Front designs Tetris storage system made of stacking blocks
Posted in: Product news, slideshows, Stockholm 2014Stockholm 2014: Swedish design studio Front has launched a modular storage system called Tetris that’s made up of stacked blocks (+ slideshow).
The product is named after the puzzle video game where the aim is to rotate and shift falling blocks of different shapes and sizes so they slot together.
Front‘s system for Swedish brand Horreds can be layered in different configurations to allow the user to create their own piece of furniture.
The modules are available in two different sizes, one square and one rectangular, of varying depths. They can be wall-mounted or piled on top of each other in any quantity and orientation to form furniture or room dividers.
By leaving the block as an open box it becomes a bookcase, glass doors create a display cabinet or solid doors create a cupboard.
“Everything from large, convenient devices for the office to small and fun furniture for your home can be created,” said Front. “You just have to mix and build!”
The customer can choose materials such as wood, felt, copper, leather, brass and steel. Each block can be a different material and colour or the whole can be coordinated.
Details such as steel legs and leather handles can be added to further personalise the design.
Tetris was launched during Stockholm Design Week, which took place last week. Front also presented spherical glass lamps that appear to be steamed up.
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made of stacking blocks appeared first on Dezeen.
Eli I benches
Posted in: UncategorizedChris Martin’s sofa system for Massproductions zigzags around corners
Posted in: design movies, Massproductions, other movies, Stockholm 2014Stockholm 2014: this movie by Swedish brand Massproductions shows how designer Chris Martin’s modular sofa system can be arranged to fit any room.
The Anyway Sofa System by Chris Martin features elements with concave and convex bends of both 30 and 90 degrees, creating flexible arrangements that can fit into awkward spaces.
“I saw a need for a sofa that closely related to the space it found itself in,” said Martin. “The Anyway Sofa complements interior spaces, almost to the point where it becomes part of the architecture.”
The upholstered seating can be ordered with a high or low back and modules include the option to add armrests on either end.
Legs are available in a range of wood and metal finishes. Massproductions exhibited the seating at this year’s Stockholm Furniture Fair, which took place last week.
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zigzags around corners appeared first on Dezeen.
De La Espada launches new collection with a chair by Luca Nichetto
Posted in: Product news, Stockholm 2014Stockholm 2014: Italian designer Luca Nichetto and Portuguese furniture brand De La Espada have launched a lounge chair as the first product from a new collection.
The Elysia chair is the debut piece from Luca Nichetto‘s 50/50 range for De La Espada.
The frame of the chair consists of two parallel wooden legs that are joined by a wooden crib-like structure. This crib holds the padded upholstery and meets in two triangular points at the arms.
“The skeleton, traditionally hidden inside the upholstery, is deliberately exposed to showcase the craftsmanship and premium timber,” said Nichetto.
The Danish-oiled frame is made of either American black walnut or European ash and the upholstery is available in a range of fabrics, covering the harder outer shell and soft padded cushions inside.
“The project takes its name both from the concept of balancing skilfully hand-crafted wood with complementary materials at a ratio of 50/50,” said Nichetto. “From the idea of designing a collection that creates a whole environment in the spirit of the great architects of the 1950s.
The collection was launched during Stockholm Design Week, which took place last week.
Nichetto also revealed ceiling-mounted office dividers for Offecct and a lamp shaped like a cheese fondue pot at this year’s Stockholm Furniture Fair and Northern Light Fair.
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with a chair by Luca Nichetto appeared first on Dezeen.
Illusion Collection Nightstand
Posted in: UncategorizedLink About It: This Week’s Picks : A Ken Burns iPad app, touchscreen subway maps, swapping sexism and more in our weekly look at the web
Posted in: link about it, subcultures
1. The Office Meets International Development The mockumentary genre continues to be a major force in both TV and movies around the world, and now Kenya is getting its first comedy-doc series, tacking issues that are both local and international. As one of…
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St Barth Collection Bar
Posted in: UncategorizedWave-shaped clothes rails keep items evenly spaced
Posted in: Erik Olovsson, Kyuhyung Cho, slideshows, Stockholm 2014Stockholm 2014: young designers Erik Olovsson and Kyuhyung Cho have designed a series of clothing racks that resemble the regular shape of a wave (+ slideshow).
The SINE collection by Erik Olovsson and Kyuhyung Cho is named after a sine wave – a mathematical term used to describe a wave with a perfectly even oscillation.
The wave-shaped rails are intended to space out hanging items evenly.
The range also includes a range of hangers for clothes, belts and scarves, as well as a little hanging bowl for jewellery and other accessories.
Each rack base is made of marble while the rails themselves are made of powder-coated aluminium. The hangers are made of steel.
“Our focus was to explore different senses of form and object, loose and tight, bold and thin, heavy and light to find our own contrast and balance,” said the designers.
“As a result of that, SINE has harmonious contrasts – soft and straight lines, light aluminium and heavy stone, openness and closeness,” they added.
Made in a range of blue, black, green and white, the racks and hangers were exhibited at the Greenhouse showcase of young talents as part of Stockholm Furniture Fair.
Dezeen has featured previous work by Stockholm-based designer Kyuhyung Cho, such as his Poke Hanger, Poke Stool for British brand Innermost and tables and chairs that clip together to form shelves.
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keep items evenly spaced appeared first on Dezeen.
Konstantin Grcic designs glass furniture with moving parts for Galerie Kreo show
Posted in: Galerie Kreo, slideshowsDesigner Konstantin Grcic has produced a collection of furniture that combines industrial sheet glass with pistons, hinges and cranks for his latest exhibition at Galerie Kreo in Paris (+ slideshow).
Grcic collaborated with a traditional glass workshop in Frankfurt, Germany, to produce the collection comprising a chair, tables, chests, shelving and a vertical cabinet from the same float glass commonly used in architectural projects.
“Glass is not an obvious material for making furniture but it is a very intriguing material,” Grcic told Dezeen. “It is an industrial material, which is an aspect that I like about it.”
The transparency of the glass contrasts with fittings made from the black silicone typically used to minimise damage to glass surfaces, and the furniture also employs industrial gas pistons to introduce movement and an element of interactivity.
“These gas pistons – which are another industrially pre-fabricated product – create movement in a very magical, soft way,” said Grcic. “I think it adds another quality to the furniture that makes it more human.”
In the example of the chair, the pistons are linked to a lever that can be used to alter the position of the backrest, while round tables incorporate a piston that makes it easy to fold the top down.
A large table has four telescopic pistons attached to a crank that adjusts the height of the surface, simple boxes feature lids that close smoothly without any danger of breakage, and a book shelf incorporates wooden blocks that can be slid sideways like sprung bookends.
“Because the gas piston makes the movement so precise and controlled, it gives a lot of confidence,” Grcic pointed out. “These pistons are industrial products but each one is customised, so we specify exactly what it is used for. It is very beautiful – almost scientific – how they accurately adjust the piston to just be what we need, with a very soft, almost automatic movement.”
Grcic said he believes that there is a stigma that affects people’s relationship with glass furniture: “As well as the perception that glass is cold, there is a psychological belief that maybe it is fragile and could break and hurt you. [With these pieces] I am forcing you to interact, to touch it and interact with it and to overcome this psychological barrier.”
The exhibition’s title, Man Machine, is borrowed from an album by German electronic band Kraftwerk, and Grcic claimed it was chosen to represent the meeting of “the human heart and the machine, the mechanical precision, the cogs, the cold industrial aesthetic with something that is softer, more poetic, more emotional.”
The designer, who is renowned for his industrially manufactured products for brands including Vitra, Magis and Emeco, said that projects such as this one and a previous collection of painted aluminium furniture he designed for Galerie Kreo offer an opportunity to experiment with ideas that might eventually filter into his commercial work.
“I think in design it is not necessary that we push these boundaries all the time but sometimes it is really good and the gallery provides the freedom to experiment and to try things,” the designer claimed.
“My work for galleries is very much informed by my thinking as an industrial designer,” he added. “The gallery is a laboratory for ideas that I would eventually love to see being developed on an industrial scale. Only by creating them do you understand their potential, how they work and how they could be developed further on an industrial scale.”
The exhibition continues until 17 May 2014.
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with moving parts for Galerie Kreo show appeared first on Dezeen.