Room Collection Furniture System, pensé par Erik Olovsson & Kyuhyung Cho vous propose avec 25 blocs de différentes formes et tailles, de composer vous-même le meuble qui vous conviendra. Une façon simple et réussie de rendre chaque client heureux de son achat, grâce aux nombreuses configurations possibles.
Milan 2014: London studio Doshi Levien has designed an armchair for Danish brand Hay with a curving high-backed seat that resembles a traditional Japanese fan.
The Uchiwa chair by Doshi Levien takes its name and its rounded shape from a rigid hand-held fan, which is made from a circular piece of paper attached to a bamboo handle.
The chair’s moulded polyurethane shell is upholstered in either soft down with a quilted cover for use in domestic interiors or more durable moulded foam for the contract market.
Designer Jonathan Levien told Dezeen that Hay gave the studio an open brief to create a comfortable armchair, with the condition that it should also be affordable.
“In a sense it was as free as any other project in creative terms, only we had to make a piece with economy of production in mind,” said Levien.
The designers spent seven months developing the product – focussing on refining the upholstery process to reduce the amount of stitching required and achieve the required affordability.
“Most of the work in an upholstered piece goes into the stitching, so we found a way to minimise this while coming up with an expressive gesture through clever pattern cutting,” Levien explained.
The chair’s shell is injection moulded in a rounded shape ,with folds on the rear adding structure and creating sharp lines that contrast with the soft upholstery of the seat.
The expansive shell is supported by a compact oak frame that matches the curve on the underside of the seat and is also available in a stained grey finish.
An accompanying foot stool has also been developed and Doshi Levien is working with Hay to expand the Uchiwa collection by introducing a low back version of the chair.
Milan 2014: Swedish studio Claesson Koivisto Rune has created a modular chandelier, with strings of ovoid-shaped lights influenced by the shape of grapes hanging on a vine.
Claesson Koivisto Rune‘s Grappa chandelier for London company Wonderglass comprises glass diffusers produced in two slightly different lengths. These can be arranged along a central stem to create strings of glowing beads.
“Like a bunch of grapes on a vine, nature creates beauty through variation within repetition,” said the designers. “The bunch consists of a number of the same-shaped grapes but each grape varies slightly in size to the next.”
“With this mental image in mind, we have developed a concept based on stacking a series of lampshades to create columns of various lengths,” they added.
Influenced by the spectacular chandeliers that hang in palaces and grand buildings, the designers wanted to develop a modular product that can be used to create large installations as well as smaller lighting fixtures.
Combining the two elements in various configurations results in a multitude of subtly different installations that can be adapted to suit specific spaces.
The translucent glass shades diffuse light from rows of LED bulbs fixed to the surface of a transparent column and the LEDs can also emit coloured light if desired.
Wonderglass uses traditional glass-blowing facilities in Venice to produce the elements of its chandeliers. The brand also launched designs by Zaha Hadid and John Pawson at its Milan exhibition last week.
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