The Meyer Collection by Pluri Ideas
Posted in: pluri ideasCollezione disegnata dallo studio Brasiliano Pluri Ideas ricavata usando fibre naturali sostenibili.
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Collezione disegnata dallo studio Brasiliano Pluri Ideas ricavata usando fibre naturali sostenibili.
{Via}
Stockholm 2011: designer Mia Gammelgaard of Copenhagen showed this wooden chair with leg warmers for Swedish firm Blå Station at Stockholm Furniture Fair last week.
Alongside the Hippo chair Gammelgaard launched a matching three-legged table named Potamus.
Blå Station ran a competition to design leg warmers for the chair, voted for by visitors to their stand at the fair.
Linnéa Regnlund’s winning leg-warmer design is shown in the image above.
Stockholm Furniture Fair took place 8-12 February. See all our coverage of the event »
Here’s some more information from Blå Station:
Hippo & Potamus
Design: Mia Gammelgaard 2O1O A new friend in wood. Rounded lines that are friendly and welcoming, Hippo, is a wooden chair that takes the distinctive lines of a traditional Swedish stick-back chair and adds a generous helping of light- hearted modernity.
Hippo balances between the graceful poise of a ballerina and the strength and stability of a hippopotamus.
It was first shown at the Danish Cabinetmakers’ Autumn Exhibition, “White-Out” in Copenhagen on 29 October 2010.
The table Potamus, is presented for the first time at Stockholm Furniture Fair 2011.
The table is the perfect partner for Hippo chair and can be used in, for example, cafés or restaurant settings.
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Sealed Chair by François Dumas | Österlen by Inga Sempé for Gärsnäs | All our stories on Stockholm Furniture Fair 2011 |
Stockholm 2011: designer Thomas Bernstrand of Sweden presented this skewed stackable shelving unit at Stockholm Furniture Fair last week.
Called Ivy, the design for Swedish brand Swedese is made up of separate shelves with grooves in the top and bottom of each support.
These mean each layer can either be stacked straight or leaning to one side.
Stockholm Furniture Fair took place 8-12 February. See all our coverage of the event »
Here’s some information from Swedese:
Ivy is a stackable shelf system. The shelf’s can be stacked in three different ways, straight up, left or right. Stacked to the left it will lean left, stacked to the right it will lean right. When alternated it will level out. Ivy is made of clear-varnished pinewood or painted ash in white or black.
Ivy – shelf to build to the height you wish, and in the shape you wish.
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X-System by Alexander Lotersztain | Floors by Big-Game | Tron chair by Dror |
Actor-turned-woodworker repurposes New York City structures as classic furniture
by John Ortved
At just over 350 years old, New York’s identity—as both a relatively young city globally and as one of the oldest U.S. cities—makes the quest to possess a slice of its past rival even that for the hot new thing. Enter furniture designer
Jesse Hooker. The former actor builds custom tables, mirrors and seating using reclaimed wood from those structures—the Central Park Stables, for example—that helped define one of the greatest modern metropolises.
Hooker, the son of a potter and a painter, grew up in Wisconsin and has been woodworking since he was 12, restoring wooden boats from the WWII era. When the now 30-year-old moved to New York in 2005 to act, he took odd woodworking jobs, like building gyrotonic exercise equipment, or “Hippie Bowflex torture machines” as he calls them.
After a friend saw a trestle table Hooker had built for himself and payed $1,500 for Hooker to build him his own, Hooker started taking commissions in 2008. Others saw the friend’s table and wanted their own; his dining room tables caught on similarly. Built from the remnants of a Queens bowling alley, Hooker constructs their frames from simple angled iron welded together (with exceptional attention to detail), which he then hand paints.
“It always starts with the materials,” says Hooker, surrounded by ancient wood in his studio. “Someone will ask for a commission and I’ll go to salvage and start working around whatever I pick out.”
Hooker’s craftsmanship is immaculately simple, yet having a piece of his furniture isn’t just an aesthetic experience, it’s a connection to a bygone New York City’s older aspects of manufacturing and design. “I like the history of the materials,” he continues. “Those beams over there, some guys with handsaws and nails used them to erect a building, and then years later it’s all torn down to make room for steel and glass condos. But you can have a piece of that history. You can have some of that workmanship.”