August Smart Lock by Yves Behar

August Smart Lock by Yves Behar

San Francisco designer Yves Behar of Fuseproject has designed a lock that replaces physical keys with a smartphone app.

August Smart Lock by Yves Behar

Developed by Yves Behar in collaboration with technology entrepreneur Jason Johnson, the August Smart Lock is a cylindrical metal device that fits over the existing deadbolt and syncs with the user’s smartphone.

It uses Bluetooth to sense when the phone is approaching in your pocket then unlocks the door automatically, while remote allows you to open the door for guests from anywhere.

August Smart Lock by Yves Behar

With an access code, other people can be given assigned entry times and dates – for example a cleaner could have a code that only grants access on a specific morning each week, or guests staying for a week could have a code that expires after they leave.

It’s possible to send invitations to events and grant access to guests through the app, where guests and owners can also leave notes for each other or share pictures and comments.

The user interface of the app features flat coloured circles to indicate whether the door is open or closed and control who has access when. The lock has an anodised aluminium case and incorporates LEDs to indicate whether it’s locked or unlocked.

August Smart Lock by Yves Behar

The battery-powered device uses the same secure secure communications technology as online banking and August is not dependent on the house’s power supply or WiFi.

“Whereas traditional keys are easy to lose and copy, keypad codes can be easily shared, and biometrics are expensive and a challenge to install, the smart lock is a beautifully designed, easy to install, sociable device accompanied by a single mobile app that runs on your smartphone,” explain Behar and Johnson.

The product will be ready to ship later this year and is the first from new brand August, co-founded by Behar and Johnson, which launched on Wednesday at the D: All Things Digital conference in Rancho Palos Verdes, California.

August Smart Lock by Yves Behar

Here’s some more information from Behar:


August: you are invited

Have you ever lost your keys? I am willing to bet that 99% of us have. In the last year, 20% of Americans have been locked out of their homes at least once. Humanity has been carrying keys, sharp pieces of metal in our pockets, for 200 years…it’s time we think of something else.

This is the task my co-­founder Jason Johnson and I have decided to address: to make home entry magical, safer than keys or keypads, and something that makes our lives a little better. We set out to design the August Smart Lock hardware so that it works with existing deadbolts, it is easy to install and is beautiful on a door. The user interface of the smartphone app is intuitive, and allows for great control about who and when friends, family as well as services will be able to access your homes. The best user interface is often invisible: August auto-­‐unlocks your door as you approach, and sound design creates an audio confirmation.

The name and logo is warm, friendly and elegant; these qualities are extended to the app, which uses a flat design of simple color circles as indicators for door status, a keychain of all your keys, and scheduling guests’ access. The lock itself is also a simple circular extruded shape, hand sized and made of durable anodized aluminum. The craft details increase tactility with diagonal knurling and the LED’s micro-­‐perforations, as well as a physical scoop on the lock, are visual indicators as to whether the door is locked or unlocked.

Changing the archaic key system is also a way to shift the conversation from keeping people out to ways of making our homes both secure and social places that our family and friends can easily access. With a beautiful and minimally designed smart lock, and an easy, safe, social app experience, August is the first step towards seamless interactions with useful technology we will experience everyday in our home.

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by Yves Behar
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Vedas by Nicholas Alan Cope and Dustin Edward Arnold

Mesh cloaks and structured veils in this fashion collection by Nicolas Alan Cope and Dustin Edward Arnold conjure ghostly apparitions.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

White buckram, a thick mesh cloth made from cotton, is pulled taut around stiff wire structures to create circular headdresses.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

These shapes cover and frame different areas of the face and head, then are left to drape down to the floor. “We were sure to begin with materials that had enough tensile strength to be both pliable and hold shape,” Arnold told Dezeen.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

Items cloak the wearer from top to toe, the matte white mesh creating blurred silhouettes of the body beneath the layers of fabric. “We wanted to restrain the palette by focusing entirely on form rather than color,” he said.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

A cape-like garment with a thick, rigid collar spirals around the body in semi-translucent layers.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

Los Angeles design duo Cope and Arnold cited their influence as De Revolutionibus Orbium Coelestium, Copernicus’ 16th century scientific document that denounced the Earth as the centre of the universe.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

“It signified a paradigm shift in how humanity views itself in relationship to the rest of the world,” Arnold said. “This flew in the face of accepted doctrine and assumptions that were theological in nature.”

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

Vedas means knowledge in Sanskrit and the duo designed the collection to challenge ideas of what is acceptable against what is possible.

Vedas by Nicholas Alan Cope and Dustin Edward Arnold

“It was the idea that knowledge is at once both expansive and contractive,” said Arnold. “For some it shakes foundations, de-stabilizes values and opens up the sheer terror of possibility. For others it signifies hope, advancement and discovery.”

Recent sculptural fashion we’ve featured includes garments inspired by gothic architecture and a collection accessorised with concrete cuffs.

See more fashion design »

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and Dustin Edward Arnold
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Fan outcry prompts Everton FC to ditch new badge design

Everton FC new badge

News: English football club Everton FC has promised to consult fans on a new version of its crest after the latest redesign prompted a furious backlash.

Over 23,000 supporters have signed an online petition calling for the recently unveiled badge to be scrapped, slamming it as “amateurish” and “embarrassing”.

Responding to the outcry on the Everton FC website, the club apologised and said: “We regret we didn’t ask every Evertonian about something that matters so much to every one of you.”

CEO Robert Elstone explained that it was too late to remove the badge from next season’s kits, but added that fans would be consulted on a redesign.

“We are turning to you to help us shape and refine the badge we’ll adopt in the future. Evertonians from all sections of the fan base will be pulled together in a fully transparent way,” he said.

Everton FC old badge
Everton’s previous crest

The badge was designed in response to club officials’ request for a simpler crest that could be “reproduced more effectively in the digital and retail arenas”.

Designed by the club’s in-house graphics team, it depicts a more accurate version of the Everton landmark St Rupert’s Tower, as well as the club’s name and the year of its formation, 1878.

However, the badge omits Everton’s traditional laurel wreaths and the club’s Latin motto “nil satis nisi optimum”, which means “nothing but the best is good enough”.

Despite the angry reaction, the club said it remained committed to modernising the logo: “Effective logos are simple and streamlined. Simplicity achieves stand-out recognition. This was our starting point for our new crest.”

We previously reported on Nike’s redesigned away kit for France’s national football team, based on the Breton stripe, and a warehouse in Portugal converted into an indoor football ground – see all football design.

Other redesigned logos we’ve featured lately include a new identity for the Whitney Museum of American Art in New York and a revamped livery for American Airlines – see all logos.

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to ditch new badge design
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Laser Cut Record

Après avoir présenté 3D Printed Record en décembre 2012, Amanda Ghassaei a développé une technique facilitant la fabrication de disques avec « laser cutter », permettant d’utiliser des matériaux tels que le bois ou le papier pour créer des disques. A découvrir en détails dans la suite en vidéo.

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EDGE Shop by NeochaEDGE: Chinese art agency opens online store featuring limited prints from emerging artists

EDGE Shop by NeochaEDGE


Based in Shanghai and born from a small collective of designers, filmmakers, musicians and entrepreneurs, NeochaEDGE is a multi-faceted and successful creative agency and production house. It’s a pioneering company—founded by Adam J. Schokora and Sean…

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Unwoven Light

La Rice University Art Gallery située à Austin au Texas propose jusqu’au 30 août de découvrir « Unwoven Light », le nom de cette très belle installation pensée par Soo Sunny Park. Cette création colorée, composée de 37 parties mises en scène, est à découvrir en vidéo et en images dans la suite.

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Quiet by TILT

Le idee che stanno dietro gli ultimi prodotti dello studio inglese TILT sono stati concepiti nel corso di workshop con il personale ed i pazienti dell’Ospedale Whittington di Londra. Quiet crea un guscio protettivo consentendo all’utente di sentirsi protetto e accolto, facendolo restare quasi immune dal mondo esterno.

Quiet by TILT

Quiet by TILT

Speedster Concept Aston Martin

Présentée pour la première fois aux 24H du Nürburgring, voici le concept car d’Aston Martin CC100 Speedster. Inspiré par l’Aston Martin DBR1, ce concept-car ultra léger de 1200 kilos a été pensé pour célébrer les 100 ans de la marque. A découvrir en images et en détails dans la suite de l’article.

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3D-printed Robohand helps children born without fingers

News: a prosthetic hand designed for people with missing fingers has been made available to download from the 3D-printing design database Thingiverse (+ movie).

Dubbed Robohand, the prosthesis was conceived by Richard Van As, a South African carpenter who lost four fingers from his right hand in a work accident.

Robohand

He got in touch with Ivan Owen, a mechanical props designer from the USA, and the pair designed a set of mechanical fingers printed from plastic with a Replicator 2 desktop 3D printer, donated by Makerbot.

Robohand

“[The Makerbot] dramatically increased the speed at which we could prototype and try out ideas, and gave us the ability to both hold a physical copy of the exact same thing, even though we were separated by 10,000 miles,” says Van As in the movie.

Robohand

They then tried making a complete hand for a child with amniotic band syndrome, a condition that causes babies to be born with missing or severely shortened fingers.

Robohand

The resulting Robohand is worn around the wrist and lower arm like a gauntlet and driven by the motion of the wrist.

Robohand

Bending the wrist forwards causes the cabling to pull the fingers closed, while moving it back releases the fingers.

Robohand

The digits, knuckle block and wrist hinges are all printed by the Makerbot and joined by cabling and stainless steel bolts, all of which are easy to find and replace.

Robohand
Prototypes of the Robohand in different sizes

“With the Makerbot, as [the child] grows, all we do is scale it up and print him another one, and the hardware just gets taken from that and put on the new hand,” explains Van As, adding that old hands can then be reused by other children.

Robohand

The 3D print files for the Robohand are open source and available to print from the Thingiverse website.

Robohand

Other uses of 3D printing in medicine include a 3D-printed bionic ear that can hear radio frequencies beyond a human’s normal range.

We recently reported on the possibility of printing human organs in Print Shift, our one-off publication about the emerging technology – see all 3D printing news or see design for healthcare.

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BLDGBLOG’s Geoff Manaugh becomes Gizmodo editor-in-chief

Geoff Manaugh, photo by abrinsky

News: architecture writer and founder of BLDGBLOG Geoff Manaugh has been announced as the new editor-in-chief of technology website Gizmodo.

The appointment comes as Gizmodo moves to broaden its focus from gadgets and digital technology towards architecture, urbanism and design.

Under Manaugh’s editorship, which begins in September, Gizmodo will look beyond the traditional definition of technology to analyse its place in the wider world, he told the New York Times.

“We want to push what technology means. It’s not just about gadgets you carry around in your pocket,” he said. “The city itself is the largest gadget that humans have made. You can talk about the ways cities are managed, the way governments function.”

The website will also move away from reviews of consumer gadgets, he said.

“That coverage is being done by so many people today. The idea will be to talk more about the culture of that technology.”

“We’ll also be spinning off the more gossipy stuff about Silicon Valley to another blog, Valleywag,” he added.

Manaugh made his name as a leading architecture blogger with BLDGBLOG, the website he founded nine years ago as a home for his writing on the built environment.

He was previously senior editor at Dwell and contributing editor at Wired UK, and has also taught at the architecture school of Columbia University in New York.

Gizmodo has also named Kelsey Campbell-Dollaghan as its new design editor and brought retrofuturist Matt Novak on board, whose Paleofuture blog “looks into the future that never was”.

See more news about media »

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Gizmodo editor-in-chief
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