L’Observatoire by CLP Architectes

L'Observatoire by CLP Architectes

This woodland observatory by architecture collective CLP Architectes is a patchwork of square wooden panels and windows.

L'Observatoire by CLP Architectes

The structure is one of 20 created for the Archi<20 competition, which invites architects to create temporary huts on sites smaller than 20 square metres in a nature reserve in the district of Muttersholtz.

L'Observatoire by CLP Architectes

Wooden staircases lead up past the first floor to a roof terrace, which provides a panoramic lookout point for surveying the surroundings.

L'Observatoire by CLP Architectes

Sheets of chunky chipboard create deep shelves for storing or displaying small items behind the windows.

L'Observatoire by CLP Architectes

Other observatories we’ve featured include one for astronomers and another overlooking a stream.

L'Observatoire by CLP Architectes

Here’s a project description from CLP Architectes:


This project, realized for the Archi<20 competition, consisted on proposing a pavilion of 20 m2 floor space to be constructed in a protected natural area in Muttersholtz, Alsace.

L'Observatoire by CLP Architectes

With a limited budget of 7000 Euro, the commission obliged us to seek for a precise architecture.

L'Observatoire by CLP Architectes

Due to the temporary character of the pavilion, our first intention was to create a building that could offer a varied experience, using the least materials and formal recourses.

L'Observatoire by CLP Architectes

This intention is translated into a structural system that performs various tasks: the possibility of light, shadow, ventilation and also to provide temporal storage space.

L Observatoire by CLP Architectes

Ground floor plan – click above for larger image

Our second intention was to conceive an architecture that could enhance and diversify the relationship between the visitor of the pavilion and the surrounding environment.

L Observatoire by CLP Architectes

First floor plan – click above for larger image

The observatory, then, performs as a medium that is both reduced and enhanced into an optical device.

L Observatoire by CLP Architectes

Second floor plan – click above for larger image

In an economic sense, the structure permits an open-plan interior, similar to a theatre stage: The interior space is reconstructed again and again with each visitor.

L Observatoire by CLP Architectes

Section AA – click above for larger image

Seen from the exterior, the pavilion tends to disappear: in the ambiguous nature of its formal limits, a seemingly ordinary object is revealed as a complex interplay of light, images, people and objects.

L Observatoire by CLP Architectes

Section BB – click above for larger image

The visitor is invited to reflect on this uneasiness.

L Observatoire by CLP Architectes

North elevation – click above for larger image

L Observatoire by CLP Architectes

East elevation – click above for larger image

L Observatoire by CLP Architectes

South elevation – click above for larger image

L Observatoire by CLP Architectes

West elevation – click above for larger image

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Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Spraying a wall with water creates graffiti with tiny points of light instead of paint in this installation by French artist Antonin Forneau (+ movie).

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Water Light Graffiti is made of thousands of LED lights that light up when they come into contact with water.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Participants can use paintbrushes, sponges, fingers or spray cans to sketch out words and pictures.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

The project was unveiled in Poitiers, France, between 22 and 24 July this year while Forneau was in residence at the DigitalArti Artlab.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Other projects involving water we’ve featured recently include a sprinkler that paints rainbows and a series of fountains with added furniture.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Photographs are by Quentin Chevrier at DigitalArti Artlab.

Here’s some more information about the project:


Water Light Graffiti is a surface made of thousands of LEDs illuminated by the contact of water. You can use a paintbrush, a water atomizer, your fingers or anything damp to sketch a brightness message or just to draw.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Water Light Graffiti is a wall for ephemeral messages in the urban space without deterioration. A wall to communicate and share magically in the city. For a few weeks, Antonin Fourneau has been working in residence at Digitalarti Artlab on the Water Light Graffiti project.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

After several tries, prototypes and material improvements, Water Light Graffiti was finally ready to take place for a few days in a public space, which happened to be Poitiers. From July 22nd to 24th, Poitiers inhabitants could discover and try Water Light Graffiti with the artist, the Digitalarti Artlab team and Painthouse, a graffiti collective, invited for demonstrations.

Water Light Graffiti by Antonin Forneau for DigitalArti Artlab

Water Light Graffiti is a project by Antonin Fourneau.
Engineer: Jordan McRae
Design Structure: Guillaume Stagnaro
Graffiti performance: Collectif Painthouse
Assistant team: Clement Ducerf and all the ArtLab volunteers
ArtLab Manager: Jason Cook
Filming: Sarah Taurinya & Quentin Chevrier
Photographs: Quentin Chevrier
Music: Jankenpopp
Editing and titles: Formidable Studio and Maïa Bompoutou
Support: Ville de Poitiers and Centre Culturel Saint Exupéry

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Reframe by Paul Scales and Atelier Kit

Different views of a courtyard were framed by this temporary installation in Montpellier, France, by Dutch architecture office Paul Scales and French architecture and design studio Atelier Kit (+ slideshow).

Reframe by Paul Scales and Atelier Kit

Reframe was constructed in the Rotterdam workshop of Paul Scales and rebuilt in Montpellier with the help of Atelier Kit for the Festival of Living Architecture in June.

Reframe by Paul Scales and Atelier Kit

The theme of the festival this year was ‘surprise’, so the architects came up with a simple cube design that gradually reveals multiple framed viewpoints.

Reframe by Paul Scales and Atelier Kit

The installation was built from 45 opal-coloured polycarbonate sheets, a type of plastic often used for outdoor roofing and glazing, and 16 steel plumbing pipes.

Reframe by Paul Scales and Atelier Kit

The project was made possible by a grant from Stimuleringsfonds voor Architectuur.

Reframe by Paul Scales and Atelier Kit

See all our stories about installations »

Reframe by Paul Scales and Atelier Kit

Above photograph is by Pierre Berthelomeau 

Photographs are by Paul Kozlowski, except where otherwise stated.

Here’s some more information about the installation:


Reframe was created by Paul Scales and Atelier Kit for the 7th ‘Festival of Living Architecture’ in Montpellier, France. The festival is comprised of an architectural walking tour through the historic city centre where heritage sites are opened up to modern architecture. This year’s theme was ‘surprise’.

Reframe by Paul Scales and Atelier Kit

Reframe explores the theme of surprise through the creation of an object that reframes the relation of the visitor to the space, the historic architecture and the other visitors.

Reframe by Paul Scales and Atelier Kit

What first appears to be a simple modern cube is gradually discovered to be a more complex structure, through which architectural details, elements and facades are continuously revealed, reframed and reflected.

Reframe by Paul Scales and Atelier Kit

Visitors experience a shift from the position of observer to observed, from control to controlled and willingly or not, become engaged in a game of surprise and being surprised.

Reframe by Paul Scales and Atelier Kit

Not only a beautiful and interesting way to contrast modern and historic architecture, it also turned out to be very popular with the local kids who discovered that it was also a great object to play in.

Reframe by Paul Scales and Atelier Kit

Paul Scales constructed Reframe in their Rotterdam Werkshop and together with Atelier Kit rebuilt it in Montpellier for the festival in June 2012. It is now being stored at the Paul Scales Studio and is available for rent or sale.

Reframe by Paul Scales and Atelier Kit

The project was constructed from 45 sheets of opal-coloured 16 mm multi-wall polycarbonate and 16 steel plumbing pipes.

Reframe by Paul Scales and Atelier Kit

Above photograph is by Pierre Berthelomeau

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Pierres Vives by Zaha Hadid

Zaha Hadid has completed a streamlined concrete and glass building for three government departments in Montpellier, France (+ slideshow).

Pierres Vives by Zaha Hadid

The Pierres Vives Building will accommodate the multimedia library, public archive and sports department of the Herault regional government and is due to be inaugurated on 13 September.

Pierres Vives by Zaha Hadid

A recessed section of green-tinted glass runs along the length of the facade, where a first-floor foyer connects the library and offices with shared facilities that include meeting rooms, an auditorium and an exhibition space.

Pierres Vives by Zaha Hadid

These shared facilities are contained inside a curved concrete block, which bursts through the glazing to shelter the main entrance on the ground floor below.

Pierres Vives by Zaha Hadid

Zaha Hadid has also been in the news recently over claims she was to blame for tickets sold at the Olympic Aquatics Centre for seats with restricted views.

Pierres Vives by Zaha Hadid

See all our stories about Zaha Hadid »

Pierres Vives by Zaha Hadid

Photography is by Hélène Binet.

Here’s some more information from Zaha Hadid Architects:


The Pierres Vives building of the department de l’Herault is characterised by the unification of three institutions – the archive, the library and the sports department – within a single envelope. These various parts of this “cite administrative” combine into a strong figure visible far into the landscape. As one moves closer, the division into three parts becomes apparent. The building has been developed on the basis of a rigorous pursuit of functional and economic logic. However, the resultant figure is reminiscent of a large tree- trunk, laid horizontal. The archive is located at the solid base of the trunk, followed by the slightly more porous library with the sports department and its well-lit offices on top where the trunk bifurcates and becomes much lighter. The branches projecting off the main trunk are articulating the points of access and the entrances into the various institutions. On the western side all the public entrances are located, with the main entrance under an enormous cantilevering canopy; while on the eastern side all the service entrances, i.e. staff entrances and loading bays are located. In this way the tree-trunk analogy is exploited to organise and articulate the complexity of the overall “cite administrative”.

Pierres Vives by Zaha Hadid

Spatial Organisation

The main vehicular access road- both for public visitors as well as for staff and service vehicles, is coming off Rue Marius Petipa, and provides access to either side of the building. The public access leads to the generous visitor car park right in front of the main entrance lobby. The service access is stretched along the opposite side.

Pierres Vives by Zaha Hadid

This longitudinal division of serviced and servicing spaces is maintained within the ground floor along the full length of the building. The front side contains all the public functions of each institution, linked by a linear lobby and an exhibition space in the centre. Above this connective ground level the three institutions remain strictly separated. Each has its own set of cores for internal vertical circulation. The lay-outs of each part follow their specific functional logic.

Pierres Vives by Zaha Hadid

Upon arrival at the main entrance, one is directed from the lobby either to the educational spaces of the archives on ground level; or via lifts and escalators to the main public artery on level 1. This artery is articulated all along the facades as a recessed glass strip and here reading rooms of both archives and library are immediately accessible. Central in this artery and therefore located at the heart of the building, are the main public facilities shared between the three institutions: auditorium and meeting rooms. These shared public functions also form the central volume that projects out from the trunk, providing a grand cantilevering canopy for arriving visitors.

Pierres Vives by Zaha Hadid

Project: Pierres Vives
Location: Montpellier, France
Date: 2002 / 2012
Client: Departement de l’Herault
Size: 35,000 m2

Architectural Design: Zaha Hadid
Project Architect: Stephane Hof

Local Architect:
Design Phase: Blue Tango
Execution Phase: Chabanne et Partenaires

Structure: Ove Arup & Partners
Services: Ove Arup & Partners (Concept Design) & GEC Ingenierie

Acoustics: Rouch Acoustique Nicolas Albaric
Cost: Gec LR, Ivica Knezovic

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IKEA Lounge at Charles de Gaulle airport

Swedish furniture brand IKEA have installed a temporary lounge at Charles de Gaulle airport in Paris (+ slideshow).

IKEA Lounge a VIP room for everyone in Paris airport

Located in Terminal 3, the IKEA Lounge is furnished like a house with living rooms, bedrooms and a playroom for children.

IKEA Lounge a VIP room for everyone in Paris airport

Departing passengers can even take a nap in one of nine beds while awaiting their flights.

IKEA Lounge a VIP room for everyone in Paris airport

The lounge is open to all and will remain in place until 5 August.

Also recently completed at Charles de Gaulle airport is a park-like business lounge with branching pathways and tree-shaped lights.

See more stories about airports »

Here’s the press release from IKEA:


IKEA reinvests the transport world by installing a VIP lounge in the Terminal 3 at the Roissy-Charles de Gaulle Airport, from July 13 to August 5!

Holiday departures are often a source of stress and because the waiting time in the departure lounge is an average of 1 hour and 43 minutes, IKEA wanted to use its expertise in interior design to serve the economy class.

IKEA Lounge is a space of over 220m ² for the whole family to relax before going on vacation.

Completely free, visitors will live a unique experience: greeted by a hostess, they can relax by reading the press, by watching TV from a comfortable sofa, or enjoy the quality of IKEA’s mattresses for a nap in one of the 9 bedrooms of the space (including one accessible to the disabled). Ikea Lounge contains also a specially dedicated space for children where they can enjoy themselves in a secure area of 50 m2, under the benevolent supervision of qualified instructors.

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Music School Louviers extension by Opus 5

French architects Opus 5 have built a concert hall on top of a former seventeenth century convent in northern France.

Music School Louviers by Opus 5

The glass-fronted extension wraps over the southern wing of the complex, creating a orchestral hall with an undulating mirrored ceiling on the uppermost floor and a music library on the first floor below.

Music School Louviers by Opus 5

A new entrance foyer is located behind the ground floor cloisters, which have been infilled with glazing to provide visitors with a view out over the river running alongside.

Music School Louviers by Opus 5

The remaining facades of the extension are windowless and are clad with concrete panels.

Music School Louviers by Opus 5

The convent of the Penitents in Louviers, Normandy, has served a variety of uses over the years and has housed a church, a prison and a tribunal court, but was converted into a music school in 1990.

Music School Louviers by Opus 5

See our story about a house with stone screens by Opus 5 here.

Music School Louviers by Opus 5

We’ve published several architecture projects recently that wrap over existing buildings, including a white concrete extension over the top of a former brewery.

Music School Louviers by Opus 5

See all our stories about parasitic architecture »

Here’s a project description from Opus 5:


Rehabilitation and Extension of the Music School Louviers

History

The antique convent of the Penitents, in the city center of Louviers – Normandy, is a very exceptional example of “cloister on water”, made of a complex assembly of successive constructions.

Music School Louviers by Opus 5

The monastery was built between 1646 and 1659 for the Franciscan brethren. There used to be a church in the west and two conventual wings surrounding the central building.

The cloister was sold in 1789 as a national fortune: the conventual parts were transformed into prisons and the church into a tribunal.

Music School Louviers by Opus 5

In 1827, the church was demolished and the tribunal was transferred in a new part of the edifice. The prison closed in 1934 while the old south wing started falling down. The building, partially amputated, was reused as a music school in 1990.

Music School Louviers by Opus 5

The remains of the cloister above the river ‘L’Epervier’ are forming an ‘Impressionist’ picture combining stone, vegetation and water in a beautiful harmony. This landscape value has been highlighted and interpreted in the rehabilitation project.

Music School Louviers by Opus 5

Program

The brief was to offer Louviers a new musical school, modern, functional, attractive and representing the town’s cultural policy. The plan was also to highlight the archaeological heritage and its exceptional site in the heart of the city.

Music School Louviers by Opus 5

click above for larger image

Finally, the project aimed to display a new image of the place and to shed its prison characteristics. The project of the New Musical School of Louviers in the convent of the Penitents – 24 classrooms, a score library and two big orchestra rooms- was raising a certain problematic in term of rehabilitation because of a heavy program implicating substantial interventions: the contemporary extensions have become more important than the existing building.

These were conceived in a very tight plot which led the architects to fill all free spaces, removing the “breathings” and raising these extensions on top of existing walls.

Music School Louviers by Opus 5

click above for larger image

The result is a compact project where the new parts dominate the ancient elements; however, the historical construction is still governing. This is an ‘intimate’ program within each task requires isolation and concentration and will adapt to the compact and intimate character of the project.

South Extension

The second extension, replacing the missing parts of the south wing, exposes its front to the water, towards the cloister and the city. Its incredible position represents the key of the project. It hosts the major element of the program: the big orchestra hall. It represents the emblem of the musical school and composes the landscape with natural elements.

click above for larger image

This façade fits in a simple rectangular glass box with chrome stripes reflecting the surrounding environment and fading in the sky. It appears as an echo to music and as a poetic image of the sound. It has two characteristics – sweetness and creativity during the day, warm and glowing at night. This room, by its transparency and its lightness, stands out of its strict and severe environment. It is a showcase exhibiting the building’s creative life.

Music School Louviers by Opus 5

Glazed Façade

The North façade is made of laminated glazed panels within the inside layer has been coated with mirror finish (titanium, siliconitride, chrome et siliconitride) A ‘non-crossing’ attachment system holds the glass and leaves the fixing points invisible from outside.

The whole set is maintained on mirror polished stainless steel wales of 10 mm sickness and 25 cm depth. The wales are suspended to a mechanically welded steel beam of 450×900 mm used as a duct blower for the orchestra room.

Music School Louviers by Opus 5

Concrete panels

The frontier façades are made of prefabricated concrete panels of 8 cm thickness/ 180 cm width and of variable heights.

They are cut out to follow the surface of the ancient masonry. These panels are reinforced and attached on the extensions’ metal structure.

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TeleTech call centre by MVRDV

QR codes cover the exterior of this former mustard laboratory in Dijon that Dutch architects MVRDV have converted into a call centre (+ slideshow).

Teletech-by-MVRDV

A low budget prevented the architects from replacing the existing facade, so instead they covered it with panels that direct smartphones to the website of French company TeleTech.

Teletech by MVRDV

Stepped timber platforms covered with chairs and cushions create a flexible workplace for over 600 employees, who can log into the computer network and work from wherever they like in the building.

“The way young people often work, with a laptop on the sofa or bed, was an inspiration for the interior design,” explain the architects.

Teletech by MVRDV

The centre also accommodates community facilities, including an education centre, a gym, a gallery and a projects incubator.

Teletech by MVRDV

MVRDV have been busy recently designing a peninsula over a lake in the Netherlands and an 18-storey tower in Poland.

Teletech by MVRDV

See all our stories about MVRDV »

Teletech by MVRDV

Photography is by Philippe Ruault, apart from where otherwise stated.

Teletech by MVRDV

Here’s some text from MVRDV:


MVRDV completes transformation disused Dijon mustard laboratory

MVRDV has completed transformation of a disused Dijon Mustard laboratory (closed in 2009) into an innovative call centre with an education centre, incubator and social program. For MVRDV it represents an exemplary project: Transformation through reuse is one of the contemporary issues in European architecture since the current crisis. Completion of the 6500m2 refurbishment into a 600 work spaces call centre for operator Teletech has cost just 4 million Euro. The interventions possible on such a budget were directed towards quality enhancement with maximal maintenance of existing structure and services.

All over Europe buildings are vacant and waiting for a new future. Transformations are usually all about the preservation of historically or architecturally significant parts of a building. In this case the building was completed in 2004 and the preservation act directed towards reuse. The building is a former Unilever Amora Dijon mustard laboratory completed in 2004 and closed only five years later in 2009. The building was in a good state but due to its wide volume not suitable for traditional work spaces. The construction budget was too low to exchange the façade or make serious alterations to the structure. The budget makes literal reuse necessary and leads to less replacements and a better sustainable profile of the transformation act. A fine balance between intervention and intelligent re-use of the existing is the essence of the project.

Teletech by MVRDV

Above: photograph is by the architects

MVRDV sees this transformation as an exemplary project for contemporary European architecture in times of the current crisis. How to reuse a building which is structurally in good shape but not suitable for a traditional transformation and use? The more reuse of the existing is possible the more budget is liberated for interventions. The unusual building evokes an unusual use and in the end will adjust perfectly to the Teletech work rhythm.

 

The Teletech call centre has rush hours in the morning, afternoon and early evening, only at these moments the building will be fully occupied by its workforce. For these short periods also unusual work places can be used which would not be suitable for eight hour shifts. The transformation strategy is adapted to this irregular use of the building. The inside is turned into a work landscape and the 600 young call centre operators will have flexible spaces: they can log in anywhere they want inside this work landscape. Different qualities such as silent, open or secluded places are offered. The way young people often work, with a laptop on the sofa or bed, was an inspiration for the interior design: the space needs to appeal to the operators to work the way they like, the space will be informally furnished with homely objects to provide a fun and creative working environment.

Teletech by MVRDV

Above: photograph is by the architects

Outside the rush hours the call centre operators will have free time in which they can make use of the education centre, fitness centre, a gallery and projects incubator, also located inside the building. A big window, entresol spaces, skylights and a large atrium are used to create a community feeling and allow for daylight penetrating the 40 x 70 metres volume. As these interventions use up a large part of the budget other parts had to be designed as economically as possible. The façade for example could not be exchanged but is transformed with a simple print of a QR flashcode translated into the activities of the company; the façade acts as communicator and signals the transformation. The ground floor contains parking and cannot be inhabited as the building is located on a flood plain. In many cases the budget only allowed to remove or paint the existing elements. The result however is an exciting work space and radically contradicts the usual call centre which is often a series of tedious cubicles.

Teletech is a French service provider with call centres all over the world. In Dijon, Teletech International will experiment with this combination of call centre, education centre, leisure space and incubator to create and maintain jobs in France which are generally outsourced to developing countries. Despite the worldwide trend in this sector to reduce costs and constantly increase Taylorism, the company invests massively in its social policy along with this construction project. The ambition is directed towards reinventing and revolutionising existing procedures to improve customer brand relationships through a better qualified call centre agent. Teletech International believes that a qualitative work space is a part of the solution in creating a higher level of interaction with the consumers. The company will attract, teach and keep high level profile employees on site which can offer specialised and sophisticated services. The new building and the social program are an essential part of this innovative strategy.

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Housing in La Courrouze by Philippe Gazeau

Balconies of these two apartment blocks in northwest France by architect Philippe Gazeau protrude like a set of open drawers.

Housings in la Courrouze by Philippe Gazeau

Located on a former military site in La Courrouze, Rennes, the residential development features two towers and two rows of houses surrounding a patch of grass with a car park underneath.

Housings in la Courrouze by Philippe Gazeau

Elevations of each building are coated with a surface layer of concrete or clad with sheets of ribbed metal, giving them a uniformly grey appearance.

Housings in la Courrouze by Philippe Gazeau

Balconies are positioned on the south-facing elevations of the two high-rises and feature brightly painted inside walls and coloured glass balustrades.

Housings in la Courrouze by Philippe Gazeau 2

The completed project provides a total of 76 new homes for the La Courrouze development zone, a growing neighbourhood that covers an area of 140 hectares.

Housings in la Courrouze by Philippe Gazeau

Previously Philippe Gazeau also designed a library with a criss-crossing metal exterior – see it here.

Housings in la Courrouze by Philippe Gazeau

See more stories about housing »

Housings in la Courrouze by Philippe Gazeau

See more projects in France »

Housings in la Courrouze by Philippe Gazeau

Here’s some more information from the architects:


The programme in the context of the Zac de la Courrouze, at Rennes

The BH2 programme is located at the north-east end of the ZAC mixed development zone, in the “Bois Habité” area. It is bounded by the Rue Claude Bernard to the east, and by the Boulevard de Cleunay to the north.

Housings in la Courrouze by Philippe Gazeau 2

The immediate vicinity:

To the south of the programme there is a recent housing estate made up of small collective housing units of between R+1 and R+3. There is a difference of about one metre between the levels of the existing housing estate and the land.

To the west of the land, the existing sports ground is being kept, and included in the public parkland bordering the operation, and linked to it by footpaths.

Housings in la Courrouze by Philippe Gazeau

To the north, the shale wall left standing defines a solid, enclosure-type boundary with the Boulevard de Cleunay. On the other side of the Boulevard de Cleunay there is a railway line, which is a source of noise pollution near to the land.

To the east, the shale wall demolished during the work to widen the Rue Claude Bernard will be rebuilt along the new boundary. As a former military wasteland occupied by large workshops, the current land is flat overall and the landscape elements and the vegetation existing on the land are of no particular interest.

Housings in la Courrouze by Philippe Gazeau

This project offers morphological and typological diversity around a large shared garden. The great height of some of the buildings means that ground can be made available for a garden that federates all the constructions.

Housings in la Courrouze by Philippe Gazeau

The free layout obtained through the “campus” concept is used to optimise the environmentally-friendly quality and performance of the adopted solutions, and in particular the layout of the constructions with respect to their orientation, the treatment of the well exposed frontages, and the urban composition with respect to the urban landscape both in the immediate vicinity and further afield.

The taller tower block is located in the northern part of the land and does not cast a shadow on the other buildings. Its position on the edge of the site justifies the building’s outline as a tall signal. The two high-rises share a semi-underground car park and are joined together by its terrace roof forming a common plaza. The terraced houses are set on this walkway slab.

Housings in la Courrouze by Philippe Gazeau

This architectural and urban arrangement made up of the two towers and the terraced housing forms a constructed sequence between the large central garden and the landscaped area of the former stadium. These two broad open landscaped spaces leave a clear view from the lower housing units.

Each building offers a particular typology suited to its location, orientation and height, so as to get the best out of it in terms of housing unit comfort. The freer layout of the two tall buildings makes for highly effective optimisation of the orientation and exposure of the frontages. The north front is the narrowest exposed surface area and the south front is the widest.

Housings in la Courrouze by Philippe Gazeau

In the two tower blocks, whose south fronts are spiked with protruding boxes, the living rooms of the housing units open up broadly to the south of the ZAC through loggias/terraces. These excrescences are veritable outside extensions to the living space, protected on the sides with walls up to half-height to cut down noise, wind and sunlight.

The treatment of the three other facades and the top is handled in different ways from one tower to the other, taking into account their height and site location and with respect to the surrounding landscape.

Housings in la Courrouze by Philippe Gazeau

The North tower block, the taller one, is the most imposing in the distant urban landscape, in particular from Rennes city centre. This is why the top section is different, the last two floors having special volumetry: pulled back from the main body, creation of a kind of parapet walk. These architectural arrangements assert the desire to turn towards the city and its centre, even though due to the orientation and the noise pollution from the railway line the north facade is less opened up and more height is given to the south facade, thereby giving the tower a rather unusual skyline. The tower’s main body is wrapped on the north, east and west facades in a smooth, shiny mantle of vertical metallised ribbed cladding covering insulation on the outside of the building structure, in contrast with the more sculptural, mineral appearance of the south facade. On the ground floor, the tower fuselage is set on a brick base on the plaza ground or on the slightly sloping ground of the grassy areas.

Housings in la Courrouze by Philippe Gazeau 2

The South tower block, which is lower and less slender in its proportions, has a dissymmetrical fuselage, thinner to the east on the inner garden side, broader to the west on the ZAC park side. This differentiation between the east and west facades is also emphasised in the colour of the casing of vertical ribbed cladding which wraps around and insulates the north, east and west facades. The treatment of the south facade, and the ground floor base, are the same as on the first tower block. The rake on the fuselage is continuous all the way up to the sloping ridge. Any different treatment on the last two storeys would have had the effect of making the tower look stockier, being less tall than the other.

Housings in la Courrouze by Philippe Gazeau

The volumetry of the six housing units at the foot of the tower blocks is similar to a typology of houses grouped in threes. They are one-storey houses with sloping roofs opening widely onto the ZAC park, with an east-west exposure so that the two towers bookending them to the north and south will not spoil the view or block the sunlight.

Along the Rue Claude Bernard the housing units between the central garden and the old shale wall left standing have continuity of scale with the existing programme to the south, and a degree of volumetric freedom with respect to the other buildings in the operation.

Housings in la Courrouze by Philippe Gazeau

It is a predominantly horizontal construction comprising a strip of terraced, superimposed duplex apartments. Sited at the interface between the street and the inner garden, the small block is set away from the noise of the street and the new shaft, opening up broadly onto the garden. On the second floor level, a succession of gabled volumes, slightly set back from the main R+1 building, produces an effect of houses set on a shared terrace roof. Likewise, on the west side, on the ground floor of the private gardens, the coloured boxes of the kitchens projecting out from the linear volume give a homely scale to the whole.

Housings in la Courrouze by Philippe Gazeau

Click above for larger image

The two ends of the small block have been given unusual volumetric treatments, with corner articulation for the north part, and the operation’s entrance door for the south part, according to their special siting with respect to the urban context and their position in relation to the other buildings.

Housings in la Courrouze by Philippe Gazeau

Click above for larger image

The building materials and colours:

We chose to restrict the number of materials used, chosen for their aesthetics and durability, and their ability to blend together inside the operation and with their nearby urban setting, as well as their potential technically to meet the targets of passive insulation and long-term economy set for this project.

Housings in la Courrouze by Philippe Gazeau

Click above for larger image

The colours associated with these materials tend to set them off against each other, and to emphasise to a greater or lesser degree certain special features linked to use (loggias) or to volumetric and architectural expression (the tower facades).

The facades on the north tower are covered on the north, east and west sides from the first to the eighth floors with vertical corrugated metallised cladding, and the same cladding for the last two floors. The ground floor base is lined with black brick.

Housings in la Courrouze by Philippe Gazeau

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The entire height of the south front is in surface coated concrete, its taupe colour verging on rust, likewise on the outer faces of the terraces – projecting loggias. The inner faces of the loggias are in brighter colours, greens, yellows, pinks and reds, to make these “outdoor rooms” feel more like part of the home. On the top floors the solid breast walls on the projecting boxes are replaced by coloured glass guard rails.

For the cladding covering the south tower, the colours are treated dissymetrically: dark green on the inner garden side, metal grey on the west side. The south facade is handled in the same spirit as the other tower.

Housings in la Courrouze by Philippe Gazeau

Click above for larger image

The sloping roofs over the volume of the stairwell on both towers are fitted with solar panels. The duplexes on the top floor are used to build all the technical aedicules into the tower volumes (on the non accessible landing). Only the stairwell volume is extended to offer easy access for maintenance of the roof and solar panels.

The six housing units at the foot of the two towers are sheltered by surface coated concrete shells in the same colour as the towers. Their sloping roofs consist of dark green steel deck.

The kitchens projecting out on the west side are covered with dark green and anthracite ribbed metal cladding.

Click above for larger image

The small block on the Rue Claude Bernard uses the same materials and colours. Surface coated concrete for the first two floors, metal grey cladding for the second floor houses, dark green and anthracite for the projecting kitchens on the west side ground floor.

The south side of the slopes on the two roofs on the houses on the terrace roof are completely covered and sealed by a set of built-in solar panels. The north slopes are made from dark green steel deck.

The rendering from the facade to the corner extends that of the rebuilt shale wall.

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by Philippe Gazeau
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Air France Business Lounge by Brandimage and Noé Duchaufour-Lawrance

French designer Noé Duchaufour-Lawrance and branding agency Brandimage have created a park-like business lounge at Charles de Gaulle airport in Paris, with branching pathways and tree-shaped lights.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

The lounge, for Air France, also features walls decorated with tree and leaf motifs.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

Long thin lights hang like catkins from the ceiling above tables and chairs in the dining area.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

Chairs and sofas for both working and relaxing are arranged in clusters between the paths.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

This month Noé Duchaufour-Lawrance has also completed a restaurant at the top of a skyscraper and a bookcase with the shape of a fossil.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

See all our stories about Duchaufour-Lawrance »

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

See all our stories about airports »

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

Photography is by Luc Boegly.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

Here’s a few more details from the designers:


Air France Business Lounge

Brandimage and Noé Duchaufour-Lawrance have designed the new Air France business lounge at Paris’ Charles de Gaulle airport.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

This lounge has been conceived as a harmonious pathway, consisting of sections which are conducive to walking, acting as a prelude to the journey ahead. The architectural concept was inspired by a park and developed around a contemporary reinterpretation of the plant expression. Shapes, materials and colours conjure up nature and the organic world.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

The paths are organised and give structure to the lounge like offshoots of a plant: taut lines and curved shapes go hand in hand with the vision and retain privacy without partitioning.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

This upmarket lounge, which is over 3,000 sq m, is situated in the new S4 boarding satellite at Paris’ Charles de Gaulle.

Air France Business Lounge by Noe Duchaufour Lawrance and Brandimage

Click above for larger image

The post Air France Business Lounge by Brandimage
and Noé Duchaufour-Lawrance
appeared first on Dezeen.

Housing in Sète by Colboc Franzen & Associés

Housing in Sete by Colboc Franzen and Associes

Architects Colboc Franzen & Associés have masked the facade and balconies of three apartment blocks in the south of France behind curved galvanised-steel grids.

Housing in Sete by Colboc Franzen and Associes

Located in the port town of Sète, the three towers are connected by a podium that conceals a large undercroft car park behind a row of shops.

Housing in Sete by Colboc Franzen and Associes

The two eight-storey towers are filled with private apartments, while the smaller six-storey block contains social housing.

Housing in Sete by Colboc Franzen and Associes

This time last year Colboc Franzen & Associés completed a spiralling community centre in Lille – see it here.

Housing in Sete by Colboc Franzen and Associes

See more stories about housing developments »

Housing in Sete by Colboc Franzen and Associes

Photography is by Cécile Septet.

Housing in Sete by Colboc Franzen and Associes

Here’s a project description from Colboc Franzen & Associés:


71 Council and Private Flats in Sète

The building plot lies on the thin strip of land between the Étang de Thau and the Mediterranean Sea on the northern side of the old town, close to the commercial port and its huge industrial facilities. How should we evoke the site’s past and at the same time, through architecture, forge a modern identity for this entrance point to the town of Sète and its emerging neighbourhoods? How should we respond to the titanic scale of the port, with the sea as the horizon, while also maintaining the old town’s way of living?

Housing in Sete by Colboc Franzen and Associes

The project design is based on three blocks of flats set on a ground-floor base. The development comprises four distinct parts: 16 council flats in various configurations; 55 private two- and three-room flats; and shops and car parks to service all of the above. The base accommodates the shops and the car parks, whereas the blocks house the flats. The six-floor block of council flats provides a transition from the existing buildings around it and is therefore located at the centre of the project. The other two eight-floor blocks are thus free to demonstrate their autonomy. The block standing on the street corner marks the entrance to the old town while also looking out towards the commercial port facilities and future developments on the empty docklands. The block at the back is situated above parking spaces and gardens. It looks like a sculpted object in the middle of the ‘island’ and we therefore forget that regulations made it impossible to set the building against the existing party wall.

Housing in Sete by Colboc Franzen and Associes

These blocks also embody a principle of ‘Mediterranean architecture’ that allows for a lifestyle adapted to the local climate: outdoor living protected from intense heat. There are balconies running along the façade and these outdoor extensions allow occupants to walk around the outside of their flats. A galvanised steel screen protects it during very hot weather and also provides a nice amount of privacy. It follows the curve created by the varying widths of the balconies. It lends harmony to the three blocks and makes them easier to interpret. They become gigantic steel cocoons whose materials remind us of the maritime world, while their shape is reminiscent of a ship’s stem and the wind in the screen slats sounds like the jangling of masts in a port. The screen also allow occupants to make appropriate their balconies without disturbing their neighbours, and to create a ‘homely’ feel while also enjoying the view and life in the town centre.

Housing in Sete by Colboc Franzen and Associes

Making good use of the various slopes, the car park creates a man-made topography in the centre of the block of land and harbours a landscape of gardens and parking spaces. The effect is like shelly limestone and it is punctuated with beds of broken rocks and characteristic regional plants. The ground is protected by a layer of bushes and small trees, which provide shade as well as establishing the requisite distance between the flats and people using the car parks.

Housing in Sete by Colboc Franzen and Associes

Client: Pragma
Location: Sète (34)
Budget: € 4,171,000 HT

Surfaces:
Plot surface: 2 956 m²
Usable area: 3 913 m²
SHON: 4 422 sqm
SHOB: 8 050 sqm

Team management:
Architects: CFA (Benjamin Colboc, Manuela Franzen, Arnaud Sachet)
Team: Faudry Ulrich, Guillaume Choplain, J. Von Spoeneck.

Mission: base + DET followed with architectural

Execution project manager: GP Consultants Engineering
Control office: SOCOTEC
Security coordination: SOCOTEC
BET Structure: SECIM
BET Fluids: HOLISUD
Geo technical engineering: EGSA BTP

Start of studies: August 2008 (Direct Drive)
Building permit: October 2009
Start of construction: March 2010
Delivery date: September 2011

Program: 71 units including 16 council flats with 370 sqm of offices and car park

Sustainable development:
– Certified ‘Habitat et Environnement’
– Certified CERQUAL
– HQE Green Building (targets 1 and 4-10)
– Dual-aspect flats
– Sun protection and control through slats
– Curve of the buildings allows sunlight to reach garden
– Green roof on offices