Link About It: This Week’s Picks: The art of pickpocketing, a vomiting robot and sound trapped in a bottle in our week’s look at the web

Link About It: This Week's Picks

1. Everest in Two Billion Pixels Take a visual tour of the world’s highest peak through an intriguing two billion pixel interactive image of the Khumbu glacier. Made from 477 individual high res images, the navigable photograph allows for zooming to different site areas for an even closer look….

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Y Collection by A+A Cooren for La Redoute

Product news: Paris design studio A+A Cooren has designed a table and a console with branching metal legs for French brand La Redoute.

Y Collection by A + A Cooren

Y Collection was created by A+A Cooren for French mail order company La Redoute as part of the Sam Baron & Friends range.

Y Collection by A + A Cooren

Above: image also shows A+A Cooren’s Big Air Sundae vase for the collection

The dining table and console have Y-shaped metal legs supporting a birch plywood top.

Y Collection by A + A Cooren

Above: image also shows A+A Cooren’s modular storage unit for the collection

While the table is self-supporting, the console must be fixed against the wall.

Y Collection by A + A Cooren

We’ve published some similar furniture on Dezeen lately, including a chair with its backrest wedged between catapult-like legs and furniture that appears to be peeled away from wooden stems.

Y Collection by A + A Cooren

Previous pieces by the same designers include a glass vase with a vortex-like interior and a collection of lights held together by velcro – see all our stories about A+A Cooren.

See all our stories about tables »
See all our stories about furniture »

The post Y Collection by A+A Cooren
for La Redoute
appeared first on Dezeen.

Luxury Production Vehicles: Mercedes-Benz GL350: Testing the GL350 to stand up to the rigors and specifics of shooting video

Luxury Production Vehicles: Mercedes-Benz GL350

After years of producing video behind the wheel of everything from a 15-passenger van to a cube truck, and shooting out the windows of innumerable Caravan and Town & Country minivans, we thought it might be interesting to see how some of the luxury-brand vehicles we often feature in…

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Iconic Typography

A la demande de l’agence belge Canada Gent, l’artste Kevin Devroo nous propose de découvrir un travail typographique de toute beauté. Alliant avec talent lettres et matériaux, le rendu de ce projet appelé « Iconic » rend hommage au design avec des créations 3D du plus bel effet. A découvrir en images dans la suite.

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Bed Blend

Il letto più bello dopo quello di Muji si chiama Bed Blend. Disegnato da Mieke Meijer.

Bed Blend

"He had a volcanic imagination" – Barnaba Fornasetti on Piero Fornasetti

This year marks the 100th anniversary of the birth of Fornasetti founder Piero Fornasetti (above). With a new wallpaper collection for Cole & Son coming out this month, we met up with Piero’s son, Barnaba Fornasetti (below), who told us the story behind the eccentric Italian design house that he now heads (+ interview + slideshow).

Marcus Fairs: Tell us about the collaboration with Cole & Son [see our previous story]. What is the thinking behind it?

Barnaba Fornasetti (pictured above): We decided to make a second collection for Cole & Son wallpaper. I was thinking of doing something a little more than a normal wallpaper, to give the opportunity to have something to stick on the wall with some more fantasy, to be more creative: applying the wallpaper in a different way so that is not only a wallpaper but is something more.

So I decided to do vertical rolls and horizontal rolls, and rolls that can be combined together. For example, we have the clouds that can be combined with balustrades and flying machines. You can choose to make only clouds with the balustrade or only a piece of the flying machine with clouds, or as this example of trompe-l’œil can put together a bookcase, an armoire, some objects and a trompe-l’œil wallpaper, and open windows and you can decorate a room without furniture. And you can also put a sky, if you want to put the wallpaper on the ceiling, you can make it. So, it’s a different way to use wallpaper.

Marcus Fairs: And these are all drawings that you’ve discovered in the archive of your father?

Barnaba Fornasetti: Yes, there are many themes that are taken from the archive. The archive is full of ideas that were used in different ways, mostly as decorations for objects like screens, umbrella stands and different accessories. So I chose things and I mixed them together, and I changed the colour, I changed the dimensions. There result I think is quite good.

Barnaba Fornasetti on Piero Fornasetti

Above: The “Palladiana” chest of drawers.

Marcus Fairs: Tell us a little bit about how your father started and how the Fornasetti brand grew.

Barnaba Fornasetti: He had a volcanic imagination. He woke up every morning with a different idea, and he would start to work on this idea with artisans and his employers, and he would forget what he was doing the day before. So it was very difficult to administer this imagination in an economical and sustainable way. When I received this heritage it was very difficult to continue, trying to channel it, trying to stop too much imagination and finding a way to be concrete in some way.

Marcus Fairs: How many drawings did he produce during his lifetime?

Barnaba Fornasetti: When I did the book [Fornasetti: The Complete Universe, published by Rizzoli in 2010, below] it was said that he had created about 11,000 different objects but we realised that it was more, probably about 13,000 different objects.

Fornasetti: The Complete Universe published by Rizzoli

Marcus Fairs: And he drew all of these in his house, in your house, in Milan?

Barnaba Fornasetti: Yes in the house. There are many that are archived in the house, in storage; the attic is full of things. It is reduced now, but there is a lot of material there still.

Marcus Fairs: How would you describe your father’s style? He mostly worked in pen and ink, is that right?

Barnaba Fornasetti: Yeah the graphic drawing is the base of his ideas, his style, his culture. He was a photographic printer, printing for many other artists. He started as an artist and he became an expert in printing with different techniques. He used lithography for example to print on silk, so the first example of applied art by my father was the silk scarf, a headscarf in silk, printed with lithography and other techniques together. Fashion in some ways was one of the first experiences. He received the Neiman Marcus award [for Distinguished Service in the Field of Fashion] in 1959 in the field of fashion, not because he was a fashion designer but because a big inspiration in the field of fashion.

Barnaba Fornasetti on Piero Fornasetti

Above: Piero Fornasetti with the “Architettura” trumeau-bar

Marcus Fairs: Gio Ponti helped him establish Fornasetti as a brand. How did that come about?

Barnaba Fornasetti: They had this idea to combine industry with craft and art, to put decoration and art into everyday objects; to give the possibility for the wider public to have objects decorated especially with Italian art, with Surrealism. But industry doesn’t understand this kind of eccentricity, these kind of strange themes. So they didn’t get it and didn’t want to mass produce them. So he decided to start his own atelier and make a production that was selective, that was limited, not by choice but because it was difficult to produce industrially.

Marcus Fairs: And what was the role of Gio Ponti in that?

Barnaba Fornasetti: Gio Ponti was like a guru for my father. He was the guy who discovered the fantasy but not only the imagination of my father, but also the skill, the knowledge of techniques. He was able to invent technical ways to apply decoration to objects. The secret of Fornasetti is many artisans’ skills, many artisans’ secrets, put together, made by their ability to use their hands.

Barnaba Fornasetti on Piero Fornasetti

Above: The “Architettura” trumeau-bar by Piero Fornasetti. First exhibited in 1951.

Marcus Fairs: What was your father like to work with?

Barnaba Fornasetti: He was very egocentric, he was a very strong character and was difficult to collaborate with, especially at the beginning. I was a very hippy thinker and lazy, like all my generation at the time in the 60s. So I was frequently fighting with him. But a few years after moving away from home and finding my own job I saw he needed help and I came back. It was very interesting and a pleasure for both to be together.

Marcus Fairs: And he passed away in the late 80s?

Barnaba Fornasetti: 1988.

Barnaba Fornasetti on Piero Fornasetti

Above: “Zebra” Small curved cabinet by Barnaba Fornasetti. Wood. Printed, lacquered and painted by hand.

Marcus Fairs: How do you now balance the need to make a business with being true to your father’s ideas? What is the strategy of Fornasetti now?

Barnaba Fornasetti: The strategy is to continue in a way of making things not related to products, because I think we have too many products around us, there is too much production of things that we don’t need. I think we need food for the soul, imagination, decoration – because decoration is something that gives flavour to life, for the eyes and to stimulate vitality. It’s like music. Can you imagine a world without music? It would be sad, you know. Decoration is the same thing. We need decoration, I think. It’s something that we need for living better.

Marcus Fairs: And Fornasetti now licenses Piero’s designs to selected companies?

Barnaba Fornasetti: We have some licensing agreements in specific fields that are not the speciality of our company. We do furniture and china internally and also we do collaborations for wallpaper, scented candles, fabrics and other different things. I like collaborating with other designers that work in a particular field.

The post “He had a volcanic imagination”
– Barnaba Fornasetti on Piero Fornasetti
appeared first on Dezeen.

Fornasetti II Collection for Cole & Son

Product News: clouds, umbrellas, flying machines and suits of armour are among the motifs in this collection by Italian design house Fornasetti for English wallpaper brand Cole & Son (+ slideshow).

The collection also includes architectural friezes and borders and is designed so that different papers and motifs can be combined.

“I was thinking of doing something a little more than a normal wallpaper, to give the opportunity to have something to stick on the wall with some more fantasy,” Barnaba Fornasetti told Dezeen.

“So I decided to do vertical rolls and horizontal rolls, and rolls that can be combined together. For example, we have the clouds that can be combined with balustrades and flying machines. You can choose to make only clouds with the balustrade or only a piece of the flying machine with clouds.”

The motifs are taken from the Fornasetti archive of drawings created by Barnaba’s father, Piero Fornasetti: “I chose things and I mixed them together, and I changed the colour, I changed the dimensions.”

This year is the 100th anniversary of the birth of Piero Fornasetti.

English hand-made wallpaper brand Cole & Son will launch the collection at Maison et Object in Paris later this month. It follows an earlier collection created by Fornasetti for the brand in 2008.

Here’s some info from Cole & Son:


Cole & Son presents the Fornasetti II Collection at Maison et Objet in Paris 18th– 22nd January 2013.

Comprising fifteen designs, Cole & Son’s new collection follows the success of the first Fornasetti range, launched in 2008, delivering a repertoire of magical themes within a collection of designs that are at once iconic and covetable.

Fornasetti II takes a bold step in wallpaper design, transcending the obvious and transforming eclectic and whimsical drawings into a truly stunning array of co-ordinating wallpapers in an exciting range of colours and styles. Eccentric motifs of fantastical flying machines, architectural details, playful monkeys, keys and owls all evoke a theatrical and magical space, while the use of wide width friezes, borders, digital panels and double width papers gives this collection an unparalleled diversity in the way in which it can be used.

Commenting on the new collection, Barnaba Fornasetti stated: “Pablo Neruda once described my father as the magician of precious and precise magic and I think that this decorative collection beautifully captures the magic essence of the Fornasetti world”.

Macchine Volanti

Fornasetti II Collection for Cole & Son

Floating on a new version of Nuvole, these wondrous flying machines hang amongst the clouds evoking the romantic New World of scientific exploration.

The three colourways are drawn in two shimmering versions of silver and bronze on pale blue and midnight skies and a third more playful colouring of red and yellow on a neutral sky.

This design has been devised so that it directly co-ordinates with both Nuvolette and Balaustra and is a total of 137cm wide, thereby being sold as a set comprising two wide width rolls of 68.5cm each.

Nuvolette

Fornasetti II Collection for Cole & Son

Nuvolette, a beautifully rendered cloudy sky effect has been designed as a smaller more manageable version of Cole & Son’s existing Nuvole design.

Presented in three tranquil colourways of neutral, pale blue and midnight to coordinate with Macchine Volanti and Balaustra, a fourth colouring of black and white creates a more striking and stormy effect.

This design has a total width of 137cm and as such is being sold as a set comprising two wide width rolls of 68.5cm each.

Balaustra

Fornasetti II Collection for Cole & Son

Balaustra creates a striking trompe-l’oeil effect of a marble or stone balustrade sitting against a backdrop of Nuvolette.

Designed to be hung horizontally along the bottom of a wall, this is the first of Cole & Son’s friezes and is an exciting and novel approach to using wallpaper.

Conceived as a direct coordinate with both Nuvolette and Macchine Volanti, in neutral, pale blue and midnight, this border offers intriguing opportunities for interior decoration. Balaustra is 68.5cm high and sold on a 10 metre roll.

Chiavi Segrete

Fornasetti II Collection for Cole Son

Introducing two popular Fornasetti motifs, Chiavi Segrete combines mysterious gold and silver keys hanging within a dense privet hedge. At once lyrical and surreal Chiavi Segrete has been produced as a pattern easily useable on four walls. Three softer, more neutral colourways with gold, silver and ghostly white keys suspended within frosty white, grey-blue and pale neutral leaves create a cooler more elegant feel, whilst the more dramatic dark grey and forest green leaves with their gilver keys add a touch of theatre.

This design repeats on a single roll at 68.5cm wide.

Nottambule

Featuring a family of wide-eyed owls, (a favourite theme of Piero Fornasetti,) Nottambule is a charming and humorous frieze, which can be hung either at the top of a room, or above a dado rail. Offered in 5 colourings of ink engraved owls with backdrops of lively red and yellow, as well as two sophisticated neutrals and a more secretive midnight.

The border measures 40cm high and is sold on a standard 10m roll.

Promenade

Featuring a variety of umbrellas, riding whips and walking sticks collected by Piero Fornasetti over the years and depicted on umbrella stands and various other decorative products, Promenade is the second of Cole & Son’s wide width friezes, designed to be hung around the bottom of a room, or beneath the dado rail.

Sold as a single 10 metre roll at 68.5cm wide.

Uccelli

Originally created as a decorative folding screen, Uccelli was first devised as a wallpaper for a luxury hotel on the on the Argentario Peninsula in Tuscany. Due to popular demand we have reproduced it here in two seasonal colourways of bright summer colour and cooler wintery tones.

Designed as a repeating panel at 1.04 metres wide by 2.8 metres high, the wallpaper is sold as a 52 cm wide paper that joins to create the full width and height.

Procuratie

The first of two architectural designs, Procuratie, which takes its name from the well known building facades of St Marks Square in Venice, is composed of two rows of classical arches drawn in a simple intaglio style. Produced in four neutral shades Procuratie repeats at 68.5cm wide and is sold on 10 metre roll.

Procuratie e Scimmie

Fornasetti II Collection for Cole & Son

The amusing companion to Procuratie features two monkeys wandering amongst pillars and arches.

Offered in the four directly co-ordinating colours of Procuratie, the monkeys are picked out in shades of pale blue, soft gold, regal purple and black and white.

This design also repeats at 68.5cm wide and is sold on a 10 metre roll.

Acquario

Fornasetti II Collection for Cole & Son

The fish theme appears in some of the earliest Fornasetti work, and this design adopts some of the motifs used on decorative trays. Picked for their whimsical and naive appearance, Acquario’s clownish fish set on soft washed backgrounds of pale cobalt, neutral, charcoal and deep-sea blue, repeat at 68.5cm wide and are sold on a 10 metre roll.

 Teatro

Comprising three colourways – black, white and neutral, turquoise and neutral and the original colouring of red and yellow, Teatro originally designed for umbrella stands in the mid 1950s, features boxes occupied by elegant theatre-goers in evening dress. This wonderfully conversational wallpaper creates a witty and flamboyant faux interior, perfectly in keeping with the Fornasetti spirit and ethos. It repeats at 68.5cm wide and is sold on a 10 metre roll.

Pennini

Fornasetti II Collection for Cole & Son

Featuring an assortment of old fashioned pen nibs in an array of burnished metallics, Pennini has been designed as a frieze, to be hung horizontally around a room. At 52cm high Pennini is offered in a sophisticated palette of parchment with iridescent aquas and blues, charcoal with bronze and pewter, linen with golds and coppers and powder blue with silvers, golds and gilvers.

Nicchie

Fornasetti II Collection for Cole & Son

Comprising a number of well proportioned trompe l’oeil niches, Nicchie was originally conceived as a decorative screen in the 1950’s. Re-structured to work as a wallpaper, this unmistakeably Fornasetti crosshatched design features a surreal assortment of mandolins, fruit, keys and hourglasses in graphic tones of black on white, charcoal and parchment with highlights of red, gold and bronze.

This design repeats at 68.5cm wide on a 10 metre roll.

Magia Domestica

Fornasetti II Collection for Cole & Son

The most whimsical and magical design within this collection, Magia Domestica, with its suit of armour, invitingly open door, bookcases and drawn curtains creates a world within a world. Produced as ten panels all at 52cm wide, the entire design is modular, repeatable and can be put together in any configuration.

Sold as either a complete set of 10 panels, or as a choice of two 5 panel sets.

Multiplette

Fornasetti II Collection for Cole & Son

Both Piero (a member of Ciclisti Milanesi) and Barnaba a promoter of cycling, have been bicycle enthusiasts from an early age, the humble bicycle has re-appeared here as a witty 52cm high frieze. Multiplette features nine cyclists pedalling along on a single multi-saddled bicycle in ‘comic-strip’ striped jerseys and caps. Produced in nostalgic colourways of red and navy, and a more colourful primary red, blue and yellow, this border is sold on a 7.5metre roll, comprising 5 complete ‘bicycles’.

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for Cole & Son
appeared first on Dezeen.

Basic Armchair by Lagranja Design

Product news: the first piece to be produced by Barcelona studio Lagranja Design is an armchair inspired by classic Danish design.

Basic Armchair by Lagranja Design

The Basic Armchair is described by Lagranja Design as a “gentle interpretation of the Danish archetype”, with a “Mediterranean touch” seen in its upward-flicking armrests.

It was originally made for the lobby of the Chic & Basic Hotel that the studio designed just off La Ramblas in Barcelona.

Basic Armchair by Lagranja Design

The armchair is made of solid beech, with a seat and back upholstered in fabric or leather selected by the client.

We recently featured a collection of colourful mix and match furniture created by Lagranja for Spanish brand Sistema Midi.

Basic Armchair by Lagranja Design

Other armchairs we’ve published on Dezeen include a curvy seat designed to look like an app and a pleated leather seat inspired by the puffed shoulders of Renaissance costumes.

See all our stories about chairs »
See all our stories about furniture »

Photographs are by Meritxell Arjalaguer and Fotodisenny.

Here’s some more information from Lagranja:


Basic Armchair

It is basic twice. Once because is been expressly designed for the Chic & Basic Hotel lobby, one of our latest interior design projects. Twice because it is the minimal yet acceptable image of an armchair. A gentle interpretation of the Danish archetype… of course with a Mediterranean touch.

The Basic Armchair is the very first object produced by lagranja. How did we get there? It is the purest expression of a need. While furnishing the hotel lobby we were fighting with a very tight budget, and we couldn’t find any armchair that fit the budget and that we liked, so we decided to design and produce the best piece we could within our budget constraint.

It is a solid beech wood structure armchair with matte water varnish finishing. The seat and back are upholstered in fabric or leather, with possibility of using fabric indicated by the client. The fabrics for this armchair have been selected among the best collections of the most exclusive firms.

The post Basic Armchair by
Lagranja Design
appeared first on Dezeen.

Urban Carbon Bike

The Coren est un superbe projet de vélo en carbone. Pensé par l’entreprise allemande UBC GmbH, cet objet au design futuriste très réussi propose une structure en carbone comme les voitures de Formule 1, permettant d’alléger au maximum son poids. Un objet à découvrir avec une série d’images dans la suite.

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We Still Love Nokia Concept Phones

A whole lot of people have given up on Nokia and the sad truth is that if you don’t keep innovating yourself effectively, the competition will eat you for dinner! Oh well, we do have some loyalists who would like to envision their next mobile phone as a handsome side-pop slider with a transparent screen frame. So say hello to this Nokia concept that looks neatly rendered and with some awesome specs. I’m sure if this were a concept Sammy branding then we would get more nods saying ‘aye we like this! Ah people!

Designer: Yanhan Li


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Yanko Design Store – We are about more than just concepts. See what’s hot at the YD Store!
(We Still Love Nokia Concept Phones was originally posted on Yanko Design)

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  3. Time For The Nokia Pad