Bright Lights Is Tonight: Drenttel & Helfand, Hoefler & Frere-Jones to Receive AIGA Medals


A taste of the digital typefaces designed by Hoefler & Frere-Jones.

Shield your eyes from the glare of design talent this evening in New York, as AIGA hosts “Bright Lights.” The annual awards gala will begin with cocktails and conversation, and proceed to celebration and presentation of the coveted AIGA medal, the graphic design world’s highest honor. This year’s crop of James Earle Fraser-designed medallions goes to John Bielenberg, William Drenttel and Jessica Helfand, Jonathan Hoefler and Tobias Frere-Jones, Stefan Sagmeister, Lucille Tenazas, and Wolfgang Weingart. Not bound for Bright Lights? Play along at home by reading aloud, in your best announcer voice, AIGA’s citations (below) of the design luminaries.
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Sparkle by Tokujin Yoshioka for Kartell

Milan 2013: Japanese designer Tokujin Yoshioka presented plastic furniture that resembles cut-crystal glasses for Italian brand Kartell at the Salone Internazionale del Mobile last week.

Sparkle by Tokujin Yoshioka for Kartell

The Sparkle stool and side table by Tokujin Yoshioka have ridges that gently curve around the sides and fan out across the tops, giving the furniture a twisted appearance.

“Sparkle shines by refraction of light from the prism effect like a crystal glass,” says Yoshioka.

Sparkle by Tokujin Yoshioka for Kartell

Kartell is famous for plastic products and also launched a sofa by Philippe Starck that’s the largest single-piece injection moulding in the world on its stand at the Salone Internazionale del Mobile. See all our stories about plastic furniture by Kartell.

Yoshioka meanwhile is known for transparent objects and has previously created a see-through armchair and set of almost invisible tables for Kartell, plus an installation with hundreds of transparent plastic sticks. See all our stories about design by Tokujin Yoshioka.

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In Brief: D&AD Judging Week, Six-Second Films, Remade Relaunch, Smart Textiles


Sagmeister & Walsh’s “Now is Better” project, seen here installed at the Jewish Museum, will be included in the 51st D&AD Annual and is up for a Yellow Pencil. (Photo: David Heald)

• On Monday a 192-member jury of leading creatives and designers began the business of judging the 51st D&AD Awards. As you await today’s installment of nominations and “in-books” in categories such as branding, graphic design, and art direction, page through the first five decades of excellence in visual thinking with D&AD 50, new from Taschen.

• The Tribeca Film Festival organizers recently announced its first six-second film competition, challenging amateur and pro filmmakers alike to make cinemagic with the bold, new, yet Super 8ish medium of Vine. The festival’s director of programming has narrowed down the approximately 400 entries to this shortlist. A jury consisting of director Penny Marshall, Vine-loving actor Adam Goldberg, and the team from 5 Second Films will have the final say on the winners, which will be announced next Friday.

• Transform the leather jacket languishing in the back of your closet into something that doesn’t scream “Wilsons Leather circa 1998″ with Remade USA, designer Shannon South‘s freshly relaunched custom service that repurposes individual vintage leather jackets into new one-of-a-kind handbags, through redesign and reconstruction.

• And speaking of textile innovation, on May 1, New York’s Eyebeam presents “Smart Textiles: Fashion That Responds,” a panel that will bring together a diverse group of designers and scientists working in cutting-edge textile research and production–think nanoparticles, circuit boards, and clothing that’s more responsive to changing needs and conditions.

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Core77’s 2013 New York Design Week Guide Is Now Open for Event Submissions!

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It’s that time again—with ICFF and its ever-evolving constellation of satellite shows, New York Design Week is nearly upon us. We’re certainly grateful that the City Council has seen fit to promote the first ever NYCxDesign ‘week’—an 11-day extravaganza that includes Frieze Art Fair on the weekend before ICFF—but it’ll always be NYDW to us…

Anyway, they’ve been doing a great job with their event guide, but we’re looking to supplement their comprehensive listings with our own annual guide, which, as always, will serve as both an authoritative guide and a quick reference to the design ongoings around town.

As with last year, we’ve streamlined the event submission process so all you have to do is fill out the form at http;//Core77.com/NYDW and we’ll process your entry shortly.

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We’re looking to go live with the NYDW guide—which, as some of you may remember, works as a mobile app—in early May, so submit the details of your event ASAP! (No worries if you’re a few days late—we’ll accept submissions on a rolling basis, so here’s the permalink to the submission form, just in case.)

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‘Tidal Wave of Technology’ Is Transforming Museums

How can technology reinvent and deepen the museum experience? New York’s 92Y recently convened a panel of forward-thinking museum pros to tackle the question, and we sent writer Nancy Lazarus to report back on what the future of museums may look–and sound and feel–like.


A visitor gets in touch with the Cleveland Museum of Art’s “Collection Wall,” a 40-foot, interactive, microtile wall featuring over 3,500 works of art from the permanent collection.

King Tut may finally have met his match: interactive technology. “Digital technology is as much a game-changer now for museums as blockbuster shows” were in the late 1970s, said Cara McCarty, curatorial director of the Cooper-Hewitt National Design Museum. The Metropolitan Museum’s 1976 Tutankhamen exhibit was a pioneer of the blockbuster, and now many of the Met’s ancient treasures are also viewable on interactive touchscreens.

McCarty moderated a recent 92Y panel about technology trends and the future of museums. When she said, “Technology is hitting us all like a tidal wave,” she wasn’t lamenting, but referring to the overwhelming options. The panelists agreed, including Mark Robbins, director of the International Center of Photography. “Nineteenth-century museums were comprised of a privileged set of objects,” he said. “Now museums offer more immersive experiences without walls.”

“Technology is a tool shaping museums’ future,” added Seb Chan, Cooper-Hewitt’s director of digital and emerging media. Interactive options enrich visitors’ experience, especially for storytelling. Chan described the mobile app at Australia’s Museum of Old and New Art in Tasmania. It senses where gallery visitors are and delivers custom content, thereby eliminating wall labels. London’s Tate Museum has a similar app, the Magic Tate Ball, which promises, “It’s like having the Tate in your pocket.”

Another proponent of technology’s narrative power is Jake Barton, founder of Local Projects, a firm that designs media installations for museums. One client is New York’s 9/11 Memorial Museum, slated to open next year. He previewed an exhibit where visitors will use interactive maps to pinpoint their locations when they learned of the 9/11 news. Then they record messages about that moment, and their voices will play in the background as visitors view the exhibit.
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Heineken Presents The Magazzini Milan 2013: Daily design talks, workshops and all-around creative inspiration from the heart of Milan’s zona Tortona

Heineken Presents The Magazzini Milan 2013


Advertorial Content: As the days tick away until this year’s Milan Design Week, running 9-13 April 2013, we’re looking forward to our Designer Master Classes and a slew of other design events to be held at );…

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Five Things to Do in NYC This Week, from AIPAD to Zola

• Join us tomorrow evening at the Museum of Arts and Design for a meeting of Superscript’s Architecture and Design Book Club. Up for discussion: design themes in Émile Zola‘s The Ladies’ Paradise (Au Bonheur des Dames). Arrive early to take advantage of free/pay-what-you-wish Thursday night admission and see the current exhibition, “After the Museum: The Home Front 2013,” which includes a related installation by Superscript, “On Display.”

• You say “tomato,” we say Andrew Kuo is a genius. His solo exhibition of new acrylic paintings opens tomorrow at Marlborough Chelsea.

• As if you needed more reasons to adore Scandinavia, the Streaming Museum has cooked up “Nordic Outbreak,” a series of events and exhibitions taking place throughout NYC. Saturday’s symposium will consider what “the Nordic” has come to mean in the digital age and illuminate an “outbreak” from conventional aesthetic ideas about the Nordic concept.

• Put down your iPad and head to AIPAD. The megaphotoshow, presented by the Association of International Photography Art Dealers, runs Thursday through Sunday at the Park Avenue Armory.

• Finally, ’tis the season for…Cambodia? Jaa! This weekend, the School of Constructed Environments at Parsons The New School for Design presents “Living Arts City: Art and Urbanism in Phnom Penh and New York,” a two-day colloquium exploring the interconnectedness of creativity, urban ecology, and community. Speakers include designers, curators, and architects from Phnom Penh and New York.

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Recap of the iPensole Online Footwear Design Class

Pensole-MichaelWilliams.jpgBy Michael Williams

I opened the email to read “Congratulations”, informing me I had been accepted as one of the students in the first online Pensole class. To say I was thrilled is an understatement—I had known about Pensole for a while and was just itching to get myself into one of the classes. I happily accepted and knew it would be a great opportunity to further my goal of becoming a professional footwear designer.

For the online class—Pensole’s first—we were all spread out across the globe, different countries and time zones. During the first meeting, it was interesting to see others just waking up when I was ending my day. Some of them were waking up in the middle of the night just to be in the live meetings. This made it very clear we were all pretty passionate about designing footwear and quickly established camaraderie. We all had to start with a brief of what kind of footwear we wanted to design, but D’Wayne informed us that in order to grow as designers, we had to design out of our “comfort zone.”

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I figured the best way for me to do that was to design a pair of women’s platform heels. Of course, the object wasn’t to just design another shoe but to design a shoe that served a purpose. We all had to develop design briefs and really developed who we were designing for and what problems we were solving. Once our briefs were completed, the ideas seemed to flow from everyone’s thoughts through our pencils, brought to life in pages of sketches. With guidance from D’Wayne and our fellow classmates, we refined our designs over and over again to end up with one solid direction. Our last class session was great—seeing everyone’s final designs rendered really ended the class sessions on a positive vibe.

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Cool Hunting Designer Master Classes in Milan: Present your latest work for critique on stage during this year’s design fairs

Cool Hunting Designer Master Classes in Milan

This year, in addition to our annual coverage of Milan’s Design Week, we’ve teamed up with Heineken to hold a series of Designer Master Classes on 9, 10 and 11 April 2013 at The Heineken Magazzini in Milan’s Zona Tortona. In order to give our readers access to some…

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TEFAF, Take Two: Skulls, Artists’ Jewelry, and Great Design


Hurry up, please, it’s time. TEFAF favorite Kunstkammer Georg Laue’s offerings included, at right, a Renaissance vanitas cabinet. Lest would-be buyers tarry, the front door of the cabinet opens to reveal a scene with a naked child leaning on a skull with an hourglass at his feet.

Shoppers ranging from the Metropolitan Museum of Art to Kanye West have popped into the European Fine Art Fair (TEFAF), which runs through Sunday in the Dutch town of Maastricht. No word on Kanye’s haul, but the Met scored “Virgil’s Tomb in Moonlight” (1779) by Joseph Wright of Derby (a poster version is yours for $19.99), Ronald Lauder picked up Picasso‘s “Homme au Chapeau” (1964) for $8 million, and the soon-to-reopen Rijksmuseum in Amsterdam has enriched its collection with works including an 1809 Nicolaas Bauer canvas and Antoine Vechte‘s silver “Galathea” vase, created in 1843 for a French nobleman. Meanwhile, 26-year-old TEFAF is looking eastward: the fair’s organizers announced this week that they’re in talks with Sotheby’s to develop an art fair in China, so stay tuned for updates on “TEFAF Beijing 2014.” We’ve still got plenty to show from you from this year’s artstravaganza in Maastricht–check out 25 more must-sees:


Gagosian gallery positioned this 1946 Picasso nearby Rudolf Stingel‘s 2012 photo-realist painting of the artist as young man. At right, L’Arc de Seine’s jaw-dropping stand featured a circa 1930 shagreen-covered desk and chair by Jean-Michel Frank.


The secret to eternal youth? Multiple suitors and frequent ski trips, suggests this first edition from Shapero Rare Books.


Didier Ltd’s assortment of jewelry by artists included this one-of-a-kind silver brooch made by Harry Bertoia during his time at Cranbrook in the ’40s. And what do you get when you combine a fishing float painted black and a gilded beer can? Louise Nevelson‘s 1984 pendant necklace.
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