from recycled cardboard boxes, while storage crates provide drawers.

Glore Store by Markmus and Neoos Design

Other shops on Dezeen that use recycled materials include a kiosk made from over 1000 copies of the New York Times and a shop filled with steel shelves that would normally be used in plumbing, both of which were for skincare brand Aesop – see all the shops here.

Glore Store by Markmus and Neoos Design

Here are some more details from Markmus:


Concept

Glore Store, the first sustainable clothes store in Germany, is committed to help small sustainable brands from all over the globe. From this point, we wanted to make a link with the most sustainable way of transport: bicycles.

Glore Store by Markmus and Neoos Design

Following this eco-philosophy, we also decided to reuse some material and collected old bicycles in local shops (they gently offered them for free), fruit boxes for other pieces of furniture, and recycled cardboard for the lighting.

Glore Store by Markmus and Neoos Design

All the elements in the store are related to bicycles.

  • The jeans area is showed in a 3 turning wheels structure at the entrance.
  • The main storage volume at the entrance is based on the image of asian bikers carrying tons of boxes fastened with a rope.
  • The fitting rooms have been created by a tube of fabric hanging from wheels attached to the ceiling.
  • The main hanging space is a 10 meters bicycle divided in 2… and so on…

Glore Store by Markmus and Neoos Design

The biggest challenge was to build up the lighting. In total 120 cardboard boxes were set in different levels (so we could have a playful and “cubes” sensation from the ceiling). We reused the old grid structure and held the boxes with small pins (nails) by ourselves.

Glore Store by Markmus and Neoos Design

The whole project was designed together with Udo Kloos (Neoos Design in Nürnberg), the designer who already designed the Glore stores in Nürnberg and Munich.

Glore Store by Markmus and Neoos Design

Design: Marcos Aretio & Udo Kloos


See also:

.

Pave by Joan
Sandoval
Tokyo Bike store
by Emulsion
Dri Dri at St Martins Lane
by Elips Design

Yury Ustsinau

Retour sur les travaux et oeuvres de l’illustrateur allemand Yury Ustsinau, basé à Frankfurt. Un univers graphique sombre et très réussi, jouant sur les reliefs ainsi que le noir et blanc. L’ensemble est à découvrir en images sur son portfolio et dans la suite de l’article.



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Just K by Architekten Martenson und Nagel Theissen

Just K by Architekten Martenson und Nagel Theissen

The roof and upper walls of a house in Tübingen, Germany, are covered in rubber, like a fisherman’s hat pulled low over his eyes.

Just K by Architekten Martenson und Nagel Theissen

Designed by German studio Architekten Martenson und Nagel Theissen, the five-storey Just K house has walls that pitch in and out to maintain views from neighbouring houses to a nearby castle.

Just K by Architekten Martenson und Nagel Theissen

The raised seams that line the house are welded together and allow rainwater to naturally drain from the walls.

Just K by Architekten Martenson und Nagel Theissen

As the family grows, the house could be split into two separate residences with entrances on the basement floor and at first floor level, accessed by an outdoor staircase.

Just K by Architekten Martenson und Nagel Theissen

Rooms are warmed and cooled by passive house technology, where hot air is drawn up through the building by a ground-air heat exchanger, and solar panels on the south elevation provide additional electricity.

Just K by Architekten Martenson und Nagel Theissen

An open plan living room with a raised living area platform occupies the ground floor, while two floors of bedrooms and an attic living room are located above.

Just K by Architekten Martenson und Nagel Theissen

Exposed softwood provides the surfaces of walls, floors and ceilings throughout the timber-framed house.

Just K by Architekten Martenson und Nagel Theissen

A recent debate on Dezeen questions whether the use of exposed timber inside houses (particularly in Japan) is a consumptive trend that should not be encouraged just because of its natural appearance – join the debate here.

Just K by Architekten Martenson und Nagel Theissen

This is the second project by Architekten Martenson und Nagel Theissen on Dezeen this month, following a cafe pavilion in a town cemetery edged with both round and pointed arches.

Just K by Architekten Martenson und Nagel Theissen

Photography is by Brigida González.

Just K by Architekten Martenson und Nagel Theissen

Here are some more details from the architects:


Project: Just K

Living space for 2 adults and 4 children in Tübingen

Just K by Architekten Martenson und Nagel Theissen

Site and commission

This 365 square-metre site is located in Tübingen; on a south-facing slope with a view over the city and of Tübingen castle. The 1960s development plan stipulates a specific position for the house on the site as well as “insertion into the surroundings” according to §34 of the Federal Building Code. The client commissioned the design of a family home that would provide passively heated living space for two adults and four children. Use of energy efficient passive house technology, natural application of materials and prudent use of the resources at hand, make the building sustainable. The potential adaptation of the house to the family’s living situation was an important aspect thereof.

Just K by Architekten Martenson und Nagel Theissen

The question is, what is “good” living space? What defines it and what does one really need? These issues guided us in our approach to the layout of the house, which has been efficiently designed to optimally deliver maximum use of space, functionality and flexibility. We strove to create outstanding spatial quality using a minimum of materials. Imaginative overlapping of spatial areas and uses were designed to give the inhabitants a feeling of spaciousness, manifold atmospheres and various realms of possibility—despite minimised living area.

Just K by Architekten Martenson und Nagel Theissen

Envelope

The parameters of a limited-sized site, distance spacing regulations, and ample living space for six people, led the building to grow upwards in tower-like fashion. JustK relates to the surrounding grey 1920s tuff buildings in a contemporary manner through its compact envelope and defined roof volume. The swing of its hipped roof and its multiply-kinked shape derive on the one hand from a desire to create maximum spatial volume with minimum distance spacing, which the 70° angle facilitates in adherence to state building regulations, and on the other hand from a request by the neighbours to keep the view of Tübingen Castle unimpeded—under which conditions they sold the site.

Just K by Architekten Martenson und Nagel Theissen

Roof Cladding

The top and roof level of the house has been clad in a “southwester hat” of roof sheeting to provide protection from wind and weather. Similar to exterior “seams”, the roof sheeting meets to form ridges at the edges, these have been welded together to stand out from the water surface. This interpretation of the ridge seal accentuates the envelope of this membrane-covered warm roof. A drainage edge on the eaves guides away the rainwater that falls on the roof cladding, just like the brim of a hat.

Just K by Architekten Martenson und Nagel Theissen

Prefabrication, Structure, Surface Treatment

The structural physical demands on passive houses, their short construction period as well as sustainability considerations, all culminated in a decision to build this house in solid wood, optimally using the potentials of prefabrication. The whole building consists of 136 elements, which were fabricated with notches for carpentry and joinery as well as with drill holes and grooves for installation of the electrics.

Just K by Architekten Martenson und Nagel Theissen

Wood is the main material to be used consistently throughout the structure and interior surfaces; as a renewable raw material it was chosen not least for its favourable energy balance. To keep costs down, the wooden surfaces in the common rooms have been designed in “refined shell construction.” The industrial surface of these cross-layered wooden elements have been sanded down, bucked and soaped to preserve the light character of the wood.

Just K by Architekten Martenson und Nagel Theissen

Splittable

One can become two. Sustainable and flexible; the house can be split into two living units with separate entrances without much effort should the family situation change to require that. The total area of the house is 138 square-metres; one unit would measure 81 square metres and the other 57. In the warmer months of the year, this living space can be extended by the 12 square-metre balcony and the 23 square-metre forecourt.

Just K by Architekten Martenson und Nagel Theissen

Ground floor Climate Zone

The staggered main living space creates various room heights which zone the ground floor and automatically create different climate zones in winter. Cold outside air remains trapped in the lower entrance area while moderate temperatures prevail in the kitchen-living room and the sitting room higher up is warmest.

Just K by Architekten Martenson und Nagel Theissen

Architects: Björn Martenson, Sonja Nagel and Jan Theissen.
Structural planning: Ingenieurbüro von Fragstein
Energy planning: Dipl.-Ing. Jörg Lammers

Site: 365 m²
Floor space: 138 m² (81m² + 57 m²)
Gross floor area: 278 m²
Cubic content: 583 m³
Energy needs: 14,4 kWh/(m²a)
Building costs: € 330.000,-
Design period: November 2007 to December 2008
Construction period: April 2009 to June 2010 (with discontinuities)

Firms involved:
Cross-Laminated Structural Timber Pabeks/Lenotec: Finnforest Merk GmbH
Synthetic Membrane Roof: Roofing Membrane, synthetic rubber/ Polyisobutylene (PIB)
Composite Thermal Insulation System: Sto AG
Ventilation system: Drexel und Weiss Energieeffiziente Haustechniksysteme Gmbh
Windows – Alu2Holz: Optiwin GmbH
Skylight Windows: Fakro Dachfenster GmbH
Sloped Glass Roofs: RAICO Bautechnik GmbH


See also:

.

Wrap House by
Future Studio
Villa Bussum
by GROUP A
Yachiyo by
Atelier Tekuto

Absalon by Denzer & Poensgen

Absalon by Denzer & Poensgen

The golden ratio determines proportions throughout this raw concrete house in Germany.

Absalon by Denzer & Poensgen

Designed by local architects Denzer & Poensgen, the two-storey house is located in the Roman-built city of Trier.

Absalon by Denzer & Poensgen

The concealed courtyard contains a tree and pond, plus a staircase that leads to a decked first-floor terrace and hot tub.

Absalon by Denzer & Poensgen

A master bedroom on the first floor opens out onto the upper terrace, while two single rooms lead to shared balconies.

Absalon by Denzer & Poensgen

Another building designed according to the golden ratio is Batemans Row, a home and studio in London – see our earlier story.

Absalon by Denzer & Poensgen

Other recent projects on Dezeen featuring exposed concrete are a London ice cream parlour interior and a set of stools made by folding fabric that’s impregnated with cement then drenching it in watersee more concrete projects here.

Absalon by Denzer & Poensgen

See also: more projects in Germany on Dezeen.

Absalon by Denzer & Poensgen

Photography is by Rainer Mader.

Absalon by Denzer & Poensgen

Here are some more details from the architects:


Absalon

The Site:

The building is located in a new developing area, exclusively situated on a hillside, just above the city centre of Trier. The aim of this new developing area is to create examples of good buildings in an attractive landscape which is integrated in its surrounding.

Absalon by Denzer & Poensgen

The Building:

Located in Trier, one of the old German cities founded by the romans, this project connects to the old roman building culture, which is still omnipresent in Trier. The house is divided in three different volumes with an Atrium in its middle.

Absalon by Denzer & Poensgen

Developed in the “grand arts” of “ars magna”, all rooms with the façade and the interior elements are developed in the proportion of the golden ratio.

Absalon by Denzer & Poensgen

The entrance which is pushed in to the volume, underlines the “path” from the outside into the building, and leads the visitor in a different world. A world with paths, courts, passages and outside spaces, linked together with a high variety of natural lighting.

Absalon by Denzer & Poensgen

The inner organisation of the house is divided in two areas, a public and a private part. The public area includes The Kitchen, dining- and living room and opens towards the Atrium. Protected against views from the outside, the atrium works as an expansion to the living room. There is a water basin and a tree in the atrium to create a silent space of peace.  From the atrium leads a staircase to a roof terrace, with a great view over Trier an its surrounding.

Absalon by Denzer & Poensgen

The private part of the building contains the sleeping rooms. Each of them expanded with a little terrace, which protects the sleeping rooms against views from the outside. The house resembles a clearly structured organism, containing streets, courts, passages, and open and enclosed spaces.  The house as an image of a city.

Absalon by Denzer & Poensgen


See also:

.

House 20
by Jolson
House D by
Bevk Perovic
Slit House by
EASTERN Design

Cafe Pavilion Düren by Architekten Martenson und Nagel Theissen

Cafe Pavilion by Architekten Martenson und Nagel Theissen

The roof of a cafe pavilion in a German town cemetery is edged with both round and pointed arches.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Designed by German studio Architekten Martenson und Nagel Theissen, the building contains three separate dining rooms for cemetery visitors and funeral parties.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

A barrel-vaulted ceiling covers one of the rooms, whilst the second has a tented ceiling and the third is mono-pitched overhead.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Dolomite stone was sprinkled into poured concrete to create a terrazzo-like floor inside the cafe.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Mirrored glass surrounds the facade of the timber-framed pavilion, reflecting the surrounding plane trees during the day.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Two other buildings designed to house funerals have been featured on Dezeen this year – see also a crematorium of circular structures surrounded by granite blocks and a funeral home arranged around four courtyards.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Photography is by Brigida González.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Here is some additional text from Architekten Martenson und Nagel Theissen:


Cafe Pavilion, Düren – A Moulded Space

Site and Commission

The town cemetery in the Eastern part of Düren has taken on the role of a public park. Before, there was nowhere for visitors to the cemetery to shelter nor for large or small funeral ceremonies to take place.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

The new cemetery and café pavilion is a space where people can encounter each other when things are out of the ordinary. They can grieve together, exchange memories and look for refuge, which they will find under a multifaceted ceiling landscape.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Diversity in Unity

The architecture of the pavilion unfolds out of a neutral, nondescript, square ground plan. Three closed volumes have been inserted to accommodate the service facilities of the pavilion; they structure the space and divide the ground plan into three areas, without blocking them off from one another. Each of the three areas, which all receive visitors, is characterised by archetypical roof shapes and varying room heights, combining to form one large space.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

The barrel vault, the mono-pitch roof and the tented roof of the visitor areas together form a manifold, continuous ceiling landscape, which offers refuge and connects the visitor areas to form a flowing unified space; it also provides richly diverse views into the surrounding park.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

The landscape profile created by these roof shapes can be read on the façade; it connects the individual exterior elevations of the building with one another.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Structure and Materiality

The simple materials applied, give this pavilion clarity and uniqueness. Dolomite stone from the Alps was sprinkled into the reinforced concrete floor slab while it was being poured to give the floor of the pavilion a lively, terrazzo-like feeling after it was sanded.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

Pre-produced timber elements form the walls and the ceiling landscape, giving the interior spaces a homogenous, monolithic appearance.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

The large roof volume, which covers the pavilion and accommodates the ventilation pipes, has been shaped using a timber framework. The façade of the roof is formed by Kerto panels, which also bear largeformat panes of glass; these are highly reflective to give the mourners the necessary intimacy.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

During the day, the pavilion interlaces with the surrounding greenery, which is extended by its reflection in the glass façade. This effect is reversed at night when the façade becomes transparent and the interior space dominates the appearance of the building.

Cafe Pavilion by Architekten Martenson und Nagel Theissen

The colour scheme of the pavilion is based on the colour of the dignified plane trees, which characterise the cemetery park; this finds expression in silver-glazed timber surfaces, oxidised aluminium windows, and greenish-coloured glazing.


See also:

.

Trail House by
Anne Holtrop
Faculty Club by
Shift architecture
Parking Attendant’s Pavilion
by Jean-Luc Fugier

Elsbethen Site by Trint + Kreuder d.n.a

Elsbethen Site by Trint + Kreuder d.n.a

A veil of metal lace screened by thin concrete piers clads an extension to a baroque theatre and an adjacent commercial block in Germany.

Elsbethen Site by Trint + Kreuder d.n.a

German architects Trint + Kreuder d.n.a designed the extension to Landestheater Schwaben, the commercial building and a medical centre on the Elsbethen Site in the Bavarian town of Memmingen.

Elsbethen Site by Trint + Kreuder d.n.a

A mixture of both steep and shallow gables frame the roofs of each of the three buildings.

Elsbethen Site by Trint + Kreuder d.n.a

The theatre extension provides circulation, workshops, rehearsal areas and administrative facilities for the historic theatre, as well as a restaurant which spills out onto a secluded square.

Elsbethen Site by Trint + Kreuder d.n.a

The commercial block contains offices, cafes and shops.

Elsbethen Site by Trint + Kreuder d.n.a

Beside the health centre, diagonal metal beams cover the glass face of a gable that shelters the entrance to an underground car park.

Elsbethen Site by Trint + Kreuder d.n.a

We also recently featured a town hall in a medieval German villageclick here to here all our stories about projects in Germany.

Elsbethen Site by Trint + Kreuder d.n.a

Photography is by Christian Richters, apart from where otherwise stated.

Elsbethen Site by Trint + Kreuder d.n.a

Here’s some more information from the architects:


Elsbethen Site

Following the recent historical renovation of the market place and wine market in the northern and central part of Memmingen’s historic district, the Elsbethen area has now been restored. Extensive redevelopment of this area in the south of the old town and its characteristic Schrannenplatz will furnish this space with the vibrancy that will once again provide the neighbourhood with the urban impetus it needs.

Elsbethen Site by Trint + Kreuder d.n.a

Urban repairs at Schrannenplatz

The Medieval Schrannenplatz, site of the historic corn exchange, used to be much smaller. It was bounded by the main winterer corn exchange (Winterschranne) and by the summer corn exchange/barley store (Sommerschranne/Gerstenstadl) and the grain store (Haberhaus). Since the demolition of the Winterschranne in the early 1950s all attempts to transform the square into a dynamic urban space have been unsuccessful – the resulting space’s physical dimensions were too vast, its edges too diverse and the area’s functions too unattractive.

Elsbethen Site by Trint + Kreuder d.n.a

The demolition works that saw off the problematic 1960s buildings on the north-eastern edge of the square as well as parts of Lindenstraße helped to define a clear eastern edge to the square, which now forms the counterpart to the historic blue house on the corner of Hirschgasse. The buildings forming the square’s new perimeter acknowledge the scale of the Medieval buildings. The two-storey double facades of the ‘Neue Schranne’ building, with its side-gabled composition of facades and roof elevations, tie in with the scale of their historical surroundings.

Elsbethen Site by Trint + Kreuder d.n.a

Above photo is by Trint + Kreuder d.n.a

Gables facing Lindentorstraße add drama

The gable-shaped rooflines of the new offices and commercial buildings along Lindentorstraße present themselves as a dramatic counterpart to the Medieval forward-facing gables. This is achieved with three different reinterpretations: a representative continuation of the square’s elevation, a steep double gable, and a sculptural metal plaque in the form of the ‘Neue Schmiede’, the new forge, above the entrance to the underground car park.

Elsbethen Site by Trint + Kreuder d.n.a

Elsbethenhof within the urban fabric

The convent of the Order of Saint Augustine to the north of Schrannenplatz was founded in the 13th century. After the convent’s closure in the 16th century, its courtyard became the hub of young life as it served as the Elsbethenschule’s schoolyard. Not until the school’s relocation some 15 years ago did it lose its significance as a characteristic urban space, and was subsequently neglected as a backyard to the surrounding commercial properties. This space, which once sheltered nuns and schoolchildren from the hustle and bustle of everyday life, has once again become a contemplative place for slowing down. A moderate provision of new functions – the theatre restaurant and a health food shop – offers ample reason to visit the courtyard. New access routes to Schrannenplatz and the theatre courtyard ensure its appealing integration into the urban fabric. Here most of all, at the interface of theatre courtyard and Schrannenplatz, the project’s indulgence in ‘luxury’ becomes evident. It is the luxury of building the kinds of streets and squares that have evolved from picturesque Medieval roots and which are no longer a feature of modern urban planning.

Elsbethen Site by Trint + Kreuder d.n.a

Commercial buildings on Schrannenplatz

The ‘Neue Schranne‘ building has the difficult task of restoring character to Schrannenplatz after the disappearance of the historical grain stores as well as a number of recent architectural impositions. This has been achieved by subtle means; to begin with it allows the square much more space than ever before, and then contains it in the right place by restricting the width of Lindentorstraße. Additionally, the ‘gable’ of the roof restaurant provides an important accent in the square. It helps to centre the space for the first time when seen from the south and from the Frauenkirche.

Elsbethen Site by Trint + Kreuder d.n.a

The ‘Neue Schranne’ facade – a modern composition of traditional architectural elements, contemporary rhythm and vernacular visual quality

Elsbethen Site by Trint + Kreuder d.n.a

The underlying concept for the facades is based on the traditional double facades with side-gabled elevations found in Medieval dwellings whose elevations consist of facade and roof in equal parts. This double aspect leads to a composition of facades which alternates between muted stucco areas, large shop windows and areas that are structured by means of vertical concrete stelae, arranged in an abstract rhythm.

Elsbethen Site by Trint + Kreuder d.n.a

Traditional and vegetal origins of metallic ornamentation

The ‘Neue Schranne‘ sees itself as standing in the tradition of corn exchanges, those historic warehouses and markets where various grains were stored and traded. On the other hand, it must cater for a wide mix of new uses, including a large fashion store, a bakery, a health food shop as well as many doctors’ surgeries and therapy clinics in the medical centre under the large glazed roof of the atrium. The linking element between these uses lies in their vegetal origins; be it the yarn in textiles, or grain as the basic ingredient of organic products, medicines and a range of therapies.

Elsbethen Site by Trint + Kreuder d.n.a

Above photo is by Trint + Kreuder d.n.a

The aim was to provide the building behind the protective concrete stelae with a visual identity that addresses both past and present uses, and which offers an experience from both within and outside the building. The result is a laser-cut image based on a traditional etched lace pattern, which has been developed to suit the technical requirements of sheet metalwork. Its filigree inner pattern evokes the arrangement of cereal grains within an ear. The traditional importance of the Schrannenplatz as the venue for the annual ‘Fischertag‘ festival is also incorporated in the pattern of the perforated metal in the form of repeated images of trout and ‘the area’s traditional semi-circular fishing nets.

Elsbethen Site by Trint + Kreuder d.n.a

Commercial buildings along Lindentorstraße

The smaller commercial building and medical centre on Lindentorstraße is duplicated. Thanks to its twinned form, the design twice mirrors the classical Memminger Stadthaus and the irregular fenestration of its punctuated facade; it is equally a reflection of itself and its surroundings. Residential units are incorporated in and between the steep gables, offering spectacular views over the roofscape of Memmingen’s south. The ‘Neue Schmiede’ has a special position; following the exact outline of the previous building’s gable it hovers above the access to the underground car park. Between Lindentorstraße and the theatre courtyard its modest size allows it to shine in an expressive plasticity with a pristine, unhistoric aluminium skin.

Elsbethen Site by Trint + Kreuder d.n.a

Above photo is by Trint + Kreuder d.n.a

Landestheater Schwaben

Extension of Landestheater Schwaben Solitaire theatre space in the Zehntstadel
The distinctive eaves cornice and half-hipped roof of the Baroque theatre within the walls of the former Zehntstadel (tithe barn), which was also used as an armoury, was originally erected as a freestanding building in the former cloister garden. For this reason, the extension maintains a respectable distance from its southern facade, which has endured neglect and alterations since the 19th century. The design allows the historical facade and its slightly undulating stucco area to be viewed by theatregoers from the three levels of the 1970s foyer.

Elsbethen Site by Trint + Kreuder d.n.a

Stage access route as a linking element

The space thus created by the design serves as a glass covered stage access route which offers views into the theatre workshops. This transforms the production conditions at the Landestheater which, as a touring theatre, stages plays in other theatres, and especially within the region, into a focal point for visitors. This striking space will be the centre of activity during a variety of theatre events.

Elsbethen Site by Trint + Kreuder d.n.a

Extension of the Landestheater Schwaben uses the right scale of urban components
The new building volumes of the theatre extension begin beyond the lofty and airy stage access route. In accordance with spatial requirements the building volumes are graduated and form a gently rising roofscape in a scale appropriate to the context of Elsbethenhof and the corner of Schwesternstraße.

Elsbethen Site by Trint + Kreuder d.n.a

Theatre of short distances

In order to create the best possible working conditions for the production and admin staff, we chose a compact organisation of short distances within and between each department. Therefore, almost all the workshops are connected to the assembly shop and are directly linked to the stage areas, rehearsal rooms and stores. The rehearsal space, stage, workshops and foyer are all easily accessible from the admin offices.

Elsbethen Site by Trint + Kreuder d.n.a

Glass theatre workshops

The interpretation of the directorship’s wish for ‘transparent workshops’ was rigorously applied. Hence, the workshops’ extensive glazing opens onto the proposed theatre courtyard, and is equally generous with regard to the stage access route, thereby allowing views from the stage access route into the theatre courtyard.

Elsbethen Site by Trint + Kreuder d.n.a
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Studio theatre provides foyer with new building component

The studio theatre is connected to the existing foyer at the height of the upper circle, its attractive extension offering views onto Elsbethenhof. Step-free access to the foyer is improved by the addition of a lift at the interface between existing foyer and extension, which links all levels of the foyer.

Elsbethen Site by Trint + Kreuder d.n.a
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Rehearsal complex is extension’s centrepiece

The rehearsal area is arranged around an extensive circulation area (rehearsals access route) at the same level as the studio theatre. This area has direct links to all areas of the theatre, its workshops, store, stages, administration, foyer and the new guest apartments.

Elsbethen Site by Trint + Kreuder d.n.a
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Theatre restaurant links foyer, cloister and Elsbethenhof

The theatre restaurant has been located at the junction where the convent’s historical cloister turns to the south. It allows glimpses into the cloister and is directly connected to the foyer.

Elsbethen Site by Trint + Kreuder d.n.a
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Concrete core with slurry-pointed external skin

The extension was designed as a robust and functional fairfaced concrete structure. The concrete is complemented by fumed oak, but only in primary areas. Adjacent to the new buildings on Schrannenplatz and the Baroque theatre, the extension of the Landestheater appears both elegant and unassuming. Its elevations are serene and make clear reference to the slurry-pointed brick facade of the adjacent and recently restored cloister fragment. With a somewhat theatrical gesture, the Landestheater rises up to Elsbethenhof and towards Schwesternstraße, and with its stone steps to the guest apartments it turns into an almost picturesque space in the passage to Gerberplatz.

Elsbethen Site by Trint + Kreuder d.n.a
Click above for larger image

Elsbethen Site by Trint + Kreuder d.n.a
Click above for larger image

Elsbethen Site by Trint + Kreuder d.n.a
Click above for larger image


See also:

.

Townhall Schefflenz
by Glück+Partner
Riverside Museum by
Zaha Hadid Architects
Hunsett Mill
by Acme

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

Following our story about Shigeru Ban’s apartments secured by rolling metal shutters, here’s a concrete house near Stuttgart that can be sealed with sliding screens.

House KW by Käß Hauschildt Architects

Located in the Esslingen district, the three-storey House KW by German architects Käß Hauschildt is nestled against a sloping meadow overlooking an orchard.

House KW by Käß Hauschildt Architects

A concrete staircase connects multipurpose ground floor rooms with first floor living areas and second floor bedrooms.

House KW by Käß Hauschildt Architects

Concrete ceilings are exposed throughout the house.

House KW by Käß Hauschildt Architects

See also: our earlier story about a house that becomes a fortress by night.

House KW by Käß Hauschildt Architects

Photography is by Antje Quiram.

House KW by Käß Hauschildt Architects

Here’s some more information from the architects:


Home for a family of 4, the house is located on the outskirts of the development area “Mittlere Rosselen” in Esslingen near Stuttgart, Germany.

House KW by Käß Hauschildt Architects

Sloping down in east-west orientation, the hillside property is merging into the surrounding meadow orchards with their old trees.

House KW by Käß Hauschildt Architects

Being three-storey facing the residential road, the building is two-storey only on the garden side.

House KW by Käß Hauschildt Architects

The house is entered on ground floor level.

House KW by Käß Hauschildt Architects

Stairs lead from the entrance hall to the living area on the first floor where kitchen, living and dining room are arranged as a round trip around the central staircase.

House KW by Käß Hauschildt Architects

The large windows offer superb views over the surrounding meadows and allow nature into the rooms.

House KW by Käß Hauschildt Architects

The second floor accommodates bedroom, children’s rooms and bathroom.

House KW by Käß Hauschildt Architects

Despite the compact floor plan, vista across the complete building length create a generous impression of the rooms.

House KW by Käß Hauschildt Architects

Building construction has been implemented using a minimum of trades and materials.

House KW by Käß Hauschildt Architects

On the outside the building shows a rough concrete skin with precisely cut in openings.

House KW by Käß Hauschildt Architects

As such a self-supporting facade it is, in comparison to alternative materials, particularly sturdy and timeless.

House KW by Käß Hauschildt Architects

The interior is defined by white plaster block walls and exposed concrete ceilings and stairs.

House KW by Käß Hauschildt Architects

Doors, build-in furniture and kitchen are white and blend in unobtrusively with the rooms.

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects

House KW by Käß Hauschildt Architects


See also:

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Safe House by Robert
Konieczny
House in Kohgo by
Yutaka Yoshida
Hiedaira House by
Thomas Daniell

Townhall Schefflenz by Glück+Partner

Townhall Schefflenz by Glück+Partner

Both weddings and council assemblies take place beneath the double gabled-roof of this hall at the medieval centre of a German village (photography by Roland Halbe).

Townhall Schefflenz by Glück+Partner

Designed by architects Glück+Partner, the three-storey Townhall Schefflenz is clad in grey fibre-cement on both the roof and walls.

Townhall Schefflenz by Glück+Partner

The multipurpose hall that occupies the second floor can be partitioned to divide the wedding chamber from the council hall, or opened out to accommodate town assemblies.

Townhall Schefflenz by Glück+Partner

Individual offices on the ground and first floors surround central lobbies.

Townhall Schefflenz by Glück+Partner

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The building replaces a demolished 1960s structure on the site, between a church and a market square.

Townhall Schefflenz by Glück+Partner

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Photographer Roland Halbe has photographed several buildings recently featured on Dezeen, including a hotel with an extreme cantileversee all our projects featuring Roland Halbe’s photography here.

Townhall Schefflenz by Glück+Partner

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Other buildings from the Dezeen archive clad in fibre cement include a house in the Dominican Republic based on Euclidean geometry and another in Bavaria enveloped by corrugated panels.

Townhall Schefflenz by Glück+Partner

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More information is provided by the architects:


New Townhall Schefflenz Germany

The central part of Schefflenz (Mittelschefflenz) where the new townhall is located, is a densely built scattered village (Haufendorf) of medieval origin. A historically grown set of irregular houses with steep gabled roofs characterizes the appearance of the township of Schefflenz.

Townhall Schefflenz by Glück+Partner

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The new townhall in the center of Schefflenz replaces a 1960s building. It brings together administrative functions in one large building that had been previously spread over three different smaller buildings.

Townhall Schefflenz by Glück+Partner

In order to integrate the large town hall structure into a neighbourhood made up of smaller buildings, the architects selected a building type with two narrow gables (instead of one big gable.) The new town hall is located right next to the protestant church on one side and the historic market square on the other. As a result of the arrangement of the streets – they form an oblique angle – the building takes up a slightly rhomboid-shaped area. Through its specific shape, the new building blends in well with the surrounding historic houses while at the same time it meets all the requirements of a modern office building. The uniformity of the material for both the roof and the façade gives the building a monolithic character; it attributes the traditional form an almost abstract quality. The town hall façade with its staggered windows and golden shining window frames invoke the punctuated façades of many of the surrounding houses.

Townhall Schefflenz by Glück+Partner

The ground floor is made up of double-loaded rooms, the most important feature being a spacious central hall. The gallery on the first floor runs around the open-space. It’s design is that of a classical atrium with surrounding galleries and offices. The attic floor combines the availability of a large space – the citizens’s assembly hall (Bürgerssal) stretches across the whole floor – with the unique experience of the double gable interior. The assembly hall can be subdivided into two spaces: the council hall (Ratssaal) and a wedding chamber (Trauzimmer).

Townhall Schefflenz by Glück+Partner

In terms of its structure, the Schefflenz town hall brings together reinforced concrete components on the inside with a highly insulated wooden frame construction and premounted elements on the exterior. As a result of its design and the materials used, the Schefflenz town hall is a “green building”: it is an efficient as well as a resource-efficient construction that will help to conserve fossil energy sources.

Townhall Schefflenz by Glück+Partner

This goal is achieved for once by the compact design of the town hall and the use of geothermal energy. Other contributing factors include the thermal activation of building units for heating and cooling, a monitored ventilation system, and a heating system with heat recovery.


See also:

.

Arribe Ataio townhall
by Vaumm
Tallinn City Hall
by BIG
Lalìn Townhall by
Mansilla+Tuñón