Anya Sebton designs flexible storage system for Lammhults

Stockholm 2014: Swedish designer Anya Sebton has created a storage system that doubles as display units for magazines and plants.

Anya Sebton designs flexible storage system for Lammhults

The basis of the Add storage system, which Sebton designed for Swedish furniture brand Lammhults, is a thin rectangular steel frame.

Anya Sebton designs flexible storage system for Lammhults

Additions such as plastic boxes can be slotted inside the frames to store and display different items.

Anya Sebton designs flexible storage system for Lammhults

Sebton said that she aimed to design “one frame that could include different functions and still be a part of the decoration in the room.”

Anya Sebton designs flexible storage system for Lammhults

Plastic boxes have been designed specifically to display plants and perforated iron boxes were created to hold magazines, books or brochures. Closed iron boxes can also be added for hiding contents away.

Anya Sebton designs flexible storage system for Lammhults

By fixing on an aluminium rail and hooks, the frame becomes an open clothes rack. An umbrella stand can also be clipped to the outside.

Anya Sebton designs flexible storage system for Lammhults

Sebton suggested that Add could be used to improve a workspace. She mentioned that the clothes on the rack could function as a sound absorber, while foliage might improve oxygen levels in the room.

Anya Sebton designs flexible storage system for Lammhults

Each frame sits on a circular cast-iron foot plate, with the option for a swivel version. The frames can be linked together to form room dividers or stand alone.

Anya Sebton designs flexible storage system for Lammhults

Available in two sizes, one wide and one narrow, the designs come powder-coated or finished in chrome.

Anya Sebton designs flexible storage system for Lammhults

Add was launched during Stockholm Design Week earlier this month, where Lammhults also presented sofas and armchairs that balance chunky upholstered seats on thin tubular steel frames.

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Nomadic Shelving

The Tipi shelving system is a project that contemplates the borders between transience and permanence. One can easily transfer, assemble, change, disassemble and rebuild it in a matter of minutes. Its simple and effective construction makes it easy to pack and easy to carry, ensuring Tipi has a long lifecycle with you no matter where you go.

Designer: JOYNOUT


Yanko Design
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(Nomadic Shelving was originally posted on Yanko Design)

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Colony armchair by Skrivo mixes steam-bent wood and rattan

Milan design studio Skrivo has combined a steam-bent wooden frame with woven rattan material to create this angular chair.

Colony armchair by Skrivo mixes steam-bent wood and rattan

Designed for Italian brand Miniforms, the Colony armchair by Skrivo has a seat and backrest formed from woven strips of dried vine using the traditional process called caning.

Colony armchair by Skrivo mixes steam-bent wood and rattan

“Caning has always caught our eye,” said the designers. “It is functional, sustainable, resistant, lightweight and most importantly it reminds us of furnishings from the past.”

Colony armchair by Skrivo mixes steam-bent wood and rattan

Sections of beech wood were steam-bent to create the rounded frame. Curved elements are joined to make a hexagonal shape around the outside of the chair.

Colony armchair by Skrivo mixes steam-bent wood and rattan

More poles connected to the corners support the cane material, often referred to as rattan after the Southeast Asian plant it is sourced from.

Colony armchair by Skrivo mixes steam-bent wood and rattan

A pair of bars is bent in two places and run from the front to the back of the seat, forming four legs.

Colony armchair by Skrivo mixes steam-bent wood and rattan

The chairs are available in both natural finishes or painted bright colours. Cushions can be added to the seat for extra comfort.

Colony armchair by Skrivo mixes steam-bent wood and rattan

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steam-bent wood and rattan
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Magic From Salvaged Furniture

Designer Alexander Schnell Sramek’s ‘Anti-Slip’ contemporary furniture collection stemmed from a peculiar situation. He had an empty bedroom that need furnishing and a mind that rebelled against the mass production/consumption culture of contemporary urban societies. Working with a limited space and tools, he set out on a project to furnish the room in 30 days and nights with out spending a dime on it. When creativity finds a path to flow through constraints, the end results are often pleasantly surprising. Created from discarded furniture and materials salvaged from the streets of East London, the work desk and the bed-side table he created are not just eye pleasing but functionally efficient as well.

The flexible work desk is designed for constrained spaces. It comes with an accessible storage, a hidden compartment for tucking away those irritating power cables and even a set of custom speakers. The bedside table is thoughtfully separated into two surfaces that helps to segregate the User’s books and the ‘usual stuff’.

This attempt is laudable as societies are presently waking up to reject their role as mass market fodder. As a generation is breaking away from the traps of industrial revolution, upscaling, recycling and value addition are loved for the values they imbibe. When you are armed with creativity, the entire city becomes your furniture store. And the best part is that you don’t need instruction manuals for assembling the furniture. Time to say ICREATE.

Designer: Alexander Schnell Sramek for 3 D Design

Guest Post by Akhil T.


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Magic From Salvaged Furniture was originally posted on Yanko Design)

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Steelcase Gesture Chair: Inspired by new ergonomic research and designed for the way technology is used in today’s workplace

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Cajal sofas and armchair by Gunilla Allard balance seats on thin metal frames

Stockholm 2014: Swedish designer Gunilla Allard’s Cajal sofas and armchairs feature slender tubular steel frames that support chunky upholstered seats (+ slideshow).

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Allard designed the collection for Swedish furniture brand Lammhults, and said the line of steel that forms the frame was influenced by a cosmetic called kajal (or kohl) which is often used as an eyeliner.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

“My process began with the small sofa,” said Allard. “A petite sofa with a visible tube frame that wraps around the back like the stroke of a pen, or why not a kajal pencil?”

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Lammhults asked Allard to design a collection that was “slender, contemporary and restful”, and particularly suited to use in offices, restaurants or waiting rooms.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The resulting pieces are developed around the minimal steel frame, which follows the shape of the armrests and back and can be specified in colours that complement or contrast with the upholstery.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Its slim profile provides a visually lightweight base for the seat, which seems to balance on slanting rods that connect the back legs to a bar running along the front of the frame.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The shell of the seat is made from glass-fibre reinforced polyurethane covered in foam that can be upholstered in fabric or leather.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

The range comprises an easy chair and a sofa in large and small variations. The armchair and large sofa feature a deeper seat cushion than the less imposing small sofa.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

Lammhults launched the Cajal collection at the Stockholm Furniture Fair earlier this month.

Cajal sofas and armchair by Gunilla Allard balance the seat on a thin metal frame

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balance seats on thin metal frames
appeared first on Dezeen.

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Drapée chair by Constance Guisset designed to look like draped fabric

The curving lines of this steel wire chair by French designer Constance Guisset are intended to represent fabric draped over the seat and back (+ slideshow).

Drapee chair by Constance Guisset designed to look like draped fabric

Bent steel rods that form the surfaces of the backrest and seat of Guisset‘s Drapée chair appear to gather in one of the seat’s front corners.

Drapee chair by Constance Guisset designed to look like draped fabric

“I am very much interested in fabric and soft materials,” Guisset told Dezeen. “A drape is fascinating because it recalls fluidity and a certain impression of movement. I wanted to recall this movement with a few lines, as if a fabric had been left on a chair frame.”

Drapee chair by Constance Guisset designed to look like draped fabric

The frame is made in two sections; a front piece with angled legs and a rounded back that are joined at the rear of the seat and held in tension by the steel wires.

Drapee chair by Constance Guisset designed to look like draped fabric

The designer worked with a metal fabricator to develop the position of the lines, which were originally drawn using computer-modelling software but required an iterative process of refinement in the workshop.

Drapee chair by Constance Guisset designed to look like draped fabric

“As the chair is made of free-form wires it was quite a challenge to make it comfortable and rigorous,” Guisset recalled. “After each wire was welded, we tested comfort and observed the shape, unwelding lines as many times as necessary and doing it again. In the end we spent three full days in the factory, just for a tube frame and 16 lines in wire!”

Drapee chair by Constance Guisset designed to look like draped fabric

The chair is designed to be used in homes or restaurants and therefore needed to be lightweight so it can be moved easily, and stackable for saving space.

Drapee chair by Constance Guisset designed to look like draped fabric

“It was a real desire to make it strong, comfortable, stackable and light at the same time,” said Guisset. “It was also about visual lightness that is a deep aspiration in my work. As it is built with just a few lines of tube and wire, physical lightness is a natural consequence.”

Drapee chair by Constance Guisset designed to look like draped fabric

The product is available in black, white, gold and pale blue finishes. A separate cushion pad features a pattern that replicates the lines of the seat.

Drapee chair by Constance Guisset designed to look like draped fabric

Guisset’s promotional photography presents the product alongside marble statues wearing the sorts of draped fabric garments that inspired the design.

Drapee chair by Constance Guisset designed to look like draped fabric

“I often visit museums and take pictures of draped sculptures,” said Guisset. “I feel a very soft sensuality in them, so it was quite natural for me to use some antique and Italian sculptures. I wanted the pictures to express the freedom, lightness and dancing qualities of the object. The drape was highlighted by the sculptures’ presence.”

Drapee chair by Constance Guisset designed to look like draped fabric

Drapée was exhibited by French design brand Petite Friture at last month’s Maison&Objet fair outside Paris.

Drapee chair by Constance Guisset designed to look like draped fabric

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designed to look like draped fabric
appeared first on Dezeen.

Shape Field Chair : Lightweight and canvas-clad, a modern take on the classic folding camp chair finally arrives

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