Sofitel Vienna Stephansdom by Jean Nouvel

Sofitel Vienna by Jean Nouvel

Photographer Julien Lanoo has sent us his images of the recently completed Sofitel Vienna Stephansdom hotel by French architect Jean Nouvel

Sofitel Vienna by Jean Nouvel

A five-storey volume with sloping roof stands in front of the facade, housing the lobby and entrance.

Sofitel Vienna by Jean Nouvel

The top floor of the building houses the restaurant, comprising glazed walls on all sides and a brightly patterned ceiling that can be clearly seen from the street outside.

Sofitel Vienna by Jean Nouvel

Elsewhere in the building patterned video panels in ceilings feature work by Swiss artist Pipilotti Rist.

Sofitel Vienna by Jean Nouvel

French landscape architect Patrick Blanc created a vertical garden for the project, including 20,000 species of plants.

Sofitel Vienna by Jean Nouvel

More about Jean Nouvel on Dezeen »

Sofitel Vienna by Jean Nouvel

More about Julien Lanoo on Dezeen »

Sofitel Vienna by Jean Nouvel

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Sofitel Vienna by Jean Nouvel

Here’s some more information from the hotelier:


The building offers a festival of light and reflections creating continuity between the interior and the exterior.

Sofitel Vienna by Jean Nouvel

For the finishing touches of this purist aesthetic, the Swiss artist Pipilotti Rist has created glossy and multicoloured video ceilings, and the French architect-landscaper Patrick Blanc has planted a magnificent vertical garden, a ‘living’ wall covered with 20,000 species of plants.

Sofitel Vienna by Jean Nouvel

Jean Nouvel is an internationally renowned architect who has masterfully integrated his contemporary vision into the traditional Viennese architecture.

Sofitel Vienna by Jean Nouvel

The slanting, floating roof seems to merge into a glass façade allowing light to stream into the spacious lobby and illuminating the 5 upper levels. The elegant white, black and grey facades give a taste of the monochrome décor of the rooms.

Sofitel Vienna by Jean Nouvel

For your meetings

The mezzanine of the Hotel Sofitel Vienna Stephansdom proposes a business lounge as well as a comfortable library and reading area.

Sofitel Vienna by Jean Nouvel

For business events or special celebrations, choose from one of our 9 adjustable meeting and reception rooms, with natural lighting, equipped with cutting edge audio and video systems, and capable of hosting up to 130 people.

Sofitel Vienna by Jean Nouvel

There is no doubt that these remarkable facilities will cause a sensation.

Sofitel Vienna by Jean Nouvel

Gastronomy

From its vantage point on the 18th floor, the latest creation of the Hotel Sofitel Vienna Stephansdom is its entirely glass-walled restaurant, which is constantly exposed to the reflections of the changing light.

Sofitel Vienna by Jean Nouvel

Its airy ambience overlooking the city and its shimmering painted ceiling makes it an ideal place for an unforgettable meal.

Sofitel Vienna by Jean Nouvel

The best of French and Austrian cuisine rub shoulders in this establishment directed by the French three starred chef Antoine Westermann, who is determined to make it the latest ‘place to be’.

Sofitel Vienna by Jean Nouvel


See also:

.

Sofitel Lyon Bellecour Hotel
by Patrick Norguet
Palazzina Grassi Hotel
by Philippe Starck
The Yas Hotel
by Asymptote

Saint James and Simple Bridge by Jean Nouvel for Ligne Roset

Saint James by Jean Nouvel for Ligne Roset

Cologne 2011: more from Jean Nouvel for Ligne Roset at imm cologne, this time the reissue of the French designer’s Saint James collection (above) and Simple Bridge (below).

Loriginal by Jean Nouvel for Ligne Roset

Saint James was originally designed by Nouvel for a restaurant, where the elasticated covers over the foam pads were changed for each new customer.

Saint James by Jean Nouvel for Ligne Roset

The collection includes a chair with or without arms and a pouf.

Saint James by Jean Nouvel for Ligne Roset

The Simple Bridge was originally part of Nouvel’s Elémentaire collection, now reissued as a sofa, armchair and footstool, characterised by the curved shape cut away from both arms and footstool.

Saint James by Jean Nouvel for Ligne Roset

See also: Simplissimo by Jean Nouvel for Ligne Roset at imm cologne.

More about Jean Nouvel on Dezeen »
More about Ligne Roset on Dezeen »
More coverage of Cologne 2011 »

Loriginal by Jean Nouvel for Ligne Roset

imm Cologne takes place 18-23 January 2011. See all our coverage of the event »

Loriginal by Jean Nouvel for Ligne Roset

Once again we’ve teamed up with imm Cologne to hold a free series of Dezeentalks at [D3] Design Talents. More details »

See films of all the Dezeentalks at last year’s fair here.

Here are some more details from Ligne Roset:


Saint James

CONCEPT. “This chair was originally designed for an extremely luxurious restaurant, with a white cotton cover which was changed for each new customer. Even so it had great simplicity whilst expressing with its very form the idea of great comfort, like an invitation to sit down and eat well. It was especially designed for this location, but it is the right of every piece of furniture to go wherever it wishes. Its friendly character has always ensured that it is viewed with a certain amount of humour. Its spirit is this openness, this declared fluidity. Contemporary techniques have enabled us to make gains in terms of both comfort and lightness. Just like a construction set, the elements of the armchair are separate: the curved metal stems link four ‘bubbles’ with removable covers.” Jean Nouvel

AESTHETICS

A devotee of unembellished design, Jean Nouvel has reduced the elements of the structure (feet, arm supports, junction of seat-back) to their most simple expression in order to offer, by contrast, generous, highly welcoming proportions in the case of those areas which come into contact with the body (seat and back cushions, armrests).

The Saint-James seating combines simple and very light lines of steel, elegantly curved, with the sensual fullness of the seat, back or arm cushions. Its threadlike, spidery appearance in no way precludes excellent comfort.

Simple Bridge

CONCEPT

“This seat had in the Elémentaire collection, which was originally produced by Ligne Roset. Elementarity has always been, for me, a rather anti-design position. I designed this armchair for the centre des congrès de Tours in the early 90’s. To say the least: now, I want THIS armchair – because the seating of the 1930’s to 70’s, when put into the architecture of the 1990s, is like quotations which have been displaced. I tried to make a design with no stylistic effect in and of itself, with just a little ergonomy and comfort. This armchair should be capable of adapting to all situations. One should rethink them constantly, taking account of the locations into which they will have to fit. So it could be higher, lower, wider, the essential element being that its materials and proportions remain strict and correct.” Jean Nouvel

AESTHETICS

It was clearly the designer’s intention to create a lucid, transparent piece which marks a return to traditional geometric forms: minimalism as a means of achieving perfection in terms of form. On the bridge, a quasi-cube around 65 cm2, a sweeping curve cuts across the seat and front edge of the arms to optimise the comfort and the harmonious balance of proportions.

Simple Bridge reinvents the‘club’, a comfortable, masculine chair, but with an extreme purification in terms of form.The design of the curve of the arms is sufficient to bring a certain dynamism to the overall piece.

And yet, the apparent simplicity of Simple Bridge conceals the very skills necessary to its execution: there can be no approximations in terms of cutting, sewing or upholstery if the severe edges of the seat are to remain perfectly straight.

Finally, to remain true to its designer’s desire for simplicity, Simple Bridge demands, as a priority, a timeless covering : a smooth hide or a black, white or grey polyurethane-coated fabric.


See also:

.

Ploum by Ronan & Erwan Bouroullec for Ligne Roset Ruché by Inga Sempé
for Ligne Roset
More about
Jean Nouvel

Simplissimo by Jean Nouvel for Ligne Roset

Simplissimo by Jean Nouvel for Ligne Roset

Cologne 2011: French architect Jean Nouvel presents a new collection of furniture for Ligne Roset at imm cologne in Germany this week.

Simplissimo by Jean Nouvel for Ligne Roset

Called Simplissimo, the series includes a banquette, chaise longue, fireside chair, footstool and bench, all with simple upholstery on a tubular frame.

Simplissimo by Jean Nouvel for Ligne Roset

More about Jean Nouvel on Dezeen »
More about Ligne Roset on Dezeen »
More coverage of Cologne 2011 »

Simplissimo by Jean Nouvel for Ligne Roset

imm Cologne takes place 18-23 January 2011. See all our coverage of the event »

Simplissimo by Jean Nouvel for Ligne Roset

Once again we’ve teamed up with imm Cologne to hold a free series of Dezeentalks at [D3] Design Talents. More details »

Simplissimo by Jean Nouvel for Ligne Roset

See films of all the Dezeentalks at last year’s fair here.

Simplissimo by Jean Nouvel for Ligne Roset

Here are some more details from Ligne Roset:


CONCEPT

“I like simple objects, produced in a natural way, with a little wood, foam and plastic. This is a direct aesthetic, which goes straight to the point, inspired by ‘fitness’. This faux banality renders such objects moving. Different and similar, like the members of a family which will grow and take on colour over the generations.” Jean Nouvel

AESTHETICS

Viewed in profile, the Simplissimo fireside chair seems to have been designed with two strokes of a pen: one for the base, a 3-segment broken line which gives its ergonomic slope to the seat-back assembly, itself a 2-segment broken line.

Thus the comfort arises from the design and the materials, employed with great economy of means on the seat and back. Thanks to the elegance of its light, transparent design, Simplissimo occupies its space with quite some degree of personality.

Simplissimo is available as a banquette, chaise longue, fireside chair, footstool and bench.

QUALITY OF MANUFACTURE & COMFORT

Construction: frame of seat and back in bent, soldered tubular steel and MDF. Back panel in plywood. Base in tubular steel, either matt chromed or finished in matt black lacquer, with protective gliders.

Comfort: suspension of seat and back via a sheet of grooved polypropylene, overlaid with an integral seat cushion in high resilience polyurethane Bultex foam 60 kg/m3- 7.5 kPa and 110 g/m2 polyester quilting.

Making-up: the upholstery hugs the curves of the metal structure and deliberately allows gathers in the four corners, which contribute to the overall aesthetic of the model.

Exclusively available in Kanda and Scuba fabric: polyurethane coating on a polyester backing, with a peachskin feel and matt aspect.


See also:

.

Ploum by Ronan & Erwan Bouroullec for Ligne Roset Ruché by Inga Sempé
for Ligne Roset
More about
Jean Nouvel

Hook by Jean Nouvel

Milan 2010: French architect Jean Nouvel presents an office wall system for Italian brand Methis at Superstudio Più in Zona Tortona. (more…)

Jean Nouvel to design Serpentine Gallery Pavilion

French architect Jean Nouvel will design this year’s Serpentine Gallery Pavilion, the London gallery has announced. (more…)