Hasta La Ideas

Robots could be sent to Mars to build caves for later habitation by humans, according to a proposal for the colonisation of the planet by German firm ZA Architects (+ slideshow).

The Mars Colonisation project by ZA Architects suggests that humans could colonise the red planet by living in underground dwellings dug out of the planet’s bedrock by an advance party of solar-powered machines.

“Curiosity sooner or later will bring human to Mars and wouldn’t it be nice to have permanent station to explore it?” said Arina Ageeva of ZA Architects. “It seems pretty logical to use caves as the main protective structure of the colony.”

Robots would be flown to Mars to carve out large voids in the basalt bedrock, choosing areas where the rock has formed into distinctive hexagonal columns, which can be removed to create cathedral-like interior spaces. The distinctive, tightly packed stone hexagonal columns, which are also found on earth, are formed where basaltic lava has cooled rapidly.

The robots would then weave web-like structures from basalt fibres to create floors within the caves. Basalt fibres, made by extruding molten basalt, are cheaper and more versatile then carbon fibres, and could replace traditional construction materials on Mars, according to Ageeva.

“We can weave minimal surfaces that will be used as floors on different levels in the cave,” she told Dezeen. “This material is already in use in the aerospace and automotive industries. It is stronger and lighter than steel, easier to operate, fireproof and it does not corrode,” she added.

The Mars colonisation project was undertaken by Dmitry Zhuikov, Arina Ageeva, Krassimir Krastev of ZA Architects as part of a research project at Dessau Institute of Architecture (DIA), HS Anhalt, in Germany.

Ageeva believes humans will be sent to live on Mars within a decade, and cited the Mars One project that plans to send volunteers to establish a colony on Mars by 2023. “Right now it is may not be possible, because such robotics do not exist, but generally we don’t see anything unrealistic in this proposition,” she said.

We’ve featured a number of space-related projects recently, including an orbiting factory that will use 3D printing and robots to fabricate giant structures in space and a concept for 3D printing buildings on the moon using lunar soil.

See more features about space »
See more robots on Dezeen »

Here’s more from the architects:

Mars Colonisation

The purpose of the project is in research of the possibility to build permanent settlements on Mars, using robotics and local materials, thus reduce the price and risks. At the moment there are several crucial restrictions, first of all unreliability, high cost and size limitation of cargoes that can be delivered there.

Further, building works that can be performed on the Mars are highly restricted due to severe conditions. Idea of this project is to split construction works on two general steps: First – creation of overall big shell that will be equipped with residential, technical and other units, which is the second.

First part is to be done by the robots using only local materials. Martian surface is primarily composed of the basalt – igneous rock formed from the rapid cooling of basaltic lava. During the cooling it forms topology of the tightly packed hexagonal in section columns. Idea to use the digging robots that can hew cave system, using benefits of this topology is inspired by the Fingal’s Cave. This solution allows to avoid supply from the Earth, only robots are needed.

After cave is done, astronaut mission is sent to the Mars. Using ready-assembled compact facilities they must arrange water and oxygen supply from the soil glacier and mount basalt processing plant. Robot supply plant with the crushed rock, output – basalt wool, with which the same robots insulate the walls of the cave, and basalt roving, from which another weaving robots can make the spatial spider-like web that will be used as spaces and constructions to hold the domestic and technical facilities.

According to NASA, some martian soil appropriate for growing certain agricultures. When construction is finished and contour of the cave is enclosed it is possible to arrange agricultural processes and supply base with food.

Colonisation stages:
1. Rocket with digging robots and solar power supply units are sent to the Mars
2. Robots drop-off on the surface
3. Robots analyze basalt columns on strength value, then each chooses a weakest pillar that equidistant from the others – it is a start position
4. Robots drill basalt, moving down and increasing diameter of withdrawn rock with each step, until it reaches strong pillars that remain as columns
5. Crushed rock set aside to form network of the ramps, in order to protect skylight holes from the wind and dust
6. After caves are ready human expedition travel to Mars
7. Astronauts finish the construction and arrange technical facilities as water, oxygen, basalt processing line, etc.
8. Using generated basalt roving, robots weave spatial spider-like web, that will be used as spaces and construction to hold domestic and technical facilities

name: mars colonization
status: concept
location: Mars
function: industrial, public, residential
architects: Dmitry Zhuikov, Arina Agieieva
curator: Krassimir Krastev
year: 2013

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by ZA Architects appeared first on Dezeen.

News: today’s Google doodle in Japan celebrates what would have been the 100th birthday of Japanese architect Kenzo Tange.

Kenzo Tange, who passed away in 2005, was a twentieth-century Modernist and the designer of the Yoyogi National Gymnasium, which hosted gymnastic and swimming events during the 1964 Tokyo Olympics. This building is pictured alongside Tange in the Google Japan doodle.

The architect founded his studio in 1946 and his best-known buildings include the Hiroshima Peace Memorial Museum and the Kagawa Prefectural Government Hall. He also gained recognition for the design of his own home. Tange Associates continues in his legacy.

Other prolific architects to have featured in Google’s changing logo illustrations include Antoni Gaudí, who would have celebrated his 161st birthday this June, and Mies van der Rohe, whose doodle featured the Crown Hall campus in Chicago. Graphic designer Saul Bass was also recently highlighted.

See more graphics on Dezeen »

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Skyline Chess crée un jeu d’échec original dont les pièces représentent les bâtiments emblématiques de la ville de Londres. On peut ainsi y retrouver Big Ben, le London Eye ou encore le Gherkin qui représentent respectivement la tour, le cavalier et le fou. Un projet surprenant hébergé par Kickstarter à découvrir.

Industrial design student Jeong Yong has created a pair of chairs with grid-like frames based on traditional Korean furniture.

“I was inspired by the patterns which are normally used for Korean traditional house and furniture,” Jeong Yong told Dezeen.

“I believe that Korean traditional houses and furniture are practical, and the balance between straight lines and curves of the pattern makes it more beautiful.”

One chair is lower and wider than the other, and Jeong Yong has personified the set by naming it King and Queen Chair.

“The King is not too fancy but has strong facial impression. However, the Queen is more fancy and at the same time she lowers her position to warm a embrace,” the designer said.

The chair is made from sepetir wood and will come in black or white.

Jeong Yong is due to graduate next year from Konkuk University Glocal Campus in Seoul.

Other chairs we’ve published recently include one with a backrest and seat wrapped in thick lengths of cord and another with bird-shaped armrests.

See all our stories about chairs »

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by Jeong Yong appeared first on Dezeen.

Movie: in our second video interview with Konstantin Grcic in Milan, the industrial designer discusses the upsides and downsides of designing collections for multiple brands, rather than building relationships with a select few. 

“I think the business model of design studios working for several companies, and companies working with many different designers, is quite unique [compared to other industries],” says Grcic, who unveiled new products for brands including Emeco, Flos, Magis and Mattiazzi in Milan this year.

“It has its advantages; it creates dynamism,which I think is positive. I’ve seen the negative side of it as well; because of the dynamics things change and a company that was great to work with for five years suddenly becomes less interesting.”

Grcic concedes that he would prefer to work with fewer companies and build long-term relationships with them.

“To be honest, I prefer working for only a very few companies and having a very steady relationship,” he says. “That’s how it was in the old days, especially in Italy. The great masters each had a few companies that they worked for, almost for a lifetime, and that’s what produced the really great work.”

However, Grcic says that is still possible to work with a company on a short-term basis and produce good work.

“I think some companies, for sure, hire designers for marketing reasons, for having their names in the catalogue,” he says. “But there are other companies – and those are the interesting companies – that are looking for designers as partners for realising certain projects.”

He continues: “It’s interesting that a company like Magis, for example, somehow succeeds in bringing together very different designers on very different projects. If it works, it’s actually quite fascinating. It creates an interesting tension and energy.”

Similarly, Grcic says that a long-standing relationship with a company doesn’t guarantee good design.

“There are companies that only work with very few designers and it can show that the continuity creates better work,” he says. “But it can also end in repetition and a kind of dead-end street.”

See all our stories about Konstantin Grcic »
See all our Milan 2013 coverage »
Watch our Dezeen and MINI World Tour video reports from Milan »

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marketing reasons” – Konstantin Grcic appeared first on Dezeen.