Excrescent Utopia by Milo Ayden De Luca

Parasitic dwellings for homeless people would cling to the sides of lamp posts in this concept by British architecture graduate Milo Ayden De Luca (+ slideshow + movie).

Excrescent Utopia by Milo Ayden De Luca

Milo Ayden De Luca began working on Excrescent Utopia as a personal project after completing his architecture degree at the University of Greenwich.

Excrescent Utopia by Milo Ayden De Luca

“Every weekend for nearly a decade now, I’ve been travelling into the centre of London during the earliest hours of the day,” De Luca told Dezeen. “During these hours, the usually dense, lively, tourist-populated London is absent and is instead populated only by the many homeless people who sleep on our city’s streets. I’ve always thought about how the life of those living on the city’s streets can be improved.”

Excrescent Utopia by Milo Ayden De Luca

The project imagines street lights as temporary dwellings for homeless people by creating tensile structures around them using cheap, basic materials.

Excrescent Utopia by Milo Ayden De Luca

The structures are designed to be as lightweight as possible so that they can be modified and moved easily, and are inspired by the construction of sailing ships.

Excrescent Utopia by Milo Ayden De Luca

“The practical and technological constituents of sail ships – the pulleys, the sails and rope lines – also exude a sense of transparency, weightlessness, and movement,” he said. “I think this is a nice contrast to the surrounding structures in London, which are usually opaque, grounded and static.”

Excrescent Utopia by Milo Ayden De Luca

Street lights aren’t very structurally secure because they aren’t deeply embedded in the ground, said De Luca. This is in order to limit damage to vehicles and drivers in case of a collision.

Excrescent Utopia by Milo Ayden De Luca

To get around this, he proposes using guy ropes, cables and clamps to tie the structure to other street furniture and surrounding buildings. “This method creates only a little surface damage, but more importantly causes no structural damage to the building,” he said.

Excrescent Utopia by Milo Ayden De Luca

The ropes would thread through the structure’s nylon or Gore-Tex ‘skin’ and effectively divide the space into smaller areas with varying levels of privacy.

Excrescent Utopia by Milo Ayden De Luca

Horizontal boxes would provide areas for lying down and sleeping, while vertical spaces would provide a space for busking, he suggested.

Excrescent Utopia by Milo Ayden De Luca

The materials, fixtures and fittings necessary could mostly be obtained through the re-use and recycling of existing objects, or bought cheaply from DIY shops.

De Luca is currently hoping to raise funds to build a 1:1 scale prototype of the design.

Other conceptual architecture we’ve featured on Dezeen includes an algae-covered skyscraper that would produce its own energy and clean water and a high-rise building constructed from the rubbish of São Paulo’s streets – see all our stories about conceptual architecture.

We’ve also published other parasitic architecture, including a wooden hut clinging to the side of a San Francisco hotel and a fabric-covered tensile structure on the roof of a Buenos Aires apartment.

See all our stories about parasite buildings »
See all our stories about conceptual architecture »

The post Excrescent Utopia
by Milo Ayden De Luca
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Music School Louviers extension by Opus 5

French architects Opus 5 have built a concert hall on top of a former seventeenth century convent in northern France.

Music School Louviers by Opus 5

The glass-fronted extension wraps over the southern wing of the complex, creating a orchestral hall with an undulating mirrored ceiling on the uppermost floor and a music library on the first floor below.

Music School Louviers by Opus 5

A new entrance foyer is located behind the ground floor cloisters, which have been infilled with glazing to provide visitors with a view out over the river running alongside.

Music School Louviers by Opus 5

The remaining facades of the extension are windowless and are clad with concrete panels.

Music School Louviers by Opus 5

The convent of the Penitents in Louviers, Normandy, has served a variety of uses over the years and has housed a church, a prison and a tribunal court, but was converted into a music school in 1990.

Music School Louviers by Opus 5

See our story about a house with stone screens by Opus 5 here.

Music School Louviers by Opus 5

We’ve published several architecture projects recently that wrap over existing buildings, including a white concrete extension over the top of a former brewery.

Music School Louviers by Opus 5

See all our stories about parasitic architecture »

Here’s a project description from Opus 5:


Rehabilitation and Extension of the Music School Louviers

History

The antique convent of the Penitents, in the city center of Louviers – Normandy, is a very exceptional example of “cloister on water”, made of a complex assembly of successive constructions.

Music School Louviers by Opus 5

The monastery was built between 1646 and 1659 for the Franciscan brethren. There used to be a church in the west and two conventual wings surrounding the central building.

The cloister was sold in 1789 as a national fortune: the conventual parts were transformed into prisons and the church into a tribunal.

Music School Louviers by Opus 5

In 1827, the church was demolished and the tribunal was transferred in a new part of the edifice. The prison closed in 1934 while the old south wing started falling down. The building, partially amputated, was reused as a music school in 1990.

Music School Louviers by Opus 5

The remains of the cloister above the river ‘L’Epervier’ are forming an ‘Impressionist’ picture combining stone, vegetation and water in a beautiful harmony. This landscape value has been highlighted and interpreted in the rehabilitation project.

Music School Louviers by Opus 5

Program

The brief was to offer Louviers a new musical school, modern, functional, attractive and representing the town’s cultural policy. The plan was also to highlight the archaeological heritage and its exceptional site in the heart of the city.

Music School Louviers by Opus 5

click above for larger image

Finally, the project aimed to display a new image of the place and to shed its prison characteristics. The project of the New Musical School of Louviers in the convent of the Penitents – 24 classrooms, a score library and two big orchestra rooms- was raising a certain problematic in term of rehabilitation because of a heavy program implicating substantial interventions: the contemporary extensions have become more important than the existing building.

These were conceived in a very tight plot which led the architects to fill all free spaces, removing the “breathings” and raising these extensions on top of existing walls.

Music School Louviers by Opus 5

click above for larger image

The result is a compact project where the new parts dominate the ancient elements; however, the historical construction is still governing. This is an ‘intimate’ program within each task requires isolation and concentration and will adapt to the compact and intimate character of the project.

South Extension

The second extension, replacing the missing parts of the south wing, exposes its front to the water, towards the cloister and the city. Its incredible position represents the key of the project. It hosts the major element of the program: the big orchestra hall. It represents the emblem of the musical school and composes the landscape with natural elements.

click above for larger image

This façade fits in a simple rectangular glass box with chrome stripes reflecting the surrounding environment and fading in the sky. It appears as an echo to music and as a poetic image of the sound. It has two characteristics – sweetness and creativity during the day, warm and glowing at night. This room, by its transparency and its lightness, stands out of its strict and severe environment. It is a showcase exhibiting the building’s creative life.

Music School Louviers by Opus 5

Glazed Façade

The North façade is made of laminated glazed panels within the inside layer has been coated with mirror finish (titanium, siliconitride, chrome et siliconitride) A ‘non-crossing’ attachment system holds the glass and leaves the fixing points invisible from outside.

The whole set is maintained on mirror polished stainless steel wales of 10 mm sickness and 25 cm depth. The wales are suspended to a mechanically welded steel beam of 450×900 mm used as a duct blower for the orchestra room.

Music School Louviers by Opus 5

Concrete panels

The frontier façades are made of prefabricated concrete panels of 8 cm thickness/ 180 cm width and of variable heights.

They are cut out to follow the surface of the ancient masonry. These panels are reinforced and attached on the extensions’ metal structure.

The post Music School Louviers extension
by Opus 5
appeared first on Dezeen.

Dezeen archive: parasite architecture

Dezeen Archive Parasites

Dezeen archive: we’ve noticed a lot of parasitic architecture so here’s a selection of buildings on Dezeen that sit, lean or cling on to others. See all the stories »

See all our archive stories »