Super Punch Tarot Cards

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In celebration of their third anniversary, art and design site Super Punch paired selected artists with a deck of tarot cards for a creative spin on the typically mystical illustrations featured on the average deck.

The collection runs the style gamut—from anime-saturated Six of Cups to the Art-Deco Tower, the dizzyingly wide range of designs make an enjoyable trek through today’s imaginations.

Super Punch will continue to add to the pack until April 2010, and while the project includes the work of selected artists, they invite anyone to submit and offer a template online. The resulting deck gets a feature on Endless Cards.


Fax Ex-Machina

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To get around Brazil’s convoluted customs procedures and expensive tax laws that govern importing and exporting art, Brazilian collective Autista and British gallery KK Outlet turned to the fax machine to transport art across oceans for a new show called “Ex-Fax Machina.”

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At last Thursday’s opening Brazilian artists Ramon Martins, Eduardo Recife, Elisa Sassi and Carlos Dias made drawings and faxed them to London’s KK Outlet Gallery, while U.K.-based artists Andrew Clark, Billie Jean, Mcbess and Jimmy Turrell faxed their completed drawings to Gallery Pop in São Paulo. Flaunting Brazil’s 50% tax on any cultural item sent or received (the strict rules have prevented both NYC’s Met and MoMA from lending pieces in the past), the pieces now hang on both galleries’ walls through 26 March 2010.

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To further demonstrate their point, KK Outlet installed a fax machine dedicated to receiving faxes from all over the world. Select faxes will be included in the show and they’ll accept them (at +44 (0) 207 739 0396) through the end of the show.<

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Artists’ faxes sell for about $45 in England and $28 in Brazil.

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Faxes by the public will also be for sale for $15, which will be donated to non-profit group Viva Rio.


Asymbol Gallery

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Breaking out of the conventional mold for successful athletes, snowboarder Travis Rice opened the online art gallery Asymbol early this year with a program of fine art featuring extra love for action sports. One of the most renowned and talented shredders around, Rice pushes the edge of possibility and sanity on the snow and now applies that same tactic to highlighting talented artists.

Created in collaboration with artist Mike Parillo, the Jackson Hole-based duo showcase selected artists in a limited-edition format.

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Asymbol came about as an extended “thank you” to the many photographers and image-makers inspired by the sport, who in turn inspire the athletes. “The effort it takes to produce a picture worthy of hanging on a wall is humbling. Asymbol exists to pay tribute to the creative workhorses who have inspired us by making their imagery available to the world,” Rice explains.

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With a web design that imitates a gallery space, the Asymbol site makes viewing the work approachable and intuitive. It includes brief biographies of each artist and illuminating histories of individual pieces. A comical yet helpful guide on sizing features Chewbacca, Mr. T, Miss Piggy and Chucky as models.

Separated into photographs and artwork, both categories show a range of imagery, subjects, emotions and styles, but maintain a cohesive feel as a whole. From Jeff Curtes‘ melancholy “Chairlift” photograph (and the adrenaline-drenched chaos of a heli-drop in his “The LZ,” pictured above) to Jamie Lynn’s colorful “Moonlit Polihale” painting, each takes the viewer to a rare moment in time that many don’t often get to experience.

See more artwork after the jump.

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Standouts include Adam Haynes‘ “Silverton” painting, depicting a mountain peak shadowing a dilapidated hut. Haynes painted the piece on wood, and the peeling paint around the edges reveals the surprising medium underneath.

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Nick Russian, a former Lib Tech custom snowboard artist takes his work from the board to canvas, painting surreal mountains and clouds that look like graffiti using a unique layering process. The paintings show slews of dark colors reigned in by dashes of white, resembling hidden words strewn throughout.

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Scott Lenhardt’s “Powers 2000” illustrates a similar penchant for elaborate designs and small brushstrokes. The long, slim canvas (above left) shows a pair yellow trees reflect tentacle-like into the lake below. His “Deer Stream,” by contrast (at right), uses the miniscule strokes to different effect, invoking Botero in their sleek yet absolute lines.

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Parillo’s “Blessing and Confrontations at the Circus Contradiction” fuses bright colors and a collage style. With obsessive details all drawn with pen and covered in acrylics, Parillo’s symmetrical painting overlays science fiction, horror and a classic mural style. Two hands hold eyes, two women crouch, lines of bears and baboons hold machine guns, and an exposed heart sits at the center.

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Asymbol’s current show, “I Am Snowboarding,” is an homage to deceased boarder Jeffrey Lin Anderson. It opened on 14 November 2009, in Anderson’s hometown of Mammoth Lakes, CA, and will travel internationally through May 2010. See their Calendar for further info. The works can also be viewed on Asymbol. Each painting is a collaboration between a photographer of Anderson and a painter who revises the original image.

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Proceeds benefit the JLA Memorial Fund, with limited edition prints of 23 each, 44 photographers and artists contributed to the show. Perhaps the most bittersweet piece, “First Day” shows Anderson as a young child posing with his board over a cartoon mountain. It smartly leaves Anderson largely unchanged—sharpied “JEFF”s remain clear on the knuckle of each glove—while revising the landscape into bold, simple lines of a snow peak and an orange sky. Anderson died while attempting a snowboarding trick in 2003.

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This is not Rice’s first foray into business. He’s also collaborated with Quiksilver on exclusive outer gear, and Lib Tech worked with Rice to make snowboards praised for their durability and performance. Rice has shown himself as savvy and agile with business as he is on a board.

Asymbol also has a strong environmental streak, contributing 5% of all proceeds to the Action Sports Environmental Coalition and Protect Our Winters. Says Rice of giving back, “And since we owe the environment we take from while we reap the rewards of its bounty, a portion of our proceeds will be donated to nonprofit organizations that are working to raise environmental and social awareness and accountability in the action-sports world.”

Works sell directly from Asymbol’s site in a variety of sizes, from $300 to $1,300.


Ripped: T-Shirts from the Underground

Images: © Ripped: T-Shirts from the Underground

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A testament to the post-punk art and music scene of the ’70s and ’80s, “Ripped: T-Shirts from the Underground” offers a visual history of the time through rare and one-off t-shirts. From Sonic Youth to Run DMC, the Sex Pistols to The Kinks, Talking Heads to The Cure, and, of course, Van F****** Halen, the tees in Cesar Padilla’s 200-plus piece collection are impressive, to say the least. Padilla, owner of downtown NYC vintage store Cherry and the book’s editor, has been working on the collection since he was a kid. Here, he shares the best of the bunch –glorious sweat stains and all – alongside musings of luminaries of the decades, like fashion designer Betsey Johnson and Sonic Youth’s Thurston Moore, as well as younger fans including singer/songwriter Will Oldham.

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As singer/poet/writer/all-around-agitator Lydia Lunch describes in the book’s introduction, for decades, t-shirts have acted as an “iconic symbol of defiance.” The DIY stylings of many of Padilla’s tees reinforce this sentiment, as do insights from musicians and artists. Commenting on a spread of Sonic Youth shirts, for example, Thurston Moore writes: “A cool t-shirt has no rules, the more unique the better. I was doing solo sets on the 1994 Lollapalooza tour and decided to sell T-shirts that were limited and designed on the spot. I hit Targets and Wal-Marts and bought white Beefy-Ts and magic-markered art and words on them, signed and numbered them, and sold them for a couple of bucks more than I paid.”

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Describing the impetus behind his collection, Padilla concludes, “I grew up in Southern California and was raised by my two sisters. As a consequence, I was on the Sunset Strip at an early age, attending rock shows and being exposed to many things a ten-year-old wouldn’t normally have been exposed to. In 1988, I went traveling to South America. When I returned, my mother had thrown away my rock T-shirt collection, documenting this misspent California youth. Since then, I have been searching for the Holy Grail. This collection is clearly a direct result of such pillaging.”

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Ripped comes out 9 March 2010 and is available now for pre-order on
Amazon
.


Art Fair Survival Kit by 20×200

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photos by Youngna Park

The tradeshows of the art world, art fairs can leave even the most avid art enthusiast feeling deflated by day’s end. To help keep everyone in high spirits during the NYC art marathon that started yesterday, Jen Bekman and the team behind her online art initiative 20×200 will be handing out survival kits packed with a Daily Candy city guide, artist Jason Polan‘s clever hand-drawn map, a “Visual Palate Cleansing System” for the visually overstimulated and much more.

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Packed in only a portion of the totes, a few lucky fair-goers will randomly receive the “Why You Should Buy Art” limited edition print by William Powhida. Dubbed by NY Magazine critic Jerry Saltz as “the second best thing to happen to the art world in 2009,” Powhida is quickly becoming a loud satirical voice for the independently-minded art community. His “Why You Should Buy Art” piece strongly highlights this sentiment (in large part a response to controversy about the New Museum), which provides reasons such as “How else will you become a trustee?” and “Nothing says culture like a bigass painting.”

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To provide attendees with a personal interactive element, 20×200 is holding a Twitter contest for the tote bag. Simply snap a photo of yourself or someone else carrying the survival kit tote and upload it to Twitter or Flickr with the hashtag #20×200 for a five dollar gift card and a chance to win a $200 print from 20×200. They will also give away bonus prints to people spotted carrying the tote at the fairs.

For more information on the NYC art fair festivities, check out The Armory Show website or download the 20×200 map.


Roberto Mollá: Tamatori

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Spanish artist Roberto Mollá‘s latest work, a series of 15 compositions taking up the famous Japanese tale of pearl diver Princess Tamatori (showing at the upcoming Pulse art fair in NYC), puts the artist in the well-populated ranks of other cultural interpreters of the story. Compared to Hokusai’s explicit illustration of the fabled sexual encounter between girl and octopus and more recent examples in manga, film and pornography, however, Mollá’s surreal vision makes for a more restrained telling.

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In fact, it was Mollá’s minimalist graphic style—mixing geometric shapes, delicately realistic pencil renderings, and a sparing use of color—that first caught our eye at the Fountain exhibition in Miami last January. While the work we saw then took up Japanese themes too, these new pieces see the 44-year-old punctuating his grayscale palette with gold instead of red.

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A futuristic tenor, reinforced by Mollá’s use of cream-colored graph paper as a medium and vector-based imagery, nicely plays off the artist’s highly-detailed depictions of sea creatures, like mollusks festooned with tentacles and beautifully scaly Koi fish.

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Inspired by artists such as Dadaist Francis Picabia, Italian Futurists and Russian Suprematist El Lissitzky, Moll#225;’s uses the influence of these art movements to come up with his fresh and personalized style.

Be sure to check out “Tamatori” at Christina Ray Gallery’s (formally GlowLab) booth at Pulse New York, 4-7 March 2010.


Plastiki

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A 60-foot catamaran comprised of recycled PET and reclaimed plastic bottles, Plastiki proves the power of imagination and ingenuity with British eco-adventurist David de Rothschild at the helm.

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More than just a boat, the Plastiki symbolizes how waste can really become a resource, taking on the intimidating task of sailing from San Francisco to Sydney. De Rothschild, inspired by a news story about the “garbage patch” floating in the Pacific Ocean, spent the last several years developing the Plastiki along with “a handpicked crew of leading scientists, adventurers and creatives.”

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Now nearly ready to set sail, the Plastiki and its team have been kitted out by San Francisco-based duo Nice Collective—who decorated the interior of the boat and designed some gear for the crew—as well as Shortomatic, who designed a pair of “Beat Waste” board shorts.

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The range created by Nice Collective includes flags, lighting, storage solutions, tools and clothing—all speaking to the romanticism of the open ocean while performing as functional equipment. Using Jacques Cousteau and Buckminster Fuller as sources of inspiration, Plastiki even incorporates a a geodesic dome as its cabin structure.

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The Plastiki expedition involves stopping at a host of environmental problem areas, beginning with the garbage patch off the coast of California. Other hot spots undergoing the team’s inspection include damaged coral reefs and soon-to-be-flooded islands. The Plastiki website makes it possible to join in on their long journey, with live tracking of the boat and up-to-date information and videos of the team’s findings.


Five Portland Venues



Portland’s influx of musicians is an adored attribute about the city. From the iconic house party to more traditional venues, Portland remains to keep their music scene fresh with an unconventional take on industry standards. Highlighted below are five interesting venues that host some of Portland’s best acts.

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The Woods



Portland’s newest venue is located in a classy up-and-coming southeast neighborhood known as Sellwood. The Woods intends to keep its line-up mostly acoustic and melodic, a suitable genre considering its decorous surroundings and the fact it was formerly a funeral home. Bands can play either in the main chapel area, which is where bodies were shown, or the basement, which was used for embalming and cold storage. While this knowledge could add a creepy air to the proceedings, The Woods is quickly becoming one of the hottest places to play in Portland.

The Artistery



The Artistery‘s all-ages shows are a great way to revisit those bittersweet teen years. Particularly since The Artistery is an actual basement, in an actual house, in southeast Portland. Don’t be fooled by the exterior, their line-up is as talented as any full-blown music hall, including performances by local favorites White Fang and Explode into Colors.

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The Gorge Amphitheater



Surely one of the most spectacular venues in one of the most spectacular natural landscapes in the country, The Gorge Amphitheater seats over 25,000 people and overlooks the mighty Columbia River. Such a magnificent setting inspires truly magical performances. The Gorge has seen acts such as Neil Young, Van Halen, Phish and Ben Harper and Pearl Jam’s iconic box set Live at the Gorge was recorded there. Every year The Gorge hosts the Sasquatch Music Festival, which hosts established as well as emerging bands such as Vampire Weekend and Portland’s own Nurses.

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The Old Church



The Old Church is a uniquely Portland venue. While it is an actual old church available for all the intended purposes, they also rent out the space for distinctly secular events. The building’s soaring ceilings and stained-glass windows offer a hushed and reverent air to everything from weekly Sunday jazz to local bands.

White Eagle Saloon



Portland now bears little resemblance to the rough and tough Wild West town that it used to be, but White Eagle Saloon, located in Portland’s grittier Northeast quadrant, is a great place to lift a pint in nostalgia for those days when drunken sailors were shanghaied onto waiting ships and rouged ladies of the night hollered from upstairs balconies. The saloon features nightly live music of the folk and fiddle variety, as well as a resident ghost that likes to lock unwitting female guests in the ladies restroom.


How Many Billboards? Art In Stead

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All images by Gerard Smulevich

On the heels of Via, the latest project to hit Los Angeles’ public spaces is How Many Billboards?, an earnest strategy by MAK Center for Art and Architecture at the Schindler House bringing art into the everyday discourse. Until the end of March 2010, L.A. will see 21 artworks on billboards spread across areas in and around Hollywood, West Hollywood, Culver City, Westwood and Silverlake.

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In the works since 2006, for the project to happen MAK Center relied on prominent billboard companies to donate space and then commissioned artists like Michael Asher, Kenneth Anger and Renee Green to create thought-provoking images.

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In a city where conflicts between the local government, residents and billboard companies are ongoing, “How Many Billboards?” co-curator and MAK Center Director Kimberli Meyer points out that the difference between public art such as murals and image heavy advertisements is not clearly defined. L.A. has gone through temporary bans keeping new billboards from going up, and outdoor artwork gets lumped in.

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The show will be accompanied by guided bus tours, film and video screenings, as well as panel discussions and lectures. Check the website for more details, including a map of where each of the billboards is located and the artists’ statements about their work.


Animal Collective x Danny Perez: Transverse Temporal Gyrus

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Neither live concert nor art exhibit, Transverse Temporal Gyrus is a site-specific sonic installation featuring Baltimore-hailing band Animal Collective and experimental artist Danny Perez as part of the Guggenheim Museum’s 50th anniversary celebration.

Through sound and video projection, the environment of the Frank Lloyd Wright-designed building becomes psychedelic, distorted and luminous, all designed to pique the senses. Band members and performers will use props and costumes to add to the ambiance of the looping pre-recorded music. “The core elements and colors are worked into the piece in order to unite this room of sound with the inside of your brain,” asserts Animal Collective.

Building off the raw space provided by Contemplating the Void: Interventions in the Guggenheim Museum, the collaboration will transform the museum’s open environment with constant motion at the core of the concept.

The night of immersive performance art will be held 4 March 2010 from 9pm to 12am. Tickets are currently sold out.