Airbnb removes “knockoff” Navy Chairs from new headquarters

News: online home rental brand Airbnb is to replace a set of aluminium chairs at its new San Francisco headquarters after Emeco, the company that makes the original Navy Chair, pointed out that they were fakes.

Emeco chair
Original Emeco Navy Chair

Airbnb announced today that it will replace eight chairs after Emeco contacted Dezeen to point out that the chairs were imitations of its patented design.

“With our new office, we have worked hard to create a home for our employees that reflects our company’s culture, values, and brand – including design,” said Airbnb in a statement to Dezeen. “Now that it has been brought to our attention, in this instance we will replace the eight chairs with originals.”

Emeco director of communications Martin Olsson-Prescott emailed Dezeen last week to complain about the fake chairs following our publication of the Airbnb offices, which were designed in-house by the company in homage to rental properties around the world.

Emeco chair
Original Emeco Navy Chair

“Unfortunately, we are obliged to make you aware of a knockoff product featured in that piece,” Olsson-Prescott. “Seeing a knockoff chair in a Dezeen featured cool space like the Airbnb office would help validate the false form of a knock-off. And the few people who notice might question both Airbnb’s designer and Dezeen’s selectivity.”

The Navy Chair, originally designed in 1944 for use on US Navy submarines, is one of the most widely copied designs of the last century and Emeco has been active in the courts to protect its intellectual property. Last year Emeco settled a lawsuit against American company Restoration Hardware, which was producing £50 copies of the £300 chair.

“We put a lot of efforts and investment into fighting knock-offs,” said Olsson-Prescott, who told Dezeen readers what to look out for when searching for an original Navy Chair.

“There are many small details that distinguish a genuine Emeco Navy chair from a knockoff,” he said. “In this case the biggest giveaway is the shape of the back, which is very rounded. And the spacing between the three bars in the back.”

Emeco’s Navy Chairs are created from recycled aluminium using a 77-step process and are guaranteed for 150 years.

In a video interview with Dezeen last year, Emeco CEO Gregg Buchbinder said his company was working with leading designers to create ever-more sophisticated products in order to deter copying. “The more difficult it is, the more difficult it is for people to knock it off,” Buchbinder said.

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2013 was “a year of seminal women designers” says Design Miami director

Dezeen and MINI World Tour: in our next movie from Miami, show director Marianne Goebl discusses the trends that emerged from Design Miami 2013, including a renewed focus on female designers such as Charlotte Perriand and Maria Pergay. 

Mairanne Goebl, Design Miami director
Marianne Goebl, Design Miami director

Design Miami 2013, which took place in Miami from 4 to 8 December alongside the Art Basel Miami Beach art fair, featured a large number of vintage furniture pieces by iconic 20th-century designers.

“Design Miami’s intention is to offer a journey through design history,” Goebl explains in the movie. “At the same time we present a strong pillar of contemporary experimental work.”

8x8 Demountable House by Jean Prouve, presented by Galerie Patrick Seguin at Design Miami 2013
8×8 Démountable House by Jean Prouvé, presented by Galerie Patrick Seguin

One of the standout pieces on show this year was a one-room prefabricated house designed by French modernist architect Jean Prouvé, which was on sale for $2.5 million.

“For the first time we have a full-scale architectural structure [at the show], which Jean Prouvé designed in 1945,” Goebl explains.

Charlotte Perriand interior presented by Galerie Downtown at Design Miami 2013
Charlotte Perriand interior presented by Galerie Downtown

Prouvé was well-represented throughout the show, but so was the late architect’s frequent collaborator Charlotte Perriand.

“It’s also a year of seminal women designers,” says Goebl. “We have a solo show on Charlotte Perriand, where you can discover an interior that she designed in Paris for the Borot family.”

She continues: “We also have an interior dedicated to Maria Pergay’s furniture made from stainless steel from the 1970s.”

Maria Pergay interior, presented by Demisch Danant at Design Miami 2013
Maria Pergay interior, presented by Demisch Danant

Other pieces of vintage furniture included Soviet art deco furniture presented by Moscow’s Heritage International Art Gallery.

“For the first time an exhibitor from Russia is showing some kind of propaganda furniture that was designed in the 1930s to 1950s,” Goebl explains.

Soviet art deco furniture, presented by Heritage International Art Gallery at Design Miami 2013
Soviet art deco furniture, presented by Heritage International Art Gallery

Goebl then goes on to discuss the work of contemporary designers on show, claiming that there is a growing trend towards merging digital and analogue experiences.

Grandfather and Grandmother Clocks by Maarten Baas, presented by Carpenters Workshop Gallery at Design Miami 2013
Grandfather and Grandmother Clocks by Maarten Baas, presented by Carpenters Workshop Gallery

“There’s a field that is not categorised yet,” she says. “For example, Maarten Baas‘ Grandfather and Grandmother clocks, or the Clock Clocks by Human Since 1982.”

Clock Clock by Human Since 1982 at Design Miami 2013
Clock Clock by Human Since 1982

Goebl claims that the collectible design market has now fully recovered after a few rocky years during the recent financial crash.

“The market had been affected by the crisis in 2008 and 2009,” she says. “But since 2010 we’ve really registered a continued, healthy growth.”

Design Miami 2013 pavilion by Formlessfinder
Design Miami 2013 pavilion by Formlessfinder

We drove around Miami in our MINI Cooper S Paceman. The music in the movie is a track called Jewels by Zequals. You can listen to the full track on Dezeen Music Project.

Our MINI Paceman in Miami
Our MINI Paceman in Miami

 

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designers” says Design Miami director
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Richard Hutten designs combined conference and ping pong table

Dutch designer Richard Hutten has created a conference table that can easily be converted for a game of ping pong.

Combined conference and ping pong table by Richard Hutten for Lande

The Ping Table by Richard Hutten for furniture brand Lande features a drawer in each end to contain the two white bats, balls and a detachable net that clamps onto the edges of the table top.

Combined conference and ping pong table by Richard Hutten for Lande

“In the morning you can work on it solitarily, then use if for lunch with your colleagues, or have a meeting of up to ten people, followed by a game of table tennis,” said Hutten.

Combined conference and ping pong table by Richard Hutten for Lande

“Our work is a big part of our lives and a part of who we are,” he continued. “Due to the digitalisation of society, we are always ‘on’, so it is important to take a break and have fun. Design is traditionally about solving problems. I don’t solve problems, I create possibilities.”

Combined conference and ping pong table by Richard Hutten for Lande

He explained that the product is good for body and mind because it encourages play and activity during the day. “A game of table tennis clears the mind, which eventually leads to increased productivity,” he said.

Combined conference and ping pong table by Richard Hutten for Lande

The table is made of beech and features a walnut inlay to mark out the field for table tennis, but also divides the surface into four workspaces.

Combined conference and ping pong table by Richard Hutten for Lande

The pared-back design is meant to make it suitable for residential or industrial environments. It’s made by craftsmen in the Netherlands and measures 240 by 120 centimetres.

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conference and ping pong table
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Piet Hein Eek uses offcuts from his scrap wood furniture to make Waste Waste 40×40

Dutch designer Piet Hein Eek has created a collection of furniture made by meticulously gluing together tiny squares of wood, which are cut from the waste material of his famous scrap wood furniture.

Waste Waste 40 40 by Piet Hein Eek

Piet Hein Eek made his name in the 1990s for his Waste furniture assembled by stacking up pieces of scrap material that would otherwise be discarded, and the new Waste Waste 40×40 collection takes the process a step further.

“It’s made of the leftovers from the leftovers,” he told Dezeen when we visited his studio and workshop complex in a former Eindhoven ceramics factory during Dutch Design Week.

Small pieces of timber that can’t be used in the Waste series are cut down into identical squares of 40 by 40 millimetres. These are then glued together to cover the surface of chairs, tables and benches.

Waste Waste 40 40 by Piet Hein Eek

“We all of a sudden have a size which determines the design,” explained the designer. “Everything is determined by this 40 by 40 size, so the thickness of the surface is either 40 or 80 and the leg can be either 40, 80 or 120 in width.”

Waste Waste 40 40 by Piet Hein Eek

“A round table can’t be round any more and it ends up looking a lot like pixels,” he added. The pieces are made from a mixture of timbers and retain traces of different lacquers and paints on the surface, meaning no two pieces are ever identical. Each object will be numbered consecutively.

Piet Hein Eek began making the Waste furniture as a result of his frustration at having to throw away material because it was too expensive to use it for anything – not because the material itself was worthless but because the cost of labour should make the extra effort required to work with differently shaped and sized scraps of material uneconomical.

Waste Waste 40 40 by Piet Hein Eek

He decided to use the material anyway, pretending for a moment that labour was free and materials were worth their weight in gold, and found to his surprise that the products were commercially viable because customers were willing to pay for the extra effort involved.

Waste Waste 40 40 by Piet Hein Eek

“As opposed to almost any other product, the waste products are made with the patience of a saint, quite a feat considering this is an age in which time is a rare commodity for pretty much everyone,” he reflected.

Waste Waste 40 40 by Piet Hein Eek

The original Waste series is made by gluing up scraps of wood in layers, carefully aligning all the irregular pieces and trimming them individually to fit where needed.

Waste Waste 40 40 by Piet Hein Eek

This process leaves behind waste material in smaller quantities and even more awkward shapes that are more difficult to use, though, so Piet Hein Eek reduced the labour required to convert them into the new collection by imposing the fixed shape and size of the squares and using them only as a skin rather than stacking them up to make a structure.

Waste Waste 40 40 by Piet Hein Eek

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