The Breathless Zoo

The eccentric art of taxidermy explored in a new book
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Taxidermy has risen in the contemporary design scene over recent years, mounted on the walls of shops and restaurants as well as defining a certain throwback aesthetic in modern homes. The venerable form of animal preservation marries actual scientific study with an undeniably eccentric sensibility that has endured across generations, though not everyone decorating with a bust might be fully versed in the origins of the craft. Rachel Poliquin’s “The Breathless Zoo: Taxidermy and The Cultures of Longing” delves into that rich history, exploring the motivations behind the art of taxidermy across cultures and centuries.

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Taxidermy, says Poliquin, poses creatures in such a way that presents the “irresolvable tension” of “animal or object” that characterizes the art. One particularly definitive example comes from the 2004 exhibition “Nanoq: Flat Out and Bluesom” at Spike Island in Bristol, England. The author begins the introduction by describing the show as a culmination of Bryndís Snæbjörnsdóttir and Mark Wilson’s three-year quest to photograph every single mounted polar bear in the UK. The event showcased 10 taxidermic polar bears in a set of glass cases, after, Poliquin writes, they had been “taken from their native landscapes at some stage of life or death and manhandled into everlasting postures.”

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The uneasiness of such an aberrant display of specimens is a function of taxidermy itself. Poliquin ventures to outline the many reasons for the motivation to taxidermy species, from science and fashion to a showcase of virility. Poliquin offers “seven incentives—what I call narratives of longing—that impel the creation of taxidermy: wonder, beauty, spectacle, order, narrative, allegory, and remembrance…As the very word longing suggests, fulfillment is always just beyond reach.”

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Each chapter of “The Breathless Zoo” is devoted to one of these longings and provides historical origins with a fascinating variety of photographs of taxidermic animals. The chapter focusing on “spectacle” as motivation covers Henri Rousseau‘s famous jungle and savage lion attack paintings, which were modeled after taxidermic displays, and continues to explain the anatomical and cultural aspects of the taxidermic lion. Poliquin’s book searches to find and explain truths about an ancient and continuing art that transcends time and place.

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“The Breathless Zoo” is expected to be published 17 August—other taxidermy galleries and resources are available on Poliquin’s website.


Suzie by Colonel

Vintage beach chairs repurposed as modern indoor lanterns
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More than just bringing the outdoors in, French design studio Colonel recreates a bygone era of carefree beach bumming and camping that’s infinitely more subtle than the theme-party decor such a notion might conjure. Founders Isabelle Gilles and Yann Poncelet reference vintage outdoor gear throughout their collections, from the umbrella-like Faced floor lamps to the oversized, vibrantly printed canvas and metal chair called Caracas.

The retro beach vibe shines through in the cheerful Suzie collection of suspension and floor lanterns for inside the home. Made from the plastic bands of ’60s-era American camping chairs which are hand-sewn over metal frames, each of the lights comprises a unique combination of colors and geometric patterns. While the repurposed lounger parts are recognizable at close glance, their overall effect makes for a thoroughly clean and modern accent in an interior scheme, whether it’s waterfront or not.

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Suzie lamps and pieces from other Colonel collections are available to order through their website.


CH Capsule Video: Printemps Holiday Windows by Karl Lagerfeld

Our interview with the creative mastermind behind Paris’s most fantastic holiday installation

When Printemps invited us to Paris to interview Karl Lagerfeld about his designs for their holiday windows, we jumped on the opportunity. During our brief time with the cultural icon we talked about holidays, process and his abundance of creative resources. Just in time for the season, we present our latest video featuring the man who doesn’t care about holidays at all.


Beldi

A new online shop celebrating the tradition of Moroccan craftsmanship

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Famous for colorful souks where artisans peddle handmade goods, Morocco hasn’t been spared the effects of Westernization. To help keep the craftsmanship heritage alive, Aimee Bianca and her Moroccan husband Chafiq Ennaoui came up with Beldi, a country-specific online shop highlighting select housewares and accessories. Explaining they noticed “more and more cheap plastic stuff from China in peoples’ homes” when visiting Morocco, the pair not only expose the country’s finely crafted objects to the world, they also give online shoppers a fresh destination for items that are often difficult to source.

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Spanning classic Moroccan rugs to bathwares and leather accessories, Bianca says because Ennaoui grew up in the medina of Marrakech, “almost everything we have is from people Chafiq knows personally, some of the artisans he originally knew through his grandfather or since he was a child.” Future inventory will include items from different areas around the country, tapping each region’s distinct artistry.

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Similar to stores such as Kiosk, RS Too and even Opening Ceremony, part of Beldi’s appeal comes from finding artisans who would not otherwise be able to sell beyond their geographical border, bringing their skills into the limelight. But because of the way Moroccans conduct business—”everything’s done by bargaining, and can be a long process of meeting multiple times, drinking tea and finally coming to an agreement”—Bianca and Ennaoui also serve as gateway to a buying process the average tourist wouldn’t always experience.

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With aspirations to one day be as all-encompassing as Lisbon’s famed A Vida Portuguesa boutique, Beldi is already starting off as a beautiful celebration of a culture with a long history of handmade goods and artisinal craftsmanship. Keep an eye out for more to come from the many regions around Morocco.


Bellerby Desk Globes

London’s expert craftsman releases limited-edition globes with exquisite hand-painted detailing

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A young operation, Peter Bellerby’s globe-making concern resurrects an ancient art form. During our studio visit early last year in London’s Stoke Newington neighborhood, Bellerby intimated he’s one of those perfectionist types. If he’s not satisfied with what’s on offer, he sets out to do it himself. Such is the story behind Bellerby Globes. When the designer couldn’t find a high-quality orb for his father’s 80th birthday, he simply made his own, catching the eye of Cool Hunting and the luxury lifestyle media.

This month, Bellerby unveils the limited-edition Desk Globe, a smaller, nine-inch version of his handcrafted Plaster of Paris masterpieces. The desk model weighs 2.5 kilos (5.5 pounds), and uses a contemporary scheme with a matte finish on blue oceans and yellow ochre continents. Bellerby, who confided he’s loathe to part with a piece he feels is less than perfect, says he’s pleased with the result. “The prototype is sitting on my desk and I think everyone thinks I’m going a little crazy as I sit here spinning it constantly,” he writes.

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There are three bases available: the standard model, with a stand hewn from American black walnut (£590 or $920); the 1951, made using a 12-foot piece of Japanese oak sourced from a closing London lumber yard; and the W Edition, featuring a base crafted from the inner trunks of walnut trees used for luxury automobile veneers in the 1960s. The globes are being released in a limited run of 250 and only 10 to 15 each of the 1951 and W Edition styles (each £990 or $1,536) will be made. All models ship in a flight case and delivery cost is included for the 1951 and W Edition globes.

To see what’s got Bellerby so transfixed, there’s an eight-second demo reel of the prototype spinning on its axis.


Saporiti Luxury Towers

An opulent box designed to store life’s most precious memories

by Adele Chan

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Presented in Asia two years ago, the first-ever Saporiti Design Award Exhibition showcased the works of nine promising Singaporean designers who were tasked with creatively conceiving luxury towers that would hold, store or display opulent objects.

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The Italian furniture brand awarded the prestigious trophy to Ministry Of Design, a studio whose illustrious works include the the recently opened Club Hotel in Singapore and the branding, landscape and interiors of an emerging boutique hotel in Penang called The Macalister Mansion.

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MOD’s Director of Design, Colin Seah was inspired by Shakespeare’s poem “All the World’s a Stage,” and interpreted the idea of luxurious commodities as life’s precious memories. The agency set about designing six separate containers meant to represent a different stage in life, with each container finished in a material symbolizing that particular stage. “Infant” is crafted from raw pinewood, “Schoolboy” is covered with monochromatic plaid printed on leather, “Lover” is made out of etched smoke mirror, “Soldier” is built from brushed steel, “Judge” has a polished gold-plated finish, and “Pantaloon” is produced in polished petrified timber.

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When pieced together on a metal frame, the containers form one holistic sculpture called the “Luxury Towers.” A specially-designed cover can be placed over to seal the containers in place creating a sturdy object measuring nearly two feet high.

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Saporiti recently completed an remarkable prototype of MOD’s winning entry, and are talking with manufacturers about production. As its name implies, one can expect top-notch workmanship and high quality materials. The lavish boxes make for a beautiful way to stow equally valuable mementos and sentimental belongings.


Maison & Objet Fall 2011, Part Three

Six artisans showing the creative side of elegant craftsmanship

Parts one and two of our Maison & Objet coverage looked to the fully materialized innovations in furniture and sustainable design, but one of most inspiring sections of the expo is the area dedicated to arts and craft. In this sector creativity reigns, and each artist’s distinct know-how turns raw materials into unique collectibles, sophisticated jewelry, intriguing lamps and more. Each object tells a story, many of the hands that made them.

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Observing the world through ancient and forgotten optics, Dominic Stora’s kaleidoscopes, optical games and early animation devices like the phenakistoscope are as much an objet d’art as they are an entertaining toy. His range of unearthed spy devices and more can be purchased by contacting Stora at apreslapluie[at]orange[dot]fr.

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Based in Brittany, French artist Pauline Bétin creates beautifully fragile glass sculptures. Imprisoned in the blocks are dreamlike images that seemingly float within the glass, half erased and half embedded within the material. Featuring landscapes or urban industrial environments, the artist works with both mediums to explore the mysteries of opacity and illumination. Bétin sells her decorative objects under the moniker La Fabrique du Verre.

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Poetic stories to get kids to sleep is what the paper lampshades and other enlighten paper figures created by Papier à êtres tell. The couple behind the company is both paper craftsmen and artists and most of their creations are made out of their own homemade cotton or linen paper production.

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The graceful white figures and handblown lighting sculptures borrow their soft charm from the folded paper they are made from. Inspired by fairy tails, the mini tree-hut lamps and moon-like suspension lamps featuring tiny swinging figures are known to enchant a child’s room or the Parisian Opera House.

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Parisian Aude Tahon tells stories of princesses with her refined ultra-feminine floral jewlery. Handmade using the traditional Korean technique of knotting twisted silk yarns or by braiding cotton threads, the artist makes airy rings, bracelets and other creative body accessories.

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A trained architect, ceramist Beatrice Bruneteau creates contrasting sandstone and porcelain housewares under the name Brune.

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Inspired by rock, cliffs and tree bark, her smooth tea sets and attractive flower pots reflect her talent for pottery, while the willowy tree branches simply allow anyone to elegantly bring a bit of nature indoors.

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Marseille-based Jean-Pierre Giusiano turns everyday objects into functional works of art. Kitchen utensils, bicycle pieces or gear boxes are given new life as desk lamps, coffee tables or stools.


ByKenyan

Handpicked Americana style for the home now available online
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ByKenyan‘s Kenyan Lewis has more than an exceptional eye for antiques. Together with his partner Grace Kelsey, the two live and breathe the Americana lifestyle—from their beautifully rustic home and interior design projects to prop styling and selection of collector’s items discerningly sourced from around the U.S. For those looking for a dose of their style, you no longer have to be a ByKenyan client to achieve it. An assortment of these one-off rare finds now sell online from Gargyle, along with a forthcoming video series featuring the handsome twosome as they “shop for the goods.”

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Products currently up for purchase span a 1920s oil field workers’ tape-measure divided into 10ths, glass apothecary vessels, a Russian “Amepnka” (America) letterpress stamp and 1940s Marx dump trucks—which you maybe have seen on display at our ByKenyan-designed holiday pop-up shop for the Gap last year.

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The Gargyle selection will rotate monthly, but for those who don’t want to wait to see what’s up next, ByKenyan also offers a personalized furniture shopping and home merchandising services. To see where Kenyan and Grace find some of their classic decor, tune into the upcoming episode of HGTV’s “My Favorite Place” which will air 30 July 2011 at 6pm.


Zombie Snow White Macbook Decal

The quintessential Disney princess gets a morbid makeover

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While looking for a way to jazz up my plain white Macbook, I came across this zombified Snow White sticker. And what is she holding? The infamous Apple logo, of course! Being an undead enthusiast, I ordered on on the spot.

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The sticker is made of die-cut pressure-sensitive adhesive vinyl and eco-solvent inks. It is easily applied and removed and can be ordered in any size to fit your laptop, iPad, iPod or iPhone perfectly. For those who don’t like their Disney princesses undead, but still want a twist on the original, Snow White is available in “goth” guise as well. The decals are priced from $7-$20 depending on the device, and can be purchased on Etsy.


BNO Design

Benjamin Noriega-Ortiz marries comfort and beauty in interior design

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Benjamin Noriega-Ortiz’ personality is so effervescent it seemed to trail behind him recently when, dressed in floral Doc Martens and a straw hat, he led a group of journalists on a detailed tour of the Mondrian SoHo, his latest and third installment for the luxury hotel brand. Greeting each hotel employee he came across with a genuine smile, Noriega-Ortiz’ warmth and generosity spills over, coming through in the interiors he designs as well. In the case of the NYC location, the industry vet took a more whimsical approach than the sober-hued Los Angeles and Scottsdale properties. Rooms splashed in blue paint and fantastical furniture inspired by John Cocteau’s highly-visual film “La Belle et Le Bête” give the high rise’s interiors a sense of enchantment.

To lend even more magic to the atmosphere, Noriega Ortiz also custom designed over 60 pieces of furniture. In part because furniture provenance bores him, the designer (who holds Masters degrees in both architecture and urban design) prefers to design his own whenever he can.

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Treating his own home as a place for experimentation, when it comes to clients Noriega-Ortiz bases his decisions on intuition and years of experience, studying the location to start generating ideas about what the experience should be like. “I develop a storyline that guides the design,” he explains. “It’s kind of like a script for a movie.” Once he’s settled on plot, color comes next to set the mood.

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While the Puerto Rican-born designer feels color is extremely important in making a space feel theatrical—such as the Mondrian Soho’s seductive French blue—sometimes the absence of color elevates interiors into “living works of art.” Treating each space as a painting, Noriega-Ortiz says he creates “backgrounds for life to flourish in” and they are not the star, but that “the entire environment, which includes the user, is art.”

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Whether designing Lenny Kravitz’s downtown pad or swanky Parisian boutiques, Noriega-Ortiz prefers to work within a compact urban environment, and tends to leave his signature touch in the form of feathers. Passing by one of his feather lamps on the tour with a giggle, he later offered, “I love the way they move with the air as you walk by, it makes me smile. I use them almost exclusively with lighting because light travels so smoothly through the material.”

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The feathers are also a spot-on metaphor for Noriega-Ortiz; calm and breezy, functional yet playful, he continues to surprise clients and guests with his surreal environments. His real talent could be simply summarized in his explanation of his design background, “In architecture you learn to create and design an object; in urban design you create and design a space (the void) and the textures around it. That is why the combination of the two really becomes interior design.”